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<title>MovieRetriever's : Video Hound's Blog</title>
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<link>http://www.movieretriever.com</link>
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<category>Barks With Bite: Editor's Blog</category>
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<title>&quot;So long and thanks for all the hits!&quot; 
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<b>Jun 05, 2011 </b></td>
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<p>
Loyal MovieRetriever Fans,

</p>
<p>

Sadly, I must inform you of something that you have likely already realized: the site is no longer actively supported. There will be no new blog entries to inform and entertain you. MovieRetriever may find new life in the future, but for now it is what it is. It has been a pleasure providing you with content the past 3+ years.

</p>
<p>

Thank you for letting us serve you.

</p>
<p>

Sincerely,
Mike Tyrkus (Editor)

</p>
                        <a href="http://www.movieretriever.com/blog/1089/so-long-and-thanks-for-all-the-hits-
">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 05 Jun 2011 17:49:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1089/so-long-and-thanks-for-all-the-hits-
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<title>Movie Review: Sucker Punch
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<b>Mar 25, 2011 </b></td>
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<p>
First of all, I refuse to use this review to make obvious jokes at the movie's title (<i>Sucker Punch</i>) or tag line (&quot;You will be unprepared&quot;). What I will say though is that I have seen every Zack Snyder movie (with the exception of <i>The Legend of the Guardians</i>), and <i>Sucker Punch</i> is everything that is good – and bad – about a Zack Snyder film. 
</p>



<p>
<i>Sucker Punch </i>opens with an amazingly cut sequence that sets up the main action of the movie. Baby Doll's (Emily Browning) mother dies, and while trying to fend <a href="http://www.movieretriever.com/blog/1088/movie-review-sucker-punch
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Mar 2011 10:19:45 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1088/movie-review-sucker-punch
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<title>Movie Review: Jane Eyre
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<b>Mar 25, 2011 </b></td>
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<p>
I must admit from the start, I never read the classic novel, <i>Jane Eyre</i>, by Charlotte Bronte. In my high school, we were given several novels to choose between. I went the Steinbeck and Dickens route. That being said, I was not totally unaware of the plot of the book before seeing Cary Fukunaga new adaptation of Bronte's most famous work (there have been over forty-five to date).
</p>



<p>
Of course it is not possible to properly translate a 400 page novel into a two-hour movie. There are always cuts, and creative decisions to be made <a href="http://www.movieretriever.com/blog/1087/movie-review-jane-eyre
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Mar 2011 10:17:01 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1087/movie-review-jane-eyre
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<title>Movie Review: Paul
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<b>Mar 21, 2011 </b></td>
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<p>
What do you get when you cross the two guys responsible for <i>Shaun of the Dead</i>, <i>Hot Fuzz</i>, and the cult hit UK TV Show <i>Spaced</i> with the director of <i>Superbad</i>? The answer is the new film <i>Paul</i>, which is arguably the best comedy to come along in years. 
</p>



<p>
<i>Paul</i> tells the story of two British sci-fi geeks, the author Clive Gollings (Nick Frost) and his friend and illustrator Graeme Willy (Simon Pegg), as they head to San Diego on vacation – and to attend the San Diego Comic Con. After attending the event, <a href="http://www.movieretriever.com/blog/1086/movie-review-paul
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 21 Mar 2011 18:17:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1086/movie-review-paul
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<title>Weekend Box-Office: Limitless Pushes Past; Rango Stays Put; Battle: Los Angeles Fights for the Podium
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<b>Mar 21, 2011 </b></td>
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<p>
Returns dropped off this week overall, but the top five spots played host to three new films and two returning favorites. <i>Limitless</i> debuted at #1, bringing in $19 million; no candle to <i>Battle: Los Angeles</i>' last weekend gross, but not a bad start for the reportedly budgeted $27 million thriller in which Bradley Cooper plays a man obsessed with a drug that brings him all the success he could ever want ... or so he thinks. Meanwhile, <i>Rango</i> held its seat, despite only picking up $15.3 million. Johnny Depp's goofy-looking lizard remains popular enough, <a href="http://www.movieretriever.com/blog/1085/weekend-boxoffice-limitless-pushes-past-rango-stays-put-battle-los-angeles-fights-for-the-podium
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 21 Mar 2011 18:12:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1085/weekend-boxoffice-limitless-pushes-past-rango-stays-put-battle-los-angeles-fights-for-the-podium
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<guid>http://www.movieretriever.com/blog/1085/weekend-boxoffice-limitless-pushes-past-rango-stays-put-battle-los-angeles-fights-for-the-podium
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<title>Movie Review: Limitless
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<b>Mar 18, 2011 </b></td>
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<p>
<i>Limitless</i> is fantastic! I am still excited about this movie even a week after screening it. It is without a doubt, the best movie I've seen in long time. The film stars Bradley Cooper (<i>The</i> <i>Hangover</i>), who proves that he is more than capable of carrying a movie of substance; he is definitely leading man material and I almost need not mention that Robert De Niro has a supporting role in the movie, because Cooper is the one to watch. <i>Limitless</i> is his movie. Aside from Cooper, what I love most about this film <a href="http://www.movieretriever.com/blog/1084/movie-review-limitless
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Mar 2011 16:00:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1084/movie-review-limitless
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<title>Movie Review: Budrus
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<b>Mar 18, 2011 </b></td>
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The film <i>Budrus</i> is a documentary that follows the life of a Palestinian man, Ayed, who is the leader of an ongoing protest in the West Bank against the Israeli army. Ayed and his followers are protesting the barrier that the Israeli army is trying to build along Palestine's West Bank which would separate Israelis from Palestinians which they believe will protect the Israelis from terrorist attacks. One section of the barrier will surround six Palestinian villages, thus cutting the Palestinians off from their land and the olive trees which they rely on for <a href="http://www.movieretriever.com/blog/1083/movie-review-budrus
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Mar 2011 15:57:25 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1083/movie-review-budrus
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<title>Movie Review: Kaboom
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<b>Mar 18, 2011 </b></td>
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When I was a kid, there was just something about Gregg Araki's <i>Doom Generation</i> that I really liked. Now, fifteen years later, after seeing Araki's latest film offering, <i>Kaboom</i>, I don't quite know what to think about Araki or his films any longer.
</p>












	
	
	
	
	
	
	



<p>
<i>Kaboom</i> tells the story of Smith (Thomas Dekker of <i>Terminator: The Sarah Connor Chronicles</i>) and his reawakening of self (both sexual and as an individual) as he traverses life as a college student. Identifying himself as &quot;undeclared,&quot; Smith finds himself lusting at his dense surfer dude roommate Thor (Chris Zylka – who <a href="http://www.movieretriever.com/blog/1082/movie-review-kaboom
/1705329">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Mar 2011 13:17:07 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1082/movie-review-kaboom
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<title>Movie Review: Lord of the Dance 3D
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<b>Mar 17, 2011 </b></td>
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When the whole <i>Riverdance</i> craze hit, I remember being impressed with the dancing a bit, but I never really found it all that interesting. Of course, that was seventeen years ago, and even though I was aware of Michael Flatley's departure to make his own dance show spectacular <i>Lord of the Dance</i> (at that time, it was hard to find anyone who didn't), I wasn't all that impressed. Besides, every movie, TV show, and talk show host took every opportunity to parody it, so it wasn't long before the whole thing seemed to run <a href="http://www.movieretriever.com/blog/1081/movie-review-lord-of-the-dance-3d
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 17 Mar 2011 23:08:49 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1081/movie-review-lord-of-the-dance-3d
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<title>10 Adult Fairy Tale Movies Much Better Than Red Riding Hood or Beastly
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<b>Mar 16, 2011 </b></td>
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In 1979, the British author Angela Carter published the book <i>The Bloody Chamber and Other Stories</i>, leading a movement of rescuing and updating common folklore and fairy tales from their homogenized fate as Disney fodder and children's bedtime reading. The following recommendations (the first one is based on Carter's works) are &quot;adult&quot; fairy tales in that they are unafraid to delve into darker subject matter while still maintaining a spirit of child-like wonder. So, here, in no particular order, are ten adult fairy tales that we think will entertain you a bit more than <a href="http://www.movieretriever.com/blog/1080/10-adult-fairy-tale-movies-much-better-than-red-riding-hood-or-beastly
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 16 Mar 2011 15:55:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1080/10-adult-fairy-tale-movies-much-better-than-red-riding-hood-or-beastly
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<title>Battle: Los Angeles Takes No Prisoners; Rango Settles for #2; Red Riding Hood Claws to 3rd
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<b>Mar 14, 2011 </b></td>
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<p>
If you were looking for action, quirkiness, or romance, you just might have gone to see at least one the top three films this week. <i>Battle: Los Angeles</i> easily held the top spot, beating out last week's winner by a solid $13 million margin. The alien action spectacle made $36 million, over half of its cost to make, in its debut weekend. <i>Rango</i> didn't come close, but at $23.1 million didn't do too shabby for weekend number two. While there's no <i>Twilight</i> currently showing, director Catherine Hardwicke brings up a different supernatural romance in <a href="http://www.movieretriever.com/blog/1079/battle-los-angeles-takes-no-prisoners-rango-settles-for-2-red-riding-hood-claws-to-3rd
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 14 Mar 2011 19:14:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/1079/battle-los-angeles-takes-no-prisoners-rango-settles-for-2-red-riding-hood-claws-to-3rd
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<title>Movie Review: Mars Needs Moms
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<b>Mar 11, 2011 </b></td>
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<p>
Disney's new animated comedy, <i>Mars Needs Moms</i>, follows young Milo (Seth Green) from his quaint suburban home to Mars – a fantastical planet full of alien life and cutting edge space technology. While Milo's Mars bears little semblance to the Mars we've come to know and love in Science class, Milo's aliens have both big heads and their skin tones suggest a popular primary color, so the setup is easy to accept. Throughout, <i>Mars Needs Moms</i> does not seek to break new film ground, as is reminiscent of every heartwarming-children's-space-animation ever, but innovation is <a href="http://www.movieretriever.com/blog/1078/movie-review-mars-needs-moms
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Mar 2011 16:35:04 -0500</pubDate>
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<title>Movie Review: Red Riding Hood
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<b>Mar 11, 2011 </b></td>
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Once a well-worn morality tale of frightening solitude and predatory sexuality (read the original French version in which the girl disrobes before getting into the wolf's bed), the folktale <i>Little Red Riding Hood </i>has evolved into a female empowerment story and has long abandoned the original ending which finds the innocent little girl outsmarted and eaten by a tricky wolf. Walt Disney long ago assured us that all fairy tales end happily and usually with a fair young man waiting to romantically seal the deal. With the first <i>Twilight</i> saga installment, former indie filmmaker <a href="http://www.movieretriever.com/blog/1077/movie-review-red-riding-hood
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Mar 2011 16:31:47 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1077/movie-review-red-riding-hood
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<title>Movie Review: Even the Rain
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<b>Mar 11, 2011 </b></td>
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<p>
Movies about filmmaking can be comedic satires like <i>Tropic Thunder</i>. Or, they can be joyous musicals like <i>Singin' in the Rain</i>. They can even be horror films like <i>Shadow of the Vampire. </i>But rarely do they consist of such powerful human drama and impactful storytelling as in the new Spanish film <i>Even the Rain</i>. Actress turned director Icíar Bollaín has developed the expertly-written script of Paul Laverty into this modern tale of ambition, emotion, and outright survival. Drawing parallels between Spanish imperialism and the modern fight for indigenous rights, <i>Even the Rain</i> follows a <a href="http://www.movieretriever.com/blog/1076/movie-review-even-the-rain
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Mar 2011 16:28:31 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1076/movie-review-even-the-rain
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<title>Box-Office Wrap-Up: Rango Doesn't Mosey, but Sprints to #1 and The Adjustment Bureau Handily Bests Beastly
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<b>Mar 07, 2011 </b></td>
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<p>
It was the battle of the beautiful, the ugly, and the … somewhat odd looking for the top spots this weekend, and leave it Gore Verbinski to bring the tale of a chameleon in way over his bug-eyed head to land solidly in the top spot. <i>Rango</i> bested all in its debut with $38 million to land in 1st. In a distant 2nd (but a not too shabby overall performance), <i>The Adjustment Bureau</i> earned $20.9 million. It appears the sci-fi adventure with Matt Damon and Emily Blunt was a much more interesting romance than <a href="http://www.movieretriever.com/blog/1075/boxoffice-wrapup-rango-doesnt-mosey-but-sprints-to-1-and-the-adjustment-bureau-handily-bests-beastly
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 07 Mar 2011 22:56:22 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1075/boxoffice-wrapup-rango-doesnt-mosey-but-sprints-to-1-and-the-adjustment-bureau-handily-bests-beastly
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<title>Movie Review: Take Me Home Tonight
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<b>Mar 05, 2011 </b></td>
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<p>
Remember the 1980s? If not, perhaps you remember some films of the 1980s-perhaps those of the John Hughes variety? If you do, you probably do not remember a movie exactly like <i>Take Me Home Tonight</i>. In the spirit of John Hughes-esque films (i.e. <i>The Breakfast Club</i>, <i>Pretty in Pink</i>), <i>Take Me Home Tonight</i> is a retro-1980s movie that explores high-school politics despite the fact that its characters are four years removed from it. However, it is done in a way that is quite different from those in the days of the Brat Pack.
</p>












	
	
	
	
	
	
	



<p>
The film's <a href="http://www.movieretriever.com/blog/1074/movie-review-take-me-home-tonight
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<pubDate>Sat, 05 Mar 2011 13:01:55 -0500</pubDate>
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<title>Movie Review: Rango
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<b>Mar 04, 2011 </b></td>
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<p>
The famed visual effects company Industrial Light &amp; Magic (ILM) got their start animating tauntauns and star destroyers in the original Star Wars trilogy. Over the years, they have dazzled audiences with their groundbreaking special effects and industry leading innovation. Now in the year 2011, they have busted out of the special effects game and launched head first into feature film making with spectacular results. Under the guidance of writer/director Gore Verbinski, <i>Rango </i>makes full use of ILM's technical prowess to tell the story of one lone domestic chameleon and his comic misadventures in <a href="http://www.movieretriever.com/blog/1073/movie-review-rango
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Mar 2011 15:06:09 -0500</pubDate>
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<title>Movie Review: The Adjustment Bureau
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<b>Mar 04, 2011 </b></td>
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<p>
What controls life? Fate or Free Will? This is the primary question asked by <i>The Adjustment Bureau</i>. Pretty heady topic for what is an entertaining piece of movie making. Based on the short story, &quot;The Adjustment Team&quot; by Philip K Dick, and written for the screen by writer/director George Nolfi (he wrote both <i>The Bourne Ultimatum</i> and <i>Ocean's 12</i>). The film also marks the third collaboration between Nolfi and star Matt Damon. Though I was interested in the topic of the movie based on the trailers, I didn't realize how fun, and funny, <i>The <a href="http://www.movieretriever.com/blog/1072/movie-review-the-adjustment-bureau
/1704573">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Mar 2011 14:55:20 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1072/movie-review-the-adjustment-bureau
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<title>Movie Review: Beastly
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<b>Mar 04, 2011 </b></td>
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<p>
At first, I wasn't sure if <i>Beastly</i> was simply a terrible movie, or perhaps one of the greatest satires on teen romance fiction I had ever seen. All I know is, for the first fifteen minutes I was almost bursting at the seams trying not to laugh; mostly at lines of dialogue that I'm pretty certain weren't meant to be funny. Add to that a noisy collection of vaguely plot-related &quot;hip&quot; tunes by today's &quot;top&quot; artists, bizarre editing previously only seen when Bingo the Chimp drank an entire case of energy drinks, and dialogue <a href="http://www.movieretriever.com/blog/1071/movie-review-beastly
/1704575">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Mar 2011 14:51:42 -0500</pubDate>
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<title>Interview with Topher Grace and Demetri Martin, stars of Take Me Home Tonight
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<p>
It has been five years since the final episode of <i>That '70s Show</i> aired. A finale that the show's star, Topher Grace (whose films include <i>Traffic</i>, <i>Win a Date with Tad Hamilton</i>, <i>Ocean's 11</i> &amp; <i>12</i>, <i>In Good Company</i>, and <i>Spider-Man 3</i>), only made a brief appearance in (after starring on the show for seven seasons playing the loveable loser Eric Forman, Grace decided not to sign on for an eighth season). Grace is definitely a guy who knows his craft, knows who he is and when it's time to try something new. After <a href="http://www.movieretriever.com/blog/1070/interview-with-topher-grace-and-demetri-martin-stars-of-take-me-home-tonight
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 03 Mar 2011 15:48:39 -0500</pubDate>
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<title>Box-Office Wrap-Up: Gnomeo &amp; Juliet Finally #1; Hall Pass Raunches Past Unknown for #2 
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<p>
Its weekly take might not be the highest it's had since its debut, but the tale of romance between lawn ornaments finally took the top spot at the box office this past weekend. <i>Gnomeo &amp; Juliet</i> made $14.2 million, staking the #1 claim above the Farrelly Brothers' new film <i>Hall Pass</i>. The R-rated comedy made $13.4 million and finished in second place in its debut weekend. <i>Unknown</i> dropped to 3rd with $12.4 million, but Liam Neeson is likely to come back to a role like this … in only two weeks the movie has <a href="http://www.movieretriever.com/blog/1069/boxoffice-wrapup-gnomeo--juliet-finally-1-hall-pass-raunches-past-unknown-for-2-
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 28 Feb 2011 12:15:29 -0500</pubDate>
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<b>Feb 28, 2011 </b></td>
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<p>
While I'm not sure it's something to hang my hat on, but the Farrelly Brothers are in a select group of directors that I can say I've seen every movie they've made (even <i>Osmosis Jones</i>). Think of me what you will, but everyone needs a good mindless comedy with a few gross-out gags sprinkled in for good measure from time to time; especially around this time of year when the winter blues are in full swing. <i>Hall Pass</i> is not an award-winning movie by any means, but it accomplishes everything it sets out to <a href="http://www.movieretriever.com/blog/1068/movie-review-hall-pass
/1706255">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 28 Feb 2011 12:12:07 -0500</pubDate>
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<title>Movie Review: Drive Angry 3D
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<b>Feb 25, 2011 </b></td>
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<p>
<i>Drive Angry 3D</i> is a strange, strange ride. Minutes into the movie I began to wonder what I had gotten myself into. Terrible acting and dialogue; physics-defying stunts and Nicolas Cage mimicking Clint Eastwood's minimalist delivery had me expecting the worst. However, I found that once I suspended my disbelief and went along for the supernatural ride, <i>Drive Angry 3D</i> was far more rewarding than it was not. 
</p>












	
	
	
	
	
	
	



<p>
Cage is Milton, a man searching for his infant granddaughter, taken by a satanic cult. Amber Heard is Piper, who is lovely to look at but <a href="http://www.movieretriever.com/blog/1067/movie-review-drive-angry-3d
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Feb 2011 15:26:36 -0500</pubDate>
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<title>Movie Review: The Housemaid
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<b>Feb 25, 2011 </b></td>
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<p>
Building on the notable commercial success of Park Chan-wook's <i>Oldboy </i>(2003) and Bong Joon-ho's <i>The Host </i>(2006) and <i>Mother </i>(2009), South Korea has risen in stature as the country to beat for a brand of innovative, stylish thriller that was once the province of the ailing Japanese film industry. The rare foreign country in which homegrown movies out-gross the Hollywood juggernauts on a routine basis, Korean films offer a true challenge to the stagnant formulas found in American color-by-numbers thrillers. Martin Scorsese's &quot;Film Foundation&quot; has recently restored Ki-young Kim's 1960 touchstone <i>The Housemaid</i>, one <a href="http://www.movieretriever.com/blog/1066/movie-review-the-housemaid
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Feb 2011 15:19:57 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1066/movie-review-the-housemaid
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<title>MovieRetriever's 100 Greatest Movies: #1 Citizen Kane
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<b>Feb 25, 2011 </b></td>
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&quot;Everything that matters in cinema since 1940,&quot; François Truffaut has suggested, &quot;has been influenced by <i>Citizen Kane</i>.&quot; It is not surprising, then, that <i>Citizen Kane</i> should be one of the most written about films in cinema history; nearly every major critic since André Bazin has felt compelled to discuss it, among them Andrew Sarris, Peter Cowie, David Bordwell, Joseph McBride, and Bruce Kawin. 
</p>
<p>
Of the various critical approaches taken to the film, the most trivial, though in some respects the most common, is to understand <i>Citizen Kane</i> as an only slightly disguised biography of <a href="http://www.movieretriever.com/blog/1065/movieretrievers-100-greatest-movies-1-citizen-kane
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Feb 2011 15:08:05 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1065/movieretrievers-100-greatest-movies-1-citizen-kane
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<title>Your Guide to the Oscar Nominated Short Films of 2011
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<b>Feb 24, 2011 </b></td>
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This year, Shorts International continues to promote the Academy-Award® nominated short films, which are available for screening in several cities across the country, as well as in the UK and Canada. But if you can't make a screening, they are also available on iTunes and On Demand. The shorts are original, thought provoking, funny and fresh, so don't miss them – it's quite a different experience from the predictable fare we mostly get fed at the multiplexes. For more information, and to join the spirit of Oscar® voting and choose your own personal favorites, <a href="http://www.movieretriever.com/blog/1064/your-guide-to-the-oscar-nominated-short-films-of-2011
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 24 Feb 2011 13:50:06 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1064/your-guide-to-the-oscar-nominated-short-films-of-2011
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<title>MovieRetriever's 100 Greatest Movies: #2 The Godfather Trilogy
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<b>Feb 24, 2011 </b></td>
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<p>
Mario Puzo has said that one of the reasons he wrote his novel, <i>The Godfather</i>, was to get out of debt. He was aiming for a best-seller, and he achieved his goal. Published in 1969, the novel sold 500,000 copies in hardcover and more than ten million copies in paperback by the time the film version was released. 
</p>









Paramount Studios bought the film rights to Puzo's sprawling <i>roman à clef</i>, which concerned the history and structure of organized crime in America, in manuscript form. The studio proposed to make the film modestly and update <a href="http://www.movieretriever.com/blog/1063/movieretrievers-100-greatest-movies-2-the-godfather-trilogy
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 24 Feb 2011 10:48:13 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #3 Casablanca
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<b>Feb 23, 2011 </b></td>
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&quot;I have discovered the secret of successful filmmaking,&quot; says Claude Chabrol sarcastically, &quot;Timing!&quot; <i>Casablanca</i> belongs in the vanguard of films created by the era they so flawlessly reflect. Assured and expert, it is not in either substance or style superior to its director Michael Curtiz's <i>Mildred Pierce</i> or <i>Young Man With a Horn</i>. Bogart, Bergman, Rains, and Henreid all gave better performances; of those by Greenstreet, Lorre, Kinsky, and Sakall, one can only remark that they seldom gave any others. Producer Robert Lord categorized the story on the first reading as &quot;a very obvious <a href="http://www.movieretriever.com/blog/1062/movieretrievers-100-greatest-movies-3-casablanca
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 23 Feb 2011 12:08:17 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #4 Gone with the Wind
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<b>Feb 22, 2011 </b></td>
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<i>Gone with the Wind</i>, based on Margaret Mitchell's best-selling novel about the South during the Civil War and Reconstruction, made producer David O. Selznick's name a box-office draw, made the relatively unknown Vivien Leigh an international star, and became the most popular motion picture of all time. 
</p>
<p>
Soon after Selznick bought the movie rights to Mitchell's novel in July 1936, thousands of fan letters began to arrive at Selznick International Pictures, most of them demanding that Clark Gable play the role of Rhett Butler. In order to get Gable, Selznick had to make a <a href="http://www.movieretriever.com/blog/1061/movieretrievers-100-greatest-movies-4-gone-with-the-wind
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 22 Feb 2011 10:51:22 -0500</pubDate>
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<title>Box-Office Wrap-Up: Unknown Identifiable as #1 and I Am Number Four Debuts #2
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<b>Feb 22, 2011 </b></td>
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<p>
Liam Neeson doesn't need to keep shouting for everyone to know what movie he's in: <i>Unknown</i> debuted in the top spot with $21.7 million this weekend. Meanwhile, the sci-fi/romance/action film <i>I Am Number Four</i> made it to 2nd with $19.5 million, narrowly beating out the animated <i>Gnomeo &amp; Juliet</i>. The 3-D family film earned $19.4 million, and remains in 3rd place for the second week in a row. <i>Unknown</i> has fared better critically than its counterparts, but not by an overwhelming majority. 
</p>
<p>





</p>
<p>
Last week's winner <i>Just Go with It</i> fell out of the top <a href="http://www.movieretriever.com/blog/1060/boxoffice-wrapup-unknown-identifiable-as-1-and-i-am-number-four-debuts-2
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 22 Feb 2011 10:44:54 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #5 Lawrence of Arabia
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<b>Feb 21, 2011 </b></td>
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<p>
<i>Lawrence of Arabia</i> has been described as a &quot;thinking man's epic.&quot; The film has all the ingredients of a classic adventure yarn. Typically in epics, these ingredients are showcased to the detriment of character and plot in order to keep the action rolling. But in David Lean's epic, the title character and the political machinations surrounding his exploits take center stage; what's more, he remains an enigma even as the final credits fade to black.
</p>
<p>
Like the vast, arid landscape that, in the words of Alec Guinness's Prince Feisel, proves such a mystical allure for <a href="http://www.movieretriever.com/blog/1059/movieretrievers-100-greatest-movies-5-lawrence-of-arabia
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 21 Feb 2011 22:49:29 -0500</pubDate>
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<title>Movie Review: Unknown
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<b>Feb 18, 2011 </b></td>
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<p>
By the time Liam Neeson yells &quot;I'm Martin Harris!&quot; for about the 458th time, you'll believe it. But is he, really? For those who have watched the trailer, it wouldn't be much of a stretch to assume that director Jaume Collet-Serra's <i>Unknown</i> is the second coming of <i>Taken</i>. For one, it stars Neeson as an angry man searching for answers; for another, it makes Europe look like the worst place to spend your next vacation. In truth, it is not: instead of an action-packed (and surprisingly enjoyable) revenge fantasy film, what we get is <a href="http://www.movieretriever.com/blog/1058/movie-review-unknown
/1706266">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Feb 2011 12:05:52 -0500</pubDate>
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<title>Movie Review: Cedar Rapids
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<b>Feb 18, 2011 </b></td>
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<p>
<i>Cedar Rapids </i>is a coming of age story, but this time it's about an adult. Tim Lippe (Ed Helms, <i>The Office</i> and <i>The Hangover</i>) is a dedicated but &quot;small town naïveté&quot; insurance salesman who is forced to go to the &quot;Big City&quot; of Cedar Rapids, Iowa to make a presentation to help capture an award that his firm considers the holy grail of insurance recognition. So begins an odyssey of such hilarity that you just can't help but enjoy this new comedy from director Miguel Arteta (<i>Youth in Revolt</i>) who makes the most of <a href="http://www.movieretriever.com/blog/1057/movie-review-cedar-rapids
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Feb 2011 12:03:23 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #6 Singin' in the Rain
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<b>Feb 18, 2011 </b></td>
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<p>
Traditionally, the film musical is said to have reached its pinnacle in the 1950s at MGM studios. The creative personnel at MGM responsible for this perfection were Arthur Freed, Vincente Minnelli, Stanley Donen and Gene Kelly. The &quot;golden era&quot; began with <i>On the Town</i> (1949) and ended with <i>Gigi</i> (1958); between were <i>An American in Paris</i>, <i>Singin' in the Rain</i>, <i>The Bandwagon</i>, <i>Seven Brides for Seven Brothers</i>, <i>It's Always Fair Weather</i>, and <i>Funny Face</i>. With the exception of <i>On the Town</i>, all were originally conceived for the screen. They were, in a sense, the <a href="http://www.movieretriever.com/blog/1056/movieretrievers-100-greatest-movies-6-singin-in-the-rain
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Feb 2011 11:54:07 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #7 La règle du jeu
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<b>Feb 17, 2011 </b></td>
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<p>
Detested when it first appeared (for satirizing the French ruling class on the brink of World War II), almost destroyed by brutal cutting, restored in 1959 to virtually its original form, <i>La règle du jeu</i> (<i>The Rules of the Game</i>) is now universally acknowledged as a masterpiece and perhaps Renoir's supreme achievement. In the four international critics polls organized every ten years (since 1952) by <i>Sight and Sound</i>, only two films have been constant: one is <i>Battleship Potemkin</i>, and the other is <i>La règle du jeu</i>. And in the 1982 poll <i>La règle du <a href="http://www.movieretriever.com/blog/1055/movieretrievers-100-greatest-movies-7-la-r&atilde;&uml;gle-du-jeu
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 17 Feb 2011 10:17:13 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #8 The Wizard of Oz
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<b>Feb 16, 2011 </b></td>
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<p>
&quot;By courtesy of the wizards of Hollywood <i>The Wizard of Oz</i> reached the screen yesterday as a delightful piece of wonderworking which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones,&quot; begins Frank Nugent's review of <i>The Wizard of Oz</i> in <i>The New York Times</i>. Produced and distributed by MGM at a cost of $2.5 million, the film is a tribute to the Hollywood style and system of filmmaking. It was a bit of &quot;wonderworking&quot; indeed, as this fantasy film would forever alter the course of the Hollywood <a href="http://www.movieretriever.com/blog/1054/movieretrievers-100-greatest-movies-8-the-wizard-of-oz
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 16 Feb 2011 09:54:39 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #9 L'Atalante
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<b>Feb 15, 2011 </b></td>
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<p>
The subject of <i>L'Atalante – </i>Vigo's only feature-length film, completed just before his death – was not of his own choosing. The interest of the film lies in his engagement with material that was partly congenial in its unconventionality (life on a barge, with its freedom from the restrictions of established society, its alternative community of unsocialized eccentrics), and partly highly conventional (problems of the heterosexual couple, mutual adjustment to marriage, break-up and reunion). The subject enabled him to develop the affectionate examination of anarchic behaviour already expressed in <i>Zéro de conduite</i>, but within <a href="http://www.movieretriever.com/blog/1053/movieretrievers-100-greatest-movies-9-latalante
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 15 Feb 2011 10:15:10 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #10 On the Waterfront
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<b>Feb 14, 2011 </b></td>
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<p>
The genesis of <i>On the Waterfront</i> is nearly as fascinating as the film itself. In April 1948, a New York dock hiring boss was murdered; it was the second killing in a short time. Reporter Malcolm Johnson was assigned by the now-defunct <i>New York Sun</i> to cover the story. Johnson's initial inquiries developed into a full investigation of waterfront crime. His findings were revealed in a series of 24 pieces, called &quot;Crime on the Waterfront,&quot; published in the <i>Sun</i> between 8 November–10 December 1948. The exposé revealed rampant thievery, bribery, shake-downs, kickbacks, payoffs, shylocking <a href="http://www.movieretriever.com/blog/1052/movieretrievers-100-greatest-movies-10-on-the-waterfront
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 14 Feb 2011 11:10:52 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1052/movieretrievers-100-greatest-movies-10-on-the-waterfront
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<title>Box-Office Wrap-Up: Moviegoers Contract Bieber Fever and Trust in Sandler 
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<b>Feb 14, 2011 </b></td>
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<p>
Well, the top four films this week actually belong to new releases, but with a nearly $17 million gap between the 3rd and 4th spot, it's safe to say the Top 3 did very well for themselves indeed. Adam Sandler and Jennifer Aniston took the lead at the box office with <i>Just Go with It</i>, the romantic comedy taking in $31 million this weekend. Not far behind is <i>Justin Bieber: Never Say Never</i>, the musician's 3-D, G-rated biopic making $30.2 million. <i>Gnomeo &amp; Juliet,</i> another 3-D G-rated film, came in 3rd with $25.5 million, <a href="http://www.movieretriever.com/blog/1051/boxoffice-wrapup-moviegoers-contract-bieber-fever-and-trust-in-sandler-
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 14 Feb 2011 11:04:59 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1051/boxoffice-wrapup-moviegoers-contract-bieber-fever-and-trust-in-sandler-
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<title>MovieRetriever's 100 Greatest Movies: #11 M.
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<b>Feb 11, 2011 </b></td>
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<p>
Fritz Lang's films are marked by an uneasy tension between moral opposites: light and dark, innocence and evil, order and chaos. No subject is too mean or sordid to be outside or beneath human experience or to be illuminated, ultimately, by the vision of the artist. According to Lang, his films are like &quot;the loveliest German fairy tales,&quot; which, despite their beauty, accumulate &quot;an enormous amount of brutality, of cruelty and crime.&quot; Lang explains why this tension works, both in children's stories and in his films: 
</p>

	<p>
	In fairy tales the most simple and most <a href="http://www.movieretriever.com/blog/1050/movieretrievers-100-greatest-movies-11-m
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Feb 2011 08:38:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1050/movieretrievers-100-greatest-movies-11-m
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<title>Movie Review: Just Go with It
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<b>Feb 11, 2011 </b></td>
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<p>
<i>Just Go with It </i>is from the production team Happy Madison which has been together a very long time and has successfully brought moviegoers most of Adam Sandler's films, but this magical team has apparently lost its charm and if Sandler expects to continue making successful movies I would suggest he take a long hard look at this film and have an honest conversation with himself. <i>Just Go with It</i> may just signal the end of Sandler's instant hit status and I would be shocked the film does any business beyond opening weekend. Yes, <a href="http://www.movieretriever.com/blog/1049/movie-review-just-go-with-it
/1706258">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Feb 2011 08:35:52 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1049/movie-review-just-go-with-it
/1706258</link>
<guid>http://www.movieretriever.com/blog/1049/movie-review-just-go-with-it
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<title>Movie Review: Gnomeo &amp; Juliet
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<b>Feb 11, 2011 </b></td>
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<p>
We live in the Age of Pixar where the art of animation has been elevated to its highest form yet. The real genius of that small California start-up was twofold. They combined the latest high-end computer graphics with primal emotional story-telling to create such cinematic gems as <i>Toy Story,</i> <i>Finding Nemo</i>, and <i>WALL-E</i>. This bodes well for moviegoers young and young-at-heart but sends chills down the back of any film exec daring to wade into Pixar's pond. It is in this environment that Starz Animation and director Kelly Asbury bring the classic Shakespearean tragedy <a href="http://www.movieretriever.com/blog/1048/movie-review-gnomeo--juliet
/1706253">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Feb 2011 08:32:35 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1048/movie-review-gnomeo--juliet
/1706253</link>
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<title>MovieRetriever's 100 Greatest Movies: #12 Schindler's List
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<b>Feb 10, 2011 </b></td>
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<p>
The initial skepticism surrounding Steven Spielberg's directorial undertaking quickly dissipated when <i>Schindler's List</i>, an alarmingly powerful and affecting tale of an unlikely German-Czech industrialist who manages to save 1,100 Jews from the Nazi death camps, hit theater screens late in 1993 during the holiday season. In March of the following year, Spielberg won an Academy Award for &quot;Best Director&quot; and <i>Schindler's List</i> went on to win &quot;Best Picture.&quot; But the climb to capture the Academy of Motion Picture Arts and Sciences' most prestigious award – Best Director – has been a long (twenty years) <a href="http://www.movieretriever.com/blog/1046/movieretrievers-100-greatest-movies-12-schindlers-list
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 10 Feb 2011 09:51:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1046/movieretrievers-100-greatest-movies-12-schindlers-list
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<title>MovieRetriever's 100 Greatest Movie: #13 The Children of Paradise
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<b>Feb 09, 2011 </b></td>
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<p>
Marcel Carné described his greatest work, <i>Les enfants du paradis</i> (<i>The Children of Paradise</i>), as a &quot;tribute to the theatre,&quot; and the story breathes with the very life and soul of French theatrical tradition. Three of its characters are based on historical personages famous during the reign of Louis-Phillippe (two actors, the pantomimist, Debureau and the ambitious romantic actor, Frederick Lemaître, and a debonair but ruthless criminal known as Lacenaire). Their meeting ground is Paris in the vicinity of the Théâtre des Funambules, in the Boulevard du Temple, sometimes called the Boulevard du Crime <a href="http://www.movieretriever.com/blog/1045/movieretrievers-100-greatest-movie-13-the-children-of-paradise
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 09 Feb 2011 10:07:45 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1045/movieretrievers-100-greatest-movie-13-the-children-of-paradise
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<title>MovieRetriever's 100 Greatest Movies: #14 The Graduate
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<b>Feb 08, 2011 </b></td>
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<p>
<i>The Graduate</i> is significant for three reasons. First, it is a major work by director Mike Nichols, who is characteristic of what the French call an auteur. (He is in complete control of his films and they contain consistent themes and elements of style.) <i>The Graduate</i> was Nichols's second film after he directed <i>Who's Afraid of Virginia Woolf?</i>, and it won him an Academy Award for best film director of 1967. 
</p>
<p>
Second, the film was very popular with young people. The Vietnam War was escalating, and many young people were questioning not only the <a href="http://www.movieretriever.com/blog/1044/movieretrievers-100-greatest-movies-14-the-graduate
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 08 Feb 2011 10:09:20 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1044/movieretrievers-100-greatest-movies-14-the-graduate
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<title>MovieRetriever's 100 Greatest Movies: #15 It's a Wonderful Life
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<b>Feb 07, 2011 </b></td>
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<p>
When Frank Capra returned to Hollywood after coordinating the <i>Why We Fight</i> propaganda series during the war, he resumed the total artistic control over his films for which he had fought during the 1930s. <i>It's a Wonderful Life</i> was made for Liberty Films, the production company organized by Capra, George Stevens, William Wyler and Sam Briskin. The film exemplifies the concept of the independent producer-director, and Capra has called it his favorite film. In the year of its release its importance was overshadowed by Wyler's <i>The Best Years of Our Lives</i> (not made for <a href="http://www.movieretriever.com/blog/1043/movieretrievers-100-greatest-movies-15-its-a-wonderful-life
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 07 Feb 2011 13:11:45 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1043/movieretrievers-100-greatest-movies-15-its-a-wonderful-life
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<title>
Box-Office Wrap-Up: A New Roommate and Sanctum Hold Top Spots

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<b>Feb 07, 2011 </b></td>
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<p>
Apparently, it's not only January releases that find themselves the target of critics … the two top films of the weekend were both new releases on Friday (in February), and critics and audiences alike aren't finding much to like about them. <i>The Roommate </i>opened in 1st with $15.6 million, the teen-aimed thriller drawing in both money and the ire of the reviewers. And despite James Cameron's name attached to the project (though only as a producer), <i>Sanctum</i> came in 2nd with $9.2 million. The action-adventure based on true events has earned praise for its <a href="http://www.movieretriever.com/blog/1042/
boxoffice-wrapup-a-new-roommate-and-sanctum-hold-top-spots

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 07 Feb 2011 13:06:25 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #16 Greed
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<b>Feb 04, 2011 </b></td>
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<p>
Frank Norris' novel <i>McTeague</i> was the basis for Erich von Stroheim's film <i>Greed</i>. Though he had purchased the rights to it, he never got the production off the ground until Irving Thalberg, disgusted with von Stroheim's method of extravagant production on <i>Merry-Go-Round</i>, quarrelled with him, and von Stroheim was dismissed as Universal's most prestigious director/producer. It did not take long for von Stroheim to sign with Goldwyn studios, where it was soon announced that his first production would be a film depiction of <i>McTeague</i>. 
</p>
<p>
The Norris novel is a dramatic and sordid but realistic <a href="http://www.movieretriever.com/blog/1041/movieretrievers-100-greatest-movies-16-greed
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Feb 2011 10:18:24 -0500</pubDate>
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<title>
MovieRetriever's 100 Greatest Movies: #17 Sunset Boulevard 

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<b>Feb 03, 2011 </b></td>
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<p>
Between 1950 and 1952, Hollywood produced a cycle of classic films that looked at the business of making movies: <i>Singin' in the Rain</i>, <i>The Bad and the Beautiful</i>, and <i>Sunset Boulevard</i>. Of the three, the latter gives the darkest view of the motion picture industry. 
</p>
<p>
The first two films chronicle success and failure, while <i>Sunset Boulevard</i> deals only with decline. It is, in fact, a sort of mirror image of <i>Singin' in the Rain</i>, a film which was concerned with the problems caused by the coming of sound to the movies. In <i>Singin'</i> one <a href="http://www.movieretriever.com/blog/1040/
movieretrievers-100-greatest-movies-17-sunset-boulevard-

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 03 Feb 2011 09:57:41 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #18 The Star Wars Saga 
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<b>Feb 02, 2011 </b></td>
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<p>
In terms of scope, the <i>Star Wars</i> films [editor’s note: while this essay discusses the Star Wars Saga as a whole, it focuses mainly on the first three films (or episodes IV-VI) and only briefly touches on the later films released in the series] are a modern equivalent to <i>The Iliad</i> or <i>The Odyssey.</i> Not only do they depict a mythic history in the form of an epic narrative, they also tell a personal tale of courage and cowardice, adventure and romance. Supported by a dazzling display of special effects and cinematic technology, the <a href="http://www.movieretriever.com/blog/1039/movieretrievers-100-greatest-movies-18-the-star-wars-saga-
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 02 Feb 2011 17:57:43 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1039/movieretrievers-100-greatest-movies-18-the-star-wars-saga-
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<title>MovieRetriever's 100 Greatest Movies: #19 The Night of the Hunter
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<b>Feb 01, 2011 </b></td>
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<p>
Published in 1953, Davis Grubb's Depression-era novel, <i>The Night of the Hunter</i>, about a serial killer preacher in relentless pursuit of two orphans in order to get a cache of stolen loot in their possession shot to the top of the bestseller list and stayed there for months. The book was brought to the attention of Charles Laughton by the actor's business associate, producer Paul Gregory. Though still in demand as an actor on the stage, Laughton's movie career had hit the skids; he wanted to make the transition to movie director. Gregory thought <a href="http://www.movieretriever.com/blog/1038/movieretrievers-100-greatest-movies-19-the-night-of-the-hunter
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 01 Feb 2011 10:30:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1038/movieretrievers-100-greatest-movies-19-the-night-of-the-hunter
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<title>MovieRetriever's 100 Greatest Movies: #20 Tokyo Monogatari
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<b>Jan 31, 2011 </b></td>
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<p>
Film historians have long singled out three major directorial talents from Japan: Akira Kurosawa, Kenji Mizoguchi, and Yasujiro Ozu. And, at least in the West, and to almost as great a degree in his own nation, <i>Tokyo Story</i> (<i>Tokyo Monogatari</i>) stands for the best in Ozu's nearly forty-year career, a superior example of a filmmaker at the height of his powers. 
</p>
<p>
The narrative of <i>Tokyo Story</i> seems straightforward and simple enough. An elderly couple, living by the sea in Onomichi in the south of Japan, go to visit their grown up children in Tokyo, <a href="http://www.movieretriever.com/blog/1037/movieretrievers-100-greatest-movies-20-tokyo-monogatari
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 31 Jan 2011 13:00:45 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1037/movieretrievers-100-greatest-movies-20-tokyo-monogatari
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<title>A Horror Fan Hopes for the Best from Scream 4
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<b>Jan 28, 2011 </b></td>
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<p>
When the first <i>Scream</i> movie came out in 1996, it completely changed the way I watched horror films. The writing was so original and so clever that it really raised my expectations for the horror genre. Sure, I was still happy watching a cheesy B-grade slasher flick, but deep down I've been yearning for something more ever since I first saw <i>Scream</i>.
</p>
<p>





</p>
<p>
The rules of horror movies and the rules of horror movie sequels are great premises for a smart horror flick. But, after <i>Scream 2</i> something horrible happened – writer Kevin Williamson wasn't directly <a href="http://www.movieretriever.com/blog/1036/a-horror-fan-hopes-for-the-best-from-scream-4
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 Jan 2011 16:29:34 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1036/a-horror-fan-hopes-for-the-best-from-scream-4
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<title>Movie Review: The Rite
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<b>Jan 28, 2011 </b></td>
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<p>
Ah, January. Between <i>Season of the Witch</i>, the DVD release of <i>The Last Exorcism</i>, and now <i>The Rite</i>, it would appear movie makers are trying to turn this quaint wintery time into “Demonic Possession Month.” Yes, winter is known as that time of year when ol’ Satan brushes the snow off his jacket and thinks about all the souls he plans to corrupt, obviously. That aside, as the month draws to a close, so does the season of the “toss out” films, those clearly meant for the post-Oscar season when the studios release their <a href="http://www.movieretriever.com/blog/1035/movie-review-the-rite
/1706263">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 Jan 2011 14:41:46 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1035/movie-review-the-rite
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<title>Movie Review: The Company Men
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<b>Jan 28, 2011 </b></td>
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<p>
<i>The Company Men</i> reveals one of the first glimpses of the financial meltdown, begun in 2008, and the aftermath of this crisis affecting not only the lower and middle classes, but also the upper crust of society. The story chronicles Bobby Walker (Ben Affleck), and his fall from corporate royalty when the recession leaves him and his family jobless. His character had gained so much during the company’s prosperity, but was the first one to lose it all during the corporate downturn. Bobby’s prosperity had ultimately given him false security realized only when his <a href="http://www.movieretriever.com/blog/1034/movie-review-the-company-men
/1705469">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 Jan 2011 14:39:09 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1034/movie-review-the-company-men
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<title>Movie Review: The Illusionist
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<b>Jan 28, 2011 </b></td>
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<p>
Jacques Tati is a national treasure in France and should stand next to Charlie Chaplin and Buster Keaton in the pantheon of singular cinema comedians. That he is not known to most Americans is likely due to never making a film for an English-language audience and his very French approach to humor. In a forty year career he only made nine features, but they are among the most adored and endlessly pleasurable fonts of genteel comedy ever produced, featuring the lanky Tati blithely observing and sidestepping the absurdities of modern life in the classics <a href="http://www.movieretriever.com/blog/1033/movie-review-the-illusionist
/1705880">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 Jan 2011 14:36:04 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1033/movie-review-the-illusionist
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<title>Movie Review: Somewhere
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<b>Jan 28, 2011 </b></td>
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<p>
Sofia Coppola went for broke in her candy-colored historical fantasia <i>Marie Antoinette</i> (2006), the kind of indulgent spectacle a film director only gets to attempt after a significant fan base has been established and awards have been bestowed. Though dubious in its history, Coppola’s version of the French aristocracy as a girl’s sparkle-journal fantasy was a delightful postmodern confection, solidifying her footing as one of a new breed of American talent (alongside Wes Anderson and ex-husband Spike Jonze). Her best work remains the shoegazing epic <i>Lost in Translation</i> (2003), in which comically morose Bill <a href="http://www.movieretriever.com/blog/1032/movie-review-somewhere
/1705502">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 Jan 2011 14:31:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1032/movie-review-somewhere
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<title>MovieRetriever's 100 Greatest Movies: #21 Some Like it Hot
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<b>Jan 28, 2011 </b></td>
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<p>
If there is a candidate for the funniest closing line in cinema history, it must surely be Osgood's declaration &quot;Nobody's perfect!&quot; at the end of Billy Wilder's spoof on sexual role playing, <i>Some Like It Hot</i>. Utterly unshakeable in his love for Daphne and trusting of his passionate instincts, Osgood overlooks all, including gender. 
</p>












	
	
	
	
	
	
	



<p>
Men masquerading as women have been the source of great comic scenes and characters throughout the history of entertainment, whether the sexual identity beneath the garments and makeup was straight or gay. Until recently, men in women's clothes have found <a href="http://www.movieretriever.com/blog/1031/movieretrievers-100-greatest-movies-21-some-like-it-hot
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 Jan 2011 11:17:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1031/movieretrievers-100-greatest-movies-21-some-like-it-hot
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<title>MovieRetriever's 100 Greatest Movies: #22 Psycho
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<b>Jan 27, 2011 </b></td>
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<p>
There are those for whom Alfred Hitchcock is a &quot;master of suspense&quot; the premier technician of the classical narrative cinema; there are those for whom Hitchcock's mastery of film technique, of &quot;pure cinema&quot; as he liked to call it, amount to a species of pandering, or even of an audience-directed cruelty; there are others for whom Hitchcock's fables of emotions trapped and betrayed are seen as self-reflexive, enticing the viewer to participate in the drama of suspense only to call that participation into moral question; and, finally, there are those who find in Hitchcock's <a href="http://www.movieretriever.com/blog/1030/movieretrievers-100-greatest-movies-22-psycho
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 27 Jan 2011 10:26:48 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1030/movieretrievers-100-greatest-movies-22-psycho
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<title>MovieRetriever's 100 Greatest Movies: #23 Rio Bravo
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<b>Jan 26, 2011 </b></td>
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<p>
<i>Rio Bravo</i> is one of the supreme achievements (hence justifications) of &quot;classical Hollywood,&quot; that complex network of determinants that includes the star system, the studio system, the system of genres and conventions, a highly developed grammar and syntax of shooting and editing, the interaction of which made possible an art at once personal and collaborative, one nourished by a rich and vital tradition: it is an art that belongs now to the past; the period of <i>Rio Bravo</i> was its last flowering. 
</p>










	
	
	
	
	
	



<p>
The film at once is one of the greatest westerns and the <a href="http://www.movieretriever.com/blog/1029/movieretrievers-100-greatest-movies-23-rio-bravo
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 26 Jan 2011 10:32:27 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1029/movieretrievers-100-greatest-movies-23-rio-bravo
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<title>MovieRetriever's 100 Greatest Movies: #24 Le Mépris
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<b>Jan 25, 2011 </b></td>
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<p>
<i>Le Mépris</i> is the closest Jean-Luc Godard has ever come to making a Hollywood-style film: international stars, relatively big budget, script based upon a &quot;prestige&quot; novel, glamorous locations shot in color and 'scope. Of course, it is subversive toward all of the above, and is, among other things, <i>about</i> the absurdities of making a Hollywood-style film. Received with a good deal of puzzlement during its initial release, it was greeted with huge critical acclaim upon its rerelease in 1997. 
</p>
<p>
Freely adapting Alberto Moravia's <i>Il disprezzo</i> (Kaja Silverman and Harun Farocki's book on Godard supplies <a href="http://www.movieretriever.com/blog/1028/movieretrievers-100-greatest-movies-24-le-m&atilde;&copy;pris
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 25 Jan 2011 07:43:02 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1028/movieretrievers-100-greatest-movies-24-le-m&amp;atilde;&amp;copy;pris
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<title>MovieRetriever's 100 Greatest Movies: #25 All About Eve
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<b>Jan 24, 2011 </b></td>
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<p>
The plot of <i>All About Eve</i> is based on a short story and radio play by the actress and writer Mary Orr, who adapted it from a real life incident told to her by actress Elisabeth Bergner. Joseph Mankiewicz recommended that Darryl F. Zanuck buy the film rights to Orr's story in 1949. 
</p>
<p>
Adapting it for screen, the director originally cast Claudette Colbert as Margo Channing, the aging theatre actress ousted by her understudy, Eve Harrington (played in the film by a young Anne Baxter). Colbert dropped out of production after slipping a disc <a href="http://www.movieretriever.com/blog/1027/movieretrievers-100-greatest-movies-25-all-about-eve
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 24 Jan 2011 11:59:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1027/movieretrievers-100-greatest-movies-25-all-about-eve
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<title>
Box-Office Wrap-Up: No Strings Attached Swats Green Hornet from the Top Spot

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<b>Jan 24, 2011 </b></td>
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<p>
Sometimes, what's poorly reviewed isn't what's popular. All three movies in the top spots this week found themselves receiving aggregate middling to poor reviews, but that hasn't stop audiences from making them a bit of money. Ivan Reitman's romantic comedy <i>No Strings Attached</i> came in 1st with $20.3 million, the only newcomer to the Top 10 list this week, beating out <i>The Green Hornet</i>, which made $18.1 million for 2nd. <i>Hornet</i> is halfway to making back its $120 million budget in only its second week; oddly enough, so is <i>The Dilemma</i>, which landed a <a href="http://www.movieretriever.com/blog/1026/
boxoffice-wrapup-no-strings-attached-swats-green-hornet-from-the-top-spot

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 24 Jan 2011 11:24:38 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1026/
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<title>Movie Review: No Strings Attached
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<b>Jan 21, 2011 </b></td>
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<p>
<i>No </i><i>Strings Attached</i>, in a word, is funny. It is damn funny, actually. I am just as surprised to write this as you probably are to read this. In fact this movie is so funny, I found myself belly-laughing throughout the entire thing. The storyline in this film screams trite romantic comedy – guy and girl try to have a casual relationship solely based on sex, till inevitably someone wants more. It's a good thing that the guy is Ashton Kutcher and an even better thing that the girl is Natalie Portman.
</p>












	
	
	
	
	
	
	



<p>
The story is <a href="http://www.movieretriever.com/blog/1025/movie-review-no-strings-attached
/1706261">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 Jan 2011 17:15:12 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1025/movie-review-no-strings-attached
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<title>Death Race 2 Director Roel Reine Raises the Straight-to-DVD Bar
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<b>Jan 21, 2011 </b></td>
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<p>
Director Roel Reine is not a household name, as very few movie directors are, but that doesn't mean his name is not in your home. Reine has mastered the art, and it is an art, of making movies that are produced to go directly to DVD for distribution. 
</p>
<p>
Reine's film credits include <i>The Marine 2</i>, <i>The Lost Tribe</i>, and the recently released <i>Death Race 2</i>, and what is remarkable about this latest project, <i>Death Race 2</i>, a prequel to the 2008 film <i>Death Race</i>, is that he assembled an incredible cast of &quot;A&quot; list <a href="http://www.movieretriever.com/blog/1024/death-race-2-director-roel-reine-raises-the-straighttodvd-bar
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 Jan 2011 16:05:10 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1024/death-race-2-director-roel-reine-raises-the-straighttodvd-bar
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<title>
DVD Review: Death Race 2

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<b>Jan 21, 2011 </b></td>
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<p>
Roel Reine's <i>Death Race 2</i> is the straight-to-DVD prequel of the 2008 movie <i>Death Race</i>. But if you're thinking a straight to home movie can't do the original justice, think again. From the opening scene to the last second of footage, Director Reine made sure to stay true to two obvious ideas: people loved the first film so he had better capture that feeling and that story matters, as <i>Death Race 2</i> has both amazing action and a pleasantly unexpected story line that you actually care about. 
</p>
<p>
Set in the near future, prison systems <a href="http://www.movieretriever.com/blog/1023/
dvd-review-death-race-2

">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 Jan 2011 15:55:01 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1023/
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<title>MovieRetriever's 100 Greatest Movies: #26 Ugetsu Monogatari
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<b>Jan 21, 2011 </b></td>
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<p>
<i>Ugetsu monogatari</i> was not the first Kenji Mizoguchi film to be shown in the West, but it was the first to reveal him to the West as a major artist. Swiftly establishing itself (especially in France) on many critics' &quot;Ten Best&quot; lists, the film opened the way for the acclamation of the work of Mizoguchi's final period. For some, he became the supreme filmmaker, the cinematic Shakespeare, realizing to the fullest the potential of film as an art form. That was at the time when the &quot;potential of film&quot; was generally felt to have <a href="http://www.movieretriever.com/blog/1022/movieretrievers-100-greatest-movies-26-ugetsu-monogatari
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 21 Jan 2011 09:16:25 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1022/movieretrievers-100-greatest-movies-26-ugetsu-monogatari
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<title>MovieRetriever's 100 Greatest Movies: #27 The African Queen
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<b>Jan 20, 2011 </b></td>
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<p>
From the beginning, director John Huston insisted that <i>The African Queen</i> be shot on location. To find a river identical to the one in C. S. Forester's novel, he logged 25,000 flying miles criss-crossing Africa until he settled on the Ruiki in the then Belgian Congo. At a time (1951) when on-location shooting was nowhere near as common as today, traveling 1,100 miles up the Congo to make what is essentially a filmed dialogue must have seemed fanatical. And subsequent encounters with blood flukes, crocodiles, soldier ants, wild boars, stampeding elephants, malaria, and dysentery <a href="http://www.movieretriever.com/blog/1021/movieretrievers-100-greatest-movies-27-the-african-queen
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 20 Jan 2011 08:54:51 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1021/movieretrievers-100-greatest-movies-27-the-african-queen
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<title>MovieRetriever's 100 Greatest Movies: #28 The General
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<b>Jan 19, 2011 </b></td>
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<p>
<i>The General</i> is by far the most famous of the comedy features in which Buster Keaton starred, and in several cases directed or co-directed, between 1923 and 1928. It is also one of the finest, and has appeared on many 10-best-films lists. All of his silent features followed a basic story formula (a popular one in silent comedy): a young &quot;failure&quot; finally displays prowess and wins the girl. In addition, his films demonstrated, in part or in whole, a striking cinematic imagination as well as superb comic acting. While <i>The General</i> may not be <a href="http://www.movieretriever.com/blog/1020/movieretrievers-100-greatest-movies-28-the-general
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 19 Jan 2011 09:18:52 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1020/movieretrievers-100-greatest-movies-28-the-general
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<title>MovieRetriever's 100 Greatest Movies: #29 2001: A Space Odyssey
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<b>Jan 18, 2011 </b></td>
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<p>
In <i>2001: A Space Odyssey</i>, Stanley Kubrick further explored his dark vision of man in a materialistic, mechanistic age depicted in <i>Dr. Strangelove</i> four years earlier. In explaining how the original idea for this landmark science-fiction film came to him, he says, &quot;Most astronomers and other scientists interested in the whole question are strongly convinced that the universe is crawling with life; much of it, since the numbers are so staggering, (is) equal to us in intelligence, or superior, simply because human intelligence has existed for so relatively short a period.&quot; He approached Arthur <a href="http://www.movieretriever.com/blog/1019/movieretrievers-100-greatest-movies-29-2001-a-space-odyssey
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 18 Jan 2011 10:43:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1019/movieretrievers-100-greatest-movies-29-2001-a-space-odyssey
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<title>Box-Office Wrap-Up: Hornet at the Top; Dilemma and Grit Distant Contenders
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<b>Jan 17, 2011 </b></td>
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<p>
Michel Gondry and Seth Rogen might have only scored so-so with the critics, but it didn't stop audiences from turning out to see <i>The Green Hornet</i> this weekend. With $34 million, the new release displaced last week's top spot, <i>True Grit</i>, landing itself solidly in 1st place. Trailing in second with half that amount, <i>The Dilemma</i>, the Ron Howard comedy about lies and infidelity, made $17.4 million. <i>Grit</i> remained in the top three with $11.2 million, and in its fourth week has earned $126.4 million. Of these, <i>True Grit</i> remains an overall favorite, while <a href="http://www.movieretriever.com/blog/1018/boxoffice-wrapup-hornet-at-the-top-dilemma-and-grit-distant-contenders
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 17 Jan 2011 17:04:35 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1018/boxoffice-wrapup-hornet-at-the-top-dilemma-and-grit-distant-contenders
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<title>MovieRetriever's 100 Greatest Movies: #30 Chinatown
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<b>Jan 17, 2011 </b></td>
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<p>
The title of Roman Polanski's film <i>Chinatown</i> refers to the state of mind of Jack Nicholson's character, a former cop in L.A.'s Chinatown who left the force and turned private eye after getting in over his head on a case he never fully understood, bringing tragedy to a woman he'd sought to help. 
</p>
<p>
History begins to repeat itself in characteristically bleak Polanskian terms when Nicholson becomes enmeshed in a case involving seeming <i>femme fatale</i> Faye Dunaway, playing the abused daughter of a local power broker (John Huston), the conniving, murderous villain behind a lucrative <a href="http://www.movieretriever.com/blog/1017/movieretrievers-100-greatest-movies-30-chinatown
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 17 Jan 2011 08:09:47 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1017/movieretrievers-100-greatest-movies-30-chinatown
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<title>Movie Review: Blue Valentine
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<b>Jan 14, 2011 </b></td>
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<p>
It is unfortunate when a film of significant value is primarily known for a ratings board controversy. Such is the case with the exceptional new indie drama <i>Blue Valentine</i>, a soulful scrapbook of a young marriage in its death throes and a proper introduction to an intimate new voice in director Derek Cianfrance. Initially damned with the stigmatized NC-17 rating by the MPAA, the movie was finally given an R after much petitioning from its mega-influential producer Harvey Weinstein. Thoughtful, mature, and avoiding the prurient or distasteful, <i>Blue Valentine</i> is a case study in <a href="http://www.movieretriever.com/blog/1016/movie-review-blue-valentine
/1704537">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 Jan 2011 19:26:37 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1016/movie-review-blue-valentine
/1704537</link>
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<title>Movie Review: The Green Hornet
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<b>Jan 14, 2011 </b></td>
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<p>
When most people think of <i>The Green Hornet</i>, most remember Van Williams as the Green Hornet and the legendary Bruce Lee as Kato. Despite the series lasting only one season (26 episodes) the two actors left an indelible impression. Van Williams portrayed Britt Reid as a suave, cool playboy and Bruce Lee was, well, Bruce Lee. More than 40 years later <i>The Green Hornet</i> has finally arrived on the big screen and the logical choice to play the title character is ... um ... Seth Rogen? 
</p>












	
	
	
	
	
	
	



<p>
I know, I know, I gasped in disbelief, <a href="http://www.movieretriever.com/blog/1015/movie-review-the-green-hornet
/1706254">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 Jan 2011 10:42:50 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1015/movie-review-the-green-hornet
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<title>MovieRetriever's 100 Greatest Movies: #31 The Lord of the Rings Trilogy
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<b>Jan 14, 2011 </b></td>
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<p>
J.R.R. Tolkien's <i>Lord of the Rings </i>saga (originally published in three volumes from July 1954 to October 1955) was bound to be adapted eventually to the cinema, but the task of visualizing Tolkien's imaginary world was daunting, and the project awaited a director bold enough and inventive enough to take it on. (Ralph Bakshi had done a partial animated adaptation in 1978 that <i>Variety </i>considered &quot;unsuccessful.&quot;) New Zealand director Peter Jackson was apparently up to the challenge, one would surmise, on the evidence of the <i>Rings</i> trilogy's first installment, <i>The Fellowship of the Rings.</i>
</p>

<b><i>The <a href="http://www.movieretriever.com/blog/1014/movieretrievers-100-greatest-movies-31-the-lord-of-the-rings-trilogy
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 Jan 2011 10:15:14 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1014/movieretrievers-100-greatest-movies-31-the-lord-of-the-rings-trilogy
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<title>MovieRetriever's 100 Greatest Movies: #32 Nosferatu
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<b>Jan 13, 2011 </b></td>
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<p>
<i>Nosferatu</i> was the first film version of Dracula; more than 70 years later, it remains easily the most intelligent adaptation of Bram Stoker's novel (its nearest, not very close, rival being John Badham's 1978 version with Frank Langella). 
</p>
<p>
Given the way in which Stoker's vampire aristocrat has haunted popular culture since the appearance of the novel in 1890, the figure's social/ideological significance can scarcely be exaggerated. Conceived at the height of Victorian sexual repression, the Count Dracula of the novel embodies, to varying degrees of explicitness, all the sexual dreads that our culture has <a href="http://www.movieretriever.com/blog/1013/movieretrievers-100-greatest-movies-32-nosferatu
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 13 Jan 2011 10:51:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1013/movieretrievers-100-greatest-movies-32-nosferatu
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<title>MovieRetriever's 100 Greatest Movies: #33 One Flew Over the Cuckoo's Nest
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<b>Jan 12, 2011 </b></td>
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<p>
<i>One Flew Over the Cuckoo's Nest</i> – the first film to win Academy Awards for Best Picture, Director, Actor, Actress and Screenplay since <i>It Happened One Night</i> in 1934 – is more than a superlative human drama. It is, on a broader level, one of the seminal works of its time in that it keenly reflects the systematic stifling of individuality within post-World War II American society. 
</p>
<p>
The year is 1963, and Randall Patrick McMurphy (Jack Nicholson) is a new patient in a mental ward. He has been sent there from a prison work <a href="http://www.movieretriever.com/blog/1011/movieretrievers-100-greatest-movies-33-one-flew-over-the-cuckoos-nest
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 12 Jan 2011 10:09:09 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1011/movieretrievers-100-greatest-movies-33-one-flew-over-the-cuckoos-nest
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<title>MovieRetriever's 100 Greatest Movies: #34 Sunrise
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<b>Jan 11, 2011 </b></td>
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<p>
The plot of <i>Sunrise</i> was adapted to Hollywood conventions from a naturalistic novella by Hermann Sudermann. It is wrong, however, to assume the changes were all for the bad, as so many critics have done. The film's plot is neither hopelessly sentimental nor melodramatic. It is true that Carl Mayer and F. W. Murnau, with a free hand from the studio, changed the tragic ending of the novella to a happy one for the film. This change can be viewed as an improvement upon Sudermann's gratuitously ironic ending of having the young husband's death <a href="http://www.movieretriever.com/blog/1010/movieretrievers-100-greatest-movies-34-sunrise
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 11 Jan 2011 10:43:12 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1010/movieretrievers-100-greatest-movies-34-sunrise
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<title>Box-Office Wrap-Up: True Grit #1 at the Box Office and with the Critics; #2 and #3, Not So Much</title>
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<b>Jan 10, 2011 </b></td>
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<p><i>True Grit</i>, relegated to second place for two weeks in a row, finally pulled ahead of <i>Little Fockers</i>, taking the top spot and earning $15 million for its efforts, putting the Coen Brothers western at $110 million in 3 weeks. <i>Fockers</i> fell to 2nd place with $13.8 million, still edging out <i>Grit</i> in overall earnings with $123.9 million during the same time span. But leave it to new release <i>Season of the Witch</i> to place 3rd, making $10.7 million. While <i>Grit</i> has earned near universal acclaim, <i>Fockers</i> has suffered poor reviews with audiences and <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/1008_Tron-legacy-poster.jpg" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/1008/boxoffice-wrapup-true-grit-1-at-the-box-office-and-with-the-critics-2-and-3-not-so-much">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 10 Jan 2011 11:38:07 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1008/boxoffice-wrapup-true-grit-1-at-the-box-office-and-with-the-critics-2-and-3-not-so-much</link>
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<title>MovieRetriever's 100 Greatest Movies: #35 Freaks
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<b>Jan 10, 2011 </b></td>
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<p>
Although it has been seldom shown in the years since its introduction in 1932 as a &quot;masterpiece of horror,&quot; Tod Browning's <i>Freaks</i> has achieved near-legendary cult status and continues to exert a major influence on modern attempts at the baroque film. Certainly the powers of its wedding feast sequence was not lost on Luis Buñuel when he staged the tramp's &quot;last supper&quot; in his 1961 <i>Viridiana</i>. And the works of such diverse filmmakers as Max Ophüls, Federico Fellini, and Ingmar Bergman have shown traces of the film's influence. 
</p>
<p>



	
	
	
	
	
	



</p>
<p>
Today it is difficult to believe <a href="http://www.movieretriever.com/blog/1007/movieretrievers-100-greatest-movies-35-freaks
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 10 Jan 2011 10:29:29 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1007/movieretrievers-100-greatest-movies-35-freaks
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<title>Movie Review: Season of the Witch
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<b>Jan 07, 2011 </b></td>
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<p>
Nowadays, when the name “Nicolas Cage” graces a movie poster, it usually means the viewing audience will be in for a bit of wide-eyed screaming, stuff blowing up, and maybe a scene of Cage sending a woman flying into a wall for reasons no one can adequately explain. Well, in a bit of a disappointment, <i>Season of the Witch</i> features Cage screaming very little, but lots of stuff blows up, and in a surprising move tries to top his achievement in 2006’s <i>Wicker Man</i> by throwing a woman even further across a room. To <a href="http://www.movieretriever.com/blog/1006/movie-review-season-of-the-witch
/1703382">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 Jan 2011 16:52:18 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1006/movie-review-season-of-the-witch
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<title>MovieRetriever's 100 Greatest Movies: #36 The Grapes of Wrath
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<b>Jan 07, 2011 </b></td>
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<p>
A pet project of Darryl Zanuck's, <i>The Grapes of Wrath</i> exercised the packaging talents of Fox's studio head for a large part of 1939 as he put together a team appropriate to a book with the stature of Steinbeck's novel. John Ford was an obvious choice to direct, Dudley Nichols to write the script, and Henry Fonda to star as Tom Joad, the uneducated ex-convict &quot;Oakie&quot; who becomes the personification of flinty Midwestern integrity and moral worth. Knowing Fonda's wish to play Joad, Zanuck lured him into signing an eight-picture contract by advertising his <a href="http://www.movieretriever.com/blog/1005/movieretrievers-100-greatest-movies-36-the-grapes-of-wrath
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 Jan 2011 12:37:27 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1005/movieretrievers-100-greatest-movies-36-the-grapes-of-wrath
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<title>Movie Review: Country Strong
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<b>Jan 07, 2011 </b></td>
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<p>
<i>Country Strong</i> is, in a nutshell, the story about the high price of fame that singer Kelly Canter (Gwyneth Paltrow) must pay for her country music superstardom. The film chronicles Kelly's life on tour after a brief stint in rehab (clichéd, yet somehow appropriate for the times) for alcohol abuse. She is talented, yet trapped in a life that she doesn't want. A life that her husband and manager James Canter (played by Tim McGraw) created for her reassuring her she was better off than in the simple life that she longed for. 
</p>












	
	
	
	
	
	
	



<p>
Kelly <a href="http://www.movieretriever.com/blog/1004/movie-review-country-strong
/1705471">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 Jan 2011 12:33:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1004/movie-review-country-strong
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<title>MovieRetriever's 100 Greatest Movies: #37 The Maltese Falcon
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<b>Jan 06, 2011 </b></td>
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<p>
<i>The Maltese Falcon</i> opens with credits appearing over the falcon statue, which casts a shadow into the depth of the frame. There follows a printed commentary, over the image, about the falcon's history. A shot of San Francisco, the Golden Gate Bridge, establishes location, and we move to the Spade and Archer sign on the window of their office. The shadow letters &quot;Spade and Archer&quot; appear on the office floor throughout the opening scene. Spade and Archer share the same office, are inextricably linked, and, we discover, even share Archer's wife, Iva (Gladys George). <a href="http://www.movieretriever.com/blog/1003/movieretrievers-100-greatest-movies-37-the-maltese-falcon
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 06 Jan 2011 10:17:34 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1003/movieretrievers-100-greatest-movies-37-the-maltese-falcon
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<title>MovieRetriever's 100 Greatest Movies: #38 Raging Bull
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<b>Jan 05, 2011 </b></td>
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<p>
Martin Scorsese's telling of the story of Jake La Motta, <i>Raging Bull</i>, has given rise to a number of different, often conflicting, readings. For Scorsese himself, La Motta's trajectory from promising boxer to middleweight champion of the world to night-club performer is the story of &quot;a guy attaining something and losing everything, and then redeeming himself.&quot; Such a reading is clearly reinforced by the quotation from St. John's gospel preceding the final credits, which tells of a man whose sight has been restored by Christ rebuking the Pharisees: &quot;Whether or not he is a <a href="http://www.movieretriever.com/blog/1001/movieretrievers-100-greatest-movies-38-raging-bull
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 05 Jan 2011 13:19:29 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1001/movieretrievers-100-greatest-movies-38-raging-bull
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<title>MovieRetriever's 100 Greatest Movies: #39 Hiroshima mon amour
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<b>Jan 04, 2011 </b></td>
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<p>
<i>Hiroshima mon amour</i> was the first feature directed by Alain Resnais. Besides establishing the director's international reputation, the film was one of several released in 1959 signalling the emergence of a new generation of French filmmakers working in a modernist narrative vein. Indeed, the film is considered something of a landmark in the history of modernist cinema. The film is also seen as an exemplary instance of artistic collaboration. The scenario by Marguerite Duras, photography of Sacha Vierny, editing of Henri Colpi, and musical score by Giovanni Fusco and Georges Delerue contribute to its <a href="http://www.movieretriever.com/blog/1000/movieretrievers-100-greatest-movies-39-hiroshima-mon-amour
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 04 Jan 2011 10:44:44 -0500</pubDate>
<link>http://www.movieretriever.com/blog/1000/movieretrievers-100-greatest-movies-39-hiroshima-mon-amour
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<title>MovieRetriever's 100 Greatest Movies: #40 E.T. – The Extraterrestrial

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<b>Jan 03, 2011 </b></td>
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<p>
In itself, <i>E.T.</i> would hardly concern us; if not entirely negligible (it manifests certain skills, and contains a few memorable turns of dialogue, such as the question of how one explains &quot;school&quot; to a &quot;higher intelligence&quot;), it has no greater claim on the attention than countless other minor Hollywood movies. It does demand consideration as a cultural phenomenon: not merely the film itself and what it signifies, but the commercial hype, the American critics' reviews, the public response, the T-shirts, the children's games, the candy advertisements. It represents a moment in American cultural history. <a href="http://www.movieretriever.com/blog/998/movieretrievers-100-greatest-movies-40-et-&acirc;-the-extraterrestrial

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 03 Jan 2011 12:52:31 -0500</pubDate>
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<title>
Box-Office Wrap-Up: New Year? Not at the Box Office: The Stars Remain the Same 

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<b>Jan 03, 2011 </b></td>
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<p>
The calendar may have changed, but the results are still the same: the top three champions from last week reign in the same spots they did the week before. <i>Little Fockers</i> came in 1st with $26.3 million, bringing it over $100 million total in its second week. <i>True Grit</i> showed few signs of slowing down as well, staying put in the second spot and doing $24.5 million in business with a total gross of $86.8 million in the same amount of time. <i>Tron: Legacy</i> held onto 3rd for its third week, making $18.3 million <a href="http://www.movieretriever.com/blog/997/
boxoffice-wrapup-new-year-not-at-the-box-office-the-stars-remain-the-same-

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 03 Jan 2011 11:35:02 -0500</pubDate>
<link>http://www.movieretriever.com/blog/997/
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MovieRetriever's 100 Greatest Movies: #41 Dr. Strangelove; Or, How I Learned to Stop Worrying and Love the Bomb

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<b>Dec 29, 2010 </b></td>
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<p>
Stanley Kubrick's <i>Dr. Strangelove</i>, which has won wide and continued acceptance from the time of its release, has come to be considered one of the screen's great masterpieces of black comedy. Yet Kubrick had originally planned the film as a serious adaptation of Peter George's <i>Red Alert</i>, a novel concerned with the demented General Jack D. Ripper (Sterling Hayden) and his decision to order a group of B-52 bombers to launch an attack inside Russia. Gradually Kubrick's attitude toward his material changed: &quot;My idea of doing it as a nightmare comedy came in the <a href="http://www.movieretriever.com/blog/996/
movieretrievers-100-greatest-movies-41-dr-strangelove-or-how-i-learned-to-stop-worrying-and-love-the-bomb

">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 29 Dec 2010 09:21:13 -0500</pubDate>
<link>http://www.movieretriever.com/blog/996/
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<title>MovieRetriever's 100 Greatest Movies: #42 Bonnie and Clyde
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<b>Dec 28, 2010 </b></td>
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<p>
To speak of Arthur Penn is to address the question of what might be termed, somewhat paradoxically, the &quot;post-classical&quot; American cinema. On the one hand Penn belongs with that group of post-World War II directors which came to cinema from the stage and from the early days of television – people like Nicholas Ray, Sam Peckinpah, Franklin Schaffner, Martin Ritt, and Joseph Losey. In that respect Penn is indeed an inheritor of the traditions and forms of the classical Hollywood cinema, the Western (<i>The Left Handed Gun</i>), the biography picture (<i>The Miracle Worker</i>), the <a href="http://www.movieretriever.com/blog/995/movieretrievers-100-greatest-movies-42-bonnie-and-clyde
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 28 Dec 2010 08:43:08 -0500</pubDate>
<link>http://www.movieretriever.com/blog/995/movieretrievers-100-greatest-movies-42-bonnie-and-clyde
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<title>
Box-Office Wrap-Up: Fockers First, Grit Second, Tron Rounds Out 3rd

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<b>Dec 27, 2010 </b></td>
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<p>
The weekend box office opened early this weekend, with Wednesday openers rounding out the top spots. Ben Stiller and Robert De Niro brought in a healthy $48.3 million in the five-day opener of <i>Little Fockers</i> to claim first place, with $34 million over the 3-day weekend; reviews, however, are not as kind. In second, Jeff Bridges and Josh Brolin made good numbers with the western remake <i>True Grit</i> and its $36.8 million in five days (almost the movie’s entire budget), $25.6 million of it in three days, to much more positive reception. Jeff Bridges <a href="http://www.movieretriever.com/blog/994/
boxoffice-wrapup-fockers-first-grit-second-tron-rounds-out-3rd

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 27 Dec 2010 18:37:48 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #43 Pandora's Box
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<b>Dec 27, 2010 </b></td>
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<p>
<i>Pandora's Box</i> brings to mind familiar questions about film-as art—whether the art arises from the director's work, from the performances, from the editor's decisions, or from a combination of all these elements. <i>Pandora's Box</i> might well be an unremarkable film without the magnificent presence of Louise Brooks, but then again, this presence was never evoked by any director other than G. W. Pabst. The source of the magic is elusive. 
</p>










	
	
	
	
	
	



<p>
Nothing about the film is obvious, least of all Pabst's technique. Pabst is known for having promoted the practice of cutting on movement as <a href="http://www.movieretriever.com/blog/993/movieretrievers-100-greatest-movies-43-pandoras-box
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 27 Dec 2010 10:10:28 -0500</pubDate>
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<title>Movie Review: The King's Speech
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<b>Dec 25, 2010 </b></td>
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<p>
At the end of 2010, with royal watchers going mad about the engagement of William and Kate, a movie about William's great grandfather seems timely. And Colin Firth watchers are certainly swirling around the possibilities that his portrayal of King George VI in <i>The King's Speech</i> could make this, the second of two notable back to back performances (including last year's <i>The Single Man</i>), his year to win the Academy Award for best actor. 
</p>












	
	
	
	
	
	
	



<p>
<i>The King's Speech</i> begins in 1925, when Prince Albert, Duke of York, must step in for his father (Michael Gambon <a href="http://www.movieretriever.com/blog/992/movie-review-the-kings-speech
/1705885">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 25 Dec 2010 14:56:26 -0500</pubDate>
<link>http://www.movieretriever.com/blog/992/movie-review-the-kings-speech
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<title>Movie Review: Gulliver's Travels
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<b>Dec 25, 2010 </b></td>
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<p>
I think the current trend in Hollywood is that if you don't have an original idea for a movie, either remake an old movie or reinterpret a literary classic. The well must have been pretty dry because not only do we get a modern <i>Gulliver's Travels</i>, but we get to see the studio milk us for a few extra bucks by converting the film to 3D. 
</p>
<p>



	
	
	
	
	
	
	



</p>
<p>
In this incarnation of <i>Gulliver's Travels</i>, Jack Black stars as Lemuel Gulliver, a hapless mail clerk for a newspaper who is too scared to take any risks in <a href="http://www.movieretriever.com/blog/991/movie-review-gullivers-travels
/1705479">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 25 Dec 2010 14:53:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/991/movie-review-gullivers-travels
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<title>MovieRetriever's 100 Greatest Movies: #44 Mr. Smith Goes to Washington
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<b>Dec 25, 2010 </b></td>
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<p>
The halo surrounding the accolade &quot;film classic&quot; can weigh heavily, indeed, and few films have encountered the extremes of opinion as has Frank Capra's classic, <i>Mr. Smith Goes to Washington</i>. It has been considered a most profound American tragedy. It has also been called sheer cornball on celluloid, even a veiled paean to fascism. 
</p>
<p>
When an idealistic youth leader is named to the U.S. Senate to fill an unexpired term, he clashes with the party machine. Senator Paine (Claude Rains), industrial magnate Jim Taylor (Edward Arnold) and others are pushing through a bill giving <a href="http://www.movieretriever.com/blog/990/movieretrievers-100-greatest-movies-44-mr-smith-goes-to-washington
">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 25 Dec 2010 14:44:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/990/movieretrievers-100-greatest-movies-44-mr-smith-goes-to-washington
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<title>Movie Review: True Grit
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<b>Dec 22, 2010 </b></td>
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<p>
For the sake of full transparency, I want to start this review by revealing that I've never seen the John Wayne version of <i>True Grit</i> nor have I read the novel by Charles Portis. I've come to the Coen Brothers take on <i>True Grit</i> with a completely open mind, and after the credits rolled, I must say I was blown away. This is hands down the best movie I've seen this year. 
</p>












	
	
	
	
	
	
	



<p>
<i>True Grit</i> tells the story of Mattie Ross (relative newcomer Hailee Steinfeld) and her quest to avenge her father's death at the <a href="http://www.movieretriever.com/blog/989/movie-review-true-grit
/1705509">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 22 Dec 2010 17:35:50 -0500</pubDate>
<link>http://www.movieretriever.com/blog/989/movie-review-true-grit
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<title>MovieRetriever's 100 Greatest Movies: #45 Apocalypse Now
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<b>Dec 22, 2010 </b></td>
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<p>
As he set out to plan <i>Apocalypse Now</i> filmmaker Francis Ford Coppola ranked as one of the most important young talents then working in Hollywood. His two <i>Godfather</i> films (1972, 1974) had landed on the list of the most profitable in Hollywood history, while <i>The Conversation</i> (1974) had been hailed as a masterful &quot;art film.&quot; In <i>Apocalypse Now</i> Coppola attempted to create both a personal look at America's recent tragic war in Vietnam, and a film which could compete at the box-office with <i>Jaws</i> and <i>The Towering Inferno.</i> As <i>Apocalypse Now</i> moved from the <a href="http://www.movieretriever.com/blog/988/movieretrievers-100-greatest-movies-45-apocalypse-now
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 22 Dec 2010 09:07:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/988/movieretrievers-100-greatest-movies-45-apocalypse-now
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<title>Movie Review: Tron: Legacy 
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<b>Dec 21, 2010 </b></td>
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<p>
<i>Tron: Legacy</i> is not a reboot or a re-envisioning of the cult sci-fi classic <i>Tron</i>. Rather it's a retooled and amped up version of the same. Ultimately, there's nothing new here. The story follows the template set up in the first one. Hero has problem in the real world. Hero is zapped into virtual world. Hero solves problem in virtual world and the real world problem is somehow miraculously solved. That being said, <i>Tron: Legacy </i>is not as bad of a movie as you may think. Though the film has its share of problems, <a href="http://www.movieretriever.com/blog/987/movie-review-tron-legacy-
/1705508">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 21 Dec 2010 22:37:50 -0500</pubDate>
<link>http://www.movieretriever.com/blog/987/movie-review-tron-legacy-
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<title>MovieRetriever's 100 Greatest Movies: #46 The Treasure of the Sierra Madre
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<b>Dec 21, 2010 </b></td>
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<p>
<i>The Treasure of the Sierra Madre</i> has become the archetypal John Huston film. One reason is that it is a clear examination of the exploration or the quest. As in many of his films to come (and <i>The Maltese Falcon</i>, to some extent, before it), Huston here examines a small group of people on a quest for wealth. Generally, in his films with this theme the members of the group accomplish their initial goal: they obtain the money or the treasure. Once having attained it, however, they often find the potential power it brings <a href="http://www.movieretriever.com/blog/985/movieretrievers-100-greatest-movies-46-the-treasure-of-the-sierra-madre
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 21 Dec 2010 11:07:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/985/movieretrievers-100-greatest-movies-46-the-treasure-of-the-sierra-madre
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<title>Movie Review: White Material
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<b>Dec 20, 2010 </b></td>
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<p>
Isabelle Huppert is a treasure of European cinema, held in the same esteem that Meryl Streep is in America. A perpetually searching, hungry actress, she has worked for many of the most vital and demanding filmmakers in her nearly forty year career. Bold and confrontational in films like <i>The Piano Teacher </i>(2001), <i>Ma Mere</i> (2004), and <i>Loulou</i> (1980), she has never been concerned about being disliked by an audience, a lack of character vanity which serves lauded French director Claire Denis well in her latest work <i>White Material</i>. Reminiscent of the literary works of <a href="http://www.movieretriever.com/blog/983/movie-review-white-material
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 20 Dec 2010 14:41:02 -0500</pubDate>
<link>http://www.movieretriever.com/blog/983/movie-review-white-material
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<title>Movie Review: How Do You Know
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<b>Dec 20, 2010 </b></td>
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<p>
<i>How Do You Know</i> is the latest movie from James L. Brooks, and while it may not be his best film, it will still fulfill everything you're looking for in a smart romantic comedy – mostly. The film centers on the unlikely love triangle of Lisa (Reese Witherspoon), an unwillingly retired professional softball player, George (Paul Rudd), an executive being investigated by the federal government, and the stereotypically misogynistic professional baseball player (Owen Wilson). While the main plot feels like typical romantic comedy fare, Brooks is able to get great performances from his main <a href="http://www.movieretriever.com/blog/982/movie-review-how-do-you-know
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Mon, 20 Dec 2010 14:37:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/982/movie-review-how-do-you-know
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<title>
Box-Office Wrap-Up: Tron Revs Up, Yogi Steals Second, and Dawn Treader Drops to Third 

</title>
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<b>Dec 20, 2010 </b></td>
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<p>
3-D was a winner this weekend; the top 3 spots all used the gimmick to good effect, with new entries <i>Tron: Legacy</i> and <i>Yogi Bear</i> taking the top two spots. The first, the sequel to the 1982 Disney film <i>Tron</i>, netted a solid $43.6 million domestically. The adaptation of the Hanna Barbera series, starring Dan Aykroyd as Yogi and Justin Timberlake as Boo-Boo, came in a distant 2nd with $16.7 million. <i>The Chronicles of Narnia: The Voyage of the Dawn Treader</i>, last week's top earner, fell to 3rd with $12.4 million. <i>TRON: Legacy</i> and <a href="http://www.movieretriever.com/blog/981/
boxoffice-wrapup-tron-revs-up-yogi-steals-second-and-dawn-treader-drops-to-third-

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 20 Dec 2010 14:30:07 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #47 Annie Hall
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<b>Dec 20, 2010 </b></td>
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<p>
In <i>Annie Hall</i> Woody Allen finally delivered a unified work, one that relied on more than his episodic one-liner format. In the film he brought together many of his past obsessions, among them his love of New York, his lack of affection for L.A., the inability to handle success; but this time, he merged them with an in-depth examination of his feelings about family and relationships. It was as if, after 21 years of Freudian analysis, he finally decided to deal with his neuroses on the screen. Occasionally speaking with a confessional directness that <a href="http://www.movieretriever.com/blog/980/movieretrievers-100-greatest-movies-47-annie-hall
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 20 Dec 2010 14:21:43 -0500</pubDate>
<link>http://www.movieretriever.com/blog/980/movieretrievers-100-greatest-movies-47-annie-hall
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<title>MovieRetriever's 100 Greatest Movies: #48 High Noon
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<b>Dec 17, 2010 </b></td>
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<p>
<i>High Noon</i> was responsible for setting the career of Gary Cooper moving again and is considered by many the single most important film in his career. However, no one knew or thought the film was destined for big things when it was first conceived. 
</p>
<p>
Cooper was not producer Stanley Kramer's first choice to play Marshal Will Kane. In fact, he was fairly far down the list below Marlon Brando and Montgomery Clift. Charlton Heston was also offered the role. The chief financial backer of the film, however, a Salinas lettuce tycoon, wanted Cooper. The <a href="http://www.movieretriever.com/blog/979/movieretrievers-100-greatest-movies-48-high-noon
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Dec 2010 12:51:27 -0500</pubDate>
<link>http://www.movieretriever.com/blog/979/movieretrievers-100-greatest-movies-48-high-noon
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<title>Movie Review: The Fighter
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<b>Dec 17, 2010 </b></td>
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<p>
Boxing is not the populist sport it once was, when workaday men listened to the fight on the radio, saw replays on a movie screen, and were the king-makers elevating Joe Louis and Rocky Marciano to legendary status. The sport has become marginalized, viewed at home mostly by those who pay out for premium cable or pay-per-view and attended by the elite (at least when championships are on the line). Therefore, the movies are where most of us are still reminded of the sport's blue-collar roots. <i>The Fighter</i>, director David O. Russell's entry into <a href="http://www.movieretriever.com/blog/978/movie-review-the-fighter
/1705477">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Dec 2010 12:44:46 -0500</pubDate>
<link>http://www.movieretriever.com/blog/978/movie-review-the-fighter
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<title>MovieRetriever's 100 Greatest Movies: #49 Midnight Cowboy
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<b>Dec 16, 2010 </b></td>
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<p>
John Schlesinger wanted to make a film of James Leo Herlihy's 1965 novel <i>Midnight Cowboy</i> soon after it was published. When he suggested the project to United Artists, however, he found that a reader in their story department had already submitted an unfavourable report on the book. The reader said that the action of the novel went steadily downhill from the outset, and had recommended that the company not acquire the film rights. Schlesinger, on the other hand, saw dramatic possibilities in the story of a Texan named Joe Buck, who comes to New <a href="http://www.movieretriever.com/blog/977/movieretrievers-100-greatest-movies-49-midnight-cowboy
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 16 Dec 2010 23:54:03 -0500</pubDate>
<link>http://www.movieretriever.com/blog/977/movieretrievers-100-greatest-movies-49-midnight-cowboy
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<title>
Is Kill the Irishman a Mediocre Mafia Movie? 

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<b>Dec 16, 2010 </b></td>
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<p>
It's quite possible that Anchor Bay is putting out a mediocre mafia movie in <i>Kill the Irishman</i>. The synopsis for the movie is fairly interesting, a real life story about an Irish mobster whose actions eventually led to mafia syndicates throughout the United States. The problem, however, is that the first trailer doesn't let on how good <i>Kill the Irishman</i> could be. 
</p>












	
	
	
	
	
	
	



<p>
The first hitch with the trailer is that it doesn't establish the setting effectively. The story supposedly takes place in Cleveland, but for those unfamiliar with the real life story, the only <a href="http://www.movieretriever.com/blog/976/
is-kill-the-irishman-a-mediocre-mafia-movie-

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 16 Dec 2010 13:53:49 -0500</pubDate>
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<title>Disney is Flexing Its Muscles with the Release of African Cats 
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<b>Dec 15, 2010 </b></td>
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<p>
<i>African Cats</i> is set to be released by Dinseynature this coming Earth Day, April 22. 2011. For those of you not familiar, Disneynature is a subsidiary of Walt Disney Motion Pictures Group that distributes the company's nature documentaries. 
</p>












	
	
	
	
	
	
	



<p>
What <i>African Cats</i> has going for it, as with other nature documentaries, is that is shows the universal narrative that exists in all walks of life. The release of <i>African Cats</i> from a Disney subsidiary is interesting because we get a more &quot;real&quot; version of the dramatized lives of animals, rather than the animated fare that <a href="http://www.movieretriever.com/blog/975/disney-is-flexing-its-muscles-with-the-release-of-african-cats-
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 15 Dec 2010 15:46:10 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #50 Battleship Potemkin
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<b>Dec 15, 2010 </b></td>
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<p>
Sergei M. Eisenstein's <i>Battleship Potemkin</i> (<i>Bronenosets Potemkin</i>) is one of the most influential films ever made as well as one of the finest examples of film art. On its release, the film brought immediate worldwide fame to Eisenstein and the new Soviet cinema and made an important contribution to the language of the cinema – the concept of montage editing. 
</p>
<p>
After the Bolshevik Revolution in 1917 the new Soviet government assumed control of the film industry, denounced the capitalist cinema of pre-Revolution Tsarist Russia, and decreed that the Soviet cinema was to be used <a href="http://www.movieretriever.com/blog/973/movieretrievers-100-greatest-movies-50-battleship-potemkin
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 15 Dec 2010 10:59:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/973/movieretrievers-100-greatest-movies-50-battleship-potemkin
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<title>MovieRetriever's 100 Greatest Movies: #51: Madame de ...
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<b>Dec 14, 2010 </b></td>
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<p>
<i>The Earrings of Madame de . . .</i> is one of the four films – all made in the 1950s shortly before his death—that constitute the highest expression of Max Ophüls's personal style. Along with <i>La ronde</i>, <i>Le plaisir</i>, and <i>Lola Montès</i>, the film combines all the technical ingredients and thematic concerns that had preoccupied Ophüls throughout his rather &quot;up and down&quot; career. Foremost among these interests, of course, was the intricate blending of complex, dazzling camera work with the themes of mankind's obsession with material objects – and a kind of poignant romanticism <a href="http://www.movieretriever.com/blog/971/movieretrievers-100-greatest-movies-51-madame-de-
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 14 Dec 2010 13:12:16 -0500</pubDate>
<link>http://www.movieretriever.com/blog/971/movieretrievers-100-greatest-movies-51-madame-de-
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<title>MovieRetriever's 100 Greatest Movies: #52 Double Indemnity
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<b>Dec 13, 2010 </b></td>
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<p>
Although James M. Cain's memorable novel of crime and passion, <i>The Postman Always Rings Twice</i>, predated his equally potent, similarly themed <i>Double Indemnity</i> by almost a decade, it is <i>Indemnity</i> that has proven the more influential, due largely to the uncompromising and suspenseful film writer-director Billy Wilder made from it. Wilder's film remains the model for just about every film noir of this type (<i>Born to Kill</i>, <i>The Prowler</i>, <i>The Pushover</i>, <i>Body Heat</i>, et al.) to come our way since. 
</p>












	
	
	
	
	
	
	



<p>
Cain's novel was translated to the screen with the full force of the author's <a href="http://www.movieretriever.com/blog/970/movieretrievers-100-greatest-movies-52-double-indemnity
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 13 Dec 2010 12:52:36 -0500</pubDate>
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<title>
Box-Office Wrap-Up: Dawn Treader on Top, But Not By Much

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<b>Dec 13, 2010 </b></td>
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<p>
<i>The Chronicles of Narnia: The Voyage of the Dawn Treader</i> grabbed the top spot this week, the family film earning $24.5 million over the weekend. Johnny Depp and Angelina Jolie's <i>The Tourist</i> came in 2nd with $17 million. Both films have received mixed to poor critical reviews, respectively. 
</p>
<p>





</p>
<p>
Disney's <i>Tangled</i> fell to 3rd in its third week, earning $14.5 million, still ahead of <i>Harry Potter and the Deathly Hallows: Part 1</i>, which dropped to 4th, bringing in $8.5 million in its fourth week. <i>Unstoppable</i> still managed to stay in the Top 5, with $3.7 <a href="http://www.movieretriever.com/blog/969/
boxoffice-wrapup-dawn-treader-on-top-but-not-by-much

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 13 Dec 2010 11:15:35 -0500</pubDate>
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<title>Movie Review: The Chronicles of Narnia: The Voyage of the Dawn Treader
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<b>Dec 10, 2010 </b></td>
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<p>
First of all, I liked the first two Narnia films, but I always found it hard not to look at the series and immediately shout, &quot;Harry Potter rip-off!&quot; After all, both film series are based on books (seven of them, oddly enough), both are about children caught up in mystical fantasy battles, and both replaced their directors after the second films (a coincidence, yes, but still an interesting one). But with Andrew Adamson's departure from the film series and Disney dropping out as the studio behind the project, the future of Narnia was looking <a href="http://www.movieretriever.com/blog/968/movie-review-the-chronicles-of-narnia-the-voyage-of-the-dawn-treader
/1705468">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Dec 2010 19:03:15 -0500</pubDate>
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/1705468</link>
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<title>Movie Review: Black Swan
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<b>Dec 10, 2010 </b></td>
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<p>
Mirrors are a key symbol in many horror films, suggesting hidden aspects of mysterious characters, mocking and scrutinizing its subject into madness. The Wicked Queen of <i>Snow White</i> was undone by a particularly catty mirror and so is Swan Queen Nina Sayers (Natalie Portman) in Darren Aronofsky's <i>Black Swan</i>, a film ostensibly about the world of ballet but is at its essence one about mirrors. 
</p>
<p>
Following-up his breakthrough drama <i>The Wrestler</i>, the director again mines a rarefied athletic pursuit and the physical and psychological tortures the performer endures for just a fleeting moment of <a href="http://www.movieretriever.com/blog/967/movie-review-black-swan
/1705870">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Dec 2010 18:59:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/967/movie-review-black-swan
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<title>Movie Review: The Tourist
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<b>Dec 10, 2010 </b></td>
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<p>
Do you know that ratty old shirt you love, but no one else seems to appreciate? That shirt is <i>The Tourist</i>. Some of the buzz for this movie hasn't been very impressive, but if you're looking for a fun two hours, <i>The Tourist</i> can help. It's an unthreatening caper flick that should appeal to most viewers.
</p>












	
	
	
	
	
	
	



<p>
Johnny Depp stars as mild-mannered Wisconsin math teacher Frank Tupelo. Depp's character is travelling from Paris to Venice, where he's hoping to have an enjoyable vacation in an attempt to get over a lost loved one. On the train, <a href="http://www.movieretriever.com/blog/966/movie-review-the-tourist
/1706487">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Dec 2010 18:56:04 -0500</pubDate>
<link>http://www.movieretriever.com/blog/966/movie-review-the-tourist
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<title>MovieRetriever's 100 Greatest Movies: #53 It Happened One Night
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<b>Dec 10, 2010 </b></td>
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<p>
<i>It Happened One Night</i> is the film generally credited with launching the &quot;screwball comedy&quot; genre popular in the 1930s and 1940s. A difficult genre to define, the screwball comedy revolves around the characters' contradictory desires for individual identity and complete union in heterosexual romance. The films pit the couple's erotic moments of courtship against their verbal combats, battles of wit spiced with rapid-fire, brilliant repartee. Because of the resurgence of censorship in 1934 coupled with an American reluctance to be frank about sex, screwball comedies capitalized on the necessity to mask and to express <a href="http://www.movieretriever.com/blog/965/movieretrievers-100-greatest-movies-53-it-happened-one-night
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Dec 2010 18:38:22 -0500</pubDate>
<link>http://www.movieretriever.com/blog/965/movieretrievers-100-greatest-movies-53-it-happened-one-night
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<title>Movie Review: The Warrior's Way
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<b>Dec 09, 2010 </b></td>
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<p>
Yang has just slaughtered the last of his rival clan in a misty grey dawn to win the title of &quot;World's Greatest Swordsman&quot; only to find an infant left hidden in a travelling box. Currying no favor from his own clan The Sad Flutes for letting the enemy child survive, Yang is banished and hunted by his own Master in <i>The Warrior's Way</i>, a debut feature from South Korean writer-turned-director Sngmoo Lee exploring familiar Asian territories of historical melodrama, slapstick comedy, and hyper-stylized action ballets. 
</p>
<p>
Acclaimed Korean superstar Jang Dong-gun (<i>Tae Guk Ki: The <a href="http://www.movieretriever.com/blog/964/movie-review-the-warriors-way
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 09 Dec 2010 17:21:25 -0500</pubDate>
<link>http://www.movieretriever.com/blog/964/movie-review-the-warriors-way
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<title>MovieRetriever's 100 Greatest Movies: #54 North by Northwest
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<b>Dec 09, 2010 </b></td>
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<p>
Screenwriter Ernest Lehman wanted to write the definitive Hitchcock movie. The assignment Hitchcock chose for him, an adaptation of Hammond Innes' novel <i>The Wreck of the Mary Deare</i>, was not it; in Lehman's opinion the novel, about a Marie Celeste-type sea mystery, began with an intriguing premise but concluded with a let-down of a denouement the writer felt was impossible to lick. He turned the master of suspense down; shortly thereafter, Hitchcock abandoned the project for the same reason. (Lehman and Hitchcock were right; the film, eventually made by Michael Anderson, failed to solve <a href="http://www.movieretriever.com/blog/963/movieretrievers-100-greatest-movies-54-north-by-northwest
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 09 Dec 2010 09:29:21 -0500</pubDate>
<link>http://www.movieretriever.com/blog/963/movieretrievers-100-greatest-movies-54-north-by-northwest
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<title>MovieRetriever's 100 Greatest Movies: #55 West Side Story
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<b>Dec 08, 2010 </b></td>
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<p>
The film <i>West Side Story</i> is based on the 1950s Broadway stage play, from an idea inspired by Shakespeare's <i>Romeo and Juliet</i>. The idea of taking one of the most famous and tragic love stories of all time and translating it to modern America, focusing it around the racial and inner city problems arising at that time (and which still exist today) was a radical one. 
</p>
<p>
The Capulet and Montague families are transformed into two street gangs whose members live in the urban ghettos. The Jets (the poor, white local youth) are led by <a href="http://www.movieretriever.com/blog/962/movieretrievers-100-greatest-movies-55-west-side-story
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 08 Dec 2010 14:34:21 -0500</pubDate>
<link>http://www.movieretriever.com/blog/962/movieretrievers-100-greatest-movies-55-west-side-story
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<title>MovieRetriever's 100 Greatest Movies: #56 Rear Window
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<b>Dec 07, 2010 </b></td>
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<p>
In his article on &quot;Film Production&quot; for the 1968 <i>Encyclopaedia Britannica</i> Alfred Hitchcock gave the following example of &quot;pure cinema:&quot; &quot;Show a man looking at something, say a baby. Then show him smiling. By placing these shots in sequence – man looking, object seen, reaction to object – the director characterizes the man as a kindly person. Retain shot one (the look) and shot three (the smile) and substitute for the baby a girl in a bathing costume, and the director has changed the characterization of the man.&quot; In these terms, his 1954 film, <a href="http://www.movieretriever.com/blog/961/movieretrievers-100-greatest-movies-56-rear-window
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 07 Dec 2010 15:37:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/961/movieretrievers-100-greatest-movies-56-rear-window
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<title>MovieRetriever's 100 Greatest Movies: #57 King Kong
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<b>Dec 06, 2010 </b></td>
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<p>
Few films can compete with the longevity of <i>King Kong</i>. The film is as popular today, on television and in revival theaters, as it first was in its initial release in 1933. Ironically, the film's contemporary setting of 1933 has now made it a period piece, though the ideas and themes have never aged. 
</p>
<p>
The story was conceived by producer/director Merian C. Cooper and inspired by his trips to Africa and Southeast Asia to shoot documentary films. Cooper imagined setting a primitive giant ape against the civilization of a modern New York City. This <a href="http://www.movieretriever.com/blog/960/movieretrievers-100-greatest-movies-57-king-kong
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 06 Dec 2010 11:46:51 -0500</pubDate>
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<title>
Box-Office Wrap-Up: Tangled Tops Harry Potter, or Disney Pulls Ahead 

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<b>Dec 06, 2010 </b></td>
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<p>
An interesting switch-a-roo this weekend; Disney’s <i>Tangled</i>, second to the boy wizard last week, turned the tables this weekend, earning $21.5 million at the box office. <i>Harry Potter and the Deathly Hallows: Part 1</i> fell to second with $16.7 million, but with $244.2 million already in the bank, it’s not all tears at Hogwarts. This is <i>Tangled</i>’s second week at the box office, giving it a running total of $96.4 million. 
</p>












	
	
	
	
	
	
	



<p>
<i>Burlesque</i> and <i>Unstoppable</i> tied in terms of money, but <i>Burlesque </i>edged out the 3rd place spot thanks to higher averages at a fewer <a href="http://www.movieretriever.com/blog/959/
boxoffice-wrapup-tangled-tops-harry-potter-or-disney-pulls-ahead-

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 06 Dec 2010 11:35:16 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #58 Fanny and Alexander
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<b>Dec 04, 2010 </b></td>
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<p>
Ingmar Bergman has said that he made <i>Fanny and Alexander</i> (<i>Fanny och Alexander</i>) as his final film. It is an ingratiating and expansive film, ultimately a festive comedy, with its bleakest moments embedded between two extended family celebrations, the Christmas during which the father of Fanny and Alexander dies, and the christenings of the sister their mother had from her second husband and the cousin a maid conceived from their married uncle. In its scope, its concatenation of realism and fantasy, and its emotional reversals, the film owes something to Charles Dickens – perhaps <a href="http://www.movieretriever.com/blog/958/movieretrievers-100-greatest-movies-58-fanny-and-alexander
">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 04 Dec 2010 00:00:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/958/movieretrievers-100-greatest-movies-58-fanny-and-alexander
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<title>Movie Review: Love and Other Drugs
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<b>Dec 02, 2010 </b></td>
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<p>
First meet Jamie Randall, a smooth-talking prescription drug salesman with a reputation for womanizing; then meet Maggie Murdoch, a fiery passionate photographer who eventually changes the formerly mentioned Randall's womanizing ways. If this storyline sounds familiar, throw in a chronic illness in young Maggie, several ounces of flesh, and a retro 1990s timestamp, and now we've got ourselves a movie that is worth the price of admission – <i>Love and Other Drugs</i>.
</p>
<p>
Maggie (Anne Hathaway) is struggling with the onset of early Parkinson's disease at the ripe old age of 26. This further makes her <a href="http://www.movieretriever.com/blog/957/movie-review-love-and-other-drugs
/1705489">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 02 Dec 2010 17:31:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/957/movie-review-love-and-other-drugs
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<title>MovieRetriever's 100 Greatest Movies: #59 The Birth of a Nation
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<b>Dec 02, 2010 </b></td>
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&quot;More than any picture before it, it made moviegoing a middle class activity,&quot; writes Joan L. Silverman of <i>The Birth of a Nation</i> (French, ed., <i>The South in Film</i>). &quot;Soon movie palaces were built in fashionable neighborhoods all over the United States.&quot; More than that, the film remains one of the most controversial of the medium's first century. The National Association for the Advancement of Colored People (NAACP) branded it racist; riots followed in cities such as Boston; widespread picketing and lawsuits continued for years in many cities and states. Although D.W. Griffith found <a href="http://www.movieretriever.com/blog/956/movieretrievers-100-greatest-movies-59-the-birth-of-a-nation
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 02 Dec 2010 12:43:32 -0500</pubDate>
<link>http://www.movieretriever.com/blog/956/movieretrievers-100-greatest-movies-59-the-birth-of-a-nation
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<title>MovieRetriever's 100 Greatest Movies: #60 A Streetcar Named Desire
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<b>Dec 01, 2010 </b></td>
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<p>
Partisans of America's Broadway stage, the &quot;fabulous invalid&quot; of 1920s, when pessimists feared that talking pictures would lure new generations away from live theatre, were greatly heartened when after the early successes of Tennessee Williams' <i>The Glass Menagerie</i> (1945), and Arthur Miller's <i>All My Sons</i> (1947), the promising newcomers followed up their success with <i>A Streetcar Named Desire</i> (1947) and <i>Death of a Salesman</i> (1949). World War II over, a glorious new theatrical era appeared to be underway. However, the two dazzling Expressionist tragedies proved the climax of the period of psychodrama between the <a href="http://www.movieretriever.com/blog/955/movieretrievers-100-greatest-movies-60-a-streetcar-named-desire
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 01 Dec 2010 10:47:19 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #61 8½ (Otto e mezzo)
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<b>Nov 30, 2010 </b></td>
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<p>
<i>Otto e mezzo</i> (<i>8½</i>) achieved its rather distinctive appellation as a result of its location within a Fellini canon which up to that point included seven films and two short pieces that the director had contributed to a pair of Italian anthology films. Given this personal linkage with its director and the film's apparent theme—one not unrelated to a case history of male menopause—as well as its numerous biographical parallels to Fellini's own life, it is tempting to regard <i>8½</i> simply as a self-indulgent though highly creative attempt to fill a void in the <a href="http://www.movieretriever.com/blog/954/movieretrievers-100-greatest-movies-61-8&acirc;&frac12;-otto-e-mezzo
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 30 Nov 2010 11:14:20 -0500</pubDate>
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<title>
Box-Office Wrap-Up: Harry Potter Tops Tangled – #1 Second Week in a Row! 

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<b>Nov 30, 2010 </b></td>
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<p>
The fight between two fantasy heavyweights was brutal, but <i>Harry Potter and the Deathly Hallows (Part 1)</i> came out on top for the second week in a row, earning $76.2 million at the box office over the five-day Thanksgiving weekend. Coming in second, Disney's well-received remake of the Rapunzel tale <i>Tangled </i>wasn't any slouch, drawing $69 million. <i>Megamind</i> continues its drop off, but still remains a solid 3rd, earning $17.5 million, finally breaking even with $130 million. This is its fourth week in the top 10. 
</p>












	
	
	
	
	
	
	



<p>
The Christina Aguilera/Cher vehicle <i>Burlesque</i> opened in 4th <a href="http://www.movieretriever.com/blog/953/
boxoffice-wrapup-harry-potter-tops-tangled-&acirc;-1-second-week-in-a-row-

">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 30 Nov 2010 10:54:22 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #62 Fantasia
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<b>Nov 29, 2010 </b></td>
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<p>
According to Deems Taylor, writing in 1940 (although the story was later denied by Disney sources), <i>Fantasia</i> first began as a comeback vehicle for Mickey Mouse after the Disney Studio had turned from modest cartoon production to large-scale animation features. Certainly Disney had used the Silly Symphony format to introduce additional cartoon figures – Pluto in 1930, the Three Pigs in 1933, and then Donald Duck in 1934, who went on to challenge Mickey's top billing. Also in 1934 Disney began work on <i>Snow White and the Seven Dwarfs</i>, a considerable gamble that came <a href="http://www.movieretriever.com/blog/952/movieretrievers-100-greatest-movies-62-fantasia
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 29 Nov 2010 21:58:11 -0500</pubDate>
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<title>Movie Review: Tamara Drewe
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<b>Nov 25, 2010 </b></td>
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<p>
One of the more obscure graphic novels to join the film adaptation fray this year is the English comedy <i>Tamara Drewe.</i> Originating in 2005 in the weekly pages of <i>The Guardian</i> newspaper in the U.K and primarily based on the classic British novel <i>Far From the Madding Crowd </i>by Thomas Hardy, the author's epic romantic tapestry has been retooled as a country manner comedy in the vein of <i>Cold Comfort Farm</i> by the journeyman director Stephen Frears (<i>Dangerous Liaisons</i>, <i>High Fidelity</i>, <i>The Queen</i>) in a rare ill-fit for a filmmaker usually adept at drawing <a href="http://www.movieretriever.com/blog/951/movie-review-tamara-drewe
/1705504">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Nov 2010 13:18:05 -0500</pubDate>
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<title>Movie Review: Burlesque 
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<b>Nov 24, 2010 </b></td>
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<p>
<i>Burlesque</i> can best be compared to a highway car accident – painful to listen to, but so visually captivating that you just can't look away. The costumes, the makeup, the flesh, the stage, the FLESH. For better or worse, the film certainly delivered on the American tradition of burlesque as a form of strip tease – with Christina Aguilera in all her &quot;enhanced&quot; glory as the main attraction. Not that we're actually shown her goodies (after all, it is a PG-13 film), but she spends the entire movie in &quot;clothes&quot; that are either skimpy <a href="http://www.movieretriever.com/blog/950/movie-review-burlesque-
/1705467">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 24 Nov 2010 23:58:53 -0500</pubDate>
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<title>Movie Review: Faster 
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<b>Nov 24, 2010 </b></td>
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<p>
At first glance, <i>Faster</i> is a movie that doesn't care much about characterization or plot. For example, the three male leads are known as Driver (Dwayne Johnson), Cop (Billy Bob Thornton), and Killer (Oliver Jackson-Cohen). Director George Tillman Jr. seems to be completely at peace with this fact as well given how he introduces each of those three characters. I was completely ready to sit back and enjoy the visceral ride (as most revenge films are), expecting an adrenaline-packed 100 minutes filled with guilty pleasures. I received that, but as the plot started to <a href="http://www.movieretriever.com/blog/949/movie-review-faster-
/1705476">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 24 Nov 2010 23:58:04 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #63 A Clockwork Orange
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<b>Nov 24, 2010 </b></td>
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<p>
Still circulating in Europe and America but withdrawn from British distribution by Kubrick in 1973, within a year of its first release, <i>A Clockwork Orange</i> currently remains a paradoxical testament to the manipulative obsessions of its director. On the one hand, Kubrick has taken to extremes his habitual attention to every detail of the shaping and presentation of his work by, in this instance, deciding not to let it be shown at all. On the other, the &quot;suppressed&quot; film has validated its own theme by refusing to be manipulated out of existence; instead, its <a href="http://www.movieretriever.com/blog/948/movieretrievers-100-greatest-movies-63-a-clockwork-orange
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 24 Nov 2010 23:53:24 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #64 Jaws
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<b>Nov 23, 2010 </b></td>
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<p>
<i>Jaws</i> initiated the era of the Hollywood blockbuster. This tale of shark terror, which earned more than $100 million in six months, easily surpassed <i>The Godfather</i> as the all-time Hollywood box-office champ. Although <i>Star Wars</i>, <i>E.T.</i> and <i>Raiders of the Lost Ark</i> set new records, <i>Jaws</i> created marketing precedents that became Hollywood standards: it proved that one film under careful guidance from its distributor, could precipitate a national pop cultural &quot;event.&quot; 
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<p>
Universal opened <i>Jaws</i> in 409 American houses in June 1975, establishing late May/early June as the beginning of the movie season. To milk <a href="http://www.movieretriever.com/blog/947/movieretrievers-100-greatest-movies-64-jaws
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 23 Nov 2010 22:53:28 -0500</pubDate>
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<title>
Cowboys &amp; Aliens: The Greatest Crossover Movie of All-Time? 

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<b>Nov 22, 2010 </b></td>
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There's a certain delight in the crossover movie; films like <i>Alien vs. Predator</i> (2004), <i>Freddy vs. Jason</i> (2003), and, of course, <i>Mega Shark Versus Giant Octopus</i> (2009) give us the answers to the late-night, who-would-win-in-a-fight arguments that we've had with our friends over the years. 
</p>












	
	
	
	
	
	
	



<p>
What has me curious about <i>Cowboys &amp; Aliens</i> is that the teaser trailer is very serious: the first half of trailer makes <i>Cowboys &amp; Aliens</i> out to be a strong, but run-of-the-mill modern Western until you see a beeping, metallic wristband on Daniel Craig. After the arrival of strange <a href="http://www.movieretriever.com/blog/946/
cowboys--aliens-the-greatest-crossover-movie-of-alltime-

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 22 Nov 2010 12:10:57 -0500</pubDate>
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<title>
Not So High on Your Highness

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<b>Nov 22, 2010 </b></td>
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The difficulty with combining mismatched genres is that it's easy to get caught up in the novelty of presenting absurdity, at the cost of making something funny and/or compelling. <i>Inglorious Basterds</i> succeeded as a darkly-comedic, historically-fictitious WWII action flick with the help of superb acting, Quentin Tarantino-grade gore, and most importantly – a good, original story. 
</p>












	
	
	
	
	
	
	



<p>
Although directed by the same guy who did <i>Pineapple Express</i> (David Gordon Green) and featuring a couple of its main actors (James Franco and Danny McBride), you'd think that a movie with the title, <i>Your Highness</i> might be <a href="http://www.movieretriever.com/blog/945/
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">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 22 Nov 2010 11:56:57 -0500</pubDate>
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<title>Winnie the Pooh: A Cinematic Return to Hundred Acre Wood
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<b>Nov 22, 2010 </b></td>
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I have fond memories of the <i>Winnie the Pooh</i> movies; although I haven't seen recent entries such as <i>The Tigger Movie</i> (2000), <i>Piglet's Big Movie</i> (2003), or <i>Pooh's Heffalump Movie</i> (2005), I'd look forward to seeing this movie, mostly because the trailer's sweet music and somber dialog suggests a soothing poignancy that would not only be instructional for children, but comforting to adults. 
</p>












	
	
	
	
	
	
	



<p>
Although I'm glad that Disney kept the Pooh franchise in traditional animation, I have to say that I'm disappointed with the film's look. I miss the grainier, fuller, warmer era of <a href="http://www.movieretriever.com/blog/944/winnie-the-pooh-a-cinematic-return-to-hundred-acre-wood
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 22 Nov 2010 11:49:51 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #65 Taxi Driver
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<b>Nov 22, 2010 </b></td>
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It was during the 1970s – the period of Vietnam and Watergate – that American society appeared in imminent danger of collapse, the crisis in ideological confidence being (quite logically) complemented by the growth of the major radical movements of contemporary culture: feminism, black militancy, gay activism. The confusions and hysteria of the social climate (the historical moment when the dominant ideology of bourgeois patriarchal capitalism and reinforcement under Carter and Reagan) were reflected in the products of Hollywood: one might say that the most interesting and distinguished films of the period were also <a href="http://www.movieretriever.com/blog/943/movieretrievers-100-greatest-movies-65-taxi-driver
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 22 Nov 2010 11:20:31 -0500</pubDate>
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<title>
Box-Office Wrap-Up: Harry Potter and the Deathly Hallows Works Magic 

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No surprises here; the wizard pulled money in faster than one could say &quot;Expelliarmus,&quot; in the 7th (and mostly final) installment of his adventures. <i>Harry Potter and the Deathly Hallows: Part 1</i> raked in $125.1 million this weekend, $61 million of which was made Friday night. This more than overshadowed <i>Megamind</i>, which fell to 2nd in its third week with $16.2 million and <i>Unstoppable</i> dropped off to 3rd with $13.1 million. This opening marks the best weekend opener of any of the Harry Potter films to date. 
</p>












	
	
	
	
	
	
	



<p>
<i>Due Date</i> slips to 4th with $9.2 <a href="http://www.movieretriever.com/blog/942/
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<pubDate>Mon, 22 Nov 2010 11:00:14 -0500</pubDate>
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<title>Movie Review: Harry Potter and the Deathly Hallows: Part 1
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<b>Nov 19, 2010 </b></td>
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<p>
In <i>Harry Potter and the Deathly Hallows: Part 1</i>, the seventh and second to last installment of the epic Harry Potter series based on the writings of J.K. Rowling, director David Yates spins a dark and thrilling web that will surely keep audiences stuck to their seats. Though the premise is the same as every Potter film (Harry must rely on the help of his two best friends to defeat evil forces that desire him dead), Yates and his team have succeeded in brilliant reinvention. The true magic lies in how the stakes are <a href="http://www.movieretriever.com/blog/939/movie-review-harry-potter-and-the-deathly-hallows-part-1
/1705480">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Nov 2010 22:46:18 -0500</pubDate>
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<title>Movie Review: Fair Game
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<b>Nov 19, 2010 </b></td>
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<p>
As female spy stories go, Valerie Plame's is no Modesty Blaise or Mata Hari, but it is one of great significance and enduring controversy in the recent history of the United States. Her tale of betrayal at the whims of top government and the press is at the center of the new thriller from director Doug Liman, the deft hand at the helm of the energetic and smart <i>The Bourne Identity</i>. Though he didn't stick around to see that franchise reach its lucrative heights, he returns to the breathless political actioner with <i>Fair Game</i>. <a href="http://www.movieretriever.com/blog/938/movie-review-fair-game
/1705475">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Nov 2010 22:42:01 -0500</pubDate>
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<title>Movie Review: The Next Three Days
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<b>Nov 19, 2010 </b></td>
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<i>The Next Three Days</i> takes hold of you from the first second of the film and doesn't let go until the last. Director and Writer Paul Haggis (<i>Crash, Million Dollar Baby</i>) pulls together an amazing cast to tell the story that will keep you on the edge of your seat almost through the entire film. 
</p>
<p>
John Brennan (Russell Crowe) and his wife Lara (Elizabeth Banks) begin their odyssey when Lara is accused within the first few minutes of the film of murdering her boss. When Lara is convicted and sent to jail for life, <a href="http://www.movieretriever.com/blog/937/movie-review-the-next-three-days
/1705494">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Nov 2010 22:37:34 -0500</pubDate>
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<title>Movie Review: Today's Special
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<b>Nov 19, 2010 </b></td>
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<p>
<i>Today's Special</i> is the story of Samir (played by Aasif Mandvi), a first generation American born from parents native to the country of Inia. Living in the shadows of his deceased older brother, Samir aspires to become the head chef of an uber trendy bistro in the ultra competitive Manhattan restaurant industry. Plans go awry when he, the sous chef and natural choice for the head chef position, is actually passed up for promotion. The head chef accuses Samir of being too mechanical and methodical in his cooking, and lacking feeling and pizzazz. Samir <a href="http://www.movieretriever.com/blog/936/movie-review-todays-special
/1705893">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Nov 2010 22:33:45 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #66 Brazil
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<b>Nov 19, 2010 </b></td>
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<p>
&quot;When I started imagining things,&quot; says Terry Gilliam, &quot;I get a chemical high from it. My imagination is a cheap drug, one of my ways of dealing with reality because reality is so complex and uncontrollable.&quot; More than most, his career as a filmmaker seems, with its much-publicised crises of finance, production, and distribution, to have been a series of self-imposed demands for the impossible, the direct translation of a private quest into an exotic public entertainment hovering on the edge of disaster. And not surprisingly, the quartet of Gilliam adventures that began with <a href="http://www.movieretriever.com/blog/935/movieretrievers-100-greatest-movies-66-brazil
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Nov 2010 17:13:57 -0500</pubDate>
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<title>&quot;It's just the usual Jack stuff,&quot; and other reasons to avoid Little Fockers
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<b>Nov 18, 2010 </b></td>
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<p>
It's been ten years since the release of <i>Meet the Parents</i>, and after the 2004 release of the sequel, <i>Meet the Fockers</i>, Universal Studious is milking the franchise yet again with <i>Little Fockers</i>, set to be released December 22nd. 
</p>










	
	
	
	
	
	



<p>
What made <i>Meet the Parents</i> so great was the then-fresh comedic spin on the romantic partner-meets-parents story. The movie succeeded by using the relatable pressure of meeting your significant other's parents as the vehicle for the genre's bread-and-butter of gag and potty humor. The movie was a composite of worst-case scenario family get-togethers, as if <a href="http://www.movieretriever.com/blog/934/its-just-the-usual-jack-stuff-and-other-reasons-to-avoid-little-fockers
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 18 Nov 2010 15:38:39 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #67 Snow White and the Seven Dwarfs
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<b>Nov 18, 2010 </b></td>
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<p>
In his years as an animator, director, producer, and magnate, Walt Disney did more than any other individual to influence and shape the look of animated films. As a pioneer he was willing to take risks by experimenting with various technical inventions. In almost every case these experiments were successful. By searching for new and different ways to expand and advance the cartoon format, Walt Disney kept several steps ahead of his competitors. His animated films became the technological standard of the industry and no one came close to matching them. 
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<p>
Among Disney's most <a href="http://www.movieretriever.com/blog/933/movieretrievers-100-greatest-movies-67-snow-white-and-the-seven-dwarfs
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 18 Nov 2010 10:38:17 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #68 La Belle et la bête

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<b>Nov 17, 2010 </b></td>
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<p>
<i>La Belle et la bête</i>, the film which marked Jean Cocteau's return to directing after an interval of 15 years, is a work which continues the vein of fantasy which had characterised his scriptwriting during the wartime years. To this extent the film is typical of its period, for the early postwar years in France saw a basic continuity with approaches established during the Vichy period (there was no resurgence of realism in France to compare with the emergence of neorealism in Italy). But in all other ways the appropriation of a fairy tale <a href="http://www.movieretriever.com/blog/932/movieretrievers-100-greatest-movies-68-la-belle-et-la-b&atilde;&ordf;te

">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 17 Nov 2010 11:11:37 -0500</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #69 M*A*S*H
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<b>Nov 16, 2010 </b></td>
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<p>
<i>M*A*S*H</i>, one of the most popular films of the early 1970s, achieved stardom for Donald Sutherland and Elliott Gould, spawned a successful television series, and gave its innovative director, Robert Altman, his first financial and critical success. 
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In <i>M*A*S*H</i> – and to a greater extent in his later films – Altman abandons conventional Hollywood narrative techniques in favor of a very personal style characterized by overlapping dialogue, improvisational acting, elliptical editing, wide-screen Panavision compositions, telephoto shots (specifically shots through windows and past obstructing foreground objects), and the development of a large community and of <a href="http://www.movieretriever.com/blog/915/movieretrievers-100-greatest-movies-69-mash
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 16 Nov 2010 11:05:55 -0500</pubDate>
<link>http://www.movieretriever.com/blog/915/movieretrievers-100-greatest-movies-69-mash
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<title>Box-Office Wrap-Up: Megamind Conquers the Weekend; Unstoppable Closing In Fast 
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<b>Nov 15, 2010 </b></td>
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<p>
Maybe the mostly positive reviews went to that big blue head of his, but it worked with audiences: <i>Megamind</i> again led the box office, earning the top spot for its second weekend with $30 million. Will Ferrell and company bring the film’s total earnings to $89 million … still a bit short for its $130 million budget, but certainly nothing to sneeze at. Meanwhile, Denzel Washington’s thrill ride <i>Unstoppable</i> earned a respectable second place in its opening weekend with $23.5 million. Also starring Chris Pine (<i>Star Trek</i>) and directed by Tony Scott (<i>True Romance, <a href="http://www.movieretriever.com/blog/914/boxoffice-wrapup-megamind-conquers-the-weekend-unstoppable-closing-in-fast-
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 15 Nov 2010 13:46:26 -0500</pubDate>
<link>http://www.movieretriever.com/blog/914/boxoffice-wrapup-megamind-conquers-the-weekend-unstoppable-closing-in-fast-
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<title>Movie Review: Unstoppable
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<b>Nov 15, 2010 </b></td>
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<p>
Tim Burton has Johnny Depp. Ron Howard has Tom Hanks. Now, with <i>Unstoppable</i> being the fifth movie they've worked on together (with the last two being runaway train movies), Tony Scott has Denzel Washington. In <i>Unstoppable</i>, Washington stars as Frank Barnes, a railroad employee with over 20 years of experience. He's paired up with a rookie union kid named Will Colson (Chris Pine) as they embark on a routine freight grab in Pennsylvania. What they don't know when they start their day on the rail is that another railroad conductor (<i>My Name is Earl</i>'s <a href="http://www.movieretriever.com/blog/913/movie-review-unstoppable
/1705510">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 15 Nov 2010 12:07:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/913/movie-review-unstoppable
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<title>Movie Review: Enter the Void
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<b>Nov 15, 2010 </b></td>
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<p>
Oscar has just scored DMT, a drug which takes you right to the best parts of <i>2001: A Space Odyssey</i> and mostly makes the movie screen resemble a really neat computer screensaver. He probably should have kept refreshing that screen because tonight is not going to go well for Oscar (Nathaniel Brown). <i>Enter the Void</i> is the first film in eight years from French provocateur Gaspar Noe. Following the notorious rape-revenge bludgeoning <i>Irreversible</i> (2002), he courts controversy once again with this exhausting mind trip. 
</p>
<p>
Following potential seizure-inducing strobe light opening titles, <i>Enter the Void</i> <a href="http://www.movieretriever.com/blog/912/movie-review-enter-the-void
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 15 Nov 2010 12:03:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/912/movie-review-enter-the-void
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<title>MovieRetriever's 100 Greatest Movies: #70 Rashomon
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<b>Nov 15, 2010 </b></td>
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<p>
When <i>Rashomon</i> won the Grand Prix at the Venice International Film Festival in 1951, the event represented the opening of the Japanese cinema to the West, and the film itself was regarded as a revelation. Ironically, it has never been very highly thought of in Japan. This does not necessarily mean that the West was wrong (consider the number of major Hollywood films that had to wait to be discovered by the French). It should, however, make us pause to question the grounds for its acclamation. 
</p>
<p>
The film's exotic appeal is very obvious, and <a href="http://www.movieretriever.com/blog/911/movieretrievers-100-greatest-movies-70-rashomon
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 15 Nov 2010 10:48:09 -0500</pubDate>
<link>http://www.movieretriever.com/blog/911/movieretrievers-100-greatest-movies-70-rashomon
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<title>MovieRetriever's 100 Greatest Movies: #71 The Philadelphia Story
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<b>Nov 12, 2010 </b></td>
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<p>
<i>The Philadelphia Story</i> is one of the most successful and best loved screwball comedies of the classical Hollywood era. It is based on the 1939 Broadway production of Philip Barry's play which starred Katharine Hepburn. The film employs the 1930s screwball plot device of the idle rich whose wealth has blinded them to the simple joys of life and the worthiness of middle-class values. Tracy Lord is the arrogant Philadelphia socialite who is planning her wedding to a stuffy social climber when her ex-husband, C. K. Dexter Haven, arrives at the mansion. Haven is <a href="http://www.movieretriever.com/blog/910/movieretrievers-100-greatest-movies-71-the-philadelphia-story
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 12 Nov 2010 09:50:15 -0500</pubDate>
<link>http://www.movieretriever.com/blog/910/movieretrievers-100-greatest-movies-71-the-philadelphia-story
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<title>Trailer Watch: Kung Fu Panda 2 Declares Staring Contest, Wins!
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<b>Nov 11, 2010 </b></td>
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<p>
DreamWorks released its teaser trailer for <i>Kung Fu Panda 2</i> on Monday and took a bold, but perhaps necessary step for the success of a family movie: addressing the adults. The first half of the trailer reintroduces Jack Black as Po, the fighting Panda; the second half of the trailer is mostly static and silent, as Po challenges the viewer to a staring contest. 
</p>










	
	
	
	
	
	
	




<p>
The staring contest is a novelty that works well, especially in a movie trailer world governed by strings of one-liners, loud, punching sound effects and many, many cuts. With this <a href="http://www.movieretriever.com/blog/909/trailer-watch-kung-fu-panda-2-declares-staring-contest-wins
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 11 Nov 2010 13:24:46 -0500</pubDate>
<link>http://www.movieretriever.com/blog/909/trailer-watch-kung-fu-panda-2-declares-staring-contest-wins
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<title>Trailer Watch: Marketing Tron: Legacy - More That Just Pretty Lights?
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<b>Nov 11, 2010 </b></td>
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<p>
Disney's third official trailer for <i>Tron: Legacy</i>, released Monday, differs markedly from the first trailer they released in July 2009; it claims the movie has an actual honest-to-god story. The question to ask, however, does it really matter? 
</p>
<p>





</p>
<p>
There's something about silence, darkness, and bright neon lights – and Disney's <i>Tron: Legacy</i> will deliver all three in spades. The 2009 trailer opens up with the latest rendition of the famous Walt Disney lettering with the castle in the background; everything in the frame then fades into a black and pale blue color scheme, associating <a href="http://www.movieretriever.com/blog/908/trailer-watch-marketing-tron-legacy--more-that-just-pretty-lights
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 11 Nov 2010 13:15:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/908/trailer-watch-marketing-tron-legacy--more-that-just-pretty-lights
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<title>MovieRetriever's 100 Greatest Movies: #72 From Here to Eternity
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<b>Nov 11, 2010 </b></td>
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<p>
James Jones's novel <i>From Here to Eternity</i> was a bestseller. Portraying Army life immediately before Pearl Harbor, its racy sex scenes, lively and rough language, and vivid characterizations of men under stress made it one of the most widely read books to come out of World War II. Hollywood was interested but felt that the book would be a difficult project. Obviously the realistic and explicit sex scenes were the basis for much of the book's appeal. The book was also very lengthy and somewhat rambling. If one could conquer the problems of translating <a href="http://www.movieretriever.com/blog/907/movieretrievers-100-greatest-movies-72-from-here-to-eternity
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 11 Nov 2010 10:22:10 -0500</pubDate>
<link>http://www.movieretriever.com/blog/907/movieretrievers-100-greatest-movies-72-from-here-to-eternity
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<title>Movie Review: Morning Glory
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<b>Nov 10, 2010 </b></td>
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<p>
<i>Morning Glory</i> tells the story of Becky Fuller (Rachel McAdams), a perky, somewhat naive, and hard working local morning television producer who is let go from her job only to land a job as Executive Producer of a terrible, low-rated network morning show. Hired by IBS television network boss, Jerry Barnes (Jeff Goldblum) the two have some pretty good moments together on screen that may leave some wishing they had more scenes together as their onscreen professional relationship creates almost all of the real drama in <i>Morning Glory</i>. Although the plot is formulaic and <a href="http://www.movieretriever.com/blog/906/movie-review-morning-glory
/1704587">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 10 Nov 2010 09:59:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/906/movie-review-morning-glory
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<title>MovieRetriever's 100 Greatest Movies: #73 The Third Man
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<b>Nov 10, 2010 </b></td>
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<p>
Carol Reed's <i>The Third Man</i> is a remarkably enigmatic film in many respects, drawing on a range of talents and traditions so broad as to raise the question of authorship in a particularly acute form. The film owes debts to the Grierson/Rotha tradition of British documentary film, as well as to the post-war neo-realism of Rossellini's <i>Roma Città Aperta</i> and DeSica's <i>Ladri di Biciclette</i>; like its Italian predecessors, <i>The Third Man</i> studies the effects of post-war economic and social corruption within the context of a once grand though now rubble-strewn European capital (Rome for <a href="http://www.movieretriever.com/blog/905/movieretrievers-100-greatest-movies-73-the-third-man
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 10 Nov 2010 09:55:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/905/movieretrievers-100-greatest-movies-73-the-third-man
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<title>Movie Review: Megamind
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<b>Nov 09, 2010 </b></td>
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<p>
The new animated family-oriented picture from DreamWorks, <i>Megamind</i> is the story of a super villain (Will Ferrell) faced with an unexpected existential crisis after defeating his arch enemy, the hero Metro Man (Brad Pitt). Megamind and Metro Man lead parallel – and yet diametrically opposed – lives, as both were sent to Earth from a faraway galaxy as babies, only to meet again at a school for the gifted. 
</p>












	
	
	
	
	
	
	



<p>
Although Megamind and Metro Man share similar histories, Megamind is repeatedly given the short stick while Metro Man seems to catch all the breaks. For <a href="http://www.movieretriever.com/blog/903/movie-review-megamind
/1705491">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 09 Nov 2010 15:18:22 -0500</pubDate>
<link>http://www.movieretriever.com/blog/903/movie-review-megamind
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<title>MovieRetriever's 100 Greatest Movies: #74 The 400 Blows
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<b>Nov 09, 2010 </b></td>
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<p>
The film career of François Truffaut is marked by paradox. As the &quot;enfant terrible&quot; of French film criticism he was barred from attending the Cannes Film Festival of 1958. But in 1959 his first feature-length film, <i>Les quatre cents coups </i>(<i>The 400 Blows</i>), earned him honors as Best Director. Similarly, Truffaut's role as champion of the &quot;politique des auteurs&quot; also involved a species of paradox, in his attacking the French &quot;tradition of quality&quot; while praising American film noir in traditional aesthetic terms, in his praising of individual self-expression while creating a &quot;counter tradition&quot; of <a href="http://www.movieretriever.com/blog/902/movieretrievers-100-greatest-movies-74-the-400-blows
">...Read more at MovieRetriever.com</a>
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</table>]]></description>
<pubDate>Tue, 09 Nov 2010 10:24:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/902/movieretrievers-100-greatest-movies-74-the-400-blows
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<title>MovieRetriever's 100 Greatest Movies: #75 Rebel Without a Cause
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<b>Nov 08, 2010 </b></td>
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<p>
In an overheated moment part-way through Laslo Benedek's 1953 film <i>The Wild One</i>, Johnny (Marlon Brando) responds to the question &quot;What are you rebelling against?&quot; with &quot;Watcha got?&quot; That film detailed the restless rebellion of two motorcycle gangs, one bent on havoc, the other on less violent forms of social rebellion, and in Johnny lay the seed of many a Hollywood rebel, the pose of many an aspiring Hollywood actor, and the essence of a new breed of teenager. The following year, two films were released that immediately secured a position for their star <a href="http://www.movieretriever.com/blog/901/movieretrievers-100-greatest-movies-75-rebel-without-a-cause
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Mon, 08 Nov 2010 11:28:16 -0500</pubDate>
<link>http://www.movieretriever.com/blog/901/movieretrievers-100-greatest-movies-75-rebel-without-a-cause
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<title>MovieRetriever's 100 Greatest Movies: #76 La Dolce Vita
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<b>Nov 05, 2010 </b></td>
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<p>
Federico Fellini's epic study of the loss of values at the climax of the Italian &quot;economic miracle,&quot; <i>La Dolce Vita</i> (<i>The Sweet Life</i>), delineates the daily activities of a writer, turned reporter for a sensationalist journal, who is too deeply compromised by the degeneracy around him to see it, never mind report on it. The opening and closing scenes of the film are cleverly matched allusions to Dante which underscore the moral loss and its consequences for Italy, at the very moment when the revival of Fascism was beginning to make a difference in <a href="http://www.movieretriever.com/blog/900/movieretrievers-100-greatest-movies-76-la-dolce-vita
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Nov 2010 12:11:57 -0400</pubDate>
<link>http://www.movieretriever.com/blog/900/movieretrievers-100-greatest-movies-76-la-dolce-vita
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<title>Movie Review: Due Date
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<b>Nov 05, 2010 </b></td>
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<p>
If you're familiar with the movies <i>Due Date </i>director Todd Phillips has been involved with in the past (<i>The Hangover, Old School, and Road Trip</i>), then you should know what to expect from his latest film. In my case, what I expected (and received) was a stomach that hurt from laughing too hard, a sore throat from the aforementioned laughing, and a few tears (again from the laughing). I think you get the idea; <i>Due Date</i> is one funny movie, made even funnier by the oddball pairing of Robert Downey Jr. and Zach Galifianakis. <a href="http://www.movieretriever.com/blog/899/movie-review-due-date
/1705472">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Nov 2010 11:44:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/899/movie-review-due-date
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<title>MovieRetriever's 100 Greatest Movies: #77 Raiders of the Lost Ark
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<b>Nov 04, 2010 </b></td>
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<p>
<i>Raiders of the Lost Ark</i> is historically important because it marks the first collaboration between George Lucas and Steven Spielberg, the two most financially successful of American filmmakers. Released in the summer of 1981, the film garnered some of the best critical accolades in either man's career; it also continued their phenomenal success: it is now one of the top ten money-makers of all time.
</p>











	
	
	
	
	
	
	



<p>
An homage to old movie serials in much the same way as are George Lucas's <i>Star Wars</i> films, <i>Raiders of the Lost Ark</i> is also derivative of westerns, horror films, <a href="http://www.movieretriever.com/blog/898/movieretrievers-100-greatest-movies-77-raiders-of-the-lost-ark
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 04 Nov 2010 00:32:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/898/movieretrievers-100-greatest-movies-77-raiders-of-the-lost-ark
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<title>MovieRetriever's 100 Greatest Movies: #78 Vertigo
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<b>Nov 03, 2010 </b></td>
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<p>
Not particularly successful at the time of its release, <i>Vertigo</i> has come to be recognized as one of Alfred Hitchcock's greatest films, where his profounder obsessions are reinforced by his technical inventiveness. It can be argued that Hitchcock's &quot;greatness&quot; comes only from the accident that his recurring obsession with voyeurism is the topic that best meshes with the ontology of the filmgoing experience. In any case, the longstanding argument over the superiority of his British vs. American periods looks to have been settled in favor of the latter. The less savory aspects of Hitchcock's <a href="http://www.movieretriever.com/blog/897/movieretrievers-100-greatest-movies-78-vertigo
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 03 Nov 2010 10:08:32 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #79 Amélie
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<b>Nov 02, 2010 </b></td>
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<p>
Combining the whimsy of a joyous romantic comedy with the heightened reality of a fairy tale, Jean-Pierre Jeunet’s <i>Amélie</i> is the rare film that touches the heart while dazzling audiences with its invention and creativity. Set in Montmartre and revolving around the escapades of a sweet woman whose do-gooder instincts transform the lives of the people around her, <i>Amélie</i> embraces a hopeful vision that is a stark departure from <i>Delicatessen</i> and <i>The City of Lost Children</i>, the thematically dark and stylistically dreary films that Jeunet made with Marc Caro. Jeunet may engage in his <a href="http://www.movieretriever.com/blog/889/movieretrievers-100-greatest-movies-79-am&atilde;&copy;lie
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 02 Nov 2010 10:46:02 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #80 La passion de Jeanne d'Arc
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<b>Nov 01, 2010 </b></td>
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<p>
Carl Dreyer's last silent film is one of the most famous films in the history of cinema. It is seldom missing on &quot;World's Ten Best Films&quot; lists. Few films have been studied and analyzed as thoroughly in articles and books, and one sometimes feels that the real film is buried in the theory and aesthetics. But, a true classical work of art, <i>La passion de Jeanne d'Arc</i> (<i>The Passion of Joan of Arc</i>) appeals to and moves the spectator with its beautiful simplicity. It is a pure tragedy of a young suffering woman fighting <a href="http://www.movieretriever.com/blog/887/movieretrievers-100-greatest-movies-80-la-passion-de-jeanne-darc
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 01 Nov 2010 10:17:15 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #81 City Lights
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<b>Oct 29, 2010 </b></td>
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<p>
Early in 1931 an extraordinary event took place in New York City at the George M. Cohan Theatre. Though the talking picture had been firmly established, a new silent film premiered at the Cohan that became the talk of the town – Charles Chaplin's <i>City Lights</i>, in which he starred as the beloved Little Tramp. He was also the producer, the director, the author and scenarist, the editor, and had written the music which accompanied it. Chaplin was the solitary hold-out against the talking film, and <i>City Lights</i> was successful because it was a <a href="http://www.movieretriever.com/blog/886/movieretrievers-100-greatest-movies-81-city-lights
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 29 Oct 2010 12:21:39 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #82 The Silence of the Lambs
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<b>Oct 28, 2010 </b></td>
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<i>The</i><i> Silence of the Lambs</i> is the most authentically terrifying movie since <i>Psycho</i>, and it is appropriate that Hannibal Lecter (as incarnated in the superb performance of Anthony Hopkins) should have established a position within our culture's popular mythology comparable to that of Anthony Perkins' Norman Bates three decades earlier. By &quot;authentically&quot; I mean that the terror the film induces is not merely a matter of contrived &quot;shock&quot; moments (though, as in <i>Psycho</i>, those are not lacking). The film brings us into intimate and disturbing contact with the darkest potentialities of the human psyche <a href="http://www.movieretriever.com/blog/880/movieretrievers-100-greatest-movies-82-the-silence-of-the-lambs
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 28 Oct 2010 10:51:28 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #83 An American in Paris
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<b>Oct 27, 2010 </b></td>
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<p>
<i>An American in Paris</i>, one of the most successful and popular musicals in the history of film, is also one of the few Technicolor musicals to be taken seriously by critics during the Golden Age of Hollywood when many such films were made. Its grand finale, a 17-minute ballet, focused attention on the fact that films did not have to contain a serious message to be worthy examples of the art form. <i>An American in Paris</i> won the Academy Award for Best Picture of 1951, captured five other Academy Awards, and was placed on <a href="http://www.movieretriever.com/blog/879/movieretrievers-100-greatest-movies-83-an-american-in-paris
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 27 Oct 2010 22:52:14 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #84 La grande illusion
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<b>Oct 26, 2010 </b></td>
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The critical estimate of <i>La grande illusion</i> has fluctuated with the vicissitudes of critical theory. In the days when film's importance was attributed to the importance of its subject, it was widely regarded as Renoir's masterpiece, a noble humanist antiwar statement. With the development of the <i>auteur</i> theory in the late 1950s, its reputation dwindled. It came to be perceived as a less personal, less intimate and less complex work than <i>La règle du jeu</i>, which superseded it as marking the summit of Renoir's achievement. Though opposed, these views are based on the same <a href="http://www.movieretriever.com/blog/878/movieretrievers-100-greatest-movies-84-la-grande-illusion
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 26 Oct 2010 10:45:47 -0400</pubDate>
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<title>Movie Review: Paranormal Activity 2
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<b>Oct 25, 2010 </b></td>
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<p>
The sequel to <i>Paranormal Activity,</i> last year’s highly profitable, low-budget horror flick, <i>Paranormal Activity 2 </i>expands upon the premise of the original. Oren Peli, the director of the original, produced and co-wrote <i>Paranormal Activity 2</i>, and the feel of the films are very similar. Both incorporate “found footage” from home video and security cameras, adding an aura of believability – think 1999’s <i>The Blair Witch Project</i> – and feature an unknown cast. Katie (Katie Featherston) and Micah (Micah Sloat), the young couple from the first film, are back in <i>Paranormal Activity 2</i>, which functions <a href="http://www.movieretriever.com/blog/876/movie-review-paranormal-activity-2
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 25 Oct 2010 12:24:57 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #85 Shane
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<b>Oct 25, 2010 </b></td>
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Narrative films can be generally categorized into those that are motivated by plot and those that are motivated by character. Many American films are often cited as belonging to the former category, particularly in comparison to some of the European films. <i>Shane</i> is pure plot and pure American. The characters, rather than autonomous individuals, are functions of the plot and move through their respective roles with the assurance of legend. They possess no depth or dimension beyond the surface; they are always and exactly what they seem to be. And, ironically, this is their <a href="http://www.movieretriever.com/blog/875/movieretrievers-100-greatest-movies-85-shane
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 25 Oct 2010 10:47:46 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #86 The Gold Rush
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<b>Oct 22, 2010 </b></td>
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<p>
The<i> Gold Rush</i> was Charlie Chaplin's favorite among his own films, so much a favorite that he deliberately did not copyright it, allowing it to pass into the public domain as a gift to his future public. As a result, the film has been seen more frequently than any other Chaplin feature, especially between 1952 and 1972, the two decades of Chaplin's disenchantment with America, when he withdrew all his other feature films from public circulation. Inspired by stories of the Donner Party, trapped in a desert of ice, and perhaps by the icy <a href="http://www.movieretriever.com/blog/874/movieretrievers-100-greatest-movies-86-the-gold-rush
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Oct 2010 18:39:58 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #87 American Graffiti
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<b>Oct 21, 2010 </b></td>
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<p>
If <i>Star Wars</i> is George Lucas's idealized dream of the future, <i>American Graffiti</i> is his idealized dream of the past, a past in which optimism and naiveté were cherished sentiments before cynicism became a national past time. What joins these two films, however, is a devotion to entertainment, to the depiction of glorious worlds in which adventure is triumphant.
</p>
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With the assistance of Francis Ford Coppola, Lucas's remembrance of teenage life in his home town of Modesto, California was brought to the screen, ushering in a wave of nostalgia for the music and lifestyle of <a href="http://www.movieretriever.com/blog/873/movieretrievers-100-greatest-movies-87-american-graffiti
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 21 Oct 2010 10:46:59 -0400</pubDate>
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<title>Movie Review: Secretariat</title>
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<b>Oct 20, 2010 </b></td>
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<p>When it comes to movies about famous racehorses, everyone probably knows about the 2003 film <i>Seabiscuit, </i>which was also nominated for several Golden Globes and Academy Awards. With that film’s success, it was only a matter of time before someone – Walt Disney Pictures – made a film about arguably the best racehorse in history – Secretariat.</p><p></p>							<p>Taking place in the mid-1970s, <i>Secretariat</i> begins with the Chenery family getting together due to the death of their mother. It is then that the Chenery children (now adults) learn that their father is also sick and the <a href="http://www.movieretriever.com/blog/872/movie-review-secretariat">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 20 Oct 2010 16:48:34 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #88 The Deer Hunter
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<b>Oct 20, 2010 </b></td>
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<p>
When it was first released, <i>The Deer Hunter</i> was widely praised as the first American film to concern itself with the aftermath, social and psychological, of the Vietnam War. Because of this film, in fact, Hollywood discovered that audiences were eager for cinematic treatments of the subject and a number of films dealing with Vietnam were produced in the early 1980s.
</p>
<p>
<i>The Deer Hunter</i>, however, is not a war film in the ordinary sense: although central episodes treat developments in the late stages of the Vietnam conflict, the main emphasis is on the experiences shared <a href="http://www.movieretriever.com/blog/871/movieretrievers-100-greatest-movies-88-the-deer-hunter
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<pubDate>Wed, 20 Oct 2010 09:51:10 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #89 Modern Times
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<b>Oct 19, 2010 </b></td>
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<p>
Charles Chaplin was the last holdout in an industry that had uncritically turned its mode of production away from the visual developments of the end of the silent period to the spoken word and the theatrical trappings which that change entailed. In 1931, two years after the end of the silent period, Chaplin directed <i>City Lights</i>; five years later came <i>Modern Times</i>, his last film to extensively and specifically employ silent film strategies. A stylistic anachronism, the film was both a tribute to the glories of the silent period and a sociological perspective on <a href="http://www.movieretriever.com/blog/862/movieretrievers-100-greatest-movies-89-modern-times
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 19 Oct 2010 10:20:51 -0400</pubDate>
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<title>Movie Review: Jackass 3D
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<b>Oct 18, 2010 </b></td>
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<p>
MTV's own brand of merry mayhem is back. This time in glorious eye-popping, gut-punching, vomit-spewing 3D! What began as a novel experiment for MTV over a decade ago, <i>Jackass</i> has since produced three, yes that's right, three feature length films. In the current installment, <i>Jackass 3D</i>, we again follow the insane exploits of Johnny Knoxville, Bam Margera, Steve-O, Chris Pontius, Wee Man, and the other human rejects that make up the <i>Jackass</i> crew. Their unique blend of high-flying stunts, hidden camera pranks, practical jokes, and human bodily fluids proves a stomach churning mess. While <a href="http://www.movieretriever.com/blog/860/movie-review-jackass-3d
/1705883">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 18 Oct 2010 14:18:19 -0400</pubDate>
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<title>Movie Review: RED</title>
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<b>Oct 18, 2010 </b></td>
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<p>Based on the comic written by Warren Ellis and illustrated by Cully Hamner (published by the DC Comics imprint Wildstorm), <i>RED</i>, a fictional acronym for &quot;Retired and Extremely Dangerous,&quot; follows former CIA black operations agent Frank Moses (Bruce Willis) as he tries to unravel the plot against him after surviving a hit by a hired assassin (well, several hired assassins). With lovely Sarah (Mary-Louise Parker) in tow, Frank wrangles together his old colleges – Marvin (John Malkovich), Joe (Morgan Freeman), and Victoria (Helen Mirren) – to help him break into the one place that <a href="http://www.movieretriever.com/blog/859/movie-review-red/1705495">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 18 Oct 2010 14:11:11 -0400</pubDate>
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<title>Movie Review: Life as We Know It</title>
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<b>Oct 18, 2010 </b></td>
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<p>People go to the movies for several reasons; everything from seeing an Oscar-worthy performance, to simply killing two hours. If you're looking for a fun movie that will entertain you without making you think too much while munching on popcorn, <i>Life as We Know It</i> will be right up your alley. In fact, I'd wager to say it's the perfect date movie. </p><p>The movie starts with a cute blind date between Holly (Katherine Heigl), a successful and driven professional, and Messer (Josh Duamel), the laid back and womanizing sports producer. The two were set <a href="http://www.movieretriever.com/blog/858/movie-review-life-as-we-know-it/1705487">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 18 Oct 2010 14:02:38 -0400</pubDate>
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<title>Movie Review: It's Kind of a Funny Story</title>
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<p>Based on the novel of the same name written by Ned Vizzini, <i>It's Kind of a Funny Story</i> follows a teenager named Craig (Keir Gilchrist) as he suffers a nervous breakdown and comes close to committing suicide. Fearing how his death would affect his family, Craig checks himself into an adult psychiatric hospital to work on his issues. </p><p></p>							<p>In the hospital, besides learning that he'll have to stay for at least a week while missing school, he meets Bobby (Zach Galifianakis), who serves as his guide and mentor during his stay. On the outside, <a href="http://www.movieretriever.com/blog/857/movie-review-its-kind-of-a-funny-story">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 18 Oct 2010 13:54:39 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #90 The Wild Bunch
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<b>Oct 18, 2010 </b></td>
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<p>
When it was first released, <i>The Wild Bunch</i> became the subject of heated controversy among critics and the public alike due to its extraordinary level of violence. Following close on the heels of <i>Bonnie and Clyde</i>, <i>The Wild Bunch</i> surpassed the slow-motion death balletics of that film by quantum leaps, shocking and/or revolting large numbers of viewers. (At the Kansas City test screening of the 190-minute rough cut, over 30 members of the audience walked out in disgust, some reportedly throwing up in the alley behind the theater.) Twenty years later, in an age <a href="http://www.movieretriever.com/blog/856/movieretrievers-100-greatest-movies-90-the-wild-bunch
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 18 Oct 2010 10:52:33 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #91 Pulp Fiction
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<b>Oct 18, 2010 </b></td>
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<p>
Newcomer Quentin Tarantino injected some Scorsesian adrenalin and an overdose of Scorsesian banter among his low-life characters into his feature film debut <i>Reservoir Dogs</i> (1992), a contemporary heist film that owed its plot to Raoul Walsh's classic gangster movie <i>White Heat</i> and its oddball narrative structure to Stanley Kubrick's heist film <i>The Killing.</i> Critically acclaimed – and controversial – because of its gritty gutter language, back-and-forth in time method of storytelling, and mixture of humor and extremely graphic violence,
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<p>
<i>Reservoir Dogs</i> brought Tarantino to the attention of Hollywood. But his follow-up, <i>Pulp Fiction</i>, made him <a href="http://www.movieretriever.com/blog/855/movieretrievers-100-greatest-movies-91-pulp-fiction
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 18 Oct 2010 10:41:03 -0400</pubDate>
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<title>The MovieRetriever Semi-Live Blog Event Recap from the 2010 Hollywood Nights 24-Hour Movie Marathon
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<b>Oct 16, 2010 </b></td>
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<p>

Greetings MovieRetriever fans, Mike “Turk182” here!

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<p>

I should start off by apologizing for the tardiness of our “live” blogging from this year’s Hollywood Nights 24-Hour Movie Marathon to raise money for the Children’s Leukemia Foundation of Michigan. We here at MovieRetriever are thrilled to once again be part of the Movieathon for another year. We’re joined this year by film reviewer Dane Jackson and his wife Rachel. Welcome to friends.

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<p>

To be blunt, there’s been very little time between movies to get anything written, let alone get the information out there for you good people. So, <a href="http://www.movieretriever.com/blog/854/the-movieretriever-semilive-blog-event-recap-from-the-2010-hollywood-nights-24hour-movie-marathon
">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 16 Oct 2010 01:17:14 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #92 Duck Soup
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<b>Oct 14, 2010 </b></td>
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<i>Duck Soup</i> was the fifth movie made under the Marx Brothers' five-picture contract with Paramount, and circumstances surrounding its production were not especially promising. The Paramount company was internally turbulent at the time, and in the early part of 1933 the Marx Brothers became involved in a dispute with the studio about the proceeds of some of their earlier films. Leo McCarey, whom they had selected as their director, was not enthusiastic about the project, and there were difficulties in completing the script. However, eventually all disagreements were resolved, and, amid the usual confusion <a href="http://www.movieretriever.com/blog/852/movieretrievers-100-greatest-movies-92-duck-soup
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 14 Oct 2010 10:18:26 -0400</pubDate>
<link>http://www.movieretriever.com/blog/852/movieretrievers-100-greatest-movies-92-duck-soup
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<title>MovieRetriever's 100 Greatest Movies: #93 Goodfellas
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<b>Oct 13, 2010 </b></td>
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<p>
Martin Scorsese's &quot;GoodFellas&quot; are the ironically glamorized criminal underclass who occupy an ambivalent textual position somewhere between a criminal rap sheet and the pages of <i>Modern Screen.</i> With <i>GoodFellas</i>, Scorsese extends and refines his examination of those shadowy figures at the edge of collective media consciousness who seem both to shun exposure and to covet a dubious celebrity. A product of the urban working-class environment, they are &quot;movie stars with muscle,&quot; familiar with the back alleys and circuitous underground routes which seem to lead to the front rows of the urban high life.
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<p>

</p>


Scorsese's wise <a href="http://www.movieretriever.com/blog/851/movieretrievers-100-greatest-movies-93-goodfellas
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 13 Oct 2010 08:57:37 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #94 Giant
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<b>Oct 12, 2010 </b></td>
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<i>Giant</i>, directed by George Stevens, is based on the novel of the same name by Edna Ferber. Stevens won an Academy Award as best director for the film. <i>Giant</i> is a saga about change: change in Texas, change in the lives of Bick and Leslie Benedict and their children and grandchildren, and, ultimately, change in America. It is a giant of a movie, running three hours and eighteen minutes, and covering over 25 years in the characters' lives. It is shot in color, with a tremendously moving musical score by Dimitri Tiomkin.
</p>
<p>
<i>Giant</i> is a <a href="http://www.movieretriever.com/blog/849/movieretrievers-100-greatest-movies-94-giant
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 12 Oct 2010 15:50:05 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #95 Fargo
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<b>Oct 11, 2010 </b></td>
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<p>
&quot;This is a true story,&quot; reads the on-screen caption at the beginning of Fargo. Ethan Coen's introduction to the published script tells it rather differently: &quot;The story . . . aims to be both homey and exotic, and pretends to be true.&quot; Either way, this teasing, typically Coenesque ambiguity is something of a red herring (since fiction, in the classic definition, is a lie that tells the truth) but it makes an apt introduction to a film where the only people who win out are those who make no pretense to being anything other <a href="http://www.movieretriever.com/blog/848/movieretrievers-100-greatest-movies-95-fargo
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 11 Oct 2010 11:34:13 -0400</pubDate>
<link>http://www.movieretriever.com/blog/848/movieretrievers-100-greatest-movies-95-fargo
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<title>MovieRetriever's 100 Greatest Movies: #96 A Hard Day's Night
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<b>Oct 08, 2010 </b></td>
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<p>
Following the runaway success of <i>Rock Around the Clock</i> in 1956, both British and North American filmmakers sought to capitalize on the box-office appeal of pop music. Although the resulting features were often commercial hits, they also rated low in critical prestige. The pop music film was characteristically a low-budget quickie, designed to cash in on a passing musical trend, and generally devoid of artistic ambitions other than to pack in as many musical numbers as possible or show off the film's stars to best advantage. The release of <i>A Hard Day's Night</i>, in <a href="http://www.movieretriever.com/blog/846/movieretrievers-100-greatest-movies-96-a-hard-days-night
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 08 Oct 2010 12:07:05 -0400</pubDate>
<link>http://www.movieretriever.com/blog/846/movieretrievers-100-greatest-movies-96-a-hard-days-night
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<title>Movie Review: Waiting for &quot;Superman&quot;</title>
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<b>Oct 08, 2010 </b></td>
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<p>When <i>An Inconvenient Truth</i> hit the cultural consciousness back in 2006, it made a lot of people stop and think. No longer was Global Warming just a pair of big words with even bigger consequences. The movie brought hard science to the masses, making planet earth the star of the film. Now director Davis Guggenheim tackles another seemingly intractable problem, the crumbling state of American schools. In his new documentary, <i>Waiting for &quot;Superman,&quot; </i>Guggenheim once again succeeds in bringing hard data down to earth and puts a human face on the problem through the <a href="http://www.movieretriever.com/blog/845/movie-review-waiting-for-superman/1704549">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 08 Oct 2010 11:59:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/845/movie-review-waiting-for-superman/1704549</link>
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<title>Interview with Anna Boden &amp; Ryan Fleck, Directors of It's Kind of a Funny Story
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<b>Oct 08, 2010 </b></td>
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<p>
They may not get the headlines of some of their flashier colleagues, but Anna Boden and Ryan Fleck are two of our most interesting young directors working today. They broke through with one of the best debuts of the last decade in the masterful <i>Half Nelson</i> and completely disproved the theory of the sophomore slump with the spectacular <i>Sugar</i>. After Ryan did a stint directing several episodes of HBO's excellent <i>In Treatment</i>, he reunited with Anna for this week's <i>It's Kind of a Funny Story</i>, starring Keir Gilchrist, Zach Galifianakis, and Emma Roberts. Gilchrist <a href="http://www.movieretriever.com/blog/844/interview-with-anna-boden--ryan-fleck-directors-of-its-kind-of-a-funny-story
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 08 Oct 2010 11:50:13 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #97 Frankenstein
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<b>Oct 07, 2010 </b></td>
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<p>
James Whale's 1931 version of <i>Frankenstein</i> remains a cinema miracle that defies time. Some 50 years since its premiere, its sensitive craftsmanship and relentlessly macabre tone still set horror movie standards, even after decades of noisome parodies and splatterfilm overkill.
</p>
<p>
Whale treats his protagonist's obsession with galvanizing life from sewn corpses as a stark and shadowy moral tale, more in keeping with the German Expressionist influence of Robert Wiene's <i>Caligari</i> than Mary Shelley's Gothic overtones. Though heavy on dialogue in the beginning, <i>Frankenstein</i> unfolds as an intensely visual nightmare, a sleepwalker's journey along hideous graveyards, <a href="http://www.movieretriever.com/blog/843/movieretrievers-100-greatest-movies-97-frankenstein
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 07 Oct 2010 16:51:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/843/movieretrievers-100-greatest-movies-97-frankenstein
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<title>MovieRetriever's 100 Greatest Movies: #98 The Searchers
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<b>Oct 06, 2010 </b></td>
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<p>
A popular though critically ignored Western at the time of its release, John Ford's <i>The Searchers</i> was canonized a decade later by auteur critics as the American masterpiece <i>par excellence</i> exerting its influence as a cinematic touchstone and &quot;cult film&quot; among such directors of the New Hollywood as Martin Scorsese, Paul Schrader, Steven Spielberg and George Lucas. Representing Ford's most emotionally complex and generically sophisticated work, <i>The Searchers</i> manages to be both a rousing adventure movie and a melancholy film poem exploring the American values at the heart of the Western genre.
</p>
<p>
At the center <a href="http://www.movieretriever.com/blog/842/movieretrievers-100-greatest-movies-98-the-searchers
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 06 Oct 2010 14:05:27 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: #99 Do the Right Thing
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<b>Oct 05, 2010 </b></td>
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Before the release of <i>Do the Right Thing</i>, Spike Lee had made a name for himself as an independent filmmaker who helped to spearhead the rise of film festivals as a market place for independent cinema in the late 1980s. His first two features, <i>She's Gotta Have It</i> (1986) and <i>School Daze</i> (1988), were unique not only because they were made outside of a studio on shoestring budgets and featured primarily black actors, but also because they managed to get mainstream distribution and turn a modest profit as well. The industry cachet these two <a href="http://www.movieretriever.com/blog/840/movieretrievers-100-greatest-movies-99-do-the-right-thing
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<pubDate>Tue, 05 Oct 2010 11:00:27 -0400</pubDate>
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<title>DVD Review: The Lottery</title>
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<b>Oct 05, 2010 </b></td>
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<p>Fresh off a successful screening at the Tribeca Film Festival, Madeleine Sackler's gut-wrenching documentary <i>The Lottery</i> is now available on DVD. Loaded with special features such as the discussion panel from the film festival and additional interviews, <i>The Lottery</i> is for anyone who cares about the future of education in the United States – and that should be everyone.</p><p></p>							<p>While most of the film focuses on a charter school in Harlem (Harlem Success Academy), the real stars of this documentary are the four hopeful families entering a lottery to give their children a chance to <a href="http://www.movieretriever.com/blog/839/dvd-review-the-lottery">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 05 Oct 2010 10:55:05 -0400</pubDate>
<link>http://www.movieretriever.com/blog/839/dvd-review-the-lottery</link>
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<title>MovieRetriever's 100 Greatest Movies: #100 Blade Runner
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<b>Oct 04, 2010 </b></td>
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<p>
This futuristic hard-boiled detective yarn stars Harrison Ford as a world-weary <i>film noir</i> hero whose job is to smoke out and retire (i.e. destroy) &quot;replicants&quot; – androids with a human instinct for survival – in an overcrowded Los Angeles circa 2019.
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Complications arise when Ford falls for an android, a gorgeous experimental model played by Sean Young, dressed up as a 1940s film noir femme fatale, and comes to the conclusion that his task of mercilessly hunting and striking down these creatures whose only crime is a belief in their humanity has dulled his own <a href="http://www.movieretriever.com/blog/837/movieretrievers-100-greatest-movies-100-blade-runner
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 04 Oct 2010 15:39:30 -0400</pubDate>
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<title>Interview with Davis Guggenheim: Director of Waiting for &quot;Superman&quot;
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<p>
Far too many people think it was actually directed by Al Gore but <i>An Inconvenient Truth</i> was actually helmed by the mega-talented Davis Guggenheim. It's been a ridiculously-strong year for documentaries (<i>Inside Job</i>, <i>Joan Rivers: A Piece of Work</i>, <i>The Tillman Story</i>, and more) but I expect that Guggenheim should clear space for his second Oscar for the incredibly-powerful <i>Waiting For &quot;Superman,&quot;</i> a riveting piece of work about the disastrous state of the American school system. The incredibly-smart Guggenheim recently sat down with MovieRetriever in Chicago to discuss his film, the state of the <a href="http://www.movieretriever.com/blog/834/interview-with-davis-guggenheim-director-of-waiting-for-superman
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 04 Oct 2010 13:05:37 -0400</pubDate>
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<title>MovieRetriever's 100 Greatest Movies: Runner-Up: Metropolis
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<b>Oct 04, 2010 </b></td>
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<p>
The year 1927 witnessed the appearance in Germany of the most significant utopian film of the silent era – <i>Metropolis</i>. In the film, director Fritz Lang achieves the realization of his ideas about the possible future organization of society. The introductory sequences present this social organization in a very attractive light. In a magnificent, gigantic city with gleaming skyscrapers, suspension bridges, and bustling street, people live in comfort and plenty, with every possibility for intellectual and physical development. However, Metropolis is not a city of freedom and equality. Below ground, working for the chosen <a href="http://www.movieretriever.com/blog/833/movieretrievers-100-greatest-movies-runnerup-metropolis
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 04 Oct 2010 12:16:38 -0400</pubDate>
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<title>Movie Review: The Social Network</title>
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<b>Oct 01, 2010 </b></td>
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<p>The<i> Social Network</i> follows Mark Zuckerberg (Jesse Eisenberg) through the creation of the social networking website, Facebook.com. Launched in early 2004, the rise of Facebook has been quick and complete. With over 500 million users, Facebook has changed social interaction. The digitalization of our interpersonal relationships is perhaps best exemplified by a fact that David Fincher's <i>The Social Network</i> aptly brings to attention – that Facebook can even be used as a verb. How did we keep track of old classmates, remember acquaintances birthdays, or browse through other people's vacation photos before Facebook? </p><p></p>							<p>A <a href="http://www.movieretriever.com/blog/831/movie-review-the-social-network">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 01 Oct 2010 13:34:38 -0400</pubDate>
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<title>Movie Review: Let Me In
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<b>Oct 01, 2010 </b></td>
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<p>
A remake of the 2008 Swedish movie <i>Låt Den Rätte Komma In </i>[<i>Let The Right One In</i>], based on John Ajvide Lindqvist's 2004 novel of the same name, <i>Let Me In</i> chronicles 12-year-old Owen's (Kodi Smit-McPhee) blossoming romance with his new neighbor, Abby (Chloe Moretz), who just happens to be a vampire. With the bizarre recent influx of vampire/romance films, such as <i>Twilight </i>and <i>The Vampire Diaries</i>, <i>Let Me In</i> is at its best when it manages to set itself apart from this developing genre. Director Matt Reeve's attention to the subtle complexities of <a href="http://www.movieretriever.com/blog/830/movie-review-let-me-in
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<pubDate>Fri, 01 Oct 2010 11:58:43 -0400</pubDate>
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<title>Movie Review: Wall Street: Money Never Sleeps</title>
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<b>Sep 24, 2010 </b></td>
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<p>Two decades after Gordon Gekko (Michael Douglas) helped define the era of greed in Oliver Stone's Oscar-winning <i>Wall Street</i>, the legendary character returns to his stomping grounds to find a game that has vastly increased in scope and collateral damage. With <i>Wall Street: Money Never Sleeps</i>, Stone and writers Allan Loeb and Stephen Schiff have redefined the boundaries of Gekko's classic line &quot;<i>Greed is good.</i>&quot; The idea is that even Gekko might be stunned at some of the obscene behavior that led to the bubble bursting in 2008 and this is not a standard <a href="http://www.movieretriever.com/blog/829/movie-review-wall-street-money-never-sleeps/1703388">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Sep 2010 12:34:24 -0400</pubDate>
<link>http://www.movieretriever.com/blog/829/movie-review-wall-street-money-never-sleeps/1703388</link>
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<title>Movie Review: Jack Goes Boating</title>
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<b>Sep 24, 2010 </b></td>
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<p>Philip Seymour Hoffman, undeniably one of our best working actors, makes his directorial debut with <i>Jack Goes Boating</i>, the tale of one relationship forming as another one comes apart at the seams. Jack (Hoffman) is an awkward-but-gentle soul, a professional driver who is not quite socially handicapped but appears to have few friends or skills. In fact, much of the film is about his desire to develop basic skills like swimming and cooking to use them to woo the new woman in his life, Connie (Amy Ryan). It feels like Connie, in a way <a href="http://www.movieretriever.com/blog/828/movie-review-jack-goes-boating/1705882">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Sep 2010 12:21:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/828/movie-review-jack-goes-boating/1705882</link>
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<title>Movie Review: Catfish</title>
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<b>Sep 24, 2010 </b></td>
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<p>When I sat down to write this review, I was immediately conflicted with how to do so. It's not that I didn't enjoy <i>Catfish</i>, I did, it's just that I didn't want to spoil the movie for anyone. I walked into the theatre with my only knowledge of the movie being the trailer. Knowing so little about <i>Catfish</i> really enhanced my enjoyment of the film and kept me on the edge of my seat until the final reveal.</p><p></p>							<p>Yaniv &quot;Nev&quot; Schulman is a young photographer in New York City. One day, he receives a message <a href="http://www.movieretriever.com/blog/827/movie-review-catfish/1704539">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Sep 2010 12:16:49 -0400</pubDate>
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<title>Movie Review: Never Let Me Go</title>
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<b>Sep 24, 2010 </b></td>
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<p>Writer Alex Garland and Director Mark Romanek faced a remarkable challenge in adapting Kazuo Ishiguro's incredibly-acclaimed novel <i>Never Let Me Go</i> and they wisely place a lot of the responsibility for the film version's success on the shoulders of three of the best actors of their generation but also make a few cinematic choices that drain the overall piece of some of their power. The characters and the people who play them in <i>Never Let Me Go</i> push the film to the point that the final act becomes remarkably effective on an emotional level <a href="http://www.movieretriever.com/blog/826/movie-review-never-let-me-go">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Sep 2010 12:00:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/826/movie-review-never-let-me-go</link>
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<title>Movie Review: Buried</title>
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<b>Sep 24, 2010 </b></td>
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<p>The claustrophobic need not apply for Rodrigo Cortes' striking debut, <i>Buried</i>, a daring piece of work that takes place entirely in a coffin occupied by a man who is not-yet-dead. Yes, ENTIRELY. There are no flashbacks. No jump cuts to the surface with the people who have done this to him or those that are trying to save him. The audience spends every minute of the running time of <i>Buried</i> next to a man running out of oxygen, dealing with bugs and snakes, and keenly aware that he is probably going to die. It's <a href="http://www.movieretriever.com/blog/825/movie-review-buried/1704538">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Sep 2010 11:51:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/825/movie-review-buried/1704538</link>
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<title>Interview with Philip Seymour Hoffman and John Ortiz, stars of Jack Goes Boating</title>
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<b>Sep 23, 2010 </b></td>
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<p>Philip Seymour Hoffman makes his directorial debut this month and also stars in the character drama <i>Jack Goes Boating</i>, co-starring John Ortiz, Daphne Rubin-Vega, and Amy Ryan. Hoffman plays Jack, a limo driver who is introduced to a new girl by his friend, played by Ortiz. As Jack's attempts at love begin to succeed, his friend's marriage falls apart. </p><p align="center"></p><p>Based on a play that three-quarters of the cast also performed on-stage, <i>Jack Goes Boating</i> features another talent of one of our best actors now behind the camera. The Oscar-winner and his friend and <a href="http://www.movieretriever.com/blog/824/interview-with-philip-seymour-hoffman-and-john-ortiz-stars-of-jack-goes-boating">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 23 Sep 2010 14:07:54 -0400</pubDate>
<link>http://www.movieretriever.com/blog/824/interview-with-philip-seymour-hoffman-and-john-ortiz-stars-of-jack-goes-boating</link>
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<title>Movie Review: Devil 
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<b>Sep 17, 2010 </b></td>
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<p>
Like so many of his recent works, M. Night Shyamalan's story for <i>Devil</i>, a film he produced but did not direct, features a number of interesting ideas that go absolutely nowhere. <i>Devil</i> is one of those films of which I could tell a room full of people the set-up and half of them, regardless of their filmmaking experience, would produce a more effective final product. It is a wasted opportunity to tell a suspenseful tale that instead turns into another boring &quot;twist&quot; thriller despite the best efforts of star Chris Messina (<i>Vicky Christina Barcelona</i>) <a href="http://www.movieretriever.com/blog/822/movie-review-devil-
/1705872">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Sep 2010 13:54:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/822/movie-review-devil-
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<title>Movie Review: Easy A 
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<b>Sep 17, 2010 </b></td>
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<p>
As <i>Clueless</i> is to <i>Emma</i>, <i>Easy A</i> is to <i>The Scarlett Letter</i>. Amy Heckerling's brilliant grafting of the Jane Austen novel on to the world of vapid teenagers worked on every level. Despite the literary inspiration of Nathaniel Hawthorne, <i>Easy A</i> is not nearly as accomplished and merely serves to prove that a clever concept and remarkably talented cast can't overcome mediocre screenwriting and pedestrian direction. To be blunt, Will Gluck is no Amy Heckerling, and he's certainly not Alexander Payne either despite the film's blatant desire to be a satire on the level <a href="http://www.movieretriever.com/blog/821/movie-review-easy-a-
/1705473">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Sep 2010 13:50:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/821/movie-review-easy-a-
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<title>Movie Review: Centurion 
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<b>Sep 17, 2010 </b></td>
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<p>
Neil Marshall's <i>Centurion</i> features a commitment to craft that helps overcome issues of storytelling by providing a visceral, violent experience designed to get you in your gut and bones more than in your heart or head. This is a brutal film about people determined to fight for their own cause, even if they're not completely clear on the purpose or inception of said cause. Unlike the cold experience of something like <i>300</i> or the trippy journey of a film like <i>Valhalla Rising</i>, <i>Centurion </i>strives for that rare feeling of realism in a period action/adventure <a href="http://www.movieretriever.com/blog/820/movie-review-centurion-
/1704923">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Sep 2010 13:46:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/820/movie-review-centurion-
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<title>Movie Review: The Town 
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<b>Sep 17, 2010 </b></td>
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<p>
It's safe to say Ben Affleck has finally found his niche – the grittier side of Boston. First, he directed a fine film based on the Dennis Lehane novel <i>Gone Baby Gone</i>. Now he goes back to the well and turns Chuck Hogan's novel <i>Prince of Thieves</i> into the powerful, and wonderfully cast, crime thriller, <i>The Town</i>. I've always been a Ben Affleck fan, but to those still wary of his talent as an actor, or as a director, <i>The Town</i> serves as the mouthwash to finally get the rest of the <i>Gigli</i> taste <a href="http://www.movieretriever.com/blog/819/movie-review-the-town-
/1705507">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Sep 2010 13:42:47 -0400</pubDate>
<link>http://www.movieretriever.com/blog/819/movie-review-the-town-
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<title>Movie Review: The Virginity Hit 
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<b>Sep 17, 2010 </b></td>
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<p>
The brainchild of producers Will Ferrell and Adam McKay, founders of the website FunnyorDie.com, <i>The Virginity Hit</i> chronicles the quest of one high school student, Matt (Matt Bennett), to lose his virginity. Although Matt had been waiting to lose his virginity to his long-time (in high school terms) girlfriend Nicole (Nicole Weaver), after learning Nicole cheated on him at a fraternity party he decides to go an alternate route. As Matt attempts to navigate through the rocky terrain of modern sexuality, from Internet hookups to porn stars, his best buddy Zack (Zack Pearlman) films <a href="http://www.movieretriever.com/blog/818/movie-review-the-virginity-hit-
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Sep 2010 13:38:28 -0400</pubDate>
<link>http://www.movieretriever.com/blog/818/movie-review-the-virginity-hit-
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<title>Interview with Neil Marshall and Axelle Carolyn, Director and Star of Centurion 
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<b>Sep 15, 2010 </b></td>
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<p>
Neil Marshall made waves with <i>Dog Soldiers</i> before really breaking through with the beloved <i>The Descent</i>. He came down a bit with the disappointing <i>Doomsday</i> but returned this month with the period-action piece <i>Centurion</i> starring Michael Fassbender, Dominic West, Olga Kurylenko, and Marshall's wife, the lovely Axelle Carolyn. The film tells the story of the Ninth Legion, a group of Roman soldiers who infamously disappeared after going to Scotland to wipe out the inhabitants there known as the Picts. With brutal violence and a remarkable level of grit, grime, and dirt, Marshall delivers a <a href="http://www.movieretriever.com/blog/816/interview-with-neil-marshall-and-axelle-carolyn-director-and-star-of-centurion-
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 15 Sep 2010 16:49:16 -0400</pubDate>
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<title>Interview with Zack Pearlman, star of The Virginity Hit
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<b>Sep 14, 2010 </b></td>
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<p>

Zack Pearlman recently sat down with MovieRetriever.com to talk about his upcoming film, <i>The Virginity Hit</i>, produced by the founders of the online site Funny or Die, Will Ferrell and Adam McKay. As my old friend cooked breakfast, we discussed Zack's journey from posting a funny video online, to a successful audition, to his first film. On Thursday, September 2, 2010, Zack delivered a Q&amp;A session after his hometown premiere of <i>The Virginity Hit </i>at a theater in Ann Arbor, Michigan. We began our interview by talking about a question brought up in the <a href="http://www.movieretriever.com/blog/815/interview-with-zack-pearlman-star-of-the-virginity-hit
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 14 Sep 2010 13:46:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/815/interview-with-zack-pearlman-star-of-the-virginity-hit
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<title>Movie Review: I'mStill Here 
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<b>Sep 11, 2010 </b></td>
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<p>
Ever since Casey Affleck started following his increasingly-erratic brother-in-law around with a camera, ostensibly making a film about Joaquin Phoenix's blossoming hip-hop career in the wake of the two-time Oscar nominee's retirement from acting, the question regarding <i>I'm Still Here</i> has been if it's a documentary or merely an elaborate hoax. Is it a film that honestly captures the truly-awful behavior of the sometimes-maniacal Phoenix during a rough time of his life? Or is it something closer to <i>Borat</i> – a piece of performance art about the trappings of fame? What director Affleck and <a href="http://www.movieretriever.com/blog/814/movie-review-im&acirc;still-here-
/1705879">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 11 Sep 2010 15:20:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/814/movie-review-im&amp;acirc;still-here-
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<title>Movie Review: Soul Kitchen 
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<b>Sep 10, 2010 </b></td>
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<p>
Fatih Akin is one of the world's most interesting filmmakers. <i>Head-On</i> (2004) was his first international statement but it was <i>Edge of Heaven</i> (2007) that really changed everything, winning Best Screenplay at the Cannes Film Festival and creating critical waves around the world. If you haven't seen it, you're missing one of the best films of the 2000s. <i>Edge of Heaven</i> was a complex emotional gauntlet and so it's not surprising to see Akin follow it up with something that's a bit lighter on its feet and less emotionally daring. At first, the tone, <a href="http://www.movieretriever.com/blog/813/movie-review-soul-kitchen-
/1703099">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Sep 2010 11:02:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/813/movie-review-soul-kitchen-
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<title>Movie Review: Lovely, Still 
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<b>Sep 10, 2010 </b></td>
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<p>
Two of our greatest living actors – Martin Landau and Ellen Burstyn – help the otherwise-generic <i>Lovely, Still</i> get over most of its screenwriting speed bumps although a twist in the final act makes the genuine nature of the first half of the film ring false. The problem with gigantic twists, even when they're as obvious and telegraphed as this one, is that they can often make the audience feel cheated. When two actors as amazing as Landau and Burstyn bring characters to this kind of three-dimensional life, it can feel like a cheap <a href="http://www.movieretriever.com/blog/812/movie-review-lovely-still-
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Sep 2010 10:46:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/812/movie-review-lovely-still-
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<title>Movie Review: Machete
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<b>Sep 03, 2010 </b></td>
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<p>
What works hysterically in a two-minute fake preview does not necessarily translate to a feature film. Such is the lesson learned from Robert Rodriguez's disappointing <i>Machete</i>, an action orgy that definitely has a few funny scenes and cleverly-executed concepts but simply wears out its welcome with repetition and general stupidity. You know that guy at a party who tells very funny stories near the beginning of the night but by the time you're headed for the door, you just wish he would just shut up? The filmmaking equivalent of that guy is Robert Rodriguez, <a href="http://www.movieretriever.com/blog/808/movie-review-machete
/1705490">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Sep 2010 10:32:07 -0400</pubDate>
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<title>Movie Review: The Tillman Story
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<b>Sep 03, 2010 </b></td>
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<p>
Amir Bar-Lev's <i>The Tillman Story</i> is one of the most infuriating documentaries ever made. And I mean that as the highest compliment. I walked out of this document of an absolutely shameful chapter of our nation's history and the evil men who made it possible and it felt like my skin was on fire. I wanted to scream I was so furious. Furious at the weak men who thought they could exploit the life of one of our strongest. Furious at the system that not only made it possible but virtually made it inevitable. <a href="http://www.movieretriever.com/blog/807/movie-review-the-tillman-story
/1704546">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Sep 2010 10:27:24 -0400</pubDate>
<link>http://www.movieretriever.com/blog/807/movie-review-the-tillman-story
/1704546</link>
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<title>Movie Review: Mesrine: Public Enemy #1
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<b>Sep 03, 2010 </b></td>
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<p>

In an early scene in <i>Mesrine: Public Enemy #1</i>, the title character is robbing a bank when he sees another bank across the street and decides to try and take that one down in the same robbery. Jacques Mesrine (Vincent Cassel) was not a man who often planned his criminal acts as much as acted as something like a stream-of-consciousness madman. It's not long after that that he's pulling a gun in a courtroom and taking a judge hostage. Jacques Mesrine was not like you and me. But was there enough to him to <a href="http://www.movieretriever.com/blog/806/movie-review-mesrine-public-enemy-1
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Sep 2010 10:23:13 -0400</pubDate>
<link>http://www.movieretriever.com/blog/806/movie-review-mesrine-public-enemy-1
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<title>Forget Avatar: 10 Compelling Films of Real-Life Indigenous Struggles
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<b>Sep 01, 2010 </b></td>
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<p>

It may bill itself as &quot;the biggest adventure of all time&quot; but let's stop kidding ourselves. Countless critics, bloggers, and filmgoers alike (this one included) were right. Behind the multi-million dollar budget, the dazzling special effects, and the marketing blitz is the not-so-thinly-veiled truth – <i>Avatar </i>is one of the most politically charged films in years. It touches on overt imperialism, corporate greed, religious pluralism, environmental degradation, and, most importantly, indigenous rights.
</p>





<p>
With the release of the new 9 minute longer special edition, James Cameron is tempting us once again to pick up arms and <a href="http://www.movieretriever.com/blog/805/forget-avatar-10-compelling-films-of-reallife-indigenous-struggles
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 01 Sep 2010 16:54:21 -0400</pubDate>
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<title>Movie Review: The American
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<b>Sep 01, 2010 </b></td>
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<p>
Anton Corbijn's <i>The American</i> feels like an art house film, possibly one made completely by Europeans, that just happens to have one of our country's biggest stars, George Clooney, in the lead role. Consequently, Focus Features clearly has NO idea what to do with it and are burying it with a quiet September 1st release and very few advance screenings. The film can't be pitched to Middle America as a blockbuster thriller because it simply doesn't have the action set-pieces for audiences expecting a Jason Bourne sequel. People sold that bill of goods would <a href="http://www.movieretriever.com/blog/804/movie-review-the-american
/1705465">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 01 Sep 2010 08:13:31 -0400</pubDate>
<link>http://www.movieretriever.com/blog/804/movie-review-the-american
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<title>Movie Review: Takers
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<b>Aug 28, 2010 </b></td>
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<p>
Clearly written by several people (four to be exact) and occasionally feeling like it was edited by an entire class of them, <i>Takers</i> is an above-average heist thriller that's undone by poor screenwriting and worse post-production. Every once in awhile, it's easy to tell that a movie simply had too many cooks in the kitchen and not enough cohesive vision. You know those films where major characters disappear for an hour? Or where the heist in question doesn't really make sense? Or where the ending feels tacked on? If you don't, look no further <a href="http://www.movieretriever.com/blog/803/movie-review-takers
/1703384">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 28 Aug 2010 00:13:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/803/movie-review-takers
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<title>Interview with Daniel Stamm, Director of The Last Exorcism
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<b>Aug 27, 2010 </b></td>
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<p>

Director Daniel Stamm has delivered one of the most uniquely effective and memorable horror films of the year with <i>The Last Exorcism</i>, a &quot;fake documentary&quot; that always keeps you on your toes until it pulls the rug from under you. Starring Patrick Fabian as a Minister who has made a fortune staging fake exorcisms until the day he runs across a girl who might actually be possessed, <i>The Last Exorcism</i> seriously deals with themes that are either rarely touched or used in an immature way in the genre. The film's director made waves on <a href="http://www.movieretriever.com/blog/802/interview-with-daniel-stamm-director-of-the-last-exorcism
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 27 Aug 2010 15:51:51 -0400</pubDate>
<link>http://www.movieretriever.com/blog/802/interview-with-daniel-stamm-director-of-the-last-exorcism
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<title>Movie Review: The Last Exorcism
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<b>Aug 27, 2010 </b></td>
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<p>
Daniel Stamm's <i>The Last Exorcism</i> is not what you think it is from the previews. Lionsgate has pushed the horror elements of the film along with Eli Roth's name to try and bring in viewers on opening weekend who are looking for a <i>Saw</i>-esque thrill ride. The actual film is much more subdued, intellectual, and clever than gore junkies will be expecting. In fact, it's very low on typical horror set-pieces as Stamm is far more concerned with working his way under your skin than he is with eye-popping action. Don't go to <i>The <a href="http://www.movieretriever.com/blog/801/movie-review-the-last-exorcism
/1704939">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 27 Aug 2010 12:57:53 -0400</pubDate>
<link>http://www.movieretriever.com/blog/801/movie-review-the-last-exorcism
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<title>Movie Review: Flipped
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<b>Aug 27, 2010 </b></td>
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<p>
Rob Reiner's <i>Flipped</i> is an odd hybrid of genuinely sentimental dramedy with broad period recreations that almost feel torn from a parody of the genre. The film is based around the memories of the incredibly formative years in which every minor action has major resonance and it features enough honest heart and includes very strong central performances but also feels like it could have been a bit more effective overall with a coat of realism. I think part of the dramatic conceit is that when we think of our teenage years, we remember everything <a href="http://www.movieretriever.com/blog/800/movie-review-flipped
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 27 Aug 2010 12:50:48 -0400</pubDate>
<link>http://www.movieretriever.com/blog/800/movie-review-flipped
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<title>Movie Review: Mesrine: Killer Instinct
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<b>Aug 25, 2010 </b></td>
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<p>
<i>Mesrine: Killer Instinct</i> is the first half of a pair of crime epics (wildly successful in their home country of France and followed by <i>Public Enemy #1</i>, which we'll review next week) about the legendary Jacques Mesrine, a notorious criminal in the 1960s and 1970s who was reportedly responsible for dozens of murders, bank robberies, and other dangerous activities. The two films have thematic commonalities with Michael Mann's <i>Public Enemies</i> in that they detail a larger-than-life figure that became a household name due to his crimes and episodically weaves the highlights of his life <a href="http://www.movieretriever.com/blog/799/movie-review-mesrine-killer-instinct
/1704943">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 25 Aug 2010 10:18:04 -0400</pubDate>
<link>http://www.movieretriever.com/blog/799/movie-review-mesrine-killer-instinct
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<title>Seven Lessons Learned from the Films of Summer 2010
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<b>Aug 24, 2010 </b></td>
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<p>

With <i>The Last Exorcism</i> and <i>Takers</i> unlikely to change the movie landscape of 2010 too drastically, it's time to take a look back and examine what Hollywood learned from the Summer of 2010 before we close the books and try and put it behind us. What lessons can be taken away from this season of sequels, blockbusters, and bombs? The most obvious is that few films honestly connected with the public and most critics would give up even the gems like <i>Inception</i> and <i>Toy Story 3</i> for the chance to wipe the entire season <a href="http://www.movieretriever.com/blog/798/seven-lessons-learned-from-the-films-of-summer-2010
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 24 Aug 2010 11:26:24 -0400</pubDate>
<link>http://www.movieretriever.com/blog/798/seven-lessons-learned-from-the-films-of-summer-2010
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<title>Movie Review: Piranha 3D
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<b>Aug 21, 2010 </b></td>
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<p>
When James Cameron said that he thinks every movie should be in 3D, I don't think he was envisioning two killer prehistoric piranhas fighting over a man's severed penis only to then have it burped back up and &quot;into the audience&quot; via the wonderful new technology. Such is one of only many &quot;joys&quot; (others include a controversial horror director's head being lopped off by a motorboat, a cheesy actor being torn in half, a girl being scalped by a propeller blade, and literally dozens of bikini-clad starlets being ripped apart) in Alexandre Aja's ridiculously <a href="http://www.movieretriever.com/blog/797/movie-review-piranha-3d
/1703379">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 21 Aug 2010 09:37:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/797/movie-review-piranha-3d
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<title>Movie Review: Vampires Suck
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<b>Aug 21, 2010 </b></td>
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<p>
In the vein of so many popular culture parodies before it, Jason Friedberg and Aaron Seltzer's <i>Vampires Suck</i> both satirizes and at the same time pays homage to a phenomenon sweeping through America's schools: Stephanie Meyer's infamous <i>Twilight</i> series. Using the same basic plot structure as the first installment of the <i>Twilight </i>series, the tongue and cheek <i>Vampires Suck</i> takes aim at the themes and moral implications of Meyer's novel turned blockbuster film franchise. Whether you love it or hate it, the <i>Twilight</i> series has infiltrated American popular culture unlike any book series before, <a href="http://www.movieretriever.com/blog/796/movie-review-vampires-suck
">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 21 Aug 2010 09:33:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/796/movie-review-vampires-suck
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<title>Movie Review: Lottery Ticket
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<b>Aug 20, 2010 </b></td>
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<p>
Erik White's <i>Lottery Ticket</i> is so generally-but-not-notably bad that it's hard to even muster the critical stamina to appraise it. It's one of those movies that is rarely so unbearable that it demands that a critic warns his loyal readers away from going anywhere near it but it also contains so few positive attributes that there's very little nice to say about this semi-comedy. It falls into that critical valley where I'm forced to try to convey a shrug in words. The very likable young leads salvage this broad comedy from complete disaster but <a href="http://www.movieretriever.com/blog/795/movie-review-lottery-ticket
/1704586">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Aug 2010 01:21:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/795/movie-review-lottery-ticket
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<title>Movie Review: The Switch
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<b>Aug 20, 2010 </b></td>
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<p>
If one were to teach a class on screenwriting pitfalls, a section of the syllabus would clearly have to be dedicated to the disasters that befall projects with unlikable characters. Screenwriters need to be aware of the problems that come with writing characters that the audience can sense even the director and actors involved don't really like. One of the sessions could feature a dissection of the truly horrendous <i>The Switch</i> with Jason Bateman and Jennifer Aniston if the professor weren't afraid that doing so might send students running to drop the class. With <a href="http://www.movieretriever.com/blog/794/movie-review-the-switch
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Aug 2010 01:01:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/794/movie-review-the-switch
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<title>Movie Review: Mao's Last Dancer
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<b>Aug 20, 2010 </b></td>
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<p>
Bruce Beresford's <i>Mao's Last Dancer</i> is a well-intentioned slice of melodrama but all the good intentions in the world can't hide the film's many, many flaws. This is the kind of drama that critics used to compare to made-for-TV movies but the sad fact is that most HBO and even basic cable telefilms have surpassed the surface-level clichés and cheap production values of <i>Mao's Last Dancer</i>. In other words, it would pale in comparison to most Lifetime movies, much less the far-superior theatrical fare now fighting for your hard-earned movie ticket money. It's a <a href="http://www.movieretriever.com/blog/793/movie-review-maos-last-dancer
/1704942">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Aug 2010 00:59:03 -0400</pubDate>
<link>http://www.movieretriever.com/blog/793/movie-review-maos-last-dancer
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<title>Movie Review: Cairo Time
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<b>Aug 20, 2010 </b></td>
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<p>
Patricia Clarkson gives one of the strongest and most fascinating performances of the year in the memorable <i>Cairo Time</i>, a film that transcends being a mere travelogue to linger in the mind as a study of a very unusual chapter in a woman's life. With jaw-dropping cinematography that will make you see this international hub in a way you've never seen it before, <i>Cairo Time</i> is a subtle, quiet, slow film that succeeds in not only burrowing under your skin and into your mind during its running time but has a remarkable ability to <a href="http://www.movieretriever.com/blog/792/movie-review-cairo-time
/1703430">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Aug 2010 00:56:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/792/movie-review-cairo-time
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<title>The Ten Most Anticipated Films of Fall 2010
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<b>Aug 18, 2010 </b></td>
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<p>
We don't need to tell you that a LOT is riding on the last four months of 2010. Why? Well, the first eight months have sucked. Except for a couple of major summer movies about toys and dreams and a few great independent ones, this year has been a brutal slog of unoriginal disasters. Those of us who cover film for a living are increasingly aware that 2010 looks likely to go down as one of the worst calendar years for the art form in its history.
</p>
<p>
Having said that, the fall looks more promising <a href="http://www.movieretriever.com/blog/787/the-ten-most-anticipated-films-of-fall-2010
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 18 Aug 2010 13:56:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/787/the-ten-most-anticipated-films-of-fall-2010
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<title>Movie Review: The Extra Man
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<b>Aug 13, 2010 </b></td>
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<p>

Robert Pulcini and Shari Springer Berman made big waves with one of the best films of the 2000s, the brilliant comedy <i>American Splendor</i>, but spent the rest of that decade unable to rise to that level of artistic success again. (The less said about <i>The Nanny Diaries</i> the better.) They explore similar territory – the outcast and the importance of maintaining unique identity in a society that wants to make us all the same – in the inconsistent but entertaining <i>The Extra Man. </i>Driven by a spectacular performance from Kevin Kline and with witty <a href="http://www.movieretriever.com/blog/786/movie-review-the-extra-man
/1704929">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Aug 2010 13:15:28 -0400</pubDate>
<link>http://www.movieretriever.com/blog/786/movie-review-the-extra-man
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<title>Movie Review: The Expendables
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<b>Aug 13, 2010 </b></td>
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<p>
<i>The Expendables</i> is incomprehensible, depressing, ugly, stupid, and a waste of a great casting opportunity. What's so frustrating about the film is that it should have been an easy sell – get together some of the greatest action stars of the last twenty years and let them do what they do best. But the film doesn't even accomplish that simple goal. With muddied direction that makes it impossible to see what's happening (clearly to disguise the fact that not a lot IS happening what with the advanced age of some of the players here), <a href="http://www.movieretriever.com/blog/785/movie-review-the-expendables
/1704581">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Aug 2010 08:51:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/785/movie-review-the-expendables
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<title>Movie Review: Scott Pilgrim vs. the World
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<b>Aug 13, 2010 </b></td>
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<p>
Originality goes a long way for this critic. It seems to be a rarer and rarer commodity in an era of filmmaking in which most movies don't display a single unique thought or concept. Edgar Wright's <i>Scott Pilgrim vs. the World</i> is an imperfect film and can be downright frustrating sometimes but it contains enough flashes of genius to warrant your time and forgiveness of its flaws. It's the only comic-book/romance/comedy/video-game/action/musical that you'll see all year and when creative voices display this kind of ambition, it's our responsibility to encourage it or else stop <a href="http://www.movieretriever.com/blog/784/movie-review-scott-pilgrim-vs-the-world
/1704593">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Aug 2010 08:48:54 -0400</pubDate>
<link>http://www.movieretriever.com/blog/784/movie-review-scott-pilgrim-vs-the-world
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<title>Movie Review: Eat Pray Love
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<b>Aug 13, 2010 </b></td>
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<p>
Taking a memoir about an international struggle for internal peace is a daunting task for any filmmaker. In written form, Elizabeth Gilbart was able to directly convey the feelings and experiences of the year abroad in which she learned to <i>Eat Pray Love</i>. Without constant narration, director Ryan Murphy is forced to try and translate those feelings to celluloid merely through the actions of his lead, a few bits of self-help dialogue, and a nice monologue here and there. It's undeniable that he consequently boils the concept down to its bare bones and that <a href="http://www.movieretriever.com/blog/783/movie-review-eat-pray-love
/1704580">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Aug 2010 08:46:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/783/movie-review-eat-pray-love
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<title>Interview with Anna Kendrick and Jason Schwartzman, stars of Scott Pilgrim vs. the World
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<b>Aug 12, 2010 </b></td>
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<p>

Director Edgar Wright has dubbed one of the stars of his <i>Scott Pilgrim vs. the World </i>&quot;Cinema's Fastest Talker.&quot; And encountering the beautiful Anna Kendrick in person does at first throw you off. She's so quick-witted and verbally agile that it can be tough to keep up. Luckily, indie-movie God Jason Schwartzman was also in the room to balance things out. The two co-stars of Wright's new comedy are even more personable and engaging than you would imagine. Having done hundreds of interviews, it's become relatively easy to tell when a subject truly loves <a href="http://www.movieretriever.com/blog/780/interview-with-anna-kendrick-and-jason-schwartzman-stars-of-scott-pilgrim-vs-the-world
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 12 Aug 2010 14:44:43 -0400</pubDate>
<link>http://www.movieretriever.com/blog/780/interview-with-anna-kendrick-and-jason-schwartzman-stars-of-scott-pilgrim-vs-the-world
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<title>Interview with Michael Cera &amp; Edgar Wright, star and director of Scott Pilgrim vs. the World
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<b>Aug 11, 2010 </b></td>
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<p>
<i>Shaun of the Dead</i>, <i>Superbad</i>, <i>Hot Fuzz</i>, <i>Arrested Development</i>, and <i>Spaced</i> – Writer/Director Edgar Wright and actor Michael Cera have been responsible for a number of beloved properties over the last few years. They have legions of fans that both gentlemen hope will grow with this Friday's release of <i>Scott Pilgrim vs. the World</i>, a very clever comedy about a young man forced to fight for the first real love of his life. Cera plays the title character, who is already something of an icon in the world of comic books. Both gentlemen are <a href="http://www.movieretriever.com/blog/778/interview-with-michael-cera--edgar-wright-star-and-director-of-scott-pilgrim-vs-the-world
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 11 Aug 2010 16:03:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/778/interview-with-michael-cera--edgar-wright-star-and-director-of-scott-pilgrim-vs-the-world
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<title>DVD Review: Detroit International Comedy Festival
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<b>Aug 10, 2010 </b></td>
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<p>

You've heard of a documentary You've probably even heard of a rockumentary. Well, now here comes a comumentary! The <i>Detroit International Comedy Festival</i> takes an inside look at how a neighborhood comedy club works in a documentary fashion. The club in this case is the Comedy Castle in Royal Oak, Michigan, owned by Mark Ridley, who has a brief cameo in the film. With a nod to reality TV, the comumentary takes you backstage to the green room and hallways, catching glimpses of comedians interacting with one another and with the club's staff. It <a href="http://www.movieretriever.com/blog/777/dvd-review-detroit-international-comedy-festival
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 10 Aug 2010 17:16:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/777/dvd-review-detroit-international-comedy-festival
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<title>Movie Review: Step Up 3D
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<b>Aug 06, 2010 </b></td>
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<p>
You don't have to have seen <i>Step Up</i> or its sequel to appreciate <i>Step Up 3D</i>. The story is familiar. Moose (Adam Sevani) travels to the city of dreams for many young performers – New York City – not to dance, but to attend New York University as an electrical engineering major. Although dazzled by the bright lights and excitement of the big city, Moose tries to dedicate himself to his studies. As he explains to his best friend from childhood, Camille (Alyson Stoner), Moose wants to get the most out of the education <a href="http://www.movieretriever.com/blog/776/movie-review-step-up-3d
/1704595">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Aug 2010 11:45:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/776/movie-review-step-up-3d
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<title>Movie Review: The Other Guys
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<b>Aug 06, 2010 </b></td>
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<p>
Will Ferrell wisely turned to regular collaborator Adam McKay (<i>Anchorman</i>, <i>Talladega Nights</i>, <i>Step Brothers</i>) after the complete disaster that was last summer's <i>Land of the Lost</i> and the resulting comedy finds the star back in his wheelhouse, delivering the laughs that his fans have come to expect and even a few that they won't see coming. <i>The Other Guys</i> is unlikely to be anyone's favorite comedy of the year but it passes the basic test of films like this one in that it makes you laugh. With a solid ensemble, a unique sense of <a href="http://www.movieretriever.com/blog/775/movie-review-the-other-guys
/1704589">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Aug 2010 09:22:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/775/movie-review-the-other-guys
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<title>Movie Review: Middle Men
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<b>Aug 06, 2010 </b></td>
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<p>
Frustrating, poorly-written, awkwardly-paced, and sometimes just plain dumb, <i>Middle Men</i> wants to join the subgenre of ensemble dramas about the seedy side of humanity that's led by <i>Boogie Nights</i> but doesn't have the personality or the style to do it. The story of a man who watched his life fall apart while he was busy making millions off the birth of internet pornography sounds like one that would be perfect for a daring, complex character study. But there's nothing neither daring nor complex about George Gallo's surface-level film, one that tries to tell a <a href="http://www.movieretriever.com/blog/774/movie-review-middle-men
/1704944">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Aug 2010 00:26:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/774/movie-review-middle-men
/1704944</link>
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<title>Movie Review: Life During Wartime
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<b>Aug 06, 2010 </b></td>
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<p>
If someone were to make a list of the least-expected sequels of all time, Todd Solondz's follow-up to <i>Happiness</i>, <i>Life During Wartime</i>, would have to be on that list. Considering the relatively disappointing <i>Storytelling</i> and <i>Palindromes</i>, what's equally-as-unexpected is the dramatic effectiveness of Solondz's most heartfelt and un-ironic film to date. Instead of that layer of irony and self-conscious filmmaking that has permeated his last few films, Solondz has stripped away most of his devices to tell intimate, dark stories of people fighting their own inner wars between forgiveness and a life of pain. <a href="http://www.movieretriever.com/blog/773/movie-review-life-during-wartime
/1703097">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Aug 2010 00:16:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/773/movie-review-life-during-wartime
/1703097</link>
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<title>Movie Review: Get Low
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<b>Aug 06, 2010 </b></td>
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<p>
What could possibly break a man down so completely that he would choose to leave the civilized world behind and take on the life of a hermit? The question is the driving force of Aaron Schneider's <i>Get Low</i>, the based-on-a-true-story tale of a man who desperately grabbed at one final chance to find forgiveness, redemption, and confession before he &quot;got low&quot; six feet underground. Driven by a stunning performance from one of the best actors to ever grace the screen, <i>Get Low</i> illuminates the tragedy of a life spent in darkness. Is there anything <a href="http://www.movieretriever.com/blog/772/movie-review-get-low
/1703094">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Aug 2010 00:08:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/772/movie-review-get-low
/1703094</link>
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<title>Movie Review: The Disappearance of Alice Creed
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<b>Aug 06, 2010 </b></td>
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<p>
With much in common with <i>Shallow Grave</i> and <i>Deathtrap</i>, the UK thriller <i>The Disappearance of Alice Creed</i> seems very likely to build a loyal indie following due to its uniquely clever set-up. Much like Danny Boyle's film, it's a twisting and turning tale of deception that heralds the arrival of a talented new director. It features a few rookie mistakes, but there's a lot to like in this twisted tale of a triangle of characters and the night that changed their lives. The screenplay features at least one too many twists and the film <a href="http://www.movieretriever.com/blog/771/movie-review-the-disappearance-of-alice-creed
/1704927">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Aug 2010 00:00:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/771/movie-review-the-disappearance-of-alice-creed
/1704927</link>
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<title>Interview with Todd Solondz, director of Life During Wartime
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<b>Aug 05, 2010 </b></td>
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If you’ve seen any of his films – <i><a href="http://www.movieretriever.com/movies/1660197/Welcome-to-the-Dollhouse">Welcome to the Dollhouse</a>, <a href="http://www.movieretriever.com/movies/1675516/Happiness">Happiness</a>, <a href="http://www.movieretriever.com/movies/1689235/Palindromes">Palindromes</a>, <a href="http://www.movieretriever.com/movies/1684495/Storytelling">Storytelling</a></i>, or the new <a href="http://www.movieretriever.com/movies/1703097/Life-During-Wartime"><i>Life During Wartime</i></a> – then you have probably formed an opinion about writer/director <a href="http://www.movieretriever.com/castandcredits/26217/Solondz-Todd">Todd Solondz</a>. You may think he’s a deeply intellectual filmmaker and you’d be right. In person, he is one of the most in-depth interview subjects I’ve spoken to in years. You might think he’s “weird” and he’s certainly admittedly left-of-center. His speech pattern and mannerisms are unlike most people you know and it almost feels like a <a href="http://www.movieretriever.com/blog/770/interview-with-todd-solondz-director-of-life-during-wartime
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 05 Aug 2010 10:57:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/770/interview-with-todd-solondz-director-of-life-during-wartime
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<guid>http://www.movieretriever.com/blog/770/interview-with-todd-solondz-director-of-life-during-wartime
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<title>Movie Review: Cropsey
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<b>Aug 04, 2010 </b></td>
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<p>
Most of us grew up with boogeymen in our neighborhoods. Whether it be the creepy old house at the end of the block or the undoubtedly-warped story of some long-ago-committed crime that has been blown far out of proportion, kids are often fearful of something just down the street or around the corner. Sometimes parents use that fear to their advantage, using it to play up the need for “stranger danger.” How many people have heard that if they cross the wrong track or go too deep into the woods they’ll end up like <a href="http://www.movieretriever.com/blog/769/movie-review-cropsey
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 04 Aug 2010 18:24:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/769/movie-review-cropsey
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<title>Interview with Aaron Schneider, director of Get Low
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<b>Aug 04, 2010 </b></td>
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Very few films have the indie buzz this summer of Aaron Schneider’s <a href="http://www.movieretriever.com/movies/1703094/Get-Low"><i>Get Low</i></a>. With one of the best performances of Robert Duvall’s career, Schneider has created a true crowd-pleaser based on the semi-true story of a hermit who famously held a ‘living funeral,’ an event in which those who had heard the tall tales of his life were invited to share them in front of everyone. Co-starring Sissy Spacek, Bill Murray, and Lucas Black, <i>Get Low</i> is an old-fashioned drama that investigates how a man could turn away from society for decades <a href="http://www.movieretriever.com/blog/768/interview-with-aaron-schneider-director-of-get-low
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 04 Aug 2010 14:24:58 -0400</pubDate>
<link>http://www.movieretriever.com/blog/768/interview-with-aaron-schneider-director-of-get-low
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<guid>http://www.movieretriever.com/blog/768/interview-with-aaron-schneider-director-of-get-low
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<title>Can MovieRetriever.com Endure 24 Hours of Movies to Fight Leukemia on October 15th!
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<b>Aug 02, 2010 </b></td>
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<p>
The folks behind MovieRetriever.com are back raising money for the Children's Leukemia Foundation of Michigan (one of our favorite charities) again this fall by participating in the Hollywood Nights Movie Marathon and we really need your help! We managed to collect just over $1,500 two years ago and slightly less than that last year and we desperately want to beat those totals this year! But we're getting ahead of ourselves aren't we? How about a little back story to set the mood?
</p>
<p>
Every year (for around six years running), the MovieRetriever.com Team participates in the <a href="http://www.movieretriever.com/blog/767/can-movieretrievercom-endure-24-hours-of-movies-to-fight-leukemia-on-october-15th
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 02 Aug 2010 13:45:59 -0400</pubDate>
<link>http://www.movieretriever.com/blog/767/can-movieretrievercom-endure-24-hours-of-movies-to-fight-leukemia-on-october-15th
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<guid>http://www.movieretriever.com/blog/767/can-movieretrievercom-endure-24-hours-of-movies-to-fight-leukemia-on-october-15th
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<title>Movie Review: Cats &amp; Dogs: The Revenge of Kitty Galore
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<b>Jul 30, 2010 </b></td>
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<p>

Sure <i>Cats &amp; Dogs: The Revenge of Kitty Galore</i> is stupid and silly and just about any other adjective you feel like throwing out there, but it IS a movie about talking spy dogs and as such, is only supposed to entertain you for an hour or so and send you on your way. Somehow, it manages to do just that – nothing more, nothing less. More so with a frenzied pace that never really eases up on the sight gags, action sequences, or jokes (although most of them are just plain cringe-worthy) than <a href="http://www.movieretriever.com/blog/766/movie-review-cats--dogs-the-revenge-of-kitty-galore
/1704576">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jul 2010 15:51:03 -0400</pubDate>
<link>http://www.movieretriever.com/blog/766/movie-review-cats--dogs-the-revenge-of-kitty-galore
/1704576</link>
<guid>http://www.movieretriever.com/blog/766/movie-review-cats--dogs-the-revenge-of-kitty-galore
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<title>Movie Review: Charlie St. Cloud
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<b>Jul 30, 2010 </b></td>
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<p>
Star Zac Efron does his best to elevate a sub-par script but he gets weighed down by the faux spirituality and cheap manipulation of <i>Charlie St. Cloud</i>, a film nowhere near as bad as the non-pre-teens in the audience may have expected from the previews but still one that doesn't deliver the vehicle this young actor needs to graduate from the <i>High School Musical</i> franchise. Someday long after Efron is the star that I still expect him to be – he's got undeniable God-given screen charisma and a genuine quality that's hard to fake <a href="http://www.movieretriever.com/blog/765/movie-review-charlie-st-cloud
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jul 2010 15:40:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/765/movie-review-charlie-st-cloud
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<title>Movie Review: Best Worst Movie
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<b>Jul 30, 2010 </b></td>
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<p>
I've always been somewhat fascinated by what films crossover from mere torture into that rarified air in which a movie has been dubbed &quot;so bad it's good.&quot; Why do films like <i>The Room</i> and <i>Plan 9 from Outer Space</i> continue to draw crowds at midnight screenings around the world whereas most bad movies merely just disappear into the bargain bin? The percentage of awful movies that actually develop a cult following is incredibly small. The most important thing to be aware of is that it's something that's impossible to fake. Midnight movie audiences have <a href="http://www.movieretriever.com/blog/764/movie-review-best-worst-movie
/1704921">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jul 2010 15:35:24 -0400</pubDate>
<link>http://www.movieretriever.com/blog/764/movie-review-best-worst-movie
/1704921</link>
<guid>http://www.movieretriever.com/blog/764/movie-review-best-worst-movie
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<title>Movie Review: Dinner for Schmucks
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<b>Jul 30, 2010 </b></td>
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<p>
Steve Carell and Paul Rudd are easily two of the most talented comedians working in film today. There's simply no debating that fact. But a successful comedy is not always about the talent of the people on-screen. Sure, a good cast can help elevate a mediocre script but it only goes so far when you have a director who never finds the right comic pacing for his talented cast and a script that just keeps spinning like a top. Such is the case with <i>Dinner for Schmucks</i>. Despite the best efforts of his stars, <a href="http://www.movieretriever.com/blog/763/movie-review-dinner-for-schmucks
/1704579">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jul 2010 10:51:42 -0400</pubDate>
<link>http://www.movieretriever.com/blog/763/movie-review-dinner-for-schmucks
/1704579</link>
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<title>Movie Review: Valhalla Rising
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<b>Jul 30, 2010 </b></td>
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<p>

It's not a stretch to say that Nicholas Winding Refn is intrigued by strong men stuck in nightmarish situations and the psychological effects of being a prisoner. His film <i>Bronson</i> will probably be historically remembered for introducing the world to future star Tom Hardy (so great in <i>Inception</i>), but it was also the heralding of a stylish, unique director who had made a few waves with a series of films called <i>Pusher</i> but found a much wider audience with one of last year's more acclaimed art movies. In <i>Bronson</i>, Refn told the story of <a href="http://www.movieretriever.com/blog/762/movie-review-valhalla-rising
/1703103">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jul 2010 10:44:27 -0400</pubDate>
<link>http://www.movieretriever.com/blog/762/movie-review-valhalla-rising
/1703103</link>
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<title>Movie Review: Countdown to Zero
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<b>Jul 30, 2010 </b></td>
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<p>
Here are four words that should send shivers down your spine – &quot;Accidental nuclear missile launch.&quot; Sound like the material of nothing more than a Jason Bourne sequel? You wish. The fact is that we have come and still are much closer to nuclear disaster than any of us would like to admit. For if we actually seriously considered how remarkably close we have come to the annihilation of the entire human race, it would be understandable to start building shelters or simply go as far off the grid as possible. The documentary <i>Countdown <a href="http://www.movieretriever.com/blog/761/movie-review-countdown-to-zero
/1704926">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jul 2010 10:38:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/761/movie-review-countdown-to-zero
/1704926</link>
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<title>The 2010 Oscar Race To Date
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<b>Jul 29, 2010 </b></td>
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<p>

We're more than halfway through the year, so we should have seen more than half of the nominees in all of this year's Academy Award categories, right? God I hope not. Of course, we all know that most of Oscar's favorite children are released in the final quarter of the year, but there are usually a few nominees found in films released before August 1st. Notable nominees that were out by now in previous years included <i>The Hurt Locker, Up, Frozen River</i>, <i>The Visitor</i>, <i>The Dark Knight</i>, <i>La vie en Rose</i>, <i>Away From Her</i>, <a href="http://www.movieretriever.com/blog/760/the-2010-oscar-race-to-date
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 29 Jul 2010 14:13:58 -0400</pubDate>
<link>http://www.movieretriever.com/blog/760/the-2010-oscar-race-to-date
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<title>Movie Review: Winter's Bone
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<b>Jul 27, 2010 </b></td>
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<p>

The recipient of the Sundance Film Festival's prestigious grand jury prize, the astonishingly brilliant <i>Winter's Bone</i> follows Ree Dolly (Jennifer Lawrence) as she treks through the Ozark Mountains in search of her father, Jessup, who fled the law and left the family practically homeless. With a notorious methamphetamine cook and dealer for a father and a catatonic shadow of a woman for a mother, the most stunning aspect of this film is not the unfolding tragedy, but the brilliant strength and resilience personified by Lawrence as young Ree.

</p>
<p>

The poverty engulfing Ree is shockingly familiar. <a href="http://www.movieretriever.com/blog/759/movie-review-winters-bone
/1704551">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 27 Jul 2010 14:35:54 -0400</pubDate>
<link>http://www.movieretriever.com/blog/759/movie-review-winters-bone
/1704551</link>
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<title>The Best Actors Who Are SNL Alumni
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<b>Jul 23, 2010 </b></td>
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<p>
With Bill Murray's excellent supporting work in the limited release <i>Get Low</i> (expanding to other cities soon; watch for our upcoming review and an interview with director Aaron Schneider), it got us thinking about the history of <i>Saturday Night Live</i> and the actors who graduated from that school of super-stardom. Who has done the most with their degree? Who has used the show as a launching platform to the most notable film careers?
</p>
<p>
We decided to stick with <i>SNL</i> alumni who jumped from TV to film simply because it's near-impossible to compare what Tina Fey <a href="http://www.movieretriever.com/blog/758/the-best-actors-who-are-snl-alumni
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 23 Jul 2010 13:22:05 -0400</pubDate>
<link>http://www.movieretriever.com/blog/758/the-best-actors-who-are-snl-alumni
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<guid>http://www.movieretriever.com/blog/758/the-best-actors-who-are-snl-alumni
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<title>Movie Review: Salt
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<b>Jul 23, 2010 </b></td>
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<p>
On one hand, <i>Salt</i> is a well-made, efficient action movie that doesn't fall victim to the seasonal bloat so common in the action genre this time of year. It's tightly edited, expertly paced, and over in the blink of an eye with a refreshing running time that clocks in under 100 minutes. On the other hand, <i>Salt</i> doesn't have nearly enough variety of flavors to make it memorable beyond that running time. It's almost like a mid-season extended episode of <i>24</i> (and the film non-ends on nearly as much of a franchise-starting hope) in <a href="http://www.movieretriever.com/blog/757/movie-review-salt
/1704592">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 23 Jul 2010 11:29:53 -0400</pubDate>
<link>http://www.movieretriever.com/blog/757/movie-review-salt
/1704592</link>
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<title>Movie Review: Ramona and Beezus
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<b>Jul 23, 2010 </b></td>
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<p>
The success of family films like <i>Ramona and Beezus</i> relies on two elements for this critic. One – don't talk down to your audience. I may be rapidly approaching middle-age but I can still remember that age when adults and Hollywood thought I still laughed only at fart jokes and could only handle simple moral messages and I was looking for something very rarely offered by Hollywood. Writer Beverly Cleary, the author of the source material for <i>Ramona and Beezus</i>, has become a beloved icon for generations of young adult readers because she treated <a href="http://www.movieretriever.com/blog/756/movie-review-ramona-and-beezus
/1704591">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 23 Jul 2010 10:05:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/756/movie-review-ramona-and-beezus
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<title>Five Reasons to Not Give Up Hope After Inception
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<b>Jul 19, 2010 </b></td>
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<p>
The summer of 2010 is turning out not too dissimilar from the summer of 2008. I remember going into that summer and thinking that it would be all about Pixar and the bat. We knew that <i>WALL-E</i> and <i>The Dark Knight</i> would be season highlights. Flash forward two years and, arguably even more so, we are in the middle of a season that's all about Pixar and Christopher Nolan. Even more than 2008, the rest of the field has been decimated by the ambition and creativity of the house that Woody built and the <a href="http://www.movieretriever.com/blog/755/five-reasons-to-not-give-up-hope-after-inception
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 19 Jul 2010 13:50:49 -0400</pubDate>
<link>http://www.movieretriever.com/blog/755/five-reasons-to-not-give-up-hope-after-inception
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<title>Movie Review: Grease Sing-a-Long
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<b>Jul 16, 2010 </b></td>
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<p>

It's the same movie fans have seen dozens of times. They are the songs they've sung along with dozens of times. But now, 32 years later, <i>Grease</i> is once again the word. It's back on the big screen in 12 cities – with twist. We still get to see Danny and Sandy, and the rest of the gang at Rydell High, sing about summer lovin' and greased lightening like always, but now we get to sing right along with them, and even do one of the dances. This is <i>Grease Sing-a-Long</i>.

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The fun new enhancement <a href="http://www.movieretriever.com/blog/754/movie-review-grease-singalong
/389320">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Jul 2010 15:12:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/754/movie-review-grease-singalong
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<title>Movie Review: Kisses
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<b>Jul 16, 2010 </b></td>
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<p>
Lance Day’s <i>Kisses</i> has sat in international distribution Hell for years now and this critic, who saw it in 2008 at the European Union Film Festival in Chicago, has rarely been more confused as to why a film has been heretofore unable to find its way to a wider audience. Films get stuck in the Atlantic pipeline all the time, usually because American studios can’t figure out how to market a foreign film to the very narrow audience that might actually pay to see it. But with the slide of the economy impacting even <a href="http://www.movieretriever.com/blog/753/movie-review-kisses
/1704938">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Jul 2010 15:04:57 -0400</pubDate>
<link>http://www.movieretriever.com/blog/753/movie-review-kisses
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<title>Movie Review: Henri-Georges Clouzot's Inferno
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<b>Jul 16, 2010 </b></td>
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<p>
Henri-Georges Clouzot is one of the most influential and important filmmakers in the history of cinema. If you’re a young reader looking for a little background about who likely inspired your current favorite master of moviemaking, Clouzot is probably a good place to start. There’s a fantastic new documentary about the man called <i>Henri-Georges Clouzot’s Inferno</i> opening this week but it’s far from the typical bio-doc you might watch in a stale film class. It’s about an unmade drama – the great mid-1960s French masterpiece that was never meant to be – and it’s <a href="http://www.movieretriever.com/blog/752/movie-review-henrigeorges-clouzots-inferno
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Jul 2010 14:58:03 -0400</pubDate>
<link>http://www.movieretriever.com/blog/752/movie-review-henrigeorges-clouzots-inferno
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<title>Movie Review: The Sorcerer's Apprentice
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<b>Jul 14, 2010 </b></td>
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<p>
There used to be a time when CGI-heavy movies were forgiven for lack of character and dull storytelling because audiences were simply in awe of the visual effects artistry on display. Audiences of 2010 no longer marvel at special effects that are as common as a Verizon commercial. Someone needs to tell the team behind <i>The Sorcerer’s Apprentice</i> because the occasional visual trick is the only reason to see this stale retread of themes that have been growing like weeds in the cinema over the last decade or so. Since Chris Columbus turned the <a href="http://www.movieretriever.com/blog/751/movie-review-the-sorcerers-apprentice
/1704594">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 14 Jul 2010 23:32:27 -0400</pubDate>
<link>http://www.movieretriever.com/blog/751/movie-review-the-sorcerers-apprentice
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<title>Movie Review: Inception
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<b>Jul 14, 2010 </b></td>
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<p>
With <i>Inception</i>, Christopher Nolan has delivered what is undeniably the most ambitious and daring big budget summer blockbuster ever released in theaters. Whether or not it is a masterpiece can (and definitely will) be debated, but you’ve never seen a film like this in the middle of a season that’s almost always dominated by films that feel like mere carbon copies of one another. Where most summer films don’t even bother to attempt to challenge the audience intellectually, <i>Inception</i> gives the brain such a workout that most viewers will be 
downright exhausted when it <a href="http://www.movieretriever.com/blog/750/movie-review-inception
/1704583">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 14 Jul 2010 14:45:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/750/movie-review-inception
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<title>The Ten Best Threequels of All Time
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<b>Jul 14, 2010 </b></td>
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With <i>The Twilight Saga: Eclipse</i> and <i>Toy Story 3</i> proving to be two of the biggest films of not just the season but the entire year, have we broken the curse of the threequel? Third installments in successful franchises have long been considered absolute poison creatively and commercially. For every one that works, we get a <i>Spider-Man 3</i>, <i>Pirates of the Caribbean: At World's End</i>, and <i>Batman Forever</i> – all films that are undeniably the worst of their franchise to that point. But with more and more franchises stretching past two installments, do we <a href="http://www.movieretriever.com/blog/749/the-ten-best-threequels-of-all-time
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 14 Jul 2010 11:25:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/749/the-ten-best-threequels-of-all-time
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<title>Movie Review: Predators
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<b>Jul 09, 2010 </b></td>
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<p>
Like so many summer 2010 films, <a href="http://www.movieretriever.com/castandcredits/91255/Nimrod-Antal">Nimrod Antal</a>’s <a href="http://www.movieretriever.com/movies/1704590/Predators"><i>Predators</i></a> isn’t exactly horrible but isn’t great either. It isn’t boring but it isn’t all that entertaining. It isn’t that well made or cast but it’s also never overly insulting to the intelligence. Almost a quarter-century after the B-movie that launched an improbable franchise, we get a reboot that simply spins it wheels, content to deliver exactly what most will expect from it and absolutely nothing more. It’s far from a waste of time but also simply not worth much discussion. In other words, <a href="http://www.movieretriever.com/blog/748/movie-review-predators
/1704590">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jul 2010 14:28:16 -0400</pubDate>
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<title>Movie Review: Despicable Me
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<b>Jul 09, 2010 </b></td>
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<p>
It’s possible that yet another summer with a masterpiece from Pixar has jaded me against other animation but <a href="http://www.movieretriever.com/movies/1704578/Despicable-Me"><i>Despicable Me</i></a> is a near-miss, a relatively enjoyable comedy with a few intriguing visuals that is nonetheless surprisingly boring and routine. It seems a film impossible to hate but also one as tough to openly love as its villainous lead character Gru (<a href="http://www.movieretriever.com/castandcredits/85302/Steve-Carell">Steve Carell</a>). With a design aesthetic that’s sometimes reminiscent of modern French animation (that’s a good thing), <i>Despicable Me</i> is visually appealing (and actually employs 3D in a more sophisticated and successful <a href="http://www.movieretriever.com/blog/747/movie-review-despicable-me
/1704578">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jul 2010 14:13:10 -0400</pubDate>
<link>http://www.movieretriever.com/blog/747/movie-review-despicable-me
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<title>Movie Review: The Kids Are All Right
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<b>Jul 09, 2010 </b></td>
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Most screenwriting is about conscious, expressed objectives. The action hero must save the damsel in distress and he often tells us why he must save her and how he’s going to do it. The romantic hero must win the heart of the girl he admires and it’s obvious to him and everyone in the audience. Of course, life doesn’t usually work like the movies. We do things every day that are layered in subconscious behavior – things we say or actions we take without the realization of why or to what end and that’s <a href="http://www.movieretriever.com/blog/746/movie-review-the-kids-are-all-right
/1704543">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jul 2010 14:00:57 -0400</pubDate>
<link>http://www.movieretriever.com/blog/746/movie-review-the-kids-are-all-right
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<title>Movie Review: [REC] 2
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<b>Jul 09, 2010 </b></td>
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<a href="http://www.movieretriever.com/castandcredits/90491/Jaume-Balaguero">Jaume Balaguero</a> and <a href="http://www.movieretriever.com/castandcredits/110383/Paco-Plaza">Paco Plaza</a> made waves across the pond with the incredibly effective and powerfully scary <a href="http://www.movieretriever.com/movies/1702296/%5BRec%5D"><i>[REC]</i></a>, a film that made the rounds in certain horror-loving circles before being remade into the accomplished <a href="http://www.movieretriever.com/movies/1699448/Quarantine"><i>Quarantine</i></a>. They’ve followed up their inventive shockumentary with a by-the-numbers, incredibly disappointing sequel, <i>[REC] 2</i>, opening in some theaters this weekend and also available On Demand. We all know that the final act of most horror movies is the toughest to pull off. Questions are much scarier than answers. What’s making that sound down the hall <a href="http://www.movieretriever.com/blog/745/movie-review-rec-2
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jul 2010 13:48:40 -0400</pubDate>
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<title>Movie Review: The Girl Who Played With Fire
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<b>Jul 09, 2010 </b></td>
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<p>
Stieg Larsson’s Millennium Trilogy – <a href="http://www.movieretriever.com/movies/1704571/The-Girl-With-the-Dragon-Tattoo"><i>The Girl With the Dragon Tattoo</i></a>, <a href="http://www.movieretriever.com/movies/1704930/The-Girl-Who-Played-With-Fire"><i>The Girl Who Played With Fire</i></a>, and <i>The Girl Who Kicked the Hornet’s Nest</i> – are the hottest thing at airport book stores this summer, selling like a long-lost <i>Harry Potter</i> novel. They’ve taken the world by storm and have already produced three films in Sweden while being currently cast for American remakes. These thrillers are white hot on the pop culture spectrum and it’s not hard to see why after watching the first two Swedish films. The plots have just <a href="http://www.movieretriever.com/blog/744/movie-review-the-girl-who-played-with-fire
/1704930">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jul 2010 13:28:54 -0400</pubDate>
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<title>Movie Review: La Mission
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<b>Jul 09, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/movies/1704713/La-Mission"><i>La Mission</i></a> is a well-intentioned film that nonetheless falls head first into the kind of surface-level clichés and stereotypes that are usually reserved for basic cable TV movies. A few decent performances save it from unbearable melodrama and the film has an easygoing pace and rhythm not unlike the low-riding cruises its characters take on Friday nights but it very rarely rings true. <a href="http://www.movieretriever.com/castandcredits/115224/Peter-Bratt">Peter Bratt</a>’s (brother of star Benjamin) drama could have been a daringly original slice of life telling a rarely-told story in a typically-unfilmed part of the country but it <a href="http://www.movieretriever.com/blog/743/movie-review-la-mission
/1704713">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jul 2010 12:48:58 -0400</pubDate>
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<title>Interview with Lisa Cholodenko, writer/director of The Kids Are All Right
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<b>Jul 08, 2010 </b></td>
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<a href="http://www.movieretriever.com/castandcredits/63409/Lisa-Cholodenko">Lisa Cholodenko</a>’s <a href="http://www.movieretriever.com/movies/1704543/The-Kids-Are-All-Right"><i>The Kids Are All Right</i></a> has been steadily building to a deafening buzz since it premiered at Sundance 2010. The film stars <a href="http://www.movieretriever.com/castandcredits/38251/Julianne-Moore">Julianne Moore</a> and <a href="http://www.movieretriever.com/castandcredits/13460/Annette-Bening">Annette Bening</a> as Jules and Nic, parents to Joni (<a href="http://www.movieretriever.com/castandcredits/103632/Mia-Wasikowska">Mia Wasikowska</a>) and Laser (<a href="http://www.movieretriever.com/castandcredits/91202/Josh-Hutcherson">Josh Hutcherson</a>), two children conceived through artificial insemination from the same sperm donor. With Joni turning eighteen, she can now legally track down her biological father, something Laser really wants her to do. That’s how Paul (<a href="http://www.movieretriever.com/castandcredits/55955/Mark-Ruffalo">Mark Ruffalo</a>) enters their life. Cholodenko’s script is one of the <a href="http://www.movieretriever.com/blog/742/interview-with-lisa-cholodenko-writer/director-of-the-kids-are-all-right
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 08 Jul 2010 18:00:24 -0400</pubDate>
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<title>The New Next Steven Spielberg
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<b>Jul 07, 2010 </b></td>
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<p>
After the release of <i><a href="http://www.movieretriever.com/movies/1684580/Signs">Signs</a></i>, <i>Time Magazine</i> notoriously called <a href="http://www.movieretriever.com/castandcredits/53908/M.-Night-Shyamalan">M. Night Shyamalan</a> “the next <a href="http://www.movieretriever.com/castandcredits/14594/Spielberg-Steven">Steven Spielberg</a>.” Believe it or not young readers, it made some sense at the time. Like Spielberg, Shyamalan had directed films from typically derided genres and turned them into cross-demographic successes both commercially and critically. The number of directors who could take a ghost story (<i><a href="http://www.movieretriever.com/movies/1676879/The-Sixth-Sense">The Sixth Sense</a></i>), superhero movie (<i><a href="http://www.movieretriever.com/movies/1678956/Unbreakable">Unbreakable</a></i>), and alien invasion (<i>Signs</i>) and make them work for both awards committees and ticket buyers is very small. Of course, since then, we’ve learned <a href="http://www.movieretriever.com/blog/741/the-new-next-steven-spielberg
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 07 Jul 2010 15:30:48 -0400</pubDate>
<link>http://www.movieretriever.com/blog/741/the-new-next-steven-spielberg
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<title>Movie Review: Let It Rain
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<b>Jul 07, 2010 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1704940/Let-It-Rain">Let It Rain</a></i> is a very French light comedy about character much more than wacky situations. The very talented co-writer/director/star <a href="http://www.movieretriever.com/castandcredits/50937/Agnes-Jaoui">Agnes Jaoui</a> collaborates again with co-writer/star/husband <a href="http://www.movieretriever.com/castandcredits/50936/Jean-Pierre-Bacri">Jean-Pierre Bacri</a> in a piece that will feel a bit too slight and inconsequential for some audiences (even Francophiles) but that features enough quality performances in pursuit of true character development that it merits a recommendation for those who still believe fictional film can capture genuine human behavior. With a great ensemble, beautiful locations, and a winking sense of humor, <i>Let It Rain</i> may be <a href="http://www.movieretriever.com/blog/740/movie-review-let-it-rain
/1704940">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 07 Jul 2010 13:35:46 -0400</pubDate>
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<title>Movie Review: The Last Airbender
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<b>Jul 02, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/53908/M.-Night-Shyamalan">M. Night Shyamalan</a> has a lot to answer for. He really hasn’t given audiences anything worthwhile since <i><a href="http://www.movieretriever.com/movies/1678956/Unbreakable">Unbreakable</a></i> and even that film met with mixed reactions after the phenomenal success of <i><a href="http://www.movieretriever.com/movies/1676879/The-Sixth-Sense">The Sixth Sense</a></i>. Once called the “Next Spielberg,” Shyamalan has apparently lost whatever filmmaking common sense he once had. Given the excruciating awfulness of <i><a href="http://www.movieretriever.com/movies/1697571/The-Happening">The Happening</a></i> and the self-indulgent incoherent dribble of <i><a href="http://www.movieretriever.com/movies/1691871/Lady-in-the-Water">Lady in the Water</a></i> (so as not to prolong the point, we’ll leave <i><a href="http://www.movieretriever.com/movies/1687901/The-Village">The Village</a></i> and <i><a href="http://www.movieretriever.com/movies/1684580/Signs">Signs</a></i> alone – but you get the point), <a href="http://www.movieretriever.com/blog/739/movie-review-the-last-airbender
/1704585">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 02 Jul 2010 23:38:21 -0400</pubDate>
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<title>Movie Review: Love Ranch
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<b>Jun 30, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/17673/Hackford-Taylor">Taylor Hackford</a>’s <i>Love Ranch</i> is the kind of unabashed embarrassment that should send people to their attorneys to see if there’s any legal way to get it removed from their pages on IMDB, Wikipedia, and the like. It’s hard to put into words how truly horrible the production of the worst screenplay of the year ended up but I will do my best to describe the pain. Imagine a version of <i><a href="http://www.movieretriever.com/movies/1652371/Showgirls">Showgirls</a></i> that isn’t quite as funny but just as ridiculously over-the-top. The most notable element of <i>Love Ranch</i> may be that <a href="http://www.movieretriever.com/blog/738/movie-review-love-ranch
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 30 Jun 2010 10:09:26 -0400</pubDate>
<link>http://www.movieretriever.com/blog/738/movie-review-love-ranch
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<title>Movie Review: The Twilight Saga: Eclipse
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<b>Jun 29, 2010 </b></td>
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<p>
It took three movies but those of us who have never read a word of Stephenie Meyer’s melodramatic prose can finally start to understand why the saga of the vampire, the werewolf, and the mopey girl has become an international phenomenon. <a href="http://www.movieretriever.com/castandcredits/94324/David-Slade">David Slade</a>’s <i><a href="http://www.movieretriever.com/movies/1704569/The%20Twilight%20Saga:%20Eclipse">The Twilight Saga: Eclipse</a></i> is without question the best of the series to date; a film that not only has actual atmosphere and pace instead of just romantic teen obsession, but actually proves that <a href="http://www.movieretriever.com/castandcredits/92957/Robert-Pattinson">Robert Pattinson</a> might be able to act (<a href="http://www.movieretriever.com/castandcredits/91141/Taylor-Lautner">Taylor Lautner</a> is not as lucky). <a href="http://www.movieretriever.com/blog/736/movie-review-the-twilight-saga-eclipse
/1704569">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 29 Jun 2010 14:29:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/736/movie-review-the-twilight-saga-eclipse
/1704569</link>
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<title>Lessons Learned from the First Half of 2010
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<b>Jun 28, 2010 </b></td>
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At the cusp of the halfway point of 2010, we thought we’d look back at the trends of the first two quarters of this horrendous year at the movies. What lessons can the Hollywood machine learn from the first six months of 2010?




<i>by Brian Tallerico</i>






<b>**********</b>






<b>Lesson No. 1</b><b>

It’s Not the Weather, It’s the Movies, Stupid</b>













 


 





A <i>MacGruber</i> movie? Really? No, really? 



The most disturbingly narrow-minded journalistic trend of 2010 has been the countless articles this summer trying to figure out why box office gross is down (at least before <i><a href="http://www.movieretriever.com/movies/1704565/The-Karate-Kid">The Karate Kid</a></i>), most notably in <a href="http://www.movieretriever.com/blog/735/lessons-learned-from-the-first-half-of-2010
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 28 Jun 2010 13:22:45 -0400</pubDate>
<link>http://www.movieretriever.com/blog/735/lessons-learned-from-the-first-half-of-2010
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<title>Movie Review: Sweetgrass
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<b>Jun 28, 2010 </b></td>
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<p>
If you find the sound of bleating sheep even mildly annoying or the sight of them reminds you of the ones you count to put you to sleep, the new documentary <i>Sweetgrass</i> may not be your best choice. The echo of always-noisy ovine carries through the entirety of <i>Sweetgrass</i>, a film about a migration of thousands of sheep across Montana. At once a nature documentary akin to something like <a href="http://www.movieretriever.com/movies/1687509/Winged-Migration"><i>Winged Migration</i></a> or <i>Planet Earth</i> and also an ode to a way of life that’s clearly disappearing, <i>Sweetgrass</i> is a sometimes-mesmerizing and sometimes-dull piece <a href="http://www.movieretriever.com/blog/734/movie-review-sweetgrass
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 28 Jun 2010 12:25:15 -0400</pubDate>
<link>http://www.movieretriever.com/blog/734/movie-review-sweetgrass
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<title>Movie Review: Grown Ups
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<b>Jun 25, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/42552/Adam-Sandler">Adam Sandler</a>’s <i><a href="http://www.movieretriever.com/movies/1704568/Grown%20Ups">Grown Ups</a></i> sure doesn’t seem like it was written by adults. Far from as reprehensibly stupid and offensive as some of Sandler’s previous films (<i><a href="http://www.movieretriever.com/movies/1694538/I-Now-Pronounce-You-Chuck-and-Larry">I Now Pronounce You Chuck and Larry</a></i>, <i><a href="http://www.movieretriever.com/movies/1689175/The-Longest-Yard">The Longest Yard</a></i>, <i><a href="http://www.movieretriever.com/movies/1691861/Click">Click</a></i>, etc.), <i>Grown Ups</i> may be the first of this superstar’s high profile vehicles where it feels like his regular director <a href="http://www.movieretriever.com/castandcredits/2746/Dennis-Dugan">Dennis Dugan</a> (<i>Chuck and Larry</i>, <i><a href="http://www.movieretriever.com/movies/1676674/Big-Daddy">Big Daddy</a></i>, <i><a href="http://www.movieretriever.com/movies/1697601/You-Don%27t-Mess-with-the-Zohan">You Don’t Mess With the Zohan</a></i>) and the actor’s perceived need to play to the lowest common denominator are holding him back. <a href="http://www.movieretriever.com/blog/733/movie-review-grown-ups
/1704568">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Jun 2010 13:50:50 -0400</pubDate>
<link>http://www.movieretriever.com/blog/733/movie-review-grown-ups
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<title>Movie Review: Cyrus
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<b>Jun 25, 2010 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1704577/Cyrus">Cyrus</a></i> is not a biopic of the man who gave the world “Achy, Breaky Heart” nor a searing documentary about the tragic fall of a Disney star from pop princess to tabloid joke. No, it is instead a daring comedy about a young man who straddles the line between “eccentric” and “dangerous.” We’ve all met guys like Cyrus, people who vacillate between being interesting personalities and being uncomfortable ones. The title character is one of those guys who puts almost all normal people on edge every time he’s in the room. He’s not <a href="http://www.movieretriever.com/blog/732/movie-review-cyrus
/1704577">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Jun 2010 13:22:48 -0400</pubDate>
<link>http://www.movieretriever.com/blog/732/movie-review-cyrus
/1704577</link>
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<title>Movie Review: The Killer Inside Me
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<b>Jun 25, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/50751/Michael-Winterbottom">Michael Winterbottom</a>’s <i><a href="http://www.movieretriever.com/movies/1704544/The-Killer-Inside-Me">The Killer Inside Me</a></i> was easily the most divisive film at this year’s Sundance Film Festival, provoking walk-outs, boos, and complaints about the festival even booking the movie. What could possibly turn the typically embracing crowd in Park City on a talented filmmaker like Winterbottom (<i><a href="http://www.movieretriever.com/movies/1694547/A-Mighty-Heart">A Might Heart</a></i>, <i><a href="http://www.movieretriever.com/movies/1684980/24-Hour-Party-People">24 Hour Party People</a></i>)? People still react very, very strongly to extreme violence, especially when it’s painted in shades of misogyny – even film festival people. Personally, I can’t stand violence for the sake of violence and I can see <a href="http://www.movieretriever.com/blog/731/movie-review-the-killer-inside-me
/1704544">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Jun 2010 11:22:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/731/movie-review-the-killer-inside-me
/1704544</link>
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<title>Movie Review: I Am Love
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<b>Jun 25, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/12266/Swinton-Tilda">Tilda Swinton</a> is one of the best actresses alive. And in much the same way that <a href="http://www.movieretriever.com/castandcredits/14884/Hitchcock-Alfred">Alfred Hitchcock</a> made adoring cinematic love letters to his favorite stars of the day, director Luca Guadagnino has created a vehicle that plays perfectly to Swinton’s strengths and frames her like the movie star that everyone should consider he to be. <i>I Am Love</i> is a gorgeous, sensuous drama that is easily one of the most visually striking films of the year. Sadly, it’s also one of the dullest. The overly mannered dialogue and melodramatic plot <a href="http://www.movieretriever.com/blog/730/movie-review-i-am-love
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Jun 2010 11:20:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/730/movie-review-i-am-love
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<title>Interview with John C. Reilly, star of Cyrus
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<b>Jun 23, 2010 </b></td>
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<p>
The great <a href="http://www.movieretriever.com/castandcredits/27463/John-C.-Reilly">John C. Reilly</a> gives one of the best performances of his career in the upcoming art house comedy <i><a href="http://www.movieretriever.com/movies/1704577/Cyrus">Cyrus</a></i> co-starring <a href="http://www.movieretriever.com/castandcredits/94079/Jonah-Hill">Jonah Hill</a>, <a href="http://www.movieretriever.com/castandcredits/40371/Marisa-Tomei">Marisa Tomei</a>, and <a href="http://www.movieretriever.com/castandcredits/16188/Catherine-Keener">Catherine Keener</a>. Written and directed by <a href="http://www.movieretriever.com/castandcredits/107364/Jay-Duplass">Jay</a> and <a href="http://www.movieretriever.com/castandcredits/103697/Mark-Duplass">Mark Duplass</a> (<i>The Puffy Chair</i>), the comedy tells the story of a man who finds love with a single mother but runs into problems with the grown son who still lives at home with her. With some very uncomfortable, daring improvisation, Reilly completely delivers. He sat down with us on a recent <a href="http://www.movieretriever.com/blog/727/interview-with-john-c-reilly-star-of-cyrus
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 23 Jun 2010 15:54:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/727/interview-with-john-c-reilly-star-of-cyrus
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<title>Movie Review: Knight and Day
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<b>Jun 23, 2010 </b></td>
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<p>
You know all the fun and seemingly clever stuff in the preview for <i><a href="http://www.movieretriever.com/movies/1704584/Knight%20and%20Day">Knight and Day</a></i> with <a href="http://www.movieretriever.com/castandcredits/12380/Tom-Cruise">Tom Cruise</a> and <a href="http://www.movieretriever.com/castandcredits/51082/Cameron-Diaz">Cameron Diaz</a>? Much to my surprise, the trailers for this summer action/comedy/romance don’t give away the entire film. In fact, most of the wham-bang material from the advertising comes in the very entertaining first hour, which left me wondering what was left up the film’s sleeve for the second half. Sadly, the answer is not much. 

<i>Knight and Day</i> starts promisingly but it’s a film in which you can practically hear <a href="http://www.movieretriever.com/blog/726/movie-review-knight-and-day
/1704584">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 23 Jun 2010 11:08:18 -0400</pubDate>
<link>http://www.movieretriever.com/blog/726/movie-review-knight-and-day
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<title>The Eleven Best Tom Cruise Performances
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<b>Jun 22, 2010 </b></td>
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<p>
With his recent TV appearances and this week’s release of <i><a href="http://www.movieretriever.com/movies/1704584/Knight-and-Day">Knight and Day</a></i>, it feels like America has finally gotten over couch-gate and is willing to once again look at <a href="http://www.movieretriever.com/castandcredits/12380/Tom-Cruise">Tom Cruise</a> as what he actually is – one of the best actors of his generation. Of course, there are many who will never give him the credit he deserves but the fact is that he has not only displayed remarkable longevity with over a quarter-century at or near the top of the fame ladder but he’s also displayed a very underrated <a href="http://www.movieretriever.com/blog/725/the-eleven-best-tom-cruise-performances
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 22 Jun 2010 17:02:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/725/the-eleven-best-tom-cruise-performances
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<title>Movie Review: Toy Story 3
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<b>Jun 18, 2010 </b></td>
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<p>
You will rarely see a film as deeply satisfying as <i><a href="http://www.movieretriever.com/movies/1704567/Toy%20Story%203">Toy Story 3</a></i>. With easily one of the best screenplays of not just the year but in the history of animation, Pixar has done it again. They’ve created a masterpiece that serves as both pure family entertainment and a loving ode to the days when nothing was more important than our imagination and our friends. <i>Toy Story 3</i> doesn’t just advance the story of the first two films and doesn’t merely recall characters you once loved; it thematically wraps up what must now <a href="http://www.movieretriever.com/blog/724/movie-review-toy-story-3
/1704567">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Jun 2010 12:37:41 -0400</pubDate>
<link>http://www.movieretriever.com/blog/724/movie-review-toy-story-3
/1704567</link>
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<title>Movie Review: Jonah Hex
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<b>Jun 18, 2010 </b></td>
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<p>
Filmmakers just can’t get away with junk like <i><a href="http://www.movieretriever.com/movies/1704566/Jonah-Hex">Jonah Hex</a></i> any more. Despite the success of the <i>Transformers</i> films, audiences are generally too smart now for productions that are so sloppily thrown together that they remind them of what they didn’t like about crappy movies that came before. If you had problems with <i><a href="http://www.movieretriever.com/movies/1676717/Wild-Wild-West">Wild Wild West</a></i>, <i><a href="http://www.movieretriever.com/movies/1693644/Ghost-Rider">Ghost Rider</a></i>, or <i><a href="http://www.movieretriever.com/movies/1689100/Constantine">Constantine</a></i>, wait for said problems to be amplified by a movie that distills elements of all three and more into a horribly miscast, painfully edited train wreck of a summer action <a href="http://www.movieretriever.com/blog/723/movie-review-jonah-hex
/1704566">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Jun 2010 12:18:50 -0400</pubDate>
<link>http://www.movieretriever.com/blog/723/movie-review-jonah-hex
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<title>Movie Review: Joan Rivers: A Piece of Work
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<b>Jun 18, 2010 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1704542/Joan-Rivers:-A-Piece-of-Work">Joan Rivers: A Piece of Work</a></i> may be a tough sell for those of you that are not fans of one of the most legendary comediennes of all time, so let me speak to you first. Even if you HATE the most recent winner of <i>The Celebrity Apprentice</i>, this documentary is still a must-see. It’s a fascinating, enlightening look at the dark side of show business and the issues that come with being a part of it for decades. The fact is that many of our most confident on-stage personalities are anything but <a href="http://www.movieretriever.com/blog/722/movie-review-joan-rivers-a-piece-of-work
/1704542">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Jun 2010 11:55:02 -0400</pubDate>
<link>http://www.movieretriever.com/blog/722/movie-review-joan-rivers-a-piece-of-work
/1704542</link>
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<title>From Woody to WALL-E: Ranking the Pixar Films
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<b>Jun 17, 2010 </b></td>
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<p>
The release of <i><a href="http://www.movieretriever.com/movies/1704567/Toy-Story-3">Toy Story 3</a></i> closes a chapter on Pixar while also ushering viewers into the next era of the studio. It’s a film about putting toys away and moving on to the next phase of life. It’s an absolute masterpiece that thematically got us thinking about the most important movie studio of the last two decades and the ridiculous consistency of their output. 
</p>





<p>
There have been ten Pixar films before this year and as the studio stands at its remarkable crossroads, we thought we’d look back at what came before and <a href="http://www.movieretriever.com/blog/721/from-woody-to-walle-ranking-the-pixar-films
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 17 Jun 2010 14:28:02 -0400</pubDate>
<link>http://www.movieretriever.com/blog/721/from-woody-to-walle-ranking-the-pixar-films
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<title>The A-Team: A Gearhead's Opinion
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<b>Jun 15, 2010 </b></td>
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<p>
While watching the television show <i>The A-Team</i>, viewers in the 1980s followed the exploits of a crack commando unit, sent to prison for a crime they didn’t commit, who promptly escaped and helped those in need (sort of a Robin Hood with guns type thing). The characters that made up the A-Team included their leader, Hannibal Smith (<a href="http://www.movieretriever.com/castandcredits/4233/Peppard-George">George Peppard</a>), pretty-boy Face (<a href="http://www.movieretriever.com/castandcredits/2915/Dirk-Benedict">Dirk Benedict</a>), “Howling Mad” Murdock (<a href="http://www.movieretriever.com/castandcredits/24681/Dwight-Schultz">Dwight Schultz</a>), <a href="http://www.movieretriever.com/castandcredits/32900/Mr.-T-">Mr. T</a>’s Mohawk-bedecked B.A. Baracus, and of course, an intimidating GMC van. The black and gun metal gray, with a bright red <a href="http://www.movieretriever.com/blog/720/the-ateam-a-gearheads-opinion
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 15 Jun 2010 13:35:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/720/the-ateam-a-gearheads-opinion
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<title>Movie Review: The A-Team
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<b>Jun 11, 2010 </b></td>
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<p>
There once was a time when summer movies were designed to do nothing but entertain people pissed off about working during the most beautiful days of the year and kids who needed an air-conditioned break from their outdoor activity. This summer has been woefully short on films that feel conceived and executed to honestly entertain their paying viewers as more and more wannabe blockbusters feel like products of a moneymaking machine more than anything else. <a href="http://www.movieretriever.com/castandcredits/67134/Joe-Carnahan">Joe Carnahan</a>’s <i><a href="http://www.movieretriever.com/movies/1704563/The-A-Team">The A-Team</a></i> has no grand aspirations other than to bolt action-loving moviegoers to their seat, <a href="http://www.movieretriever.com/blog/719/movie-review-the-ateam
/1704563">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Jun 2010 15:49:42 -0400</pubDate>
<link>http://www.movieretriever.com/blog/719/movie-review-the-ateam
/1704563</link>
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<title>Movie Review: The Karate Kid
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<b>Jun 11, 2010 </b></td>
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<p>
The remake of <i><a href="http://www.movieretriever.com/movies/1704565/The-Karate-Kid">The Karate Kid</a></i> with <a href="http://www.movieretriever.com/castandcredits/96277/Jaden-Smith">Jaden Smith</a> and <a href="http://www.movieretriever.com/castandcredits/5268/Jackie-Chan">Jackie Chan</a> is better than it could have been by leaps and high-kicks but it is also not quite as effective as it should have been to be truly crowd-pleasing. Based on the response of the young audience with which I saw the film – which included an “I want to see it again!!” as the credits rolled – <i>The Karate Kid</i> will hit bone for the film’s target audience but their parents and guardians, especially those old enough to remember <a href="http://www.movieretriever.com/blog/718/movie-review-the-karate-kid
/1704565">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Jun 2010 15:35:41 -0400</pubDate>
<link>http://www.movieretriever.com/blog/718/movie-review-the-karate-kid
/1704565</link>
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<title>Movie Review: Solitary Man
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<b>Jun 11, 2010 </b></td>
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<p>
Ben Kalmen (<a href="http://www.movieretriever.com/castandcredits/8811/Michael-Douglas">Michael Douglas</a>) is the kind of man who when confronted by an ultimatum that he must change or risk losing someone important, blames the person who feels betrayed enough to make it instead of actually considering that perhaps he should change. The fact is that he can’t change. He knows it, so why fight it? This mentality has pushed Ben into a corner where he’s lost most of the important people in his life. He embodies the title of the film about him – <i><a href="http://www.movieretriever.com/movies/1704555/Solitary-Man">Solitary Man</a></i> – because of a <a href="http://www.movieretriever.com/blog/717/movie-review-solitary-man
/1704555">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Jun 2010 15:22:51 -0400</pubDate>
<link>http://www.movieretriever.com/blog/717/movie-review-solitary-man
/1704555</link>
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<title>Movie Review: Ondine
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<b>Jun 11, 2010 </b></td>
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<p>
A fisherman pulls the body of a beautiful, naked woman in with his morning catch. So begins the magical tale of <a href="http://www.movieretriever.com/castandcredits/17364/Jordan-Neil">Neil Jordan</a>’s <i>Ondine</i>, a mystery with a bit of fairy tale edge amid the dirt and grime of Irish working-class life. Jordan has long been obsessed with unusual love stories (<i><a href="http://www.movieretriever.com/movies/1087173/The-Crying-Game">The Crying Game</a></i>, <i><a href="http://www.movieretriever.com/movies/1045384/Mona-Lisa">Mona Lisa</a></i>) and a lot of his work has had a fantasy film edge to it (<i><a href="http://www.movieretriever.com/movies/1665792/The-Butcher-Boy">The Butcher Boy</a></i>, <i><a href="http://www.movieretriever.com/movies/1674142/In-Dreams">In Dreams</a></i>) but this compendium of Jordan’s previous themes doesn’t have the impact of his best <a href="http://www.movieretriever.com/blog/716/movie-review-ondine
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Jun 2010 14:57:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/716/movie-review-ondine
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<guid>http://www.movieretriever.com/blog/716/movie-review-ondine
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<title>Movie Review: OSS 117: Lost in Rio
</title>
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<b>Jun 10, 2010 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1700087/OSS-117:-Cairo,-Nest-of-Spies">OSS 117: Cairo, Nest of Spies</a></i> (2006) was a very funny satire of spy movies not unlike a French <i>Austin Powers</i>. The main difference is that Hubert Bonisseur de La Bath (<a href="http://www.movieretriever.com/castandcredits/105918/Jean-Dujardin">Jean Dujardin</a>), better known as OSS 117, was actually a character in genuine spy movies in the 1960s and has only now been re-imagined as a spoof of his sexist, racist, and generally stupid personality. Imagine if the James Bond franchise had stopped in the 1960s and someone now made a 007 flick that was a comedy version of the world <a href="http://www.movieretriever.com/blog/715/movie-review-oss-117-lost-in-rio
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 10 Jun 2010 17:34:39 -0400</pubDate>
<link>http://www.movieretriever.com/blog/715/movie-review-oss-117-lost-in-rio
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<title>The Ten Best Films Based on TV Shows
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<b>Jun 10, 2010 </b></td>
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<p>
With <i><a href="http://www.movieretriever.com/movies/1704563/The-A-Team">The A-Team</a></i> finally navigating the production gauntlet from hit TV show to feature film, it got us thinking about the best and worst movies that have gone from the small screen to the big one. The fact is that a large majority of them fail to replicate what you enjoyed week after week on TV in one film, but there have been a few that broke the rules that remakes and adaptations are never a good idea. The best films based on TV shows use the source as a foundation, a starting <a href="http://www.movieretriever.com/blog/714/the-ten-best-films-based-on-tv-shows
">...Read more at MovieRetriever.com</a>
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</table>]]></description>
<pubDate>Thu, 10 Jun 2010 14:20:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/714/the-ten-best-films-based-on-tv-shows
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<guid>http://www.movieretriever.com/blog/714/the-ten-best-films-based-on-tv-shows
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<title>The Ten Greatest Movie Cars of All-Time
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<b>Jun 09, 2010 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1704563/The%20A-Team">The A-Team</a></i> joins the list of TV properties that have made the leap to the big screen. Like its predecessors <i><a href="http://www.movieretriever.com/movies/1687763/Starsky-&amp;-Hutch">Starsky &amp; Hutch</a></i> (2004), <i><a href="http://www.movieretriever.com/movies/1689164/The-Dukes-of-Hazzard">The Dukes of Hazzard</a></i> (2005), and even <i><a href="http://www.movieretriever.com/movies/1697592/Speed-Racer">Speed Racer</a></i> (2008), <i>The A-Team</i> features an iconic vehicle that is beloved by the fans of the original TV series and is as integral to the story as the human characters. In <i>Starsky &amp; Hutch</i> starring <a href="http://www.movieretriever.com/castandcredits/15023/Ben-Stiller">Ben Stiller</a> and <a href="http://www.movieretriever.com/castandcredits/54933/Owen-Wilson">Owen Wilson</a>, the 1975 Ford Gran Torino (lovingly referred to as the Striped Tomato) looked absolutely spectacular. It <a href="http://www.movieretriever.com/blog/713/the-ten-greatest-movie-cars-of-alltime
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 09 Jun 2010 13:44:44 -0400</pubDate>
<link>http://www.movieretriever.com/blog/713/the-ten-greatest-movie-cars-of-alltime
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<guid>http://www.movieretriever.com/blog/713/the-ten-greatest-movie-cars-of-alltime
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<title>Movie Review: Splice
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<b>Jun 04, 2010 </b></td>
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<p>
Remarkably ambitious, stylishly made, and only slightly flawed in its thematic inconsistency, <a href="http://www.movieretriever.com/castandcredits/65496/Vincenzo-Natali">Vincenzo Natali</a>’s <i><a href="http://www.movieretriever.com/movies/1701680/Splice">Splice</a></i> is as unique and daring a mainstream horror/sci-fi film as you’ll see all year. Part of the reason for that is that it’s not really a horror film. At least not in the way it’s being advertised. The trailers and TV commercials would have you believe that that <i>Splice</i> is a variation on <i><a href="http://www.movieretriever.com/movies/1652286/Species">Species</a></i> for a new generation. It’s not and any critic who compares it to the <a href="http://www.movieretriever.com/castandcredits/51877/Natasha-Henstridge">Natasha Henstridge</a> flick is incredibly lazy. No, <a href="http://www.movieretriever.com/blog/712/movie-review-splice
/1701680">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Jun 2010 12:09:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/712/movie-review-splice
/1701680</link>
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<title>Movie Review: Get Him to the Greek
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<b>Jun 04, 2010 </b></td>
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<p>
There is no way that <i><a href="http://www.movieretriever.com/movies/1704564/Get-Him-to-the-Greek">Get Him to the Greek</a></i> should work. Taking a supporting character whose main purpose as a plot point was to be incredibly annoying and turning him into the lead of his own spin-off feature sounds like a horrible, horrible idea. Characters like Aldous Snow (<a href="http://www.movieretriever.com/castandcredits/102321/Russell-Brand">Russell Brand</a>) in <i><a href="http://www.movieretriever.com/movies/1697555/Forgetting-Sarah-Marshall">Forgetting Sarah Marshall</a></i> work best in small doses. The prospect of taking an unlikable cad like Aldous and turning him into a lead is a double-edged sword in that we don’t want to spend two hours with an a-hole <a href="http://www.movieretriever.com/blog/711/movie-review-get-him-to-the-greek
/1704564">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Jun 2010 11:48:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/711/movie-review-get-him-to-the-greek
/1704564</link>
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<title>Movie Review: Marmaduke
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<b>Jun 04, 2010 </b></td>
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<p>
I spent most of the time watching <i><a href="http://www.movieretriever.com/movies/1704562/Marmaduke">Marmaduke</a></i> trying to figure out two things. One, who exactly is the target demographic for this supposed family comedy? Two, when did they start letting groups of eight-year-old boys write movies? It may not be complete torture, but <i>Marmaduke</i> continues the crapfest of Summer 2010 with another lazy, boring, forgettable slice of mass-market entertainment. Many entertainment journalists have pondered the low box office numbers this season and blamed issues as diverse as nice weather, exciting sports playoffs, and the economy. It’s the movies, stupid. And one <a href="http://www.movieretriever.com/blog/710/movie-review-marmaduke
/1704562">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Jun 2010 11:30:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/710/movie-review-marmaduke
/1704562</link>
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<title>Movie Review: Micmacs
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<b>Jun 04, 2010 </b></td>
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<p>
Can a film be too clever? Can it be too polished, refined, and downright beautiful to look at to be effective? <a href="http://www.movieretriever.com/castandcredits/41351/Jean-Pierre-Jeunet">Jean-Pierre Jeunet</a> seems to be consciously pushing the boundaries of these questions with <i><a href="http://www.movieretriever.com/movies/1704558/Micmacs">Micmacs</a></i>, a comedy that redlines the whimsical meter to such an extreme that it could be considered disappointing to even Jeunet’s most hardcore fans. There are elements of <i>Micmacs</i> that simply don’t work but they’re almost only problems in light of the filmmaker’s previous works. Micmacs may be missing the charm of <i><a href="http://www.movieretriever.com/movies/1085245/Delicatessen">Delicatessen</a></i>, the vision of <i><a <a href="http://www.movieretriever.com/blog/709/movie-review-micmacs
/1704558">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Jun 2010 11:07:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/709/movie-review-micmacs
/1704558</link>
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<title>Movie Review: Holy Rollers
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<b>Jun 03, 2010 </b></td>
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<p>
There are very few people whom one would think less likely to be drug mules than Hasidic Jews. Yet that’s exactly what happened to a group of unassuming kids from Brooklyn in the late 1990s and is now chronicled in the dramatic <i>Holy Rollers</i>, an unusual film about a fish very, VERY far from water. The fish is a twenty-year-old Hasidic Jew named Sam Gold (<a href="http://www.movieretriever.com/castandcredits/83705/Eisenberg-Jesse">Jesse Eisenberg</a>) who went from the verge of manhood within his own insulated community to a very different kind of adulthood in seedy clubs with drug dealers. Sam’s <a href="http://www.movieretriever.com/blog/708/movie-review-holy-rollers
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 03 Jun 2010 17:47:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/708/movie-review-holy-rollers
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<title>Movie Review: The Complete Metropolis
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<b>Jun 03, 2010 </b></td>
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<p>
It’s a sad truth that early filmmakers and film watchers underestimated the longevity of the medium. One hundred years ago, not only was the future of DVD and Blu-ray completely unforeseeable but the cultural importance of preserving film as a historical artifact wasn’t really in place. Consequently, films were often mistreated, forgotten, and abused, to the point that many historians estimate that a majority of films up until 1930 are missing entirely. Some works still exist in truncated form but even whole reels of those works are often lost to the bad behavior of <a href="http://www.movieretriever.com/blog/707/movie-review-the-complete-metropolis
/87050">...Read more at MovieRetriever.com</a>
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</table>]]></description>
<pubDate>Thu, 03 Jun 2010 11:50:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/707/movie-review-the-complete-metropolis
/87050</link>
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<title>Seven Filmmakers Who Should NOT Direct The Hobbit
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<b>Jun 02, 2010 </b></td>
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<p>
Millions of movie fans shed a tear during their Memorial Day barbecue when they heard that the great <a href="http://www.movieretriever.com/castandcredits/49968/del-Toro-Guillermo">Guillermo del Toro</a> had left <i>The Hobbit</i> due to too many issues regarding the constant delays of filming. While a few film journalists correctly noted that it’s ridiculous that this film couldn’t get off the ground fast enough to satisfy del Toro (WTF is the hold-up on a project that is a license to print money), more wannabe movie bloggers spent time speculating on who would take his place, suggesting names as diverse as <a <a href="http://www.movieretriever.com/blog/706/seven-filmmakers-who-should-not-direct-the-hobbit
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 02 Jun 2010 14:35:15 -0400</pubDate>
<link>http://www.movieretriever.com/blog/706/seven-filmmakers-who-should-not-direct-the-hobbit
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<title>The Next Ten Video Games That Should Become Movies
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<b>May 28, 2010 </b></td>
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With <a href="http://www.movieretriever.com/blog/704/movie-review-prince-of-persia-the-sands-of-time/1704559"><i>Prince of Persia: The Sands of Time</i></a> hitting theaters like a urine-filled water balloon, the question of whether or not video games should EVER be turned into films must once again be raised. Sure, there have been some moments of entertainment in the <a href="http://www.movieretriever.com/movies/1684705/Resident-Evil"><i>Resident Evil</i> </a>franchise but with films like <i><a href="http://www.movieretriever.com/movies/1696508/Hitman">Hitman</a>, <a href="http://www.movieretriever.com/movies/1690582/Doom">Doom</a></i>, and <a href="http://www.movieretriever.com/movies/1699443/Max-Payne"><i>Max Payne</i></a> failing to produce anything that resembles the thrills of playing the games on which they were based, why do we continue to bother? Probably because the fact is that some of the best <a href="http://www.movieretriever.com/blog/705/the-next-ten-video-games-that-should-become-movies
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 28 May 2010 10:55:27 -0400</pubDate>
<link>http://www.movieretriever.com/blog/705/the-next-ten-video-games-that-should-become-movies
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<title>Movie Review: Prince of Persia: The Sands of Time
</title>
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<b>May 28, 2010 </b></td>
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<p>
With one of the worst big budget scripts in years, <i>Prince of Persia: The Sands of Time</i> is the kind of laughable turd that only works if you see it in an empty theater and are allowed to heckle the film <i>Mystery Science Theater</i>-style. Otherwise, make sure you’re caffeinated because there hasn’t been this boring a Memorial Day tentpole since…well, ever. It is a shockingly lazy affair with zero character development and a screenplay that should be used in writing classes when the lesson about over-explanation comes around. Imagine a movie where every character <a href="http://www.movieretriever.com/blog/704/movie-review-prince-of-persia-the-sands-of-time
/1704559">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 28 May 2010 09:45:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/704/movie-review-prince-of-persia-the-sands-of-time
/1704559</link>
<guid>http://www.movieretriever.com/blog/704/movie-review-prince-of-persia-the-sands-of-time
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<title>Movie Review: Survival of the Dead
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<b>May 28, 2010 </b></td>
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<p>
It pains me to say that the latest zombie film by one of my personal icons, <a href="http://www.movieretriever.com/castandcredits/14973/Romero-George-A.">George A. Romero</a>, simply doesn’t work. It’s his most half-baked, poorly constructed films in year, a step down after the semi-resurgence of his Dead franchise with <a href="http://www.movieretriever.com/movies/1689961/George-A.-Romero%27s-Land-of-the-Dead"><i>Land of the Dead</i></a> and <a href="http://www.movieretriever.com/movies/1697289/Diary-of-the-Dead"><i>Diary of the Dead</i></a>. Easily the worst of the now-six-film series that includes two of the best horror films ever made, George A. Romero’s <i>Survival of the Dead</i> sadly feels like the work of a lesser director who was inspired by Romero instead of <a href="http://www.movieretriever.com/blog/703/movie-review-survival-of-the-dead
/1703102">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 May 2010 09:39:34 -0400</pubDate>
<link>http://www.movieretriever.com/blog/703/movie-review-survival-of-the-dead
/1703102</link>
<guid>http://www.movieretriever.com/blog/703/movie-review-survival-of-the-dead
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<title>Movie Review: The City of Your Final Destination

</title>
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<b>May 28, 2010 </b></td>
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<p>
With the reunion of the great director <a href="http://www.movieretriever.com/castandcredits/16985/Ivory-James">James Ivory</a> with star <a href="http://www.movieretriever.com/castandcredits/667/Anthony-Hopkins">Anthony Hopkins</a>, who appeared in the director’s <i><a href="http://www.movieretriever.com/movies/1083703/Howard%27s-End">Howards End</a> </i>and <a href="http://www.movieretriever.com/movies/1094094/The-Remains-of-the-Day"><i>The Remains of the Day</i></a>, <i>The City of Your Final Destination </i>starts off with the promise of the kind of well-acted human drama that they don’t make that often any more, even on the arthouse scene. Add great actresses Laura Linney and Charlotte Gainsbourg to the cast and it’s enough to get the right cinephile as excited as a <i>Twilight </i>fan reading a new Stephenie Meyer book. And the <a href="http://www.movieretriever.com/blog/702/movie-review-the-city-of-your-final-destination

">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 May 2010 09:33:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/702/movie-review-the-city-of-your-final-destination

</link>
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<title>Movie Review: Sex and the City 2
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<b>May 27, 2010 </b></td>
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<p>
The first film based on the HBO show <a href="http://www.movieretriever.com/movies/1697589/Sex-and-the-City:-The-Movie"><i>Sex and the City</i></a> was a deeply flawed affair that misguidedly reveled in the excess of fancy shoes and high fashion instead of finding anything remotely relatable about its iconic characters. Somehow, I held out hope that writer/director <a href="http://www.movieretriever.com/castandcredits/82557/Michael-Patrick-King">Michael Patrick King</a> and the rest of his talented team would rekindle the magic of the show in <i>Sex and the City 2.</i> The show itself had a few off episodes and arguably a weak season or two but would often find the way to bring <a href="http://www.movieretriever.com/blog/701/movie-review-sex-and-the-city-2
/1704560">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 27 May 2010 12:35:52 -0400</pubDate>
<link>http://www.movieretriever.com/blog/701/movie-review-sex-and-the-city-2
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<title>Movie Review: MacGruber
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<b>May 24, 2010 </b></td>
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<p>
In the pantheon of <i>Saturday Night Live</i> sketches turned feature films, there is the preeminent <i><a href="http://www.movieretriever.com/movies/486080/The-Blues-Brothers">The Blues Brothers</a></i>, the admirable <i><a href="http://www.movieretriever.com/movies/1083209/Wayne%27s-World">Wayne's World</a></i>, and then the ever-increasing junk pile, a category to which the newest SNL offering <i><a href="http://www.movieretriever.com/movies/1703375/MacGruber">MacGruber</a></i> falls. Not since 2000's pitiful <i><a href="http://www.movieretriever.com/movies/1678962/The-Ladies-Man">The Ladies Man</a></i> has anyone attempted to sail the murky waters of turning short sketches into 90 minutes worth of comedy with so little success. <i>MacGruber</i>, originally a series of minute long sketches about a bumbling genius failing to diffuse a bomb, was written by and stars SNL <a href="http://www.movieretriever.com/blog/700/movie-review-macgruber
/1703375">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 24 May 2010 11:36:37 -0400</pubDate>
<link>http://www.movieretriever.com/blog/700/movie-review-macgruber
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<title>Movie Review: Ricky
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<b>May 21, 2010 </b></td>
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<p>
He may be still relatively unknown to American audiences, but <a href="http://www.movieretriever.com/castandcredits/70098/Ozon-Francois">Francois Ozon</a> is one of the most interesting filmmakers working today, always delivering something worth talking about even if not all of his films come together. If you consider yourself an aficionado of French film in any way and have yet to see <i><a href="http://www.movieretriever.com/movies/1682546/Under-the-Sand">Under the Sand</a></i>, <i><a href="http://www.movieretriever.com/movies/1685248/8-Women">8 Women</a></i>, or <i><a href="http://www.movieretriever.com/movies/1687494/Swimming-Pool">Swimming Pool</a></i>, get thee to a Netlfix queue as quickly as possible and catch up on this intriguing writer/director. Sadly, Ozon’s work has suffered a bit in recent years as the <a href="http://www.movieretriever.com/blog/699/movie-review-ricky
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 May 2010 15:09:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/699/movie-review-ricky
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<title>Movie Review: Shrek Forever After
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<b>May 21, 2010 </b></td>
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<p>
Last year was a landmark one in the medium of animation. Diverse films like <i><a href="http://www.movieretriever.com/movies/1700109/Coraline">Coraline</a></i>, <i><a href="http://www.movieretriever.com/movies/1701809/Up">Up</a></i>, <i><a href="http://www.movieretriever.com/movies/1701468/Cloudy-with-a-Chance-of-Meatballs">Cloudy with a Chance of Meatballs</a></i>, and <i><a href="http://www.movieretriever.com/movies/1702943/The-Princess-and-the-Frog">The Princess and the Frog</a></i> made a clear statement that family films need not merely serve as commercials for tie-in products, video games, and amusement parks. The pattern of quality mainstream animation continued into early 2010 with the excellent <i><a href="http://www.movieretriever.com/movies/1703368/How-to-Train-Your-Dragon">How to Train Your Dragon</a></i>. Perhaps this streak of quality filmmaking is why I’m so angered by the shear, unadulterated laziness of <i><a href="http://www.movieretriever.com/movies/1704557/Shrek%20Forever%20After">Shrek Forever After</a></i>, not <a href="http://www.movieretriever.com/blog/698/movie-review-shrek-forever-after
/1704557">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 May 2010 14:12:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/698/movie-review-shrek-forever-after
/1704557</link>
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<title>Seven Things We Want From Iron Man 3
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<b>May 19, 2010 </b></td>
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<p>
With <i><a href="http://www.movieretriever.com/movies/1704552/Iron-Man-2">Iron Man 2</a></i> kicking off the summer season in expected blockbuster fashion, there’s already buzz about a third film and what can be expected. There may be a cavalcade of Marvel Universe films on the horizon – <i>Thor</i>, <i>Captain America: The First Avenger</i>, and <i>The Avengers</i> – but <a href="http://www.movieretriever.com/castandcredits/10717/Robert-Downey">Robert Downey Jr.</a> recently confirmed to MTV News, just before the <i>Iron Man 2</i> premier, that he thinks a third <i>Iron Man</i> film is going to happen and it’s almost impossible that it wouldn’t be soon. But a third film is always a <a href="http://www.movieretriever.com/blog/697/seven-things-we-want-from-iron-man-3
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 19 May 2010 15:07:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/697/seven-things-we-want-from-iron-man-3
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<title>Movie Review: Daddy Longlegs
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<b>May 18, 2010 </b></td>
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You don’t need a license to become a parent and there’s no guidebook to the surprising complexities of being both a good father and living in a cruel world. If you did need a license, Lenny (Ronald Bronstein), the lead of the strong new dramedy <i>Daddy Longlegs</i> (known internationally as <i>Go Get Some Rosemary</i> and <i>Lenny &amp; the Kids</i>), probably wouldn’t have gotten one and he sure could use a guidebook. Written and directed as an ode to their father, Josh and Benny Safdie’s autobiographical drama is an unsettling work that doesn’t judge its <a href="http://www.movieretriever.com/blog/696/movie-review-daddy-longlegs
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 18 May 2010 10:45:04 -0400</pubDate>
<link>http://www.movieretriever.com/blog/696/movie-review-daddy-longlegs
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<title>Movie Review: Just Wright
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<b>May 14, 2010 </b></td>
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<p>
Likable leads go an awfully long way for me in the world of the romantic dramedy. It’s just so much easier to forgive the clichés of the genre when you actually want to see the two star-crossed lovers find happiness together, something that’s shockingly rare in the filmographies of regular romantic stars like Kate Hudson, Matthew McConaughey, Jennifer Aniston, Ashton Kutcher, etc.. Luckily, director Sanaa Hamri recognizes the draw of likable leads with <i>Just Wright</i>, a film that features a pair of the most charming and charismatic stars in a romantic movie in years. <a href="http://www.movieretriever.com/blog/695/movie-review-just-wright
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 May 2010 10:56:52 -0400</pubDate>
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<title>Movie Review: Letters to Juliet
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<b>May 14, 2010 </b></td>
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<p>
I realize it would never get past producers or target audiences but there’s a far superior alternate version of <i>Letters to Juliet</i> in which <a href="http://www.movieretriever.com/castandcredits/12672/Vanessa-Redgrave">Vanessa Redgrave</a>’s supporting character Claire is the lead and we don’t have to watch the dull love affair now at the core of this inert roma-drama. Rarely has a supporting actress so completely stolen a film that even teen fans of the beautiful people headlining the movie would probably rather hang out with grandma than the vapid dorks at the center of the piece. Never anywhere near as offensively <a href="http://www.movieretriever.com/blog/694/movie-review-letters-to-juliet
/1704553">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 May 2010 10:46:14 -0400</pubDate>
<link>http://www.movieretriever.com/blog/694/movie-review-letters-to-juliet
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<title>Movie Review: Casino Jack and the United States of Money
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<b>May 14, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/37125/Gibney-Alex">Alex Gibney</a> is clearly one of our more talented documentarians, finding ways to capture the Enron scandal (<a href="http://www.movieretriever.com/movies/1689238/Enron:-The-Smartest-Guys-in-the-Room"><i>Enron: The Smartest Guys in the Room</i></a>), the U.S. policy on torture (<a href="http://www.movieretriever.com/movies/1697309/Taxi-to-the-Dark-Side"><i>Taxi to the Dark Side</i></a>), and even the life of Hunter S. Thompson (<a href="http://www.movieretriever.com/movies/1699534/Gonzo:-The-Life-and-Work-of-Dr.-Hunter-S.-Thompson"><i>Gonzo: The Life and Work of Dr. Hunter S. Thompson</i></a>). But he stumbles a few too many times with his latest work, the ambitious <i>Casino Jack and the United States of Money</i>, a documentary that tries to capture the lunacy of the life of legendary lobbyist Jack Abramoff <a href="http://www.movieretriever.com/blog/693/movie-review-casino-jack-and-the-united-states-of-money
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 May 2010 10:31:52 -0400</pubDate>
<link>http://www.movieretriever.com/blog/693/movie-review-casino-jack-and-the-united-states-of-money
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<title>
The Ten Best Ridley Scott Films

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<b>May 13, 2010 </b></td>
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<p>
With the highly anticipated <i><a href="http://www.movieretriever.com/blog/690/movie-review-robin-hood/1704556">Robin Hood</a> </i>opening this week, it seems like an appropriate time to look back over the four-decade career of one of the most popular filmmakers of his era, <a href="http://www.movieretriever.com/castandcredits/17527/Scott-Ridley">Ridley Scott</a>. The man clearly is far from done making movies, but, thanks to his already epic output, it doesn’t seem too early to try and recap his cinematic highlights so far. And the actual act of picking his ten best films wasn’t that hard. I don’t think even fans of <a href="http://www.movieretriever.com/movies/1693007/A-Good-Year"><i>A Good Year</i> </a>or <a href="http://www.movieretriever.com/movies/1085806/1492:-Conquest-of-Paradise"><i>1492: Conquest of <a href="http://www.movieretriever.com/blog/692/
the-ten-best-ridley-scott-films

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 13 May 2010 15:25:50 -0400</pubDate>
<link>http://www.movieretriever.com/blog/692/
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<title>Movie Review: Robin Hood
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<b>May 12, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/17527/Scott-Ridley">Ridley Scott</a>’s <i>Robin Hood </i>is a well-produced swords-and-sandals piece that comes alive during a few expertly staged action sequences and whenever <a href="http://www.movieretriever.com/castandcredits/60800/Cate-Blanchett">Cate Blanchett</a> is on-screen but never comes together as an overall piece. It’s clearly more the product of the historian side of Scott than his passionate half. This may be overly harsh, but it’s more <i><a href="http://www.movieretriever.com/movies/1085806/1492:-Conquest-of-Paradise">1492</a> </i>than <a href="http://www.movieretriever.com/movies/1677333/Gladiator"><i>Gladiator</i></a>. The film that won Scott Best Picture had an emotional drive, a vengeful force that’s missing from this overly talky, bloated, problematic slice of historic adventure that is likely to leave <a href="http://www.movieretriever.com/blog/690/movie-review-robin-hood
/1704556">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 12 May 2010 22:35:47 -0400</pubDate>
<link>http://www.movieretriever.com/blog/690/movie-review-robin-hood
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<title>Eight Great Sleeper Hits for Summer 2010
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<b>May 11, 2010 </b></td>
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<p>
As star power seems to lose a bit of luster every summer season, it becomes harder and harder to even qualify what the word &quot;sleeper&quot; even means. Before its release last year, <i><a href="http://www.movieretriever.com/movies/1701478/The-Hangover">The Hangover</a></i> was touted so widely as a potential sleeper hit that it became pretty much a box office guarantee and something of an oxymoron.







It seems that the general consensus is that anything that makes a truckload of cash that's not based on a comic book or TV show, not a sequel, and not headlined by major stars can be called <a href="http://www.movieretriever.com/blog/689/eight-great-sleeper-hits-for-summer-2010
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 11 May 2010 11:40:04 -0400</pubDate>
<link>http://www.movieretriever.com/blog/689/eight-great-sleeper-hits-for-summer-2010
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<title>Movie Review: Babies
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<b>May 07, 2010 </b></td>
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<p>
There are certain elements that a film must have to justify its existence and the new documentary <i>Babies</i> doesn’t quite qualify. It’s so inconsequential an experience that one barely knows how to start reviewing it. Before loving mothers everywhere pick up their pitchforks and proclaim these cynical words merely to be those of a hardened critic who has no interaction with children other than to yell at the ones that dare step on his lawn, a personal detail is necessary – I’m around babies all the time. I have a beautiful ten-month-old and many <a href="http://www.movieretriever.com/blog/687/movie-review-babies
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 May 2010 15:04:07 -0400</pubDate>
<link>http://www.movieretriever.com/blog/687/movie-review-babies
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<title>Movie Review: The Human Centipede
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<b>May 07, 2010 </b></td>
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<p>
There have been a number of horror masterpieces predicated on the notion that there is a fate worse than death, but few have caused an indie scene buzz as deafening as the truly grotesque <i>The Human Centipede</i>, a film with a concept so out there that plot description practically needs a red band warning. Horror fans have long been drawn to the “new” but it’s been a long time since an independent gore film shook the genre and just the concept of <i>Human Centipede</i> promises to provide something unique enough that it could cross <a href="http://www.movieretriever.com/blog/686/movie-review-the-human-centipede
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 May 2010 14:47:26 -0400</pubDate>
<link>http://www.movieretriever.com/blog/686/movie-review-the-human-centipede
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<title>Movie Review: Please Give
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<b>May 07, 2010 </b></td>
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<p>
Writer/director <a href="http://www.movieretriever.com/castandcredits/56432/Holofcener-Nicole">Nicole Holofcener</a> (<i><a href="http://www.movieretriever.com/movies/1684570/Lovely-&amp;-Amazing">Lovely &amp; Amazing</a></i>, <i><a href="http://www.movieretriever.com/movies/1691949/Friends-with-Money">Friends with Money</a></i>) makes dramedies about people that almost instantly feel completely genuine. It helps that she works regularly with the spectacular <a href="http://www.movieretriever.com/castandcredits/16188/Keener-Catherine">Catherine Keener</a>, an actress who can make any character real, but Holofcener has a rare ear for dialogue that sounds human and not merely created by a screenwriting machine. She has an ability to put lives on display that seem like they could be your neighbors. The people at the core of her latest work, <i>Please Give</i>, are deeply flawed but also <a href="http://www.movieretriever.com/blog/685/movie-review-please-give
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 May 2010 14:28:31 -0400</pubDate>
<link>http://www.movieretriever.com/blog/685/movie-review-please-give
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<title>Movie Review: The Good Heart
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<b>May 07, 2010 </b></td>
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<p>
<i>The Good Heart</i> is a well-intentioned drama with a pair of talented actors but it goes nowhere for a long time before diving head first into a sea of unearned sentimentality. Uncertain of its intention to be a gritty slice of life on the dirty side of the tracks or an inspirational tale of one life changing another, <i>The Good Heart</i> is a wildly inconsistent film that aspires to realism but too often wallows in cliché. Even the roles taken by <a href="http://www.movieretriever.com/castandcredits/1453/Cox-Brian">Brian Cox</a> and <a href="http://www.movieretriever.com/castandcredits/77885/Dano-Paul-Franklin">Paul Dano</a> too easily play to the two <a href="http://www.movieretriever.com/blog/684/movie-review-the-good-heart
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 May 2010 14:03:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/684/movie-review-the-good-heart
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<title>Movie Review: The Good, the Bad, the Weird
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<b>May 06, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/101574/Kim-Ji-woon">Ji-woon Kim</a>’s <i>The Good, the Bad, the Weird</i> is a spectacular thrill ride that’s sure to be as entertaining and probably more so than most of the summer blockbusters released during the first month of the season. With a title that’s a clear nod to <a href="http://www.movieretriever.com/castandcredits/17616/Leone-Sergio">Sergio Leone</a>’s <i><a href="http://www.movieretriever.com/movies/584810/The-Good,-the-Bad-and-the-Ugly">The Good, the Bad, and the Ugly</a></i>, it shouldn’t be surprising to reveal that Kim’s film is a reinterpretation of the Western genre. But that barely hints at the clever, riveting experience you’ll have watching this film. Even the choice of inspiration is itself <a href="http://www.movieretriever.com/blog/683/movie-review-the-good-the-bad-the-weird
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 06 May 2010 17:30:42 -0400</pubDate>
<link>http://www.movieretriever.com/blog/683/movie-review-the-good-the-bad-the-weird
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<title>Movie Review: Iron Man 2
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<b>May 06, 2010 </b></td>
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<p>
Certainly not nearly as accomplished a superhero sequel as <i><a href="http://www.movieretriever.com/movies/1697567/The-Dark-Knight">The Dark Knight</a></i> but also nowhere near the masked-man suck fest on the other end of the scale, <i><a href="http://www.movieretriever.com/movies/1651057/Batman-Forever">Batman Forever</a></i>, <i><a href="http://www.movieretriever.com/movies/1704552/Iron-Man-2">Iron Man 2</a></i> is best described as an encore to the first set. It’s a minor variation on what worked about the hit 2008 film complete with everything that didn’t work about it as well. Rather than try and expand the universe of <i><a href="http://www.movieretriever.com/movies/1697578/Iron-Man">Iron Man</a></i> or improve on the first film’s flaws, director <a href="http://www.movieretriever.com/castandcredits/46864/Jon-Favreau">Jon Favreau</a> and writer <a href="http://www.movieretriever.com/castandcredits/60553/Justin-Theroux">Justin Theroux</a> <a href="http://www.movieretriever.com/blog/682/movie-review-iron-man-2
/1704552">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 06 May 2010 16:31:52 -0400</pubDate>
<link>http://www.movieretriever.com/blog/682/movie-review-iron-man-2
/1704552</link>
<guid>http://www.movieretriever.com/blog/682/movie-review-iron-man-2
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<title>Movie Review: Furry Vengeance
</title>
<description><![CDATA[
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<b>May 03, 2010 </b></td>
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<p>
I attended a showing of <i><a href="http://www.movieretriever.com/movies/1703363/Furry%20Vengeance">Furry Vengeance</a></i> accompanied by my mother Barbara (age 68), my daughter Maya (age 5 ½), and low expectations (timeless). As we dug into our 10 lb. bucket of popcorn and watched the previews for <i>Spy Dogs</i> (Maya: “Awww! Puppies!”) and <i>Despicable Me</i> (Barbara: “ix-nay”), I considered our most recent trips to the theater; would the current film be better, say, than <i><a href="http://www.movieretriever.com/movies/1703368/How-to-Train-Your-Dragon">How
To Train Your Dragon</a></i>? Worse than <i><a href="http://www.movieretriever.com/movies/1702924/Alvin-and-the-Chipmunks:-The-Squeakquel">Alvin and the Chipmunks: The Squeakquel</a></i>?







Written by <a href="http://www.movieretriever.com/castandcredits/99592/Michael-Carnes">Michael Carnes</a> and <a href="http://www.movieretriever.com/castandcredits/99593/Josh-Gilbert">Josh Gilbert</a>, and predictably directed by <a <a href="http://www.movieretriever.com/blog/681/movie-review-furry-vengeance
/1703363">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Mon, 03 May 2010 14:17:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/681/movie-review-furry-vengeance
/1703363</link>
<guid>http://www.movieretriever.com/blog/681/movie-review-furry-vengeance
</guid>
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<title>Movie Review: A Nightmare on Elm Street
</title>
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<b>Apr 30, 2010 </b></td>
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<p>
Ironically, I had trouble staying awake during <a href="http://www.movieretriever.com/castandcredits/112560/Samuel-Bayer">Samuel Bayer</a>’s mediocre-at-best remake of <a href="http://www.movieretriever.com/castandcredits/12984/Craven-Wes">Wes Craven</a>’s wildly influential <i><a href="http://www.movieretriever.com/movies/810910/A-Nightmare-on-Elm-Street">A Nightmare on Elm Street</a></i>. The only frightening thing about the film is how it could tarnish the legacy of Craven’s franchise for a new generation. It’s downright clichéd for a critic to say “just go rent the original,” so I’ll try to avoid comparisons to the classic first film as much as possible but the new <i>Elm Street</i> actually pales in comparison to most of the awful sequels to the original film as well <a href="http://www.movieretriever.com/blog/680/movie-review-a-nightmare-on-elm-street
/1703376">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 30 Apr 2010 16:34:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/680/movie-review-a-nightmare-on-elm-street
/1703376</link>
<guid>http://www.movieretriever.com/blog/680/movie-review-a-nightmare-on-elm-street
</guid>
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<title>Movie Review: The Square
</title>
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<b>Apr 30, 2010 </b></td>
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<p>
Drawing comparisons to <a href="http://www.movieretriever.com/castandcredits/14843/Joel-Coen">Joel</a> &amp; <a href="http://www.movieretriever.com/castandcredits/14844/Ethan-Coen">Ethan Coen</a>’s masterful noir <i><a href="http://www.movieretriever.com/movies/811980/Blood-Simple">Blood Simple</a></i> can be a double-edged sword for a new film. Using the Coen’s spectacular debut as a reference point creates both anticipation and expectation; it’s a high bar to reach and a film could easily fail by comparison. It’s not long into Nash &amp; <a href="http://www.movieretriever.com/castandcredits/69536/Edgerton-Joel">Joel Edgerton</a>’s excellent <i>The Square</i> that one sees why these comparisons were made, and, by the end, it’s hard not to agree that you’ve just seen a momentous feature debut. Only time will tell if <i>The <a href="http://www.movieretriever.com/blog/679/movie-review-the-square
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 30 Apr 2010 00:05:28 -0400</pubDate>
<link>http://www.movieretriever.com/blog/679/movie-review-the-square
</link>
<guid>http://www.movieretriever.com/blog/679/movie-review-the-square
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<title>Movie Review: Harry Brown
</title>
<description><![CDATA[
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<b>Apr 30, 2010 </b></td>
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<p>
Cut from similar cloth as <i><a href="http://www.movieretriever.com/movies/385940/Death-Wish">Death Wish</a></i> and <i><a href="http://www.movieretriever.com/movies/1700123/Gran-Torino">Gran Torino</a></i>, <i>Harry Brown</i> starts promisingly, anchored by an immediately interesting performance from <a href="http://www.movieretriever.com/castandcredits/8782/Caine-Michael">Michael Caine</a>, above average production values, and a somber, melancholy tone that promises interesting character drama. Sadly, the film doesn’t live up to that promise and starts to sag in the middle act before plummeting into vile stupidity by the end. Caine holds his head above water and co-star <a href="http://www.movieretriever.com/castandcredits/53040/Mortimer-Emily">Emily Mortimer</a> does no wrong (although she really needs to start asking her agent to get her roles that live <a href="http://www.movieretriever.com/blog/678/movie-review-harry-brown
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 30 Apr 2010 00:03:07 -0400</pubDate>
<link>http://www.movieretriever.com/blog/678/movie-review-harry-brown
</link>
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<title>Box Office Predictions: The Top 20 Films of Summer 2010
</title>
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<b>Apr 29, 2010 </b></td>
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<p>
It's the most wonderful time of the year for fans of the summer blockbuster and with total suckage like <i><a href="http://www.movieretriever.com/movies/1703350/The-Back-Up-Plan">The Back-Up Plan</a></i> taking up screen space, it couldn't come quickly enough. The season about to start looks a bit less promising than recent years, but there will certainly be a few massive hits.







Which movies will be on top? Which will falter? Last year produced 15 films with grosses of $100 million or more (two more than we predicted) and five flicks that crossed the $200 million mark and landed in the overall top <a href="http://www.movieretriever.com/blog/675/box-office-predictions-the-top-20-films-of-summer-2010
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 29 Apr 2010 15:20:45 -0400</pubDate>
<link>http://www.movieretriever.com/blog/675/box-office-predictions-the-top-20-films-of-summer-2010
</link>
<guid>http://www.movieretriever.com/blog/675/box-office-predictions-the-top-20-films-of-summer-2010
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<title>Iron Man 2 Worldwide Press Conference
</title>
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<b>Apr 28, 2010 </b></td>
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<p>
On April 23, 2010, Paramount treated the domestic press to a 35-minute-press conference for <i>Iron Man 2</i> in Los Angeles that featured <a href="http://www.movieretriever.com/castandcredits/10717/Robert-Downey">Robert Downey, Jr.</a>, <a href="http://www.movieretriever.com/castandcredits/8979/Rourke-Mickey">Mickey Rourke</a>, director <a href="http://www.movieretriever.com/castandcredits/46864/Jon-Favreau">Jon Favreau</a>, <a href="http://www.movieretriever.com/castandcredits/46056/Gwyneth-Paltrow">Gwyneth Paltrow</a>, <a href="http://www.movieretriever.com/castandcredits/56467/Johansson-Scarlett">Scarlett Johansson</a>, <a href="http://www.movieretriever.com/castandcredits/32960/Cheadle-Don">Don Cheadle</a>, screenwriter <a href="http://www.movieretriever.com/castandcredits/60553/Theroux-Justin">Justin Thoreaux</a>, and the head of Marvel, Kevin Feige.







What follows is the entire transcript of that discussion as well as video interviews with Robert Downey Jr., Jon Favreau, Scarlett Johansson, and Gwyneth Paltrow. <i>Iron Man 2</i> open everywhere Friday, May 7.


</p>


**********



<b>Press Member:</b> For Robert and for Jon, I wanted to <a href="http://www.movieretriever.com/blog/674/iron-man-2-worldwide-press-conference
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 28 Apr 2010 14:34:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/674/iron-man-2-worldwide-press-conference
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<guid>http://www.movieretriever.com/blog/674/iron-man-2-worldwide-press-conference
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<title>Movie Review: The Losers
</title>
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<b>Apr 26, 2010 </b></td>
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<p>
With the 2008 release of <i><a href="http://www.movieretriever.com/movies/1697595/Tropic-Thunder">Tropic Thunder</a></i>, Hollywood took a long hard look at itself and had a great laugh. That film works because writer/director <a href="http://www.movieretriever.com/castandcredits/15023/Ben-Stiller">Ben Stiller</a> dared to venture into the belly of the beast, perfectly skewing the clichés and conventions of Hollywood cinema. Sadly, this parody may have been lost on the writers (<a href="http://www.movieretriever.com/castandcredits/15775/Peter-Berg">Peter Berg</a> and <a href="http://www.movieretriever.com/castandcredits/84231/James-Vanderbilt">James 
Vanderbilt</a>) and director (<a href="http://www.movieretriever.com/castandcredits/96660/Sylvain-White">Sylvain White</a>) of <i><a href="http://www.movieretriever.com/movies/1703374/The%20Losers">The Losers</a></i>. Based on the Vertigo comics series of the same name, the film follows a group of ex-CIA soldiers on the run, <a href="http://www.movieretriever.com/blog/673/movie-review-the-losers
/1703374">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Mon, 26 Apr 2010 23:11:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/673/movie-review-the-losers
/1703374</link>
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<title>Movie Review: The Back-Up Plan
</title>
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<b>Apr 23, 2010 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1703350/The%20Back-Up%20Plan">The Back-Up Plan</a></i> starts effectively enough by introducing the audience to two relatively likable, trendy, beautiful romantic leads (<a href="http://www.movieretriever.com/castandcredits/53660/Jennifer-Lopez">Jennifer Lopez</a> and <a href="http://www.movieretriever.com/castandcredits/94611/O%27Loughlin-Alex">Alex O’Loughlin</a>), but then puts them through one of the most shamefully anti-women, bizarrely unrealistic, and completely ineffective romantic comedies in quite some time. Written with absolutely no understanding of modern dating, nor the world of pregnancy, <i>The Back-Up Plan</i> never builds on the reasonably effective chemistry of its leads, becoming a shockingly generic gross-out comedy of the kind that will only work for man-children who think things like the <a href="http://www.movieretriever.com/blog/672/movie-review-the-backup-plan
/1703350">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 23 Apr 2010 00:02:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/672/movie-review-the-backup-plan
/1703350</link>
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<title>Movie Review: The Girl on the Train
</title>
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<b>Apr 22, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/16445/Techine-Andre">Andre Techine</a> has been one more the more internationally admired filmmakers for decades with films like <i><a href="http://www.movieretriever.com/movies/1656283/Ma-Saison-Preferee">My Favorite Season</a></i> and <i><a href="http://www.movieretriever.com/movies/1651056/Wild-Reeds">The Wild Reeds</a></i> earning him quite the reputation among Francophiles and art house aficionados. The release of a new Techine film sends at least minor waves through critical and foreign film communities in the United States (more so in Europe) but his latest, the oddly assembled <i>The Girl on the Train</i>, has been receiving mostly mixed reviews. It’s mostly a mixed drama with some elements that truly work and the clear <a href="http://www.movieretriever.com/blog/670/movie-review-the-girl-on-the-train
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Thu, 22 Apr 2010 23:23:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/670/movie-review-the-girl-on-the-train
</link>
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<title>Movie Review: Kick-Ass
</title>
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<b>Apr 16, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/91484/Matthew-Vaughn">Matthew Vaughn</a>'s <i><a href="http://www.movieretriever.com/movies/1703370/Kick-Ass">Kick-Ass</a></i> is a beautifully subversive slice of post-modern entertainment that not only dissects the hero worship that turns caped crusaders into icons in the first place but becomes a wildly enjoyable superhero action film in its own right. In the same way that <a href="http://www.movieretriever.com/castandcredits/89639/Wright-Edgar">Edgar Wright</a>’s <i><a href="http://www.movieretriever.com/movies/1688141/Shaun-of-the-Dead">Shaun of the Dead</a></i> slowly goes from parody to becoming an honestly scary zombie film in the final act, <i>Kick-Ass</i> starts as an awkward teen comedy but becomes a wildly enjoyable action adventure that simply destroys many of the Marvel Universe films when <a href="http://www.movieretriever.com/blog/669/movie-review-kickass
/1703370">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 16 Apr 2010 22:31:47 -0400</pubDate>
<link>http://www.movieretriever.com/blog/669/movie-review-kickass
/1703370</link>
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<title>Movie Review: Death at a Funeral
</title>
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<b>Apr 16, 2010 </b></td>
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<p>
The remake is one of many cinematic tools hanging off the utility belts of heavyweight Hollywood producers. Whether golden age cinema (<i><a href="http://www.movieretriever.com/movies/1699484/The-Day-the-Earth-Stood-Still">The Day the Earth Stood Still</a></i>, <i><a href="http://www.movieretriever.com/movies/1691368/King-Kong">King Kong</a></i>), superhero movies (<i><a href="http://www.movieretriever.com/movies/1691864/Superman-Returns">Superman Returns</a></i>, <i><a href="http://www.movieretriever.com/movies/1689153/Batman-Begins">Batman Begins</a></i>), or foreign flicks (<i><a href="http://www.movieretriever.com/movies/1685270/The-Ring">The Ring</a></i>, <i><a href="http://www.movieretriever.com/movies/1693001/The-Departed">The Departed</a></i>) nothing is easier than repurposing a script for your own devices. <i><a href="http://www.movieretriever.com/movies/1703358/Death-at-a-Funeral">Death at a Funeral</a></i> might have set a record for the quickest turn around in remake history. Based on the 2007 British film of the same name, the American version introduces us to the <a href="http://www.movieretriever.com/blog/668/movie-review-death-at-a-funeral
/1703358">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 16 Apr 2010 21:43:47 -0400</pubDate>
<link>http://www.movieretriever.com/blog/668/movie-review-death-at-a-funeral
/1703358</link>
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<title>Interview with Aaron Johnson, Star of Kick-Ass
</title>
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<b>Apr 15, 2010 </b></td>
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<p>
One of the most notable new faces of 2010 is <a href="http://www.movieretriever.com/castandcredits/84273/Aaron-Johnson">Aaron Johnson</a>, who has already appeared in <i>The Greatest</i> and will star as <a href="http://www.movieretriever.com/castandcredits/6350/Lennon-John">John Lennon</a> in <i><a href="http://www.movieretriever.com/movies/1704115/Nowhere-Boy">Nowhere Boy</a></i> later this year. Oh, yeah, and then there's <i><a href="http://www.movieretriever.com/movies/1703370/Kick-Ass">Kick-Ass</a></i>. The highly anticipated and totally awesome adaptation of the Mark Millar comic from director <a href="http://www.movieretriever.com/castandcredits/91484/Matthew-Vaughn">Matthew Vaughn</a> (<i><a href="http://www.movieretriever.com/movies/1689917/Layer-Cake">Layer Cake</a></i>, <i><a href="http://www.movieretriever.com/movies/1694561/Stardust">Stardust</a></i>) is being released to a deafening buzz (and, unlike a lot of movies, it lives up to it) and Aaron happens to play the title character.







The British Aaron Johnson (although you'd <a href="http://www.movieretriever.com/blog/667/interview-with-aaron-johnson-star-of-kickass
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Thu, 15 Apr 2010 17:05:53 -0400</pubDate>
<link>http://www.movieretriever.com/blog/667/interview-with-aaron-johnson-star-of-kickass
</link>
<guid>http://www.movieretriever.com/blog/667/interview-with-aaron-johnson-star-of-kickass
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<title>The Next Ten TV Actors Who Should Become Movie Stars
</title>
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<b>Apr 15, 2010 </b></td>
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<p>
With <a href="http://www.movieretriever.com/castandcredits/85302/Carell-Steve">Steve Carell</a> and <a href="http://www.movieretriever.com/castandcredits/87796/Tina-Fey">Tina Fey</a> making the switch from TV stars to movie stars with the new <i><a href="http://www.movieretriever.com/movies/1703356/Date%20Night">Date Night</a></i> (the film debuted at #2, meaning that the multi-talented Carell and Fey can now safely call themselves &quot;movie stars&quot;), it got us thinking about that difficult journey from the small screen to the big one and why some actors and actresses make the leap while others fall flat on their face. For every <a href="http://www.movieretriever.com/castandcredits/42799/Aniston-Jennifer">Jennifer Aniston</a> there's a couple <a href="http://www.movieretriever.com/castandcredits/26668/LeBlanc-Matt">Matt LeBlanc</a>s proving that having a giant fan base for your <a href="http://www.movieretriever.com/blog/666/the-next-ten-tv-actors-who-should-become-movie-stars
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Thu, 15 Apr 2010 13:52:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/666/the-next-ten-tv-actors-who-should-become-movie-stars
</link>
<guid>http://www.movieretriever.com/blog/666/the-next-ten-tv-actors-who-should-become-movie-stars
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<title>Movie Review: The Eclipse
</title>
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<b>Apr 15, 2010 </b></td>
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<p>
A romantic ghost story that shares only an unfortunate title commonality with the next installment of <i>The Twilight Saga</i>, <i>The Eclipse</i> is that true rarity in English-language cinema – a character-driven horror film. <i>The Eclipse</i> is far from a traditional horror film. It’s more of an old-fashioned ghost story in that the apparitions play a more significant plot role as to what they mean to the characters instead of what they do to them. <i>The Eclipse</i> is an Irish gothic about the lingering power of grief and how it can manifest itself in the <a href="http://www.movieretriever.com/blog/665/movie-review-the-eclipse
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 15 Apr 2010 11:32:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/665/movie-review-the-eclipse
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<title>Interview with Cherie Currie, Lead Singer of the Runaways
</title>
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<b>Apr 12, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/2056/Currie-Cherie">Cherie Currie</a> was the lead vocalist of the Runaways, the revolutionary all-girl band in the 1970s that paved the way for female musicians on the rock and roll scene. Most popular in Europe and Japan at the time, the Runaways blended American heavy metal and punk rock with an aggressive and sexualized image, ultimately influencing famous American bands like the Go-Go’s and the Donnas.







The new film <i><a href="http://www.movieretriever.com/movies/1703858/The-Runaways">The Runaways</a></i>, directed by <a href="http://www.movieretriever.com/castandcredits/113502/Floria-Sigismondi">Floria Sigismondi</a> and based on Ms. Currie’s memoir, <i>Neon Angel: A Memoir of a Runaway</i>, introduces the groundbreaking band to a <a href="http://www.movieretriever.com/blog/664/interview-with-cherie-currie-lead-singer-of-the-runaways
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 12 Apr 2010 10:55:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/664/interview-with-cherie-currie-lead-singer-of-the-runaways
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<title>Movie Review: The Runaways
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<b>Apr 09, 2010 </b></td>
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<p>
With one great performance and one good one, the two leads of <i><a href="http://www.movieretriever.com/movies/1703858/The%20Runaways">The Runaways</a></i> nearly make this musical drama worth a look but their heavy lifting of a generic screenplay doesn’t quite get the film over the bar enough to merit a recommendation. <i>The Runaways</i> is yet another tale of sex, drugs, and rock and roll set to a thumping beat but this time with a girl power edge that’s never fully defined enough to work. Deep, deep flaws in the structure of the script for the film and a writer/director (<a href="http://www.movieretriever.com/castandcredits/113502/Floria-Sigismondi">Floria <a href="http://www.movieretriever.com/blog/662/movie-review-the-runaways
/1703858">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Apr 2010 15:34:57 -0400</pubDate>
<link>http://www.movieretriever.com/blog/662/movie-review-the-runaways
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<title>Movie Review: Date Night
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<b>Apr 09, 2010 </b></td>
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<p>
Television stars are regularly screwed by the Hollywood comedy machine that takes what works about them on the small screen and usually ignores their strengths and plays up their weaknesses on the big one. It's happened to the undeniably talented and charismatic stars of <i><a href="http://www.movieretriever.com/movies/1703356/Date%20Night">Date Night</a></i> – <a href="http://www.movieretriever.com/castandcredits/85302/Carell-Steve">Steve Carell</a> and <a href="http://www.movieretriever.com/castandcredits/87796/Tina-Fey">Tina Fey</a> – before. Nearly any episode of <i>The Office</i> or <i>30 Rock</i> is more consistently entertaining than the entirety of <i><a href="http://www.movieretriever.com/movies/1697569/Get-Smart">Get Smart</a></i>, <i><a href="http://www.movieretriever.com/movies/1694523/Evan-Almighty">Evan Almighty</a></i>, or <i><a href="http://www.movieretriever.com/movies/1697562/Baby-Mama">Baby Mama</a></i>. And with the involvement of the rather pedestrian director <a <a href="http://www.movieretriever.com/blog/661/movie-review-date-night
/1703356">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Apr 2010 14:59:13 -0400</pubDate>
<link>http://www.movieretriever.com/blog/661/movie-review-date-night
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<title>Movie Review: After.Life
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<b>Apr 09, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/7586/Neeson-Liam">Liam Neeson</a> continues a year of remarkably bad decisions (<i><a href="http://www.movieretriever.com/movies/1703850/Chloe">Chloe</a></i>, <i><a href="http://www.movieretriever.com/movies/1703354/Clash-of-the-Titans">Clash of the Titans</a></i>, the jury is still out on <i>The A-Team</i>) by starring in possibly the worst film of his career – certainly one of the worst of the year to date – the remarkably stupid <i>After.Life</i>, a thriller with no thrills; a horror movie that's biggest scare is that it could possibly make you dumber by sitting through it. With a stunning amount of ill-conceived pretension that goes all the way to its nonsensical title, <i>After.Life</i> purports to be <a href="http://www.movieretriever.com/blog/660/movie-review-afterlife
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Apr 2010 14:33:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/660/movie-review-afterlife
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<title>Movie Review: The Greatest
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<b>Apr 09, 2010 </b></td>
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<p>
Most of us who fell for <a href="http://www.movieretriever.com/castandcredits/92912/Mulligan-Carey">Carey Mulligan</a>’s star-making turn in one of the best pictures of 2009 (<i><a href="http://www.movieretriever.com/movies/1702528/An-Education">An Education</a></i>) were curious to see where she’d pop up next. Of course, the first film would probably be something she filmed before the cavalcade of praise heaped on her last year and possibly something even shot before she played Jenny for <a href="http://www.movieretriever.com/castandcredits/80021/Lone-Scherfig">Lone Scherfig</a>. And now we know that film is <i>The Greatest</i>, a tearjerker co-starring <a href="http://www.movieretriever.com/castandcredits/9885/Brosnan-Pierce">Pierce Brosnan</a> and <a href="http://www.movieretriever.com/castandcredits/11954/Sarandon-Susan">Susan Sarandon</a> from feature debut writer/director Shana Feste. Traveling ground that has <a href="http://www.movieretriever.com/blog/659/movie-review-the-greatest
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Apr 2010 14:13:02 -0400</pubDate>
<link>http://www.movieretriever.com/blog/659/movie-review-the-greatest
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<title>Movie Review: My Son, My Son, What Have Ye Done
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<b>Apr 09, 2010 </b></td>
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<p>
My Son, My Son, What Have Ye Done is definitely a film for fans of the auteur theory; those that love picking apart the work of unique directors like the two men whose fingerprints are so clearly on this bizarre hybrid – directors <a href="http://www.movieretriever.com/castandcredits/14804/Herzog-Werner">Werner Herzog</a> and producer <a href="http://www.movieretriever.com/castandcredits/2575/Lynch-David">David Lynch</a>. Those of you not just familiar but well-versed in the films of these two legendary filmmakers will find a lot to dissect about this match made in indie movie heaven, but it is certainly not for everyone. How does one judge a film <a href="http://www.movieretriever.com/blog/658/movie-review-my-son-my-son-what-have-ye-done
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Apr 2010 13:45:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/658/movie-review-my-son-my-son-what-have-ye-done
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<title>Ten Upcoming Films That Would Be Better in 3D
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<b>Apr 08, 2010 </b></td>
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<p>
With <i><a href="http://www.movieretriever.com/movies/1703354/Clash-of-the-Titans">Clash of the Titans</a></i> hitting theaters in a recently-revised-to-3D version that will ultimately make more money by riding the trend than it would have in the old-fashioned 2D format that it was in just a few months ago, it got our twisted minds thinking….







What upcoming films could be enhanced by a last minute dimensional polish a la Louis Leterrier’s campy remake? What films might struggle to make back their budget in two dimensions but rock if they used the modern smoke and mirrors that studios claim is about to become the norm? <a href="http://www.movieretriever.com/blog/656/ten-upcoming-films-that-would-be-better-in-3d
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 08 Apr 2010 14:44:26 -0400</pubDate>
<link>http://www.movieretriever.com/blog/656/ten-upcoming-films-that-would-be-better-in-3d
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<title>Movie Review: Clash of the Titans
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<b>Apr 02, 2010 </b></td>
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<p>
The unnecessary remake of <i>Clash of the Titans</i> blurs the line between spectacle and bloat in such a way that it commits what will be its cardinal sin for many teens buying tickets the weekend by turning this promised God-sized battle into a lesson in boredom. With a plot so perfunctory that the film could be watched dialogue-free and completely understood, rarely has there been a movie more easily accused of being nothing more than a series of CGI sequences linked together to form a movie. If <i><a href="http://www.movieretriever.com/movies/1703354/Clash%20of%20the%20Titans">Clash of the Titans</a></i> was purely <a href="http://www.movieretriever.com/blog/653/movie-review-clash-of-the-titans
/1703354">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 02 Apr 2010 09:44:05 -0400</pubDate>
<link>http://www.movieretriever.com/blog/653/movie-review-clash-of-the-titans
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<title>Movie Review: The Last Song
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<b>Mar 31, 2010 </b></td>
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<p>
Love her or hate her (it all seems irrelevant at this point), <a href="http://www.movieretriever.com/castandcredits/95814/Miley-Cyrus">Miley Cyrus</a> has star power and a loyal fan base, and she’s taking over your theaters. <a href="http://www.movieretriever.com/castandcredits/112552/Nicholas-Sparks">Nicholas Sparks</a> wrote <i><a href="http://www.movieretriever.com/movies/1703372/The-Last-Song">The Last Song</a></i> specifically for her, and the film serves as Miley’s foray into acting outside of the Hannah Montana franchise. She plays a rebellious girl named Ronnie, who travels with her younger brother, Jonah (<a href="http://www.movieretriever.com/castandcredits/95491/Bobby-Coleman">Bobby Coleman</a>), to spend the summer in a small Southern beach town with their estranged father, Steve (<a href="http://www.movieretriever.com/castandcredits/52940/Greg-Kinnear">Greg Kinnear</a>). Here, she meets the <a href="http://www.movieretriever.com/blog/652/movie-review-the-last-song
/1703372">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 31 Mar 2010 11:29:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/652/movie-review-the-last-song
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<title>Movie Review: Hot Tub Time Machine
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<b>Mar 28, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/59225/Steve-Pink">Steve Pink</a>'s <i><a href="http://www.movieretriever.com/movies/1703367/Hot%20Tub%20Time%20Machine">Hot Tub Time Machine</a></i> delivers exactly what you'd expect from its descriptive title and even a bit more. The most spoiler-named film since <i><a href="http://www.movieretriever.com/movies/1691890/Snakes-on-a-Plane">Snakes on a Plane</a></i> isn't a perfect comedy but it comes a heck of a lot closer than most of its recent genre peers and should satisfy viewers willing to open their wallets for a movie called <i>Hot Tub Time Machine</i>. An undeniable parody of 1980s culture, the film is also an ode to the movies of the time period to which its characters travel with <a href="http://www.movieretriever.com/blog/651/movie-review-hot-tub-time-machine
/1703367">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 28 Mar 2010 12:10:04 -0400</pubDate>
<link>http://www.movieretriever.com/blog/651/movie-review-hot-tub-time-machine
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<title>Movie Review: How to Train Your Dragon
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<b>Mar 28, 2010 </b></td>
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<p>
DreamWorks Animation's <i><a href="http://www.movieretriever.com/movies/1703368/How%20to%20Train%20Your%20Dragon">How to Train Your Dragon</a></i> is a beautiful, original coming-of-age story that is easily the studio's best entry since <i><a href="http://www.movieretriever.com/movies/1687850/Shrek-2">Shrek 2</a></i> (yes, better than <i><a href="http://www.movieretriever.com/movies/1697580/Kung-Fu-Panda">Kung Fu Panda</a></i>) and could possibly be considered even better than any of the films featuring the ugly green guy. It's a delightful, gorgeous, honestly moving slice of adventure cinema that is the definition of the oft-used critical phrase &quot;crowd-pleasing.” This lovely film not only satisfies on a visceral level but conveys an important theme in today's society that perhaps the next generation will be <a href="http://www.movieretriever.com/blog/650/movie-review-how-to-train-your-dragon
/1703368">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 28 Mar 2010 11:04:41 -0400</pubDate>
<link>http://www.movieretriever.com/blog/650/movie-review-how-to-train-your-dragon
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<title>Movie Review: Mother</title>
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<b>Mar 26, 2010 </b></td>
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<p><a href="http://www.movieretriever.com/castandcredits/98509/Joon-ho-Bong">Bong Joon-ho</a> firmly solidifies his place as one of the world's best filmmakers with the excellent <i><a href="http://www.movieretriever.com/movies/1704014/Madeo">Mother</a></i> (<i>Madeo</i>), a film that would stand as the best in the career of most young filmmakers but faces stiff competition from the Korean director's amazing <i><a href="http://www.movieretriever.com/movies/1689989/Memories-of-Murder">Memories of Murder</a></i> and fantastic <i><a href="http://www.movieretriever.com/movies/1694588/The-Host">The Host</a></i>, two films I considered for my “<a href="http://www.movieretriever.com/blog/574/the-50-best-films-of-the-2000s/0">The 50 Best of the 2000s</a>” feature. Like those films, <i>Mother </i>plays with audience expectations in such a thrilling and daring way that it's not difficult to see the filmmaker's inspirations (<a href="http://www.movieretriever.com/castandcredits/14884/Hitchcock-Alfred">Alfred Hitchcock</a> <a href="http://www.movieretriever.com/blog/649/movie-review-mother/1704014">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Mar 2010 10:33:01 -0400</pubDate>
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<title>Movie Review: Chloe
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<b>Mar 26, 2010 </b></td>
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<p>
Very rarely have I been as wildly disappointed by a filmmaker I once adored as with <a href="http://www.movieretriever.com/castandcredits/30773/Atom-Egoyan">Atom Egoyan</a>'s disastrous <i><a href="http://www.movieretriever.com/movies/1703850/Chloe">Chloe</a>,</i> a film that somehow drags down the great <a href="http://www.movieretriever.com/castandcredits/38251/Julianne-Moore">Julianne Moore</a>, the talented <a href="http://www.movieretriever.com/castandcredits/7586/Liam-Neeson">Liam Neeson</a>, and wonderful <a href="http://www.movieretriever.com/castandcredits/87795/Amanda-Seyfried">Amanda Seyfried</a> into a morass of sleazy crap that's usually reserved for Cinemax around midnight. Nearly too stupid to be considered misogynistic (although not quite), <i>Chloe</i> would be straight-to-video if it starred lesser actors and bore the name of a director considered trashier like <a href="http://www.movieretriever.com/castandcredits/17404/Verhoeven-Paul">Paul Verhoeven</a> or <a href="http://www.movieretriever.com/castandcredits/16394/Lyne-Adrian">Adrian Lyne</a>. Only the <a href="http://www.movieretriever.com/blog/648/movie-review-chloe
/1703850">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Mar 2010 09:05:47 -0400</pubDate>
<link>http://www.movieretriever.com/blog/648/movie-review-chloe
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<title>Interview with Bong Joon-ho, director of Mother
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<b>Mar 25, 2010 </b></td>
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The great <a href="http://www.movieretriever.com/castandcredits/98509/Joon-ho-Bong">Bong Joon-ho</a>, director of <i><a href="http://www.movieretriever.com/movies/1689989/Memories-of-Murder">Memories of Murder</a></i>, <i><a href="http://www.movieretriever.com/castandcredits/98509/Joon-ho-Bong">The Host</a></i>, and the new <i><a href="http://www.movieretriever.com/movies/1704014/Madeo">Mother</a></i> (<i>Madeo</i>) called in for a brief interview via translator about his newest, award-winning work. Since this mini-interview – one that we all wished was longer but suffered due to some technical issues – <i>Mother</i> has won three Asian Film Awards for Best Picture, Best Actress, and Best Screenplay.







The spectacular thriller details a mother's (<a href="http://www.movieretriever.com/castandcredits/113655/Kim-Hye-ja">Kim Hye-ja</a>) determined search to free her son from prison after he's accused of murder. Very Hitchcockian while also being truly <a href="http://www.movieretriever.com/blog/647/interview-with-bong-joonho-director-of-mother
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Mar 2010 18:18:51 -0400</pubDate>
<link>http://www.movieretriever.com/blog/647/interview-with-bong-joonho-director-of-mother
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<title>Movie Review: The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers
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<b>Mar 25, 2010 </b></td>
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<p>
What do you do when your best intentions have gone horribly awry? When you realize you have been partly responsible for arguable genocide? Daniel Ellsberg worked to control the Vietnam War in a way that innocent lives would be spared and believed that he was doing the right thing as he helped craft the conflict as a member of the Rand Corporation, but after going overseas and seeing action in person, he came to the stark realization that what Americans were being sold was not the truth. As Ellsberg says in the Oscar-nominated biographical <a href="http://www.movieretriever.com/blog/646/movie-review-the-most-dangerous-man-in-america-daniel-ellsberg-and-the-pentagon-papers
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Mar 2010 13:18:38 -0400</pubDate>
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<title>Movie Review: The Killing Jar
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<b>Mar 21, 2010 </b></td>
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<p>
In an era of filmmaking dominated by giant ensembles, bloated scripts, and CGI-heavy presentations, it can be refreshing to find a pared-down indie thriller with one set and a limited cast. The desire to stumble on to something that can truly be called Hitchcockian is likely to lead a few theatre goers to <i>The Killing Jar,</i> a low budget flick with a few recognizable faces opening in limited release this weekend. Sadly, writer/director <a href="http://www.movieretriever.com/castandcredits/44226/Young-Mark">Mark Young</a>'s film should serve more as a cautionary tale of how easy it is to fall off the rope <a href="http://www.movieretriever.com/blog/645/movie-review-the-killing-jar
">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 21 Mar 2010 09:34:47 -0400</pubDate>
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<title>Movie Review: Diary of a Wimpy Kid
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<b>Mar 19, 2010 </b></td>
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<p>
After a disappointing foray into family films with <i><a href="http://www.movieretriever.com/movies/1700125/Hotel-for-Dogs">Hotel for Dogs</a>,</i> director <a href="http://www.movieretriever.com/castandcredits/106951/Thor-Freudenthal">Thor Freudenthal</a> brings us his sophomore effort <i><a href="http://www.movieretriever.com/movies/1703359/Diary%20of%20a%20Wimpy%20Kid">Diary of a Wimpy Kid</a>.</i> Based on the bestselling children's books by author Jeff Kinney, <i>Diary of a Wimpy Kid</i> chronicles the adventures of Greg Heffley as he stumbles through his first year at a new school tackling bully beat downs, awkward extracurriculars, and the finer points of friendship. What makes this movie stand out is that while most films deal with these topics in the hallowed halls of high school, <i>Diary <a href="http://www.movieretriever.com/blog/643/movie-review-diary-of-a-wimpy-kid
/1703359">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Mar 2010 09:57:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/643/movie-review-diary-of-a-wimpy-kid
/1703359</link>
<guid>http://www.movieretriever.com/blog/643/movie-review-diary-of-a-wimpy-kid
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<title>Movie Review: Repo Men
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<b>Mar 19, 2010 </b></td>
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<p>
With echoes of <a href="http://www.movieretriever.com/castandcredits/17404/Verhoeven-Paul">Paul Verhoeven</a> and <a href="http://www.movieretriever.com/castandcredits/14833/Cronenberg-David">David Cronenberg</a> but no understanding of what makes either of them such talented directors, the new action flick <i><a href="http://www.movieretriever.com/movies/1703381/Repo-Men">Repo Men</a></i> is a complete mess, a film that feels like it's based on video game a la <i><a href="http://www.movieretriever.com/movies/1699443/Max-Payne">Max Payne</a></i> or <i><a href="http://www.movieretriever.com/movies/1696508/Hitman">Hitman</a></i> but has no such source material to blame for its disastrous results. With a jerky rhythm that feels created during an incompetent postproduction process that was unsure of whether or not to edit together a futuristic nightmare, human drama, action film, or twisted <a href="http://www.movieretriever.com/blog/641/movie-review-repo-men
/1703381">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Mar 2010 00:21:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/641/movie-review-repo-men
/1703381</link>
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<title>Detroit Film Think Tank Forum: Spotlighting the Players in the Michigan Film Industry
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<b>Mar 18, 2010 </b></td>
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<p>
There was a ray of hope for Michigan’s future at the First Annual Detroit Independent Film Festival (held March 2 through March 7, 2010; see our interview with festival filmmaker Mike Manasseri <a href="http://www.movieretriever.com/blog/627/interview-with-mike-manasseri-director-of-babysitter-wanted/0">here</a>). On March 6, the hardworking visionaries of the Michigan film industry gathered at the Burton Theatre to discuss the business that is rejuvenating the state’s beleaguered economy. Featuring a 40% refundable tax credit and other enticing incentives, Michigan has become a destination for filmmakers - and this group wants to keep it that way.







Hosted by Detroit Film Think Tank founder <a href="http://www.movieretriever.com/blog/640/detroit-film-think-tank-forum-spotlighting-the-players-in-the-michigan-film-industry
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 18 Mar 2010 17:47:50 -0400</pubDate>
<link>http://www.movieretriever.com/blog/640/detroit-film-think-tank-forum-spotlighting-the-players-in-the-michigan-film-industry
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<title>Movie Review: The Girl with the Dragon Tattoo
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<b>Mar 17, 2010 </b></td>
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<p>
Based on the international bestseller by Stieg Larsson and already wildly successful in its country of origin, Niels Arden Oplev's <i>The Girl with the Dragon Tattoo</i> has drawn comparisons to <i><a href="http://www.movieretriever.com/movies/1072545/The-Silence-of-the-Lambs">The Silence of the Lambs</a></i> and a remake is reportedly being eyed by <a href="http://www.movieretriever.com/castandcredits/2530/Fincher-David">David Fincher</a> (with <a href="http://www.movieretriever.com/castandcredits/25454/Clooney-George">George Clooney</a> and <a href="http://www.movieretriever.com/castandcredits/92912/Mulligan-Carey">Carey Mulligan</a> being named as possible stars). The international reports combined with the adoration for the book is likely to lead to some pretty high expectations that aren't quite met by the actual film. <i>The Girl with the Dragon Tattoo</i> is <a href="http://www.movieretriever.com/blog/638/movie-review-the-girl-with-the-dragon-tattoo
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 17 Mar 2010 00:02:05 -0400</pubDate>
<link>http://www.movieretriever.com/blog/638/movie-review-the-girl-with-the-dragon-tattoo
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<title>The Ten Summer 2010 Movies We're Most Excited to See
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<b>Mar 15, 2010 </b></td>
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<p>
Believe it or not, the summer movie season is right around the corner. With only a few weeks to go, we're busy planning our extensive movie coverage for May-August 2010 and trying to determine what's going to work and what's going to suck. The bad news? It looks like there will be a lot more suck this summer season than usual. Maybe you’ll have more time to get outside. In fact, we can't remember a summer less exciting than this one in a long time – so much so that it was actually difficult <a href="http://www.movieretriever.com/blog/636/the-ten-summer-2010-movies-were-most-excited-to-see
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 15 Mar 2010 23:20:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/636/the-ten-summer-2010-movies-were-most-excited-to-see
</link>
<guid>http://www.movieretriever.com/blog/636/the-ten-summer-2010-movies-were-most-excited-to-see
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<title>Movie Review: Remember Me
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<p>
If I were still a 15 year old girl, <i><a href="http://www.movieretriever.com/movies/1703380/Remember-Me">Remember Me</a></i> would have been my kind of film. Brooding, broken boy meets intelligent, quirky girl and they almost immediately fall in love. She moves in with him and he takes care of her, while finding himself healed by her presence in his life. They fight, they make up, and then he dies. Touching, right? Well, not really. While the intentions of freshman screenwriter <a href="http://www.movieretriever.com/castandcredits/112562/Will-Fetters">Will Fetters</a> were certainly ambitious, <a href="http://www.movieretriever.com/castandcredits/92957/Robert-Pattinson">Robert Pattinson</a> and <a href="http://www.movieretriever.com/castandcredits/85067/Emilie-de%20Ravin">Emilie de Ravin</a> fail to produce any viable onscreen <a href="http://www.movieretriever.com/blog/635/movie-review-remember-me
/1703380">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Mar 2010 16:29:07 -0500</pubDate>
<link>http://www.movieretriever.com/blog/635/movie-review-remember-me
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<title>Movie Review: Green Zone
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<b>Mar 12, 2010 </b></td>
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<p>
Watching the trailer for <a href="http://www.movieretriever.com/castandcredits/26300/Damon-Matt">Matt Damon</a>’s newest project, <i><a href="http://www.movieretriever.com/movies/1703364/Green-Zone">Green Zone</a></i>, one might incorrectly assume it’s the fourth entry in the Jason Bourne franchise and get excited. But that would certainly be forgivable, because that’s clearly what the studio is hoping you’ll do. Like those films, it features exotic foreign locales, window-shattering explosions, break-neck car chases, laptops rife with government secrets and Damon cracking skulls with ear-splitting force, all set to a buzzy, beat-heavy score. It even boasts the unmistakable, hyperrealism of director <a href="http://www.movieretriever.com/castandcredits/66218/Paul-Greengrass">Paul Greengrass</a>, whose whiplash camerawork and firecracker editing brought <a href="http://www.movieretriever.com/blog/634/movie-review-green-zone
/1703364">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Mar 2010 14:51:15 -0500</pubDate>
<link>http://www.movieretriever.com/blog/634/movie-review-green-zone
/1703364</link>
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<title>Movie Review: She's Out of My League
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<b>Mar 12, 2010 </b></td>
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<p>
I really, really wanted to like <i>She's Out of My League.</i> Star <a href="http://www.movieretriever.com/castandcredits/81946/Jay-Baruchel">Jay Baruchel</a> has been stealing scenes for years in films like <i><a href="http://www.movieretriever.com/movies/1697595/Tropic-Thunder">Tropic Thunder</a></i> and <i><a href="http://www.movieretriever.com/movies/1699445/Nick-&amp;-Norah%27s-Infinite-Playlist">Nick &amp; Norah's Infinite Playlist</a></i> and the concept of the film sounded like the perfect vehicle for this talented young man to drive to stardom. So, it pains me to say that the wheels come of this comedy pretty quickly and Baruchel is left with nowhere to go.







Baruchel plays the sweet-but-awkward Kirk, a TSA employee at an airport in Pittsburgh. He's very slowly getting over <a href="http://www.movieretriever.com/blog/633/movie-review-shes-out-of-my-league
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Mar 2010 14:21:47 -0500</pubDate>
<link>http://www.movieretriever.com/blog/633/movie-review-shes-out-of-my-league
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<title>Movie Review: The Yellow Handkerchief
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<b>Mar 12, 2010 </b></td>
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<p>
One should always be a little wary of a film that was shot three years before its release date. Sure, some movies merely take awhile to get through the production pipeline but when it's an independent drama like <i><a href="http://www.movieretriever.com/movies/1703862/The-Yellow-Handkerchief">The Yellow Handkerchief</a>,</i> it probably means something is wrong. This character piece features three interesting performances but they're all fighting against a screenplay that values cliché over believability and a director who can't find the right rhythm or tone for the piece. What's most jarring about <i>The Yellow Handkerchief</i> is that it never feels like <a href="http://www.movieretriever.com/blog/632/movie-review-the-yellow-handkerchief
/1703862">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Mar 2010 12:08:51 -0500</pubDate>
<link>http://www.movieretriever.com/blog/632/movie-review-the-yellow-handkerchief
/1703862</link>
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<title>Interview with Jay Baruchel and Nate Torrence, stars of She's Out of My League
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<b>Mar 12, 2010 </b></td>
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<p>
The very talented and charismatic <a href="http://www.movieretriever.com/castandcredits/81946/Jay-Baruchel">Jay Baruchel</a> has graduated from stealing films like <a href="http://www.movieretriever.com/movies/1697595/Tropic-Thunder" style="font-style: italic"></a><a href="http://www.movieretriever.com/movies/1697595/Tropic-Thunder"><i>Tropic Thunder</i></a> and <a href="http://www.movieretriever.com/movies/1699445/Nick-&amp;-Norah%27s-Infinite-Playlist"><i>Nick &amp; Norah's Infinite Playlist</i></a> to starring as the lead in the romantic comedy She’s Out of My League. In the film, Baruchel plays an airport security agent whose life is turned upside down when he begins dating one of the most beautiful women alive (<a href="http://www.movieretriever.com/castandcredits/96482/Alice-Eve">Alice Eve</a>). Jay’s group of friends, including <a href="http://www.movieretriever.com/movies/1697569/Get-Smart" style="font-style: italic">Get Smart</a> star <a href="http://www.movieretriever.com/castandcredits/104478/Nate-Torrence">Nate Torrence</a>, ridicule him but also push him to a level of <a href="http://www.movieretriever.com/blog/631/interview-with-jay-baruchel-and-nate-torrence-stars-of-shes-out-of-my-league
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Mar 2010 10:11:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/631/interview-with-jay-baruchel-and-nate-torrence-stars-of-shes-out-of-my-league
</link>
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<title>Movie Review: Red Riding 1983
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<b>Mar 11, 2010 </b></td>
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<p>
The final chapter of the <i>Red Riding Trilogy</i> expands the spotlight from men caught up in their investigation of the web of corruption to the men who spin that web. It opens with the line <i>&quot;To the North, where we do what we want&quot;</i> and details how the desire for power and the willingness to do anything to hold on to it has led to unspeakable acts. Like the first two films, <i>Red Riding 1983</i> is about a man seeking answers but learning things about very different questions. It both presents its own story <a href="http://www.movieretriever.com/blog/630/movie-review-red-riding-1983
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 11 Mar 2010 18:11:53 -0500</pubDate>
<link>http://www.movieretriever.com/blog/630/movie-review-red-riding-1983
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<title>Movie Review: Red Riding 1980
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<b>Mar 11, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/36221/Marsh-James">James Marsh</a>, Oscar-winning director of <i><a href="http://www.movieretriever.com/movies/1701433/Man-on-Wire">Man on Wire</a></i>, brings a less dreamy and more procedural atmosphere to the second chapter of <i>The Red Riding Trilogy</i> – <i>Red Riding 1980,</i> a film just a bit more impressive than the first in the series (<a href="http://www.movieretriever.com/blog/628/movie-review-red-riding-1974"><i>Red Riding 1974</i></a>) and once again strengthened by an ensemble that makes the sometimes pedestrian script resonate with unexpected force. The themes of the entire trilogy become more apparent and intellectually rewarding in the second chapter as we once again follow the arc of a man willing to do <a href="http://www.movieretriever.com/blog/629/movie-review-red-riding-1980
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 11 Mar 2010 09:59:19 -0500</pubDate>
<link>http://www.movieretriever.com/blog/629/movie-review-red-riding-1980
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<title>Movie Review: Red Riding 1974
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<b>Mar 10, 2010 </b></td>
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<p>
Buoyed by very strong performances and a deliberate, grim style, the first installment in the acclaimed <i>Red Riding Trilogy, Red Riding 1974</i> sets the tone for the movies to come and makes clear that these are not sunny days for the faint of heart. These are gloomy times; films not merely about the seedy underbelly of society but the fact that the seedy underbelly keeps things moving. They have been compared to <i><a href="http://www.movieretriever.com/movies/1694446/Zodiac">Zodiac</a></i> but they are more realistically grim than <a href="http://www.movieretriever.com/castandcredits/2530/David-Fincher">David Fincher</a>’s masterpiece. The film can be a bit too self-serious at <a href="http://www.movieretriever.com/blog/628/movie-review-red-riding-1974
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 10 Mar 2010 13:29:16 -0500</pubDate>
<link>http://www.movieretriever.com/blog/628/movie-review-red-riding-1974
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<title>Interview with Mike Manasseri, Director of Babysitter Wanted
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<b>Mar 10, 2010 </b></td>
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<p>
In <i>Babysitter Wanted,</i> a young college girl who believes she is being stalked accepts a babysitting job on an isolated farm, only to realize that there is no escape. There are elements of the familiar here, but director/producer Mike Manasseri leads cast and crew past the conventional pitfalls of the thriller genre and into the unpredictable terrain of <i>Babysitter Wanted. </i>Like <a href="http://www.movieretriever.com/castandcredits/14884/Hitchcock-Alfred">Alfred Hitchcock</a>, one of Manasseri’s main inspirations for the film, <i>Babysitter Wanted</i> hits home by creating a relatable, everyday world even as darkness creeps in from the shadows, until both characters and <a href="http://www.movieretriever.com/blog/627/interview-with-mike-manasseri-director-of-babysitter-wanted
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 10 Mar 2010 12:13:52 -0500</pubDate>
<link>http://www.movieretriever.com/blog/627/interview-with-mike-manasseri-director-of-babysitter-wanted
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<title>Movie Review: Alice in Wonderland
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<b>Mar 09, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/17701/Tim-Burton">Tim Burton</a>’s <i><a href="http://www.movieretriever.com/movies/1703349/Alice%20in%20Wonderland">Alice in Wonderland</a></i> is less an adaptation of the beloved Lewis Carroll classic than it is a pseudo-sequel. That’s not to say that it doesn’t follow the original’s storyline, it’s echoed throughout the movie. The film’s characters have an unmistakable Burton flair and are initially a treat. But there is no sense of wonderment. While the story of Alice was always a bit on the dark side, there’s nothing whimsical at all about Burton’s film (and yes, you can be dark and whimsical at the same time – Burton has <a href="http://www.movieretriever.com/blog/626/movie-review-alice-in-wonderland
/1703349">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 09 Mar 2010 17:07:28 -0500</pubDate>
<link>http://www.movieretriever.com/blog/626/movie-review-alice-in-wonderland
/1703349</link>
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<title>Interview with the Cast &amp; Director of The Boondock Saints
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<b>Mar 09, 2010 </b></td>
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<p>
First, just a little personal background: I was always a big fan of <i><a href="http://www.movieretriever.com/movies/1684305/Boondock-Saints">Boondock Saints</a>,</i> ever since I first saw it in my friend's basement. It immediately caught on with my group of friends. We rented it, having never heard of it (as I’m sure many fans did). We watched it over and over, then went back and bought copies, started loaning them to friends, and were soon surrounded by people we knew who had seen it, tossing around quotes and referring to scenes. A cult of <i>Boondock Saints</i> fans if you will.







While <a href="http://www.movieretriever.com/blog/625/interview-with-the-cast--director-of-the-boondock-saints
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 09 Mar 2010 11:01:39 -0500</pubDate>
<link>http://www.movieretriever.com/blog/625/interview-with-the-cast--director-of-the-boondock-saints
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<title>Movie Review: Brooklyn's Finest
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<b>Mar 05, 2010 </b></td>
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<p>
The preview for <a href="http://www.movieretriever.com/movies/1702934/Brooklyn%27s-Finest"><i>Brooklyn's Finest</i></a> is one of the best I've seen in a long time, proving that well-cut footage of intriguing actors like <a href="http://www.movieretriever.com/castandcredits/32960/Don-Cheadle">Don Cheadle</a> and <a href="http://www.movieretriever.com/castandcredits/3619/Ethan-Hawke">Ethan Hawke</a> set to &quot;Run This Town&quot; by Jay-Z can make anything look good because, to be blunt, the movie is a mess. The preview is everything the film is not – tightly cut, intriguing, action-packed, entertaining. <a href="http://www.movieretriever.com/castandcredits/61694/Antoine-Fuqua">Antoine Fuqua</a>'s film feels like a grittier NYC version of <a href="http://www.movieretriever.com/movies/1693001/The-Departed"><i>The Departed</i></a> but it mistakes the action of that film and its tale of undercover <a href="http://www.movieretriever.com/blog/624/movie-review-brooklyns-finest
/1702934">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Mar 2010 10:28:56 -0500</pubDate>
<link>http://www.movieretriever.com/blog/624/movie-review-brooklyns-finest
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<title>Movie Review: A Prophet
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<b>Mar 05, 2010 </b></td>
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<p>
No film has ever documented the transformation a man goes through from a simple thug to a notorious criminal in the same naturalistic, riveting detail as the ridiculously good <i><a href="http://www.movieretriever.com/movies/1701794/A-Prophet">A Prophet</a>,</i> the multiple award-winning Oscar nominee for Best Foreign Language Film. The film has finally made it to American shores after winning numerous awards overseas, including Best Picture along with most of the other Cesar Awards, the French equivalent of the Oscar, along with the Grand Prix at the Cannes Film Festival. You may think that the deafening buzz surrounding the film could <a href="http://www.movieretriever.com/blog/623/movie-review-a-prophet
/1701794">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Mar 2010 09:25:10 -0500</pubDate>
<link>http://www.movieretriever.com/blog/623/movie-review-a-prophet
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<title>Who Will Win (and Who Should Win) at the 2010 Oscars
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<b>Mar 03, 2010 </b></td>
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<p>
Something about this Oscar season has officially turned me off the Academy Awards. It's not that the Oscars were ever all that important but does anyone remember when they used to be more fun? With all the drama about inappropriate emails and campaign violations, something about this year has just left me feeling dirty and uninspired by the whole event. The acting categories are remarkably predictable, as are most of the technical ones. I'm really only going to wake up during the screenplay awards, as those are as up in the air (no pun <a href="http://www.movieretriever.com/blog/622/who-will-win-and-who-should-win-at-the-2010-oscars
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 03 Mar 2010 12:14:15 -0500</pubDate>
<link>http://www.movieretriever.com/blog/622/who-will-win-and-who-should-win-at-the-2010-oscars
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<title>Celebrating Michigan’s Finest Filmmakers: The First Annual Detroit Independent Film Festival
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<b>Mar 01, 2010 </b></td>
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<p>
Detroit, MI – Mobsters, zombies, and beer, oh my! From horror movies to romantic comedies to independent art-house films, the First Annual Detroit Independent Film Festival (DIFF) offers thrilling entertainment for every movie fan. In celebration of Michigan’s outstanding filmmaking talent, the festival features over 80 films at Detroit’s Burton Theatre and Wayne State Theatre from March 2 through March 7, 2010. The DIFF will also host the First Annual Michigan Film Awards, with a ceremony that honors the very best Michigan shorts, features, and performances of 2009.







In support of Michigan’s burgeoning film industry, <a href="http://www.movieretriever.com/blog/620/celebrating-michigan&acirc;s-finest-filmmakers-the-first-annual-detroit-independent-film-festival
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 01 Mar 2010 16:03:12 -0500</pubDate>
<link>http://www.movieretriever.com/blog/620/celebrating-michigan&amp;acirc;s-finest-filmmakers-the-first-annual-detroit-independent-film-festival
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<title>Movie Review: The Crazies
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<b>Feb 26, 2010 </b></td>
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<p>
Perhaps the universal identification with <a href="http://www.movieretriever.com/castandcredits/14973/Romero-George-A.">George A. Romero</a>'s basic career conceit that we should never trust our neighbor or even our loved ones have made his films easier to remake but it's happened again: Just as <a href="http://www.movieretriever.com/castandcredits/87688/Snyder-Zack">Zack Snyder</a> did with his excellent <i><a href="http://www.movieretriever.com/movies/1687803/Dawn-of-the-Dead">Dawn of the Dead</a>,</i> <a href="http://www.movieretriever.com/castandcredits/85125/Breck-Eisner">Breck Eisner</a> has taken a Romero film and proven that redoing a horror film for a new generation isn't always a bad idea. Unlike so many of our modern remakes of 1970s and 1980s films, Eisner keeps it simple, refusing to bastardize the intentions <a href="http://www.movieretriever.com/blog/619/movie-review-the-crazies
/1701469">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Feb 2010 12:56:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/619/movie-review-the-crazies
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<title>Movie Review: Cop Out
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<b>Feb 26, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/50664/Kevin-Smith">Kevin Smith</a> recently made headlines for being kicked off a Southwest Airlines flight because he was reportedly too hefty to fit in one seat. Having met Smith not that long ago, I was surprised that he had put on that much weight since I last saw him to the point that he needed two chairs. Now that I've seen his first film as a director that he didn't write, you can call me a conspiracy theorist but I'm not positive that it was his girth that got him booted. Perhaps the pilot or <a href="http://www.movieretriever.com/blog/618/movie-review-cop-out
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Feb 2010 07:54:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/618/movie-review-cop-out
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<title>The Top 10 Actors Overdue for an Oscar</title>
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<b>Feb 25, 2010 </b></td>
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<p>What do <a href="http://www.movieretriever.com/castandcredits/110/Pacino-Al">Al Pacino</a> in <i><a href="http://www.movieretriever.com/movies/1085763/Scent-of-a-Woman">Scent of a Woman</a>,</i> <a href="http://www.movieretriever.com/castandcredits/9800/Newman-Paul">Paul Newman</a> in <i><a href="http://www.movieretriever.com/movies/904970/The-Color-of-Money">The Color of Money</a>,</i> or even <a href="http://www.movieretriever.com/castandcredits/50120/Winslet-Kate">Kate Winslet</a> in <a href="http://www.movieretriever.com/movies/1699487/The-Reader"><i>The Reader</i></a> have in common? They all won Oscars for performances that very few people would call their absolute best. They could probably be called &quot;career achievement&quot; Oscars or merely “overdue” but it seems like the Academy has been making up for past sins in recent years by finally getting people like <a href="http://www.movieretriever.com/castandcredits/14610/Scorsese-Martin">Martin Scorsese</a> and Winslet their statues and it looks likely to happen again this <a href="http://www.movieretriever.com/blog/617/the-top-10-actors-overdue-for-an-oscar">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Feb 2010 21:14:19 -0500</pubDate>
<link>http://www.movieretriever.com/blog/617/the-top-10-actors-overdue-for-an-oscar</link>
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<title>Movie Review: Creation
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<b>Feb 19, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/18277/Jon-Amiel">Jon Amiel</a>'s <a href="http://www.movieretriever.com/movies/1703091/Creation"><i>Creation</i></a> must have looked great on paper: Excellent actor <a href="http://www.movieretriever.com/castandcredits/61046/Paul-Bettany">Paul Bettany</a> and Academy Award-winning co-star <a href="http://www.movieretriever.com/castandcredits/5772/Jennifer-Connelly">Jennifer Connelly</a> in the story of a revolutionary thought that still creates controversy all these decades later. When Charles Darwin fully developed the concepts of natural selection and evolution, it forever changed a world that had been held together largely by the belief that we were all part of a higher plan and created as the human species we know now by a celestial power. The debate over the validity of evolution within <a href="http://www.movieretriever.com/blog/612/movie-review-creation
/1703091">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Feb 2010 08:34:01 -0500</pubDate>
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<title>Movie Review: Shutter Island
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<b>Feb 19, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/14610/Martin-Scorsese">Martin Scorsese</a>'s <a href="http://www.movieretriever.com/movies/1702540/Shutter-Island"><i>Shutter Island</i></a> is a dizzying trip through a cinematic funhouse managed by one of the best filmmakers of all time fully employing his most talented collaborators. One of the most technically accomplished films of the last several years, <i>Shutter Island</i> is a riveting thriller, the kind that gets under your skin and stays there for a few days. Some have already written it off as nothing more than a technical exercise – a critical argument that I think is wrong for two reasons. First, if you can't give credit to <a href="http://www.movieretriever.com/blog/610/movie-review-shutter-island
/1701685">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Feb 2010 07:41:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/610/movie-review-shutter-island
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<title>The Ten Best Martin Scorsese Films
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<b>Feb 18, 2010 </b></td>
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<p>
With the brilliant <a href="http://www.movieretriever.com/movies/1702540/Shutter-Island"><i>Shutter Island</i></a> opening tomorrow (come back for a review then), many critics have looked back over the four-decade career of arguably the best living filmmaker, <a href="http://www.movieretriever.com/castandcredits/14610/Martin-Scorsese">Martin Scorsese</a>. Who are we to stay out of the discussion? More than nearly any of his peers, it's actually difficult to whittle his films down to the ten best. And then to rank them? It's tough.







What's most remarkable about Scorsese's work is that he has no dry period like so many of his peers. On the list below, you'll find films from the <a href="http://www.movieretriever.com/blog/608/the-ten-best-martin-scorsese-films
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 18 Feb 2010 13:24:13 -0500</pubDate>
<link>http://www.movieretriever.com/blog/608/the-ten-best-martin-scorsese-films
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<title>Your Guide to the Oscar Nominated Short Films of 2010
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<b>Feb 17, 2010 </b></td>
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Magnolia Pictures and Shorts International continue their wonderful annual tradition of taking the ten films nominated for the Oscar for Short Film: Live Action &amp; Animation and presenting them in a pair of theatrical releases (visit the program’s website here: <a href="http://www.shortshd.com/theoscarshorts/" target="_blank">http://www.shortshd.com/theoscarshorts/</a>). The lineup is about to open at the Landmark Century in Chicago along with theaters in New York and Los Angeles and will be expanding throughout the country in coming weeks. The shorts are also currently available on iTunes in the U.S., U.K., and Canada. Find a way to see them. <a href="http://www.movieretriever.com/blog/607/your-guide-to-the-oscar-nominated-short-films-of-2010
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 17 Feb 2010 11:24:08 -0500</pubDate>
<link>http://www.movieretriever.com/blog/607/your-guide-to-the-oscar-nominated-short-films-of-2010
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<title>Movie Review: The Wolfman
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<b>Feb 12, 2010 </b></td>
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<p>
The long-delayed remake of <a href="http://www.movieretriever.com/movies/1700810/The%20Wolfman"><i>The Wolfman</i></a> has elements that work – a strong supporting cast, a few striking visual compositions, at least one must-see sequence – but it just misses its mark as a complete film, ultimately coming off not nearly as compelling or entertaining as many hoped it would be from the minute its production was announced. On paper, <i>The Wolfman</i> is a genre fan's wet dream, a shot of old-fashioned horror from a director (<a href="http://www.movieretriever.com/castandcredits/18295/Joe-Johnston">Joe Johnston</a>) who has done his best work in throwback films like <a href="http://www.movieretriever.com/movies/1075410/The-Rocketeer"><i>The Rocketeer</i></a> or <a href="http://www.movieretriever.com/blog/606/movie-review-the-wolfman
/1700810">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Feb 2010 11:23:31 -0500</pubDate>
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<title>Movie Review: Percy Jackson and the Olympians: The Lightning Thief
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<b>Feb 12, 2010 </b></td>
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<p>
The horribly-titled <a href="http://www.movieretriever.com/movies/1703378/Percy%20Jackson%20&amp;%20the%20Olympians:%20The%20Lightning%20Thief"><i>Percy Jackson and the Olympians: The Lightning Thief</i></a> follows in the footsteps of years of films trying to become the next <i>Harry Potter</i> franchise and, comparably, makes out much better than disasters like <a href="http://www.movieretriever.com/movies/1693103/Eragon"><i>Eragon</i></a> or <i><a href="http://www.movieretriever.com/movies/1696204/The-Seeker:-The-Dark-Is-Rising">The Seeker: The Dark is Rising</a>,</i> but that's faint praise indeed. There are elements of this cluttered fantasy film that work but they're mostly due to the overall talent of the young cast and the strength of a few of the ideas from the source material. So, yes, once again <a href="http://www.movieretriever.com/castandcredits/16841/Chris-Columbus">Chris Columbus</a> has <a href="http://www.movieretriever.com/blog/605/movie-review-percy-jackson-and-the-olympians-the-lightning-thief
/1703378">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Feb 2010 11:07:50 -0500</pubDate>
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<title>Movie Review: Valentine's Day
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<b>Feb 12, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/14868/Garry-Marshall">Garry Marshall</a>'s <a href="http://www.movieretriever.com/movies/1703387/Valentine%27s-Day"><i>Valentine's Day</i></a> could have worked one of two ways. The comedy director could have fully embraced the ridiculousness of his everything-and-the-candy-heart structure and winkingly acknowledged one of the most cliché-laden scripts of all time. If the film had embraced the ridiculousness of it all and overplayed the romance, <i>Valentine's Day</i> could have been cheesy fun. The other way, of course, would have been to actually try and make a Robert Altman-esque ensemble piece about the realistic pitfalls of modern romance – a much harder task and something that became less <a href="http://www.movieretriever.com/blog/604/movie-review-valentines-day
/1703387">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Feb 2010 09:56:32 -0500</pubDate>
<link>http://www.movieretriever.com/blog/604/movie-review-valentines-day
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<title>The Ten Best Movies of 2010 – That's Right, 2010!
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<b>Feb 10, 2010 </b></td>
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<p>
While everyone else is still arguing over whether <i><a href="http://www.movieretriever.com/movies/1702485/The-Hurt-Locker">The Hurt Locker</a>, <a href="http://www.movieretriever.com/movies/1701644/Avatar">Avatar</a>, <a href="http://www.movieretriever.com/movies/1702921/Up-in-the-Air">Up in the Air</a>, <a href="http://www.movieretriever.com/movies/1702944/The-Twilight-Saga:-New-Moon">The Twilight Saga: New Moon</a>,</i> or some other choice is the best film of 2009, we're looking forward to what we expect to be talking about in eleven to twelve months – what are the best movies of 2010? We can't guarantee you what's going to be the most Oscar-nominated film of 2010 but we can guarantee you one thing – of our 20 most anticipated films below at least one will suck <i>Amelia</i>-style <a href="http://www.movieretriever.com/blog/603/the-ten-best-movies-of-2010-&acirc;-thats-right-2010
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 10 Feb 2010 15:43:52 -0500</pubDate>
<link>http://www.movieretriever.com/blog/603/the-ten-best-movies-of-2010-&amp;acirc;-thats-right-2010
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<title>Movie Review: Dear John
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<b>Feb 05, 2010 </b></td>
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<p>
If you enter the theater with a healthy combination of low expectations and an open mind, <i><a href="http://www.movieretriever.com/movies/1703357/Dear-John">Dear John</a>,</i> the latest <a href="http://www.movieretriever.com/castandcredits/112552/Sparks-Nicholas">Nicholas Sparks</a> adaptation, is a sweet, enjoyable, and relevant film. On leave from the army, John Tyree (<a href="http://www.movieretriever.com/castandcredits/90992/Channing-Tatum">Channing Tatum</a>) meets Savannah Curtis (<a href="http://www.movieretriever.com/castandcredits/87795/Amanda-Seyfried">Amanda Seyfried</a>), a college student on spring break. They fall in love, but have only two weeks to spend together before he returns to duty. He promises her that he’ll be back for good after a year and their relationship develops through a series of letters as he <a href="http://www.movieretriever.com/blog/601/movie-review-dear-john
/1703357">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Feb 2010 14:44:43 -0500</pubDate>
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<title>Movie Review: Fish Tank
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<b>Feb 05, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/movies/1703852/Fish-Tank"><i>Fish Tank</i></a> is about a girl with so little light or potential for escape in her life that she transforms at even the hint of a feeling she has no idea how to handle – happiness. With a striking, powerful debut from newcomer <a href="http://www.movieretriever.com/castandcredits/113483/Katie-Jarvis">Katie Jarvis</a>, <a href="http://www.movieretriever.com/castandcredits/98609/Andrea-Arnold">Andrea Arnold</a>'s sophomore feature (she debuted with the equally remarkable <i><a href="http://www.movieretriever.com/movies/1696053/Red-Road">Red Road</a>, </i>which is a must-see if you have yet to do so) transcends traditional realism to become something more poetic. In a time when the rise of the female director seems to be the <a href="http://www.movieretriever.com/blog/599/movie-review-fish-tank
/1703852">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Feb 2010 13:07:12 -0500</pubDate>
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<title>Movie Review: The Last Station
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<b>Feb 05, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/17310/Michael-Hoffman">Michael Hoffman</a>'s <a href="http://www.movieretriever.com/movies/1703794/The-Last-Station"><i>The Last Station</i></a> is a period dramedy with individual elements that undeniably work but that never gels into a complete film. It's so cluttered with characters and ideas that it's impossible to wrap your head or heart around the proceedings. There are good performances in the piece, two of which have been nominated for an Academy Award, and the film is technically accomplished, but it's a movie with an identity crisis as problematic as that of its lead character, Leo Tolstoy (<a href="http://www.movieretriever.com/castandcredits/13315/Christopher-Plummer">Christopher Plummer</a>, scoring his first Oscar nod for <a href="http://www.movieretriever.com/blog/598/movie-review-the-last-station
/1703794">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Feb 2010 12:47:38 -0500</pubDate>
<link>http://www.movieretriever.com/blog/598/movie-review-the-last-station
/1703794</link>
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<title>Movie Review: District 13: Ultimatum
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<b>Feb 05, 2010 </b></td>
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<p>
The original <a href="http://www.movieretriever.com/movies/1692969/District-B13-"><i>District B13</i></a> (2004) was an adrenalin-fueled martial arts orgy that became a worldwide cult hit. The main question surrounding its sequel, <a href="http://www.movieretriever.com/movies/1703851/District-13:-Ultimatum"><i>District 13: Ultimatum</i></a> is essentially what took so long? Unlike a lot of sequels, this franchise has lost no momentum at all in its second installment. The main players are back including the two incredibly charismatic stars and writer <a href="http://www.movieretriever.com/castandcredits/14743/Luc-Besson">Luc Besson</a> and the result is an equally enjoyable thrill ride with some of the best martial arts and parkour sequences that you're likely to see all year. The <a href="http://www.movieretriever.com/blog/597/movie-review-district-13-ultimatum
/1703851">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Feb 2010 12:28:18 -0500</pubDate>
<link>http://www.movieretriever.com/blog/597/movie-review-district-13-ultimatum
/1703851</link>
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<title>Movie Review: Frozen
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<b>Feb 05, 2010 </b></td>
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<p>
I imagine <a href="http://www.movieretriever.com/castandcredits/113458/Adam-Green">Adam Green</a>'s highly buzzed <a href="http://www.movieretriever.com/movies/1703853/Frozen"><i>Frozen</i></a> might have played more effectively when it unspooled at the Sundance Film Festival in Park City, Utah at the base of a mountain not unlike the one that basically serves as the villain in this &quot;<a href="http://www.movieretriever.com/movies/1688056/Open-Water"><i>Open Water</i></a> on a chairlift.&quot; Who says there are no new ideas in the world of horror? Give Green (director of the cult hit <i>Hatchet</i>) credit for at least half-realizing a new arena for chills and spills, but <i>Frozen</i> is a flawed short film stretched to the breaking point <a href="http://www.movieretriever.com/blog/595/movie-review-frozen
/1703853">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Feb 2010 12:01:55 -0500</pubDate>
<link>http://www.movieretriever.com/blog/595/movie-review-frozen
/1703853</link>
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<title>Interview with Michael Hoffman, Writer/Director of The Last Station</title>
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<b>Feb 04, 2010 </b></td>
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<p>When the Oscar nominees were announced earlier this week, you had probably heard of a few little movies like <i><a href="http://www.movieretriever.com/movies/1701644/Avatar">Avatar</a>, <a href="http://www.movieretriever.com/movies/1702932/The-Blind-Side">The Blind Side</a>,</i> and <i><a href="http://www.movieretriever.com/movies/1701653/District-9-">District 9</a>,</i> but it’s pretty safe to say that one of the more unheralded nominees came from a little film called <i><a href="http://www.movieretriever.com/movies/1703794/The-Last-Station">The Last Station</a>.</i> Both lead actress <a href="http://www.movieretriever.com/castandcredits/4805/Helen-Mirren">Helen Mirren</a> and supporting actor <a href="http://www.movieretriever.com/castandcredits/13315/Christopher-Plummer">Christopher Plummer</a> were nominated, the latter for the first time in his remarkable career (which is just amazing when one considers what he has done in his fifty-plus years in Hollywood).</p>In the <a href="http://www.movieretriever.com/blog/594/interview-with-michael-hoffman-writer/director-of-the-last-station">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 04 Feb 2010 16:19:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/594/interview-with-michael-hoffman-writer/director-of-the-last-station</link>
<guid>http://www.movieretriever.com/blog/594/interview-with-michael-hoffman-writer/director-of-the-last-station</guid>
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<title>Movie Review: When in Rome
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<b>Feb 04, 2010 </b></td>
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<p>
<i>When in Rome</i> is the cinematic equivalent of gorging yourself with a bag of candy. At first it seems tasty, pleasurable even, and goes down easily enough. But then things start to turn and you start to feel worse with every bite until you’re sick to your stomach. Ultimately, you find yourself wondering why you picked up the bag in the first place. <i>When in Rome</i> is exactly like that. What could have been a throwaway and perhaps mildly entertaining romantic comedy is instead a tedious and plodding film that has zero charm and <a href="http://www.movieretriever.com/blog/593/movie-review-when-in-rome
/1701493">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 04 Feb 2010 15:31:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/593/movie-review-when-in-rome
/1701493</link>
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<title>The 82nd Annual Academy Award Nominations Have Been Announced!
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<b>Feb 02, 2010 </b></td>
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<p>
The 82nd annual Academy Award nominations were announced earlier today (see the clip below for the announcement), and, per usual, there's a couple things that might make you shake your head in disbelief. The thing everyone will be talking about is the expansion of the Best Picture category to 10 films. (See our piece on <a href="http://www.movieretriever.com/blog/388/the-other-5-best-picture-nominees-what-if-the-academy-had-instituted-the-new-10-nominee-rule-in-2000/0">What if the 10 Nominee Rule Had Been Adopted Back in 2000?</a> for a look at what films would or should have been nominated in previous years.)

</p>





<p>

It was nice to see <a href="http://www.movieretriever.com/movies/1701653/District-9-"><i>District 9</i></a> get some attention. But, <a href="http://www.movieretriever.com/blog/592/the-82nd-annual-academy-award-nominations-have-been-announced
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 02 Feb 2010 15:21:27 -0500</pubDate>
<link>http://www.movieretriever.com/blog/592/the-82nd-annual-academy-award-nominations-have-been-announced
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<guid>http://www.movieretriever.com/blog/592/the-82nd-annual-academy-award-nominations-have-been-announced
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<title>
Looking Back at James Cameron's Titanic

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<b>Feb 01, 2010 </b></td>
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<p>
By now, you’ve probably been exposed to a lot of conflicting opinions on <a href="http://www.movieretriever.com/castandcredits/16976/Cameron-James">James Cameron</a>’s <i><a href="http://www.movieretriever.com/movies/1701644/Avatar">Avatar</a>.</i> You've probably read more than a few rave reviews and a fair
number of less than flattering ones. You may even have friends divided along those same lines.
This writer, for example, loved the film and totally bought into the
entire spectacle and thoroughly enjoyed the film (heck, no one
does an action movie quite like Cameron), whereas our resident film critic
had quite a different take on the film and thought it a pretty yet
horribly written and shallow piece (of <a href="http://www.movieretriever.com/blog/591/
looking-back-at-james-camerons-titanic

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 01 Feb 2010 11:08:09 -0500</pubDate>
<link>http://www.movieretriever.com/blog/591/
looking-back-at-james-camerons-titanic

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<title>Movie Review: Edge of Darkness
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<b>Jan 29, 2010 </b></td>
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<p>
Well-paced, emotionally complex, and expertly performed, <a href="http://www.movieretriever.com/castandcredits/17265/Martin-Campbell">Martin Campbell</a>'s <a href="http://www.movieretriever.com/movies/1703360/Edge%20of%20Darkness"><i>Edge of Darkness</i></a> is a surprisingly effective film, a stand-out in a month that hasn't exactly started the new decade with an abundance of quality. Featuring not just <a href="http://www.movieretriever.com/castandcredits/8696/Mel-Gibson">Mel Gibson</a>'s first performance in nearly a decade but also one of the best of his entire career, this remake of the award-winning BBC mini-series delivers what fans of the controversial star may be expecting with <a href="http://www.movieretriever.com/movies/1671390/Payback"><i>Payback</i></a> or <a href="http://www.movieretriever.com/movies/1660166/Ransom"><i>Ransom</i></a>-esque bursts of righteous violence, but the true draw of the film is the balancing <a href="http://www.movieretriever.com/blog/590/movie-review-edge-of-darkness
/1703360">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 29 Jan 2010 14:43:12 -0500</pubDate>
<link>http://www.movieretriever.com/blog/590/movie-review-edge-of-darkness
/1703360</link>
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<title>The 20 Best Horror Films of the 2000s
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<b>Jan 25, 2010 </b></td>
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<p>
The past decade in horror makes one sad fact abundantly clear – Americans are falling behind in more than just math class. Most of the truly interesting material in the genre came from overseas. What would you rather sit through? A festival of the four <i>Final Destination</i> and six <i>Saw</i> films produced this decade or one of the French hardcore horror wave (including <i>Inside, Martyrs, Frontier(s), Them, High Tension</i> and more)? If it’s the former, you and I don’t judge horror the same way and you should probably stop reading and move on.







Yes, the <a href="http://www.movieretriever.com/blog/588/the-20-best-horror-films-of-the-2000s
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 25 Jan 2010 12:28:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/588/the-20-best-horror-films-of-the-2000s
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<title>Movie Review: Legion
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<b>Jan 23, 2010 </b></td>
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<p>
Hollywood loves the end of the world. Whether it's a giant meteor, space aliens, or global warming, nothing gets a movie executive more excited than a fresh bold way to completely annihilate human civilization. <a href="http://www.movieretriever.com/movies/1703373/Legion"><i>Legion</i></a> is the low-budget, biblical, bastard child of these films. What it lacks in awe-inspiring special effects and big-name actors it also lacks in horror and suspense. While this Old Testament take on the end of the world, complete with angels and possessed souls, does have a few memorable moments, this new entry into the bloated horror genre is <a href="http://www.movieretriever.com/blog/587/movie-review-legion
/1703373">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 23 Jan 2010 01:08:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/587/movie-review-legion
/1703373</link>
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<title>Movie Review: Extraordinary Measures
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<b>Jan 22, 2010 </b></td>
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<p>
If <a href="http://www.movieretriever.com/movies/1703361/Extraordinary%20Measures"><i>Extraordinary Measures</i></a> were broadcast on CBS back in the heyday of the broadcast network TV movie, it would be a slam dunk; a ratings bonanza that might even get a Golden Globe or Emmy nod or two. But the problem is that CBS Films’ melodrama, the first by the new studio, is not airing with commercial breaks to make the sugary sweet aftertaste easier to stomach. Its flaws are blown up to big screen size and the comfortable emotional predictability that works on the small screen makes for unsatisfying viewing on the <a href="http://www.movieretriever.com/blog/585/movie-review-extraordinary-measures
/1703361">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Jan 2010 07:40:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/585/movie-review-extraordinary-measures
/1703361</link>
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<title>Movie Review: Tooth Fairy
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<b>Jan 22, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/movies/1703385/Tooth%20Fairy"><i>Tooth Fairy</i></a> is the kind of family junk that people often tell me critics take too seriously. “It’s just a kid’s movie!” More than ever, I call foul on that argument. Entertainment aimed at children has arguably never been better with incredible films like <i><a href="http://www.movieretriever.com/movies/1701809/Up">Up</a>, <a href="http://www.movieretriever.com/movies/1700109/Coraline">Coraline</a>, <a href="http://www.movieretriever.com/movies/1702936/The-Fantastic-Mr.--Fox">Fantastic Mr. Fox</a>,</i> and <a href="http://www.movieretriever.com/movies/1701468/Cloudy-with-a-Chance-of-Meatballs"><i>Cloudy with a Chance of Meatballs</i></a> released in the last twelve months. Why should we accept the supposedly inherent flaws of the family film when it’s been so ably proven that we don’t have to? The problem seems to <a href="http://www.movieretriever.com/blog/584/movie-review-tooth-fairy
/1703385">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Jan 2010 07:37:34 -0500</pubDate>
<link>http://www.movieretriever.com/blog/584/movie-review-tooth-fairy
/1703385</link>
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<title>Movie Review: 35 Shots of Rum
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<b>Jan 22, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/18282/Claire-Denis">Claire Denis</a> does not make easy films, even for Francophiles. Her latest highly acclaimed drama, <i><a href="http://www.movieretriever.com/movies/1703796/35--Shots-of-Rum">35 Shots of Rum</a> </i>(or <i>35 rhums</i>), is only now opening around the country after appearing on dozens of top ten lists for those lucky enough to have seen it in 2009. As happens every once in awhile, I’m stunned at how long these things sometimes take to work their way to the American public who might be interested in seeing them. Denis has become one of the more notable foreign directors alive with an incredibly loyal <a href="http://www.movieretriever.com/blog/583/movie-review-35-shots-of-rum
/1703796">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Jan 2010 07:34:29 -0500</pubDate>
<link>http://www.movieretriever.com/blog/583/movie-review-35-shots-of-rum
/1703796</link>
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<title>Movie Review: 7 Days
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<b>Jan 22, 2010 </b></td>
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<p>
Torture porn is not just for American audiences any more. If you’ve been wondering why there aren’t more <a href="http://www.movieretriever.com/movies/1691936/Hostel"><i>Hostel</i></a> sequels and longing for the days when there was a brutal horror flick like <a href="http://www.movieretriever.com/movies/1691383/Wolf-Creek"><i>Wolf Creek</i></a> in theaters nearly every week, Sundance Selects has a gratuitously grotesque slice of absolute torture for you now available, as the French Canadian <i>7 Days</i> (the French title is <i>Les 7 jours du talion</i>) simultaneously premieres On Demand at the same time as it’s debuting in Park City at the 2010 Sundance Film Festival. Perhaps not quite <a href="http://www.movieretriever.com/blog/582/movie-review-7-days
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Jan 2010 07:32:09 -0500</pubDate>
<link>http://www.movieretriever.com/blog/582/movie-review-7-days
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<title>Interview with Scott Cooper, Director of Crazy Heart
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<b>Jan 21, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/5721/Jeff-Bridges">Jeff Bridges</a> has been tearing up the awards season, taking home another trophy this week as he won the Golden Globe for Best Actor. He’s clearly the frontrunner to finally win an Oscar for his amazing work as Bad Blake in <a href="http://www.movieretriever.com/castandcredits/95235/Scott-Cooper">Scott Cooper</a>’s <i><a href="http://www.movieretriever.com/movies/1704012/Crazy-Heart">Crazy Heart</a>.</i> Cooper’s film started as a biography of Merle Haggard but became an adaptation of a story about an over-the-hill, alcoholic country singer trying to find happiness and maybe a bit of redemption before it’s too late.







Cooper’s directorial debut is one of the most assured of 2009 <a href="http://www.movieretriever.com/blog/581/interview-with-scott-cooper-director-of-crazy-heart
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 21 Jan 2010 10:22:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/581/interview-with-scott-cooper-director-of-crazy-heart
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<title>The 2010 Golden Globe Winners!
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<b>Jan 18, 2010 </b></td>
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<p>
The 67th Annual Golden Globe Awards have been awarded and it was <a href="http://www.movieretriever.com/castandcredits/16976/Cameron-James">James Cameron</a> and <a href="http://www.movieretriever.com/movies/1701644/Avatar"><i>Avatar</i></a> pulling the big upset and taking home the trophies over the heavily favored <a href="http://www.movieretriever.com/movies/1702485/The-Hurt-Locker"><i>The Hurt Locker</i></a> and director <a href="http://www.movieretriever.com/castandcredits/17139/Kathryn-Bigelow">Kathryn Bigelow</a>. In our opinion, <a href="http://www.movieretriever.com/castandcredits/92455/Gervais-Ricky">Ricky Gervais</a> did a pretty good job as host this year (though we’d watch anything he was involved in, heck we even liked <a href="http://www.movieretriever.com/movies/1701428/The-Invention-of-Lying"><i>The Invention of Lying</i></a> despite the lukewarm reviews it received).







While we’re big nerd boy fans of Cameron and <i>Avatar, The Hurt Locker</i> is definitely one of <a href="http://www.movieretriever.com/blog/579/the-2010-golden-globe-winners
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 18 Jan 2010 14:02:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/579/the-2010-golden-globe-winners
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<title>Movie Review: The Lovely Bones
</title>
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<b>Jan 15, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/26901/Peter-Jackson">Peter Jackson</a>’s <a href="http://www.movieretriever.com/movies/1701678/The-Lovely-Bones"><i>The Lovely Bones</i></a> is at once both one of the most conceptually daring films of 2009 and one of its biggest train wrecks. Filled with complex concepts and emotional risks but also with incredibly misguided decisions that dramatically rupture the entire film by the final act, it is likely to become a divisive work, one that a select few embrace but most mock or merely forget. For every element of <i>The Lovely Bones</i> that works there is at least one that does not and the artistic give-and-take nature of the <a href="http://www.movieretriever.com/blog/578/movie-review-the-lovely-bones
/1701678">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 Jan 2010 09:00:20 -0500</pubDate>
<link>http://www.movieretriever.com/blog/578/movie-review-the-lovely-bones
/1701678</link>
<guid>http://www.movieretriever.com/blog/578/movie-review-the-lovely-bones
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<title>Movie Review: The White Ribbon
</title>
<description><![CDATA[
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<b>Jan 15, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/64991/Michael-Haneke">Michael Haneke</a> continues to prove his reputation as one of our era’s more intriguing filmmakers with another dark, insightful masterpiece about the human ability to deceive. He has reportedly claimed that his amazing <a href="http://www.movieretriever.com/movies/1701791/The-White-Ribbon"><i>The White Ribbon</i></a> is about the rise of any kind of terrorism but there is a clear through line between the action of the film and the rise of the Nazi party during World War II. Having said that, this is not an overtly political piece. The rise of evil is merely the backdrop of a personal, human story <a href="http://www.movieretriever.com/blog/577/movie-review-the-white-ribbon
/1701791">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 15 Jan 2010 08:23:59 -0500</pubDate>
<link>http://www.movieretriever.com/blog/577/movie-review-the-white-ribbon
/1701791</link>
<guid>http://www.movieretriever.com/blog/577/movie-review-the-white-ribbon
</guid>
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<item>
<title>The 50 Best Films of the 2000s
</title>
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<b>Jan 12, 2010 </b></td>
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<p>
Recapping an entire decade is an amazingly daunting task, the kind of endeavor that really makes a critic take account of what he values in film. Looking over the last ten years of movies and the thousands of reviews I have written, I realized a few things about what I view as important when it comes to truly great films. I said a few years ago that the movies I value the most are the ones that make me forget about the review I need to write; the ones that transport me away from <a href="http://www.movieretriever.com/blog/574/the-50-best-films-of-the-2000s
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Tue, 12 Jan 2010 14:47:31 -0500</pubDate>
<link>http://www.movieretriever.com/blog/574/the-50-best-films-of-the-2000s
</link>
<guid>http://www.movieretriever.com/blog/574/the-50-best-films-of-the-2000s
</guid>
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<item>
<title>Movie Review: Youth in Revolt
</title>
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<b>Jan 08, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/62066/Miguel-Arteta">Miguel Arteta</a>'s <a href="http://www.movieretriever.com/movies/1700119/Youth%20in%20Revolt"><i>Youth in Revolt</i></a> is a surprisingly charming and eccentric comedy, a riff on common themes in the world of the teenage romantic comedies but done so with a unique, entertaining style. Simply put, <i>Youth in Revolt</i> is funny. It's not life-changing but it never intends to be. It's a fun slice of teenage life, when love is something for which we will turn our worlds upside down and when just a kiss can change your whole viewpoint. Sometimes overly aware of its own cleverness and overcrowded with characters and subplots, <a href="http://www.movieretriever.com/blog/573/movie-review-youth-in-revolt
/1700119">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 08 Jan 2010 00:10:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/573/movie-review-youth-in-revolt
/1700119</link>
<guid>http://www.movieretriever.com/blog/573/movie-review-youth-in-revolt
</guid>
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<item>
<title>Movie Review: Daybreakers
</title>
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<b>Jan 08, 2010 </b></td>
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<p>
There is so little originality in the world of horror that when something as unique as <a href="http://www.movieretriever.com/movies/1701470/Daybreakers"><i>Daybreakers</i></a>
comes along, it's tempting to embrace it with open arms. I expect that
hardcore horror nuts will love this film the way that sci-fi junkies
bow at the altar of a unique work like <i><a href="http://www.movieretriever.com/movies/1683825/Equilibrium">Equilibrium</a>.</i> With genres that are so often based on previous films or other source material, seeing something brand new is rare enough to allow viewers to dismiss all flaws and proclaim greatness. The original concept of <i>Daybreakers</i> is clever enough and the execution stylish <a href="http://www.movieretriever.com/blog/572/movie-review-daybreakers
/1701470">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 08 Jan 2010 00:10:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/572/movie-review-daybreakers
/1701470</link>
<guid>http://www.movieretriever.com/blog/572/movie-review-daybreakers
</guid>
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<item>
<title>Movie Review: The Imaginarium of Doctor Parnassus
</title>
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<b>Jan 08, 2010 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/12167/Terry-Gilliam">Terry Gilliam</a>'s controversial <a href="http://www.movieretriever.com/movies/1703095/The-Imaginarium-of-Doctor-Parnassus"><i>The Imaginarium of Doctor Parnassus</i></a> has grabbed headlines as &quot;<a href="http://www.movieretriever.com/castandcredits/65893/Heath-Ledger">Heath Ledger</a>'s final film,&quot; but it's actually just as notable as something close to a return to form for the great director of such classics as <a href="http://www.movieretriever.com/movies/871720/Brazil"><i>Brazil</i></a> and <i><a href="http://www.movieretriever.com/movies/1075424/The-Fisher-King">The Fisher King</a>.</i> Now, it's certainly nowhere near as accomplished a film as those from Gilliam's peak, but it is much further up the mountain than the very disappointing <a href="http://www.movieretriever.com/movies/1689155/The-Brothers-Grimm"><i>The Brothers Grimm</i></a> or the abysmal <i><a href="http://www.movieretriever.com/movies/1693198/Tideland">Tideland</a>.</i> It is certainly disheartening to have to wave goodbye to one <a href="http://www.movieretriever.com/blog/571/movie-review-the-imaginarium-of-doctor-parnassus
/1703095">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 08 Jan 2010 00:10:25 -0500</pubDate>
<link>http://www.movieretriever.com/blog/571/movie-review-the-imaginarium-of-doctor-parnassus
/1703095</link>
<guid>http://www.movieretriever.com/blog/571/movie-review-the-imaginarium-of-doctor-parnassus
</guid>
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<title>Movie Review: The Loss of a Teardrop Diamond
</title>
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<b>Jan 08, 2010 </b></td>
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<td>
<p>
<a href="http://www.movieretriever.com/castandcredits/82006/Markell-Jodie">Jodie Markell</a>'s <i>The Loss of a Teardrop Diamond</i> unearths a long-buried <a href="http://www.movieretriever.com/castandcredits/19034/Williams-Tennessee">Tennessee Williams</a> screenplay and, while most of the major players appear to do their best, the conventional, dull script is actually the weakest element of the production, proving that perhaps it was buried for a reason. Lead actress <a href="http://www.movieretriever.com/castandcredits/87849/Howard-Bryce-Dallas">Bryce Dallas Howard</a> takes on what she clearly viewed as her most challenging role to date but never comes to terms with the fact that this is an underdeveloped, uninteresting character in a story far too reminiscent of vastly superior Williams' works. <a href="http://www.movieretriever.com/blog/570/movie-review-the-loss-of-a-teardrop-diamond
/1704528">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 08 Jan 2010 00:10:18 -0500</pubDate>
<link>http://www.movieretriever.com/blog/570/movie-review-the-loss-of-a-teardrop-diamond
/1704528</link>
<guid>http://www.movieretriever.com/blog/570/movie-review-the-loss-of-a-teardrop-diamond
</guid>
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<title>Interview with Michael Cera and Portia Doubleday, stars of Youth in Revolt
</title>
<description><![CDATA[
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<b>Jan 06, 2010 </b></td>
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<td>
<p>
<a href="http://www.movieretriever.com/castandcredits/82760/Michael-Cera">Michael Cera</a> returned to the interview chair near the end of 2009 to discuss his upcoming <i><a href="http://www.movieretriever.com/movies/1700119/Youth-in-Revolt">Youth in Revolt</a>,</i> a comedy about a young man so desperately in love that he develops a &quot;bad boy&quot; personality to win the heart of the girl he desires. He also brought the girl, the lovely <a href="http://www.movieretriever.com/castandcredits/106939/Portia-Doubleday">Portia Doubleday</a>, making her debut in the <a href="http://www.movieretriever.com/castandcredits/62066/Miguel-Arteta">Miguel Arteta</a> film. <i>Youth in Revolt</i> is a clever comedy that plays perfectly to Cera's strengths, resulting in his best performance to date. After several delays, the film was finally shuffled <a href="http://www.movieretriever.com/blog/565/interview-with-michael-cera-and-portia-doubleday-stars-of-youth-in-revolt
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 06 Jan 2010 23:11:15 -0500</pubDate>
<link>http://www.movieretriever.com/blog/565/interview-with-michael-cera-and-portia-doubleday-stars-of-youth-in-revolt
</link>
<guid>http://www.movieretriever.com/blog/565/interview-with-michael-cera-and-portia-doubleday-stars-of-youth-in-revolt
</guid>
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<title>The Ten Worst Films of 2009
</title>
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<b>Dec 30, 2009 </b></td>
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<p>
We've covered the best of the year and now it's time to flip the coin and look at the dirty underside of film in 2009. Of course, it's easy to point fingers at the disappointing major sequels of the summer (nearly all of which fell below their predecessor in terms of quality) but the Hollywood machine wasn't alone in the production of lackluster product in 2009.

</p>





<p>

Bad movies can come from anywhere and at any time. This year’s top ten includes some regulars but also some people who sunk lower than usual in the past <a href="http://www.movieretriever.com/blog/564/the-ten-worst-films-of-2009
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 30 Dec 2009 13:22:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/564/the-ten-worst-films-of-2009
</link>
<guid>http://www.movieretriever.com/blog/564/the-ten-worst-films-of-2009
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<title>The Ten Best Films of 2009
</title>
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<b>Dec 28, 2009 </b></td>
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<p>
Amplified by a slate of &quot;Best of the Decade&quot; pieces (which we'll get to in early 2010), this year's &quot;best of&quot; features seem more overcrowded than ever, but it's human nature to want to rank. When I tell people that I'm a film critic, they almost always ask me what the best movie is I've seen lately or my favorite of all time. As much as we like to try and raise the conversation about film and add to the discussion instead of just giving a film a grade, people are always going to <a href="http://www.movieretriever.com/blog/563/the-ten-best-films-of-2009
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Mon, 28 Dec 2009 12:29:48 -0500</pubDate>
<link>http://www.movieretriever.com/blog/563/the-ten-best-films-of-2009
</link>
<guid>http://www.movieretriever.com/blog/563/the-ten-best-films-of-2009
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<title>Movie Review: Sherlock Holmes
</title>
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<b>Dec 25, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/66165/Guy-Ritchie">Guy Ritchie</a>'s <a href="http://www.movieretriever.com/movies/1702931/Sherlock%20Holmes"><i>Sherlock Holmes</i></a> is a cinematic Big Mac – it tastes fine going down, but only later do you realize that it is completely disposable and forgettable. And don't be surprised if you feel a little bloated. Of course, considering the number of movies that aren't even as tasty as Ronald McDonald's special sauce, it's tempting to recommend a bit of junk food between Christmas and New Year's, but I can't shake the feeling that this blatant attempt at a franchise starter could have been better and, considering the power of <a href="http://www.movieretriever.com/blog/562/movie-review-sherlock-holmes
/1702931">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 25 Dec 2009 09:07:02 -0500</pubDate>
<link>http://www.movieretriever.com/blog/562/movie-review-sherlock-holmes
/1702931</link>
<guid>http://www.movieretriever.com/blog/562/movie-review-sherlock-holmes
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<title>Movie Review: It's Complicated
</title>
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<b>Dec 25, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/47253/Nancy-Meyers">Nancy Meyers</a>' <a href="http://www.movieretriever.com/movies/1702930/It%27s%20Complicated"><i>It's Complicated</i></a> doesn't really live up to its title in that it's a pretty straightforward, uncomplicated romantic comedy enlivened by a spectacular comedy ensemble that elevate a clichéd script into something that works merely by the infectious nature of the good time these talented actors clearly had in making the film. <i>It's Complicated</i> is far from perfect and could have been improved with a few rewrites and a more interesting director, but the ensemble is flawless and there's something to be said for watching actors this extremely talented bringing their <a href="http://www.movieretriever.com/blog/561/movie-review-its-complicated
/1702930">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 25 Dec 2009 09:04:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/561/movie-review-its-complicated
/1702930</link>
<guid>http://www.movieretriever.com/blog/561/movie-review-its-complicated
</guid>
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<title>Movie Review: Nine
</title>
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<b>Dec 25, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/69585/Rob-Marshall">Rob Marshall</a>'s <a href="http://www.movieretriever.com/movies/1700800/Nine"><i>Nine</i></a> is a vibrant, eccentric, unusual slice of musical entertainment. It's a beautifully made film that somehow still feels like the ugly duckling of major musicals in that the lead can't really sing, too much of the supporting cast is interchangeable, and the editing is unnecessarily frenetic, and yet most of these criticisms easily fall away at the pure spectacle of it all. With beautiful settings, gorgeous stars, and lavishly staged numbers, <i>Nine</i> casts a spell that makes critical analysis difficult. Yes, Rob Marshall made a few regrettable decisions in <a href="http://www.movieretriever.com/blog/560/movie-review-nine
/1700800">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 25 Dec 2009 09:01:59 -0500</pubDate>
<link>http://www.movieretriever.com/blog/560/movie-review-nine
/1700800</link>
<guid>http://www.movieretriever.com/blog/560/movie-review-nine
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<title>Movie Review: A Single Man
</title>
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<b>Dec 25, 2009 </b></td>
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<p>
The unbelievable pain that comes with the loss of a loved one has rarely been brought to life with more poetic force than in the excellent <i><a href="http://www.movieretriever.com/movies/1703098/A-Single-Man">A Single Man</a>,</i> a film with several of the best performances of the year and a drama that will resonate powerfully with art house audiences this holiday season and, hopefully, result in a well-deserved Oscar nomination or two in a few weeks. <i>A Single Man</i> is about being paralyzed by emotional pain or intellectual fear so drastically that it makes it impossible to move forward. The main <a href="http://www.movieretriever.com/blog/559/movie-review-a-single-man
/1703098">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 25 Dec 2009 08:59:06 -0500</pubDate>
<link>http://www.movieretriever.com/blog/559/movie-review-a-single-man
/1703098</link>
<guid>http://www.movieretriever.com/blog/559/movie-review-a-single-man
</guid>
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<title>Movie Review: Crazy Heart
</title>
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<b>Dec 25, 2009 </b></td>
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<p>
Is it ever too late to do the right thing? Can you go so far over the hill that no amount of regret or attempts at reconciliation can ever bring you back to the other side? Does that mean you shouldn't even try? These are timeless human questions that have been a part of the fabric of country music since the first musician picked up a guitar and wailed about his sorrows. And they are just one part of the excellent <i>Crazy Heart,</i> an acting showcase for the great <a href="http://www.movieretriever.com/castandcredits/5721/Bridges-Jeff">Jeff Bridges</a> that gets <a href="http://www.movieretriever.com/blog/558/movie-review-crazy-heart
/1704012">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 25 Dec 2009 08:51:43 -0500</pubDate>
<link>http://www.movieretriever.com/blog/558/movie-review-crazy-heart
/1704012</link>
<guid>http://www.movieretriever.com/blog/558/movie-review-crazy-heart
</guid>
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<title>Movie Review: Alvin and the Chipmunks: The Squeakquel

</title>
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<b>Dec 23, 2009 </b></td>
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<p>
Many reviews of<a href="http://www.movieretriever.com/movies/1702924/Alvin%20and%20the%20Chipmunks:%20The%20Squeakquel"> <i>Alvin and the Chipmunks: The Squeakquel</i></a> have been focused on it not being a very good movie, but also maintaining that kids will probably enjoy it (almost as if it being kid friendly automatically makes it a bad movie). Well, to that I say. What of it? Seems to me that the only reason anyone would read a review of this movie would be to find out 1) if it’s safe for their children to see and 2) if their kids are going to have fun watching it. The answer <a href="http://www.movieretriever.com/blog/552/movie-review-alvin-and-the-chipmunks-the-squeakquel

/1702924">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 23 Dec 2009 11:54:45 -0500</pubDate>
<link>http://www.movieretriever.com/blog/552/movie-review-alvin-and-the-chipmunks-the-squeakquel

/1702924</link>
<guid>http://www.movieretriever.com/blog/552/movie-review-alvin-and-the-chipmunks-the-squeakquel

</guid>
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<title>
Nine Holiday Videos from Your Friends at MovieRetriever.com! 

</title>
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<b>Dec 23, 2009 </b></td>
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<p>
Well, it’s that time of year again. You know when we all pretend that we’re all one people regardless of race, creed, or political affiliation and yet – no matter how many times we force ourselves to say “Happy Holidays” – it’s still hard to ignore that 95% of the Western world is swathed in Christmas decorations and the only thing on TV is George Bailey and Rudolph. But, if you forget about the hypocrisy of the season for just a tiny bit, you’ll realize that the holidays aren’t truly about religion or goodwill <a href="http://www.movieretriever.com/blog/551/
nine-holiday-videos-from-your-friends-at-movieretrievercom-

">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 23 Dec 2009 10:46:29 -0500</pubDate>
<link>http://www.movieretriever.com/blog/551/
nine-holiday-videos-from-your-friends-at-movieretrievercom-

</link>
<guid>http://www.movieretriever.com/blog/551/
nine-holiday-videos-from-your-friends-at-movieretrievercom-

</guid>
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<title>The Five Most Awkward Cinematic Office Christmas Parties
</title>
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<b>Dec 22, 2009 </b></td>
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<p>
Ah, Christmas! Tis the season for mistletoe, holly, shopping, and the career-derailing office Holiday party. Between online shopping, giving out Secret Santa presents, and wandering from cubicle to cubicle snagging holiday cookies, not a lot of work is getting done this week across America, and the annual office gathering puts the icing on the anti-productivity cake. Woo hoo! But it’s not always peace on earth and goodwill toward men.







The Holiday party presents so many social landmines. What is it about the office Christmas party? Is it the booze? The relief in making it through <a href="http://www.movieretriever.com/blog/549/the-five-most-awkward-cinematic-office-christmas-parties
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Tue, 22 Dec 2009 12:10:13 -0500</pubDate>
<link>http://www.movieretriever.com/blog/549/the-five-most-awkward-cinematic-office-christmas-parties
</link>
<guid>http://www.movieretriever.com/blog/549/the-five-most-awkward-cinematic-office-christmas-parties
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<title>The 2009 Chicago Film Critics Association Winners
</title>
<description><![CDATA[
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<b>Dec 22, 2009 </b></td>
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<td>
<p>
<i><a href="http://www.movieretriever.com/movies/1702485/The-Hurt-Locker"><i>The Hurt Locker</i></a></i><i>,</i> <a href="http://www.movieretriever.com/castandcredits/17139/Kathryn-Bigelow">Kathryn Bigelow</a>’s incendiary action drama following the lives of the members of a bomb disposal unit stationed in Iraq, was the big winner with the Chicago Film Critics Association in their voting for their 2009 awards. The film swept all five awards that it was nominated for, taking home prizes for Best Picture, Best Director, Best Original Screenplay (for <a href="http://www.movieretriever.com/castandcredits/110140/Mark-Boal">Mark Boal</a>), Best Actor (<a href="http://www.movieretriever.com/castandcredits/82808/Jeremy-Renner">Jeremy Renner</a>) and Best Cinematography (<a href="http://www.movieretriever.com/castandcredits/53943/Barry-Ackroyd">Barry Ackroyd</a>). Among the other multiple winners, the Pixar animated smash <i><a href="http://www.movieretriever.com/movies/1701809/Up">Up</a></i> won for Best Animated Feature <a href="http://www.movieretriever.com/blog/548/the-2009-chicago-film-critics-association-winners
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 22 Dec 2009 10:59:02 -0500</pubDate>
<link>http://www.movieretriever.com/blog/548/the-2009-chicago-film-critics-association-winners
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<title>Movie Review: Did You Hear About the Morgans?
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<b>Dec 21, 2009 </b></td>
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<p>
First of all, I like a good romantic comedy as much as the next person. I’m not one of these fanboy geek film nerds who only likes movies that have something to do with video games, super heroes, aliens, monsters, or whatever flavor of the week comic book is making its big screen debut and then lives only to tear those things to shreds. Though I do enjoy such activities (who doesn’t), I’m actually a big fan of the romantic tearjerker and have enjoyed many a film from the genre in the past few <a href="http://www.movieretriever.com/blog/547/movie-review-did-you-hear-about-the-morgans
/1702927">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 21 Dec 2009 23:57:03 -0500</pubDate>
<link>http://www.movieretriever.com/blog/547/movie-review-did-you-hear-about-the-morgans
/1702927</link>
<guid>http://www.movieretriever.com/blog/547/movie-review-did-you-hear-about-the-morgans
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<title>Movie Review: Broken Embraces
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<b>Dec 18, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/17407/Pedro-Almodovar">Pedro Almodóvar</a>'s <a href="http://www.movieretriever.com/movies/1701648/Broken-Embraces"><i>Broken Embraces</i></a> isn't quite the masterpiece that was the director’s <a href="http://www.movieretriever.com/movies/1685355/Talk-to-Her"><i>Talk to Her</i></a> or <i><a href="http://www.movieretriever.com/movies/1693018/Volver">Volver</a>,</i> but it is a luscious, gorgeous, confidently directed slice of self-examination through the world of noir, the power of cinema, and the hazy fog of memory. The last time that Pedro wrote a character who also happened to be a creative artist into one of his films, in <i><a href="http://www.movieretriever.com/movies/1688162/Bad-Education">Bad Education</a>,</i> it produced at-best mixed results. Luckily, <i>Broken Embraces</i> is a far more successful slice of cinematic wonder, a work that's not quite <a href="http://www.movieretriever.com/blog/546/movie-review-broken-embraces
/1701648">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Dec 2009 09:47:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/546/movie-review-broken-embraces
/1701648</link>
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<title>Movie Review: The Young Victoria
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<b>Dec 18, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/movies/1702923/The-Young-Victoria"><i>The Young Victoria</i></a> is a well-intentioned film with a talented enough cast and reasonably strong production value that still never quite comes together as anything truly memorable. It’s a film with many admirable individual parts that form a surprisingly forgettable whole. Despite stealing most of the films she's appeared in to date, star <a href="http://www.movieretriever.com/castandcredits/87075/Emily-Blunt">Emily Blunt</a> is horrendously miscast and too much of <i>The Young Victoria</i> feels like it’s merely going through the motions, as if everyone has been tasked with providing a requisite holiday season period piece and that's what they’re going <a href="http://www.movieretriever.com/blog/545/movie-review-the-young-victoria
/1702923">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 18 Dec 2009 09:26:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/545/movie-review-the-young-victoria
/1702923</link>
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<title>The Best Lead Performances of 2009
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<b>Dec 17, 2009 </b></td>
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<p>
After going through the best supporting turns of the year earlier this week (check out that feature by clicking <a href="http://www.movieretriever.com/blog/539/the-best-supporting-performances-of-2009">here</a>) and dealing with the onslaught of awards and nominations this week including the Golden Globes and Chicago Film Critics Association (a group of which this critic is a proud board member), we thought we'd take a look at the names above the title that really stood out this year.







From drama to comedy to science fiction, the best lead performances of 2009 came from diverse films and were delivered by actors and actresses with <a href="http://www.movieretriever.com/blog/544/the-best-lead-performances-of-2009
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Thu, 17 Dec 2009 10:38:59 -0500</pubDate>
<link>http://www.movieretriever.com/blog/544/the-best-lead-performances-of-2009
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<title>The 2009 Chicago Film Critics Association Nominations
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<b>Dec 17, 2009 </b></td>
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<p>
A wry comedy-drama about a man who makes his living firing people and an adaptation of a classic piece of children’s literature were the big winners when the Chicago Film Critics Association announced their list of nominees for their 2009 awards earlier this week.

<a href="http://www.movieretriever.com/castandcredits/94301/Jason-Reitman">Jason Reitman</a>’s <a href="http://www.movieretriever.com/movies/1702921/Up-in-the-Air"><i>Up in the Air</i></a> and <a href="http://www.movieretriever.com/castandcredits/64695/Spike-Jonze">Spike Jonze</a>’s <a href="http://www.movieretriever.com/movies/1701683/Where-the-Wild-Things-Are"><i>Where the Wild Things Are</i></a> each scored six nominations including Best Picture, Best Director, and Best Adapted Screenplay. A pair of radically different war movies, <a href="http://www.movieretriever.com/castandcredits/17139/Kathryn-Bigelow">Kathryn Bigelow</a>’s gripping Iraq conflict drama <a href="http://www.movieretriever.com/movies/1702485/The-Hurt-Locker"><i>The Hurt Locker</i></a> and <a <a href="http://www.movieretriever.com/blog/543/the-2009-chicago-film-critics-association-nominations
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 17 Dec 2009 09:43:22 -0500</pubDate>
<link>http://www.movieretriever.com/blog/543/the-2009-chicago-film-critics-association-nominations
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<title>Movie Review: Avatar
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<b>Dec 16, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/16976/James-Cameron">James Cameron</a>'s highly anticipated <a href="http://www.movieretriever.com/movies/1701644/Avatar"><i>Avatar</i></a> is an ambitious, beautifully rendered, and visually stunning film. It is also a storytelling mess without a single character to care about and with all of the logic of a fourth grade English student trying write a really cool science fiction story. It's simply impossible to begrudge people who fall for the epic visual scale of the story in the same way that early filmgoers fell for flickering images in a darkened theater. But when you step back and look at the film critically, examine what works <a href="http://www.movieretriever.com/blog/540/movie-review-avatar
/1701644">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 16 Dec 2009 09:36:37 -0500</pubDate>
<link>http://www.movieretriever.com/blog/540/movie-review-avatar
/1701644</link>
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<title>The Best Supporting Performances of 2009
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<b>Dec 15, 2009 </b></td>
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<p dir="ltr">
As the awards season really ramps up, it’s time to look back at what happened in darkened theaters in 2009, starting with the best supporting work of the year. We’ll get to the best films, best lead performances, and worst films over the next few weeks, but today is dedicated to the men and women who did the best work outside of the main spotlight.







A number of the best films of the year worked because of their extensive, talented ensembles. Within our traditional five-nominee system, there are several films that feature more than <a href="http://www.movieretriever.com/blog/539/the-best-supporting-performances-of-2009
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Tue, 15 Dec 2009 08:03:48 -0500</pubDate>
<link>http://www.movieretriever.com/blog/539/the-best-supporting-performances-of-2009
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<title>Movie Review: The Princess and the Frog
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<b>Dec 11, 2009 </b></td>
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<p>
I have to admit to being one of those old-fashioned critics who thinks that the technological advancements in the world of animation have not always been for the best. There's something about the hand-drawn, two-dimensional approach to animated storytelling that has been crushed by computer generated imagery and 3D. Don't get me wrong. I'm not purist enough to not recognize that beauty of Pixar's CGI or admire the 3D world of <i><a href="http://www.movieretriever.com/movies/1700109/Coraline">Coraline</a>,</i> but when every studio basically fired their 2D departments, it made me sad. Why can't we have both? Aren't there stories <a href="http://www.movieretriever.com/blog/536/movie-review-the-princess-and-the-frog
/1702943">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 11 Dec 2009 10:19:25 -0500</pubDate>
<link>http://www.movieretriever.com/blog/536/movie-review-the-princess-and-the-frog
/1702943</link>
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<title>Movie Review: Invictus
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<b>Dec 11, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/2152/Clint-Eastwood">Clint Eastwood</a> makes old-fashioned movies that usually deal in cut-and-dry moral situations. Personally, I find him the most interesting when he's forced to address the moral grays between the blacks and whites in films like <a href="http://www.movieretriever.com/movies/1087181/Unforgiven"><i>Unforgiven</i></a> and <i><a href="http://www.movieretriever.com/movies/1687498/Mystic-River">Mystic River</a>,</i> but, especially lately, he seems to have lost any interest at all in striking a subtle chord. Every character development and every plot turn in films like <a href="http://www.movieretriever.com/movies/1700123/Gran-Torino"><i>Gran Torino</i></a> or <a href="http://www.movieretriever.com/movies/1693151/Flags-of-Our-Fathers"><i>Flags of Our Fathers</i></a> is telegraphed and underlined so no one could possibly miss it. You could argue that there's <a href="http://www.movieretriever.com/blog/535/movie-review-invictus
/1702929">...Read more at MovieRetriever.com</a>
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</table>]]></description>
<pubDate>Fri, 11 Dec 2009 10:00:34 -0500</pubDate>
<link>http://www.movieretriever.com/blog/535/movie-review-invictus
/1702929</link>
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<title>Movie Reivew: Me and Orson Welles
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<b>Dec 10, 2009 </b></td>
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<p>
Even with a soft spot in my heart for films about the community that sprouts up around creative ventures and a natural adoration for the films of both <a href="http://www.movieretriever.com/castandcredits/9532/Welles-Orson">Orson Welles</a> and <a href="http://www.movieretriever.com/castandcredits/40146/Linklater-Richard">Richard Linklater</a>, <i>Me and Orson Welles</i> is a frustrating film, a movie that I want to love but is remarkably forgettable in spite of itself. <i>Me and Orson Welles</i> is a reasonably satisfying experience with some decent supporting work and one excellent performance at its core, but it's also surprisingly hollow, missing the emotional register that would allow it to carry <a href="http://www.movieretriever.com/blog/534/movie-reivew-me-and-orson-welles
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 10 Dec 2009 18:37:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/534/movie-reivew-me-and-orson-welles
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<title>Movie Review: Collapse
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<b>Dec 10, 2009 </b></td>
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<p>
The theme of cinema in 2009 has clearly been that we're all in some deep sh*t and it's only getting deeper. <i><a href="http://www.movieretriever.com/movies/1702545/Zombieland">Zombieland</a>, <a href="http://www.movieretriever.com/movies/1699474/The-Road">The Road</a>, <a href="http://www.movieretriever.com/movies/1700808/2012-">2012</a></i> – so much of our entertainment has been about the imminent downfall of humanity that it's somewhat surprising that the post-apocalyptic viewpoint hasn't extended as much to non-fiction filmmaking. Enter <i>Collapse, </i>a highly buzzed documentary that basically introduces the audience to the prophet of death. In the style of the great <a href="http://www.movieretriever.com/castandcredits/16730/Morris-Errol">Errol Morris</a>, director <a href="http://www.movieretriever.com/castandcredits/72493/Chris-Smith">Chris Smith</a> (<a href="http://www.movieretriever.com/movies/1677039/American-Movie"><i>American Movie</i></a>) sat down for a conversation <a href="http://www.movieretriever.com/blog/533/movie-review-collapse
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 10 Dec 2009 10:40:39 -0500</pubDate>
<link>http://www.movieretriever.com/blog/533/movie-review-collapse
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<title>
The Ten Best Animated Films of the Decade

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<b>Dec 09, 2009 </b></td>
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<p>
With one of the best years in the history of animation coming to a close, it seems appropriate to open our coverage of the best of the about-to-end decade with what <a href="http://www.movieretriever.com/castandcredits/34895/Bird-Brad">Brad Bird</a> once told me should be considered a medium, not a genre. Looking back at a spectacular decade in animation displays the truth of that statement with excellent films from a variety of sources and telling stories that range from drama to comedy to, of course, the family film.







Future books about the cinema of the 2000s will be incomplete if they <a href="http://www.movieretriever.com/blog/532/
the-ten-best-animated-films-of-the-decade

">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 09 Dec 2009 16:23:52 -0500</pubDate>
<link>http://www.movieretriever.com/blog/532/
the-ten-best-animated-films-of-the-decade

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<title>Movie Review: The Maid
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<b>Dec 06, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/movies/1702912/The-Maid"><i>The Maid</i></a> is a comedy of cultural conflict that could easily be remade into an absolutely horrific American vehicle. It practically sounds like a September release set to star a beautiful Jessica (<a href="http://www.movieretriever.com/castandcredits/66347/Alba-Jessica">Alba</a>, <a href="http://www.movieretriever.com/castandcredits/91190/Simpson-Jessica">Simpson</a>, or <a href="http://www.movieretriever.com/castandcredits/60529/Biel-Jessica">Biel</a>) but the wacky remake of <i>The Maid</i> would almost certainly miss what works about the original. (Don’t they always?) For awhile, the set-up and plot description of <i>The Maid</i> plays almost like a quirky sitcom, but writer/director <a href="http://www.movieretriever.com/castandcredits/111396/Sebastian-Silva">Sebastian Silva</a> wisely focuses on character instead of caricature and has crafted a film that is <a href="http://www.movieretriever.com/blog/531/movie-review-the-maid
/1702912">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 06 Dec 2009 22:47:28 -0500</pubDate>
<link>http://www.movieretriever.com/blog/531/movie-review-the-maid
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<title>A Teen's Take on The Twilight Saga: New Moon
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<b>Dec 05, 2009 </b></td>
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<p>
Last year we ran a couple of features on <i><a href="http://www.movieretriever.com/movies/1699480/Twilight">Twilight</a>.</i> The first was called <a href="http://www.movieretriever.com/blog/183/six-excuses-grownups-can-use-for-going-to-see-twilight-this-weekend/0">Six Excuses Grown-Ups Can Use for Going to See Twilight This Weekend</a>. Want to know why we did that article? Well, even though most people we’ve talked to over the age of 25 about the series said they just don’t understand the appeal of Stephenie Meyer’s modern gothic romance, the truth of the matter is that everyone has gone <i>Twilight</i> crazy. The latest film in the series, <a href="http://www.movieretriever.com/movies/1702944/The-Twilight-Saga:-New-Moon"><i>The Twilight Saga: New Moon</i></a> is the #1 movie in <a href="http://www.movieretriever.com/blog/530/a-teens-take-on-the-twilight-saga-new-moon
/1702944">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 05 Dec 2009 14:38:28 -0500</pubDate>
<link>http://www.movieretriever.com/blog/530/a-teens-take-on-the-twilight-saga-new-moon
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<title>Interview with Jason Reitman, co-writer/director of Up in the Air
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<b>Dec 04, 2009 </b></td>
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<p>
It almost felt like after the success and inevitable backlash that surrounded <a href="http://www.movieretriever.com/movies/1696826/Juno"><i>Juno</i></a> that some people were expecting <a href="http://www.movieretriever.com/castandcredits/94301/Jason-Reitman">Jason Reitman</a> to fail with his next project. He couldn’t make another film that critically and commercially successful, right? He didn’t. He made an even better film. <i><a href="http://www.movieretriever.com/movies/1702921/Up-in-the-Air">Up in the Air</a>,</i> starring <a href="http://www.movieretriever.com/castandcredits/25454/George-Clooney">George Clooney</a>, <a href="http://www.movieretriever.com/castandcredits/86329/Anna-Kendrick">Anna Kendrick</a>, <a href="http://www.movieretriever.com/castandcredits/66040/Vera-Farmiga">Vera Farmiga</a>,
<a href="http://www.movieretriever.com/castandcredits/61386/Simmons-J.K.">J.K. Simmons</a>, <a href="http://www.movieretriever.com/castandcredits/5574/Jason-Bateman">Jason Bateman</a>, and more, tells the story of a businessman
who values his frequent flyer miles over anything approaching a
personal relationship. It’s easily one of the best films of the <a href="http://www.movieretriever.com/blog/529/interview-with-jason-reitman-cowriter/director-of-up-in-the-air
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Dec 2009 12:00:15 -0500</pubDate>
<link>http://www.movieretriever.com/blog/529/interview-with-jason-reitman-cowriter/director-of-up-in-the-air
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<title>Movie Review: Brothers
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<b>Dec 04, 2009 </b></td>
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<p>
I try and go into every film with a blank slate, but I must admit that I simply do not understand the desire to remake <a href="http://www.movieretriever.com/castandcredits/58489/Bier-Suzanne-%28Susanne%29">Susanne Bier</a>'s <i><a href="http://www.movieretriever.com/movies/1689919/Brothers">Brothers</a>,</i> especially by a director as talented as <a href="http://www.movieretriever.com/castandcredits/5938/Jim-Sheridan">Jim Sheridan</a> (<i><a href="http://www.movieretriever.com/movies/1687608/In-America">In America</a>, <a href="http://www.movieretriever.com/movies/1096836/In-the-Name-of-the-Father">In the Name of the Father</a></i>). Ignoring the commercial imperative, what is the creative reason to remake a film in the first place? The foreign films that have been successfully remade over the years are almost always ones that featured stories strong enough that they needed to be told in <a href="http://www.movieretriever.com/blog/528/movie-review-brothers
/1702926">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Dec 2009 09:57:11 -0500</pubDate>
<link>http://www.movieretriever.com/blog/528/movie-review-brothers
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<title>Movie Review: The Strip
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<b>Dec 04, 2009 </b></td>
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<p>
Workplace comedy <i>The Strip</i> starts off so shakily and features such overly familiar material that by the time the filmmaker's love for his characters starts to shine through the stale jokes and recycled premise, it's too late for the film to close the sale. It is unique for a comedy like this to start off feeling generic and get more interesting as it goes along – it's usually the reverse – but even a much stronger second half can't erase the feeling that you've seen <i>The Strip</i> before and you've seen it funnier, smarter, <a href="http://www.movieretriever.com/blog/527/movie-review-the-strip
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 04 Dec 2009 09:33:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/527/movie-review-the-strip
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<title>Movie Review: Up in the Air
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<b>Dec 03, 2009 </b></td>
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<p>
Is it our physical belongings or our personal connections that tie us down? What's more important – the frequent flyer miles you collect or the people you meet as you rack them up? Your job or the people you come home to? And what happens to a man when he has absolutely nothing tethering him to the ground? Take the case of Ryan Bingham (<a href="http://www.movieretriever.com/castandcredits/25454/George-Clooney">George Clooney</a>), a man who enjoys nothing more than his hotel perk programs and the VIP treatment he gets when he checks in for a flight. He's collected more <a href="http://www.movieretriever.com/blog/526/movie-review-up-in-the-air
/1702921">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 03 Dec 2009 22:32:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/526/movie-review-up-in-the-air
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<title>Movie Review: Old Dogs
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<b>Nov 25, 2009 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1702940/Old-Dogs">Old Dogs</a>,</i> a new fish-out-of-water pseudo family-friendly comedy is the type of film that audiences will lap up over the holiday weekend like so much spilled gravy. But, they’ll be hard pressed to care about the movie once it’s finished (or possibly during it). The movie begins with the tired one-joke premise of a couple of fifty-something, somewhat happily single men being forced to baby sit children and expects hilarity to ensue. It does occasionally. Mostly, <i>Old Dogs</i> is a series of painfully unfunny bits of physical comedy loosely held together by a <a href="http://www.movieretriever.com/blog/525/movie-review-old-dogs
/1702940">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 25 Nov 2009 22:49:29 -0500</pubDate>
<link>http://www.movieretriever.com/blog/525/movie-review-old-dogs
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<title>Movie Review: Fantastic Mr. Fox
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<b>Nov 25, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/54938/Wes-Anderson">Wes Anderson</a> and <a href="http://www.movieretriever.com/castandcredits/35991/Dahl-Roald">Roald Dahl</a> seem like a match made in hipster movie heaven. Anderson's quirky visual style is a perfect fit for Dahl's unique imagination and the voice cast assembled for the wunderkind director's take on <a href="http://www.movieretriever.com/movies/1702936/Fantastic%20Mr.%20%20Fox"><i>Fantastic Mr. Fox</i></a> is as A-list as anything produced this season. Led by <a href="http://www.movieretriever.com/castandcredits/25454/George-Clooney">George Clooney</a> and <a href="http://www.movieretriever.com/castandcredits/8753/Meryl-Streep">Meryl Streep</a> and including <a href="http://www.movieretriever.com/castandcredits/66178/Jason-Schwartzman">Jason Schwartzman</a>, <a href="http://www.movieretriever.com/castandcredits/1212/Bill-Murray">Bill Murray</a>, <a href="http://www.movieretriever.com/castandcredits/8821/Michael-Gambon">Michael Gambon</a>, <a href="http://www.movieretriever.com/castandcredits/13021/Willem-Dafoe">Willem Dafoe</a>, <a href="http://www.movieretriever.com/castandcredits/54933/Owen-Wilson">Owen Wilson</a>, and Pulp's Jarvis Cocker, <i>Fantastic Mr. Fox</i> first seems like a dream come true, that rare blend <a href="http://www.movieretriever.com/blog/524/movie-review-fantastic-mr-fox
/1702936">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 25 Nov 2009 07:55:01 -0500</pubDate>
<link>http://www.movieretriever.com/blog/524/movie-review-fantastic-mr-fox
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<title>Movie Review: The Road
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<b>Nov 25, 2009 </b></td>
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<p>
A few times a year, movie goers are presented with a film that proves that not all mediums are created equal. <a href="http://www.movieretriever.com/movies/1701431/Watchmen"><i>Watchmen</i></a> proved that even absolute loyalty to a graphic novel can leave something on the page and now the highly-anticipated and long-delayed debut of <a href="http://www.movieretriever.com/movies/1699474/The-Road"><i>The Road</i></a> proves that some themes are better represented in fiction than on celluloid. Cormac McCarthy's novel was a highly acclaimed and award-winning examination of survival, hope, and what happens after the end of the world. On paper, McCarthy's prose and bleak vision of the future works <a href="http://www.movieretriever.com/blog/523/movie-review-the-road
/1699474">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 25 Nov 2009 07:50:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/523/movie-review-the-road
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<title>Movie Review: Red Cliff
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<b>Nov 25, 2009 </b></td>
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<p>
With <i>Red Cliff,</i> <a href="http://www.movieretriever.com/castandcredits/38759/Woo-John">John Woo</a> returns with his first film in six years and his first non-English film since the landmark <a href="http://www.movieretriever.com/movies/1096541/Hard-Boiled"><i>Hard Boiled</i></a> (1992). Can the man who was once so clearly at the top of the action game with masterpieces like <a href="http://www.movieretriever.com/movies/1085417/The-Killer"><i>The Killer</i></a> and <a href="http://www.movieretriever.com/movies/1655043/A-Bullet-in-the-Head"><i>A Bullet in the Head</i></a> find his cultural importance yet again? The film has garnered a sizable amount of buzz on its way overseas, in no small part due to the unusual decision to take a two-part, four-hour experience and cram into one theatrical experience <a href="http://www.movieretriever.com/blog/522/movie-review-red-cliff
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 25 Nov 2009 07:48:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/522/movie-review-red-cliff
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<title>Movie Review: Ninja Assassin
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<b>Nov 25, 2009 </b></td>
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<p>
What little boy didn't someday want to be a <a href="http://www.movieretriever.com/movies/1702939/Ninja%20Assassin"><i>Ninja Assassin</i></a>? Heck, there are some days when I still consider such a bad-ass career change. The most truth-in-advertising title of the year nearly sounds like it sprung from a playground conversation. &quot;When I grow up, I'm gonna be a ninja.&quot; &quot;Well, I'm gonna be an assassin.&quot; &quot;Oh yeah, I'll kill you both as a ninja assassin.&quot; The ridiculous nature of the film's concept and title is also the only way a viewer can possibly approach the film and expect to be entertained. This <a href="http://www.movieretriever.com/blog/521/movie-review-ninja-assassin
/1702939">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 25 Nov 2009 07:45:35 -0500</pubDate>
<link>http://www.movieretriever.com/blog/521/movie-review-ninja-assassin
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<title>Movie Review: Gentlemen Broncos
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<b>Nov 24, 2009 </b></td>
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<p>
Count me as a casual fan of <i><a href="http://www.movieretriever.com/movies/1687922/Napoleon-Dynamite">Napoleon Dynamite</a>,</i> though I certainly wasn’t even that at first. It’s a film that has to simmer (well, at least for me it did) and the film’s sense of humor is arguably an acquired taste. The film’s celebration of the, shall we say, eccentric people in the world worked mainly thanks to a few likeable characters trying to survive in a supposedly normal world. While it may have seemed stupid more often than not, the film still had a charm about it that made it likeable, <a href="http://www.movieretriever.com/blog/516/movie-review-gentlemen-broncos
/1702908">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 24 Nov 2009 18:18:37 -0500</pubDate>
<link>http://www.movieretriever.com/blog/516/movie-review-gentlemen-broncos
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<title>Movie Review: The Blind Side
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<b>Nov 23, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/45964/John-Lee-Hancock">John Lee Hancock</a>'s <a href="http://www.movieretriever.com/movies/1702932/The%20Blind%20Side"><i>The Blind Side</i></a> is an unabashedly feel-good movie. Yes, the producers undeniably overlook the darker tones of its true story, but sometimes audiences want to focus more on the inspiration than the reason for it. There have been dozens of films that ignored the reason for the fall to focus more on the climb and, if you look past the softening of the less family-friendly or controversial elements of the true story of <i>The Blind Side</i> and approach it much like you would Hancock's moving and underrated <i><a href="http://www.movieretriever.com/movies/1684706/The-Rookie">The <a href="http://www.movieretriever.com/blog/515/movie-review-the-blind-side
/1702932">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 23 Nov 2009 17:21:28 -0500</pubDate>
<link>http://www.movieretriever.com/blog/515/movie-review-the-blind-side
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<title>Movie Review: Turning Green
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<b>Nov 20, 2009 </b></td>
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<p>
Very few films have lingered in the post-production pipeline as long as <i>Turning Green,</i> a dark comedy that was actually a runner-up for <i>Project Greenlight</i> and played in festivals way back in 2005. How could a film with intriguing actors like <a href="http://www.movieretriever.com/castandcredits/12279/Hutton-Timothy">Timothy Hutton</a>, <a href="http://www.movieretriever.com/castandcredits/58508/Nivola-Alessandro">Allesandro Nivola</a>, and <a href="http://www.movieretriever.com/castandcredits/40304/Meaney-Colm">Colm Meaney</a> lay on a shelf for so long? Could it really be that bad? No, it's not THAT bad. What's more likely is that it was simply forgotten. The coming-of-age story never comes together, wasting talented people in small roles, miscasting the lead, and <a href="http://www.movieretriever.com/blog/514/movie-review-turning-green
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Nov 2009 16:56:35 -0500</pubDate>
<link>http://www.movieretriever.com/blog/514/movie-review-turning-green
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<title>Movie Review: The Missing Person
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<b>Nov 20, 2009 </b></td>
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<p>
Recent Oscar nominee <a href="http://www.movieretriever.com/castandcredits/65451/Shannon-Michael">Michael Shannon</a> (<a href="http://www.movieretriever.com/movies/1699500/Revolutionary-Road"><i>Revolutionary Road</i></a>) has a face built for noir. With his sharp angles and sad eyes, he looks like he could have stepped out of a film in the 1940s and he practically has in the very unusual <i>The Missing Person,</i> a film that can't easily be contained in one genre. Is it a spoof of noir films? A mind trip like <a href="http://www.movieretriever.com/castandcredits/2575/Lynch-David">David Lynch</a> might make? A straight-faced noir? All (or none) of the above? <i>The Missing Person</i> is a film that's very hard to put a <a href="http://www.movieretriever.com/blog/513/movie-review-the-missing-person
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Nov 2009 14:15:16 -0500</pubDate>
<link>http://www.movieretriever.com/blog/513/movie-review-the-missing-person
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<title>Movie Review: Mammoth
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<b>Nov 20, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/74367/Moodysson-Lukas">Lukas Moodysson</a>'s <i>Mammoth</i> is an ambitious piece about interconnectivity that takes a bit too long to get going and perhaps bites off more thematically than it can chew, but it has too many intriguing ideas and spectacular performances to be dismissed. Taking place in Thailand, the Philippines, and New York, Mammoth is somewhat <i>Babel</i>-esque in the way it intertwines cultures and connectivity but it's a much more straightforward narrative and interesting commentary on the growing chasm between the classes and how trying to jump from one to another could lead to a pretty <a href="http://www.movieretriever.com/blog/512/movie-review-mammoth
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Nov 2009 13:29:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/512/movie-review-mammoth
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<title>Movie Review: The Messenger
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<b>Nov 20, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/73493/Oren-Moverman">Oren Moverman</a>'s <a href="http://www.movieretriever.com/movies/1702533/The-Messenger"><i>The Messenger</i></a> is a stunning debut, an effective, expertly-made and performed drama about the common human ability to deal with tragedy and loss in unique, unpredictable ways. A film that feels incredibly authentic, <i>The Messenger</i> isn't for the dramatically faint of heart. This is not a &quot;good time&quot; for the family over Thanksgiving, but it would be the most memorable and effecting film that you could see this holiday. With a shocking lack of manipulation, melodrama, or easy lessons, <i>The Messenger</i> says more about honest, relatable humanity than most dramas <a href="http://www.movieretriever.com/blog/511/movie-review-the-messenger
/1702533">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Nov 2009 06:49:34 -0500</pubDate>
<link>http://www.movieretriever.com/blog/511/movie-review-the-messenger
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<title>Movie Review: Planet 51
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<b>Nov 20, 2009 </b></td>
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<p>
As much as vampire fiction has taken off with films like <a href="http://www.movieretriever.com/movies/1702944/The-Twilight-Saga:-New-Moon"><i>The Twilight Saga: New Moon</i></a> and programs like <i>True Blood</i> and <i>The Vampire Diaries,</i> the creativity in the world of alien-based filmmaking seems to have run aground. How else to explain awful films like <i><a href="http://www.movieretriever.com/movies/1701492/Aliens-in-the-Attic">Aliens in the Attic</a>, <a href="http://www.movieretriever.com/movies/1702937/The-Fourth-Kind">The Fourth Kind</a>,</i> and now the ridiculously bad <i><a href="http://www.movieretriever.com/movies/1702941/Planet-51-">Planet 51</a>,</i> a film with essentially no redeeming value at all. I had problems with <a href="http://www.movieretriever.com/movies/1701424/Monsters-vs.--Aliens"><i>Monsters vs. Aliens</i></a> but it looks like <a href="http://www.movieretriever.com/movies/1697596/WALL-E"><i>WALL-E</i></a> compared to this almost defiantly lackluster effort. Some <a href="http://www.movieretriever.com/blog/510/movie-review-planet-51
/1702941">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Nov 2009 06:47:28 -0500</pubDate>
<link>http://www.movieretriever.com/blog/510/movie-review-planet-51
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<title>Movie Review: Bad Lieutenant: Port of Call New Orleans
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<b>Nov 20, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/14804/Herzog-Werner">Werner Herzog</a>'s <i>Bad Lieutenant: Port of Call New Orleans</i> is one of the most surprisingly accomplished films of the year. Of course, one would have to be film illiterate to be surprised that the always-intriguing Herzog could deliver the goods but nearly every other element of this clever, dark, twisted thriller screamed &quot;that's a really bad idea.&quot; Star <a href="http://www.movieretriever.com/castandcredits/14712/Cage-Nicolas">Nicolas Cage</a> has been involved in some truly bad films in the last few years, including another unnecessary remake from an interesting director (<a href="http://www.movieretriever.com/movies/1693172/The-Wicker-Man"><i>The Wicker Man</i></a>). He honestly hasn't been completely effective since <a href="http://www.movieretriever.com/blog/509/movie-review-bad-lieutenant-port-of-call-new-orleans
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Nov 2009 06:45:27 -0500</pubDate>
<link>http://www.movieretriever.com/blog/509/movie-review-bad-lieutenant-port-of-call-new-orleans
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<title>Movie Review: The Twilight Saga: New Moon
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<b>Nov 19, 2009 </b></td>
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<p>
A slight improvement over the lackluster first film in the franchise, <a href="http://www.movieretriever.com/movies/1702944/The%20Twilight%20Saga:%20New%20Moon"><i>The Twilight Saga: New Moon</i></a> is yet another shockingly bland, dull, predictable serving of much of the same meal. The fact is that all of our dear readers who loved the first film are unlikely to be swayed from their passion project by this one. (In fact, it's significantly better in some departments.) If you’re buying extra Whoppers this week to get the <i>New Moon</i> swag at Burger King, stop reading right now. But if, like me, you think that fans deserve <a href="http://www.movieretriever.com/blog/507/movie-review-the-twilight-saga-new-moon
/1702944">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 19 Nov 2009 17:47:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/507/movie-review-the-twilight-saga-new-moon
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<title>Interview with Ben Foster, Star of The Messenger
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<b>Nov 19, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/71469/Ben-Foster">Ben Foster</a> first impressed viewers with roles on beloved programs like <i>Freaks and Geeks</i> and <i>Six Feet Under.</i> He went on to steal scenes in films like <a href="http://www.movieretriever.com/movies/1694078/Alpha-Dog"><i>Alpha Dog</i></a> and <i><a href="http://www.movieretriever.com/movies/1696122/3:10--to-Yuma">3:10 to Yuma</a>,</i> but he does the best work of his career in <a href="http://www.movieretriever.com/castandcredits/73493/Oren-Moverman">Oren Moverman</a>’s incredible drama <i><a href="http://www.movieretriever.com/movies/1702533/The-Messenger">The Messenger</a>,</i> co-starring <a href="http://www.movieretriever.com/castandcredits/16163/Woody-Harrelson">Woody Harrelson</a> and <a href="http://www.movieretriever.com/castandcredits/55691/Samantha-Morton">Samantha Morton</a>.





In the film, Foster plays a soldier who is forced to finish out his service as a Casualty Notification Officer, one of the men who informs next of kin when their loved one <a href="http://www.movieretriever.com/blog/506/interview-with-ben-foster-star-of-the-messenger
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 19 Nov 2009 13:02:01 -0500</pubDate>
<link>http://www.movieretriever.com/blog/506/interview-with-ben-foster-star-of-the-messenger
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<title>Movie Review: 2012
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<b>Nov 13, 2009 </b></td>
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If you judge a film based on how well it delivers what an audience should expect of it, I find it hard to believe that <a href="http://www.movieretriever.com/movies/1700808/2012-"><i>2012</i></a> could possibly disappoint (other than possibly ruining dinner plans with its extreme length). This is the culmination of <a href="http://www.movieretriever.com/castandcredits/29349/Roland-Emmerich">Roland Emmerich</a>'s career, an everything-AND-the-kitchen-sink film that never hides its intention to be nothing more than a ridiculous, over-the-top, jaw-dropping rollercoaster of an experience. Is it good? It depends on what you mean by “good.” Was <a href="http://www.movieretriever.com/movies/90940/The-Poseidon-Adventure"><i>The Poseidon Adventure</i></a> good? <a href="http://www.movieretriever.com/movies/291780/The-Towering-Inferno"><i>The Towering Inferno</i></a>? <i>2012</i> is a <a href="http://www.movieretriever.com/blog/503/movie-review-2012
/1700808">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Nov 2009 00:16:31 -0500</pubDate>
<link>http://www.movieretriever.com/blog/503/movie-review-2012
/1700808</link>
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<title>Movie Review: Pirate Radio
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<b>Nov 13, 2009 </b></td>
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With a great true story and one of the most purely entertaining ensembles of the year, <a href="http://www.movieretriever.com/castandcredits/31098/Richard-Curtis">Richard Curtis</a>' <i>Pirate Radio</i> starts with a bang. It's like walking into a lavish costume party with likable characters, amazing tunes, and simply spectacular period clothes. The problem is that films require a bit more than a costume party. The goodwill of the first half hour or so of <a href="http://www.movieretriever.com/movies/1701658/Pirate-Radio"><i>Pirate Radio</i></a> wears off when you realize that it really has nowhere to go after that stellar introduction. Several films in one without fully developing any of <a href="http://www.movieretriever.com/blog/502/movie-review-pirate-radio
/1701658">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Nov 2009 00:15:21 -0500</pubDate>
<link>http://www.movieretriever.com/blog/502/movie-review-pirate-radio
/1701658</link>
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<title>Movie Review: The House of the Devil
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<b>Nov 12, 2009 </b></td>
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<p>
If a ticket buyer were to stumble into a theater showing Ti West's <a href="http://www.movieretriever.com/movies/1702909/The-House-of-the-Devil"><i>The House of the Devil</i></a> without knowing what to expect, they might think they had come across a long-lost <a href="http://www.movieretriever.com/castandcredits/12348/Hooper-Tobe">Tobe Hooper</a> film from the early 1980s or at least a film from a lesser-known director of the same era. Ti West has made a horror flick that is not meant to merely be SET in the early 1980s but is designed to feel like it was actually produced back then. Everything from the font of the opening credits to <a href="http://www.movieretriever.com/blog/499/movie-review-the-house-of-the-devil
/1702909">...Read more at MovieRetriever.com</a>
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</table>]]></description>
<pubDate>Thu, 12 Nov 2009 23:31:56 -0500</pubDate>
<link>http://www.movieretriever.com/blog/499/movie-review-the-house-of-the-devil
/1702909</link>
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<title>Movie Review: Women in Trouble
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<b>Nov 12, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/67297/Sebastian-Gutierrez">Sebastian Gutierrez</a>'s <i>Women in Trouble</i> features some of my absolute favorite actresses giving vibrant, sexy, daring performances. And that's why it practically crushes me to say that the movie doesn't quite work. It's a near-miss by a writer/director who I hope keeps trying to make more of these Almodovar-esque quilts of interweaving stories. Just because <a href="http://www.movieretriever.com/movies/1702922/Women-in-Trouble"><i>Women in Trouble</i></a> doesn't quite come together doesn't mean there aren't elements of it that work and the entire project hints that the previously critically-reviled Gutierrez could really make a great film like it if he keeps <a href="http://www.movieretriever.com/blog/498/movie-review-women-in-trouble
/1702922">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 12 Nov 2009 23:05:22 -0500</pubDate>
<link>http://www.movieretriever.com/blog/498/movie-review-women-in-trouble
/1702922</link>
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<title>Movie Review: Skin
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<b>Nov 12, 2009 </b></td>
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<p>
The drama <i>Skin</i> is a well-performed, interesting true story about the ridiculousness of apartheid and racism in general set against the backdrop of three decades in South Africa. It is the tale of a woman caught between races – accepted and then discarded by both. There is inherent dramatic power in the tale of Sandra Laing and the performances in <i>Skin</i> are admirable, but the film never finds the emotional chords that could have elevated it to more than just a &quot;good drama.&quot; There are elements that hint at a movie that could have <a href="http://www.movieretriever.com/blog/497/movie-review-skin
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 12 Nov 2009 22:48:51 -0500</pubDate>
<link>http://www.movieretriever.com/blog/497/movie-review-skin
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<title>Interview with Richard Curtis, Director of Pirate Radio
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<b>Nov 12, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/31098/Richard-Curtis">Richard Curtis</a> is a legend in the United Kingdom, the man who made one of the country’s most popular shows of all time (<i>Black Adder</i>) and helped turn Hugh Grant into a household name. He wrote <i><a href="http://www.movieretriever.com/movies/1093989/Four-Weddings-and-a-Funeral">Four Weddings and a Funeral</a>, <a href="http://www.movieretriever.com/movies/1051721/The-Tall-Guy">The Tall Guy</a>¸ <a href="http://www.movieretriever.com/movies/1675661/Notting-Hill">Notting Hill</a>,</i> the adaptation of <i><a href="http://www.movieretriever.com/movies/1681398/Bridget-Jones%27s-Diary">Bridget Jones’ Diary</a>, </i>and many of the adventures of <i>Mr. Bean</i> before moving into the director’s chair for the beloved <a href="http://www.movieretriever.com/movies/1687614/Love-Actually"><i>Love Actually</i></a> and, now, <a href="http://www.movieretriever.com/movies/1701658/Pirate-Radio"><i>Pirate Radio</i></a> (known as <i>The Boat That Rocked</i> overseas before a stateside title change).





Curtis’ <a href="http://www.movieretriever.com/blog/496/interview-with-richard-curtis-director-of-pirate-radio
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Thu, 12 Nov 2009 13:52:43 -0500</pubDate>
<link>http://www.movieretriever.com/blog/496/interview-with-richard-curtis-director-of-pirate-radio
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<title>They Made a Part Two to What? - The Ten Worst Unexpected Sequels of All Time
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<b>Nov 11, 2009 </b></td>
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<p>
Most films that end up producing a sequel were more than likely conceived with future installments in mind. <i><a href="http://www.movieretriever.com/movies/1683870/Spider-Man">Spider-Man</a>, <a href="http://www.movieretriever.com/movies/1686223/Pirates-of-the-Caribbean:-The-Curse-of-the-Black-Pearl">Pirates of the Caribbean</a>,</i> even <a href="http://www.movieretriever.com/movies/1688983/Saw"><i>Saw</i></a> – when the filmmaker wrapped production on part one, they intended to see most of the cast and crew a few months down the line. Much rarer is the sequel that comes completely out of left field, a part two that even the filmmakers never thought would happen when they devised part one. Such must be the case with <i>Boondock Saints II: All Saints Day,</i> a <a href="http://www.movieretriever.com/blog/495/they-made-a-part-two-to-what--the-ten-worst-unexpected-sequels-of-all-time
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 11 Nov 2009 09:21:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/495/they-made-a-part-two-to-what--the-ten-worst-unexpected-sequels-of-all-time
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<title>Movie Review: The Men Who Stare at Goats
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<b>Nov 09, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/movies/1702938/The%20Men%20Who%20Stare%20at%20Goats"><i>The Men Who Stare at Goats</i></a> is one of those films that you won’t be disappointed you saw. However, you may not be wildly excited about having seen it either. The trouble is that this blending of action-adventure, political thriller, and dark comedy is never really brilliant nor is it just plain awful. It’s the cinematic equivalent of Baby Bear’s porridge – a very middle-of-the-road film that gets lost quite a few times but not badly enough to make it a waste. An intriguing story (which is apparently based on actual facts, then <a href="http://www.movieretriever.com/blog/493/movie-review-the-men-who-stare-at-goats
/1702938">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 09 Nov 2009 23:48:39 -0500</pubDate>
<link>http://www.movieretriever.com/blog/493/movie-review-the-men-who-stare-at-goats
/1702938</link>
<guid>http://www.movieretriever.com/blog/493/movie-review-the-men-who-stare-at-goats
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<title>Movie Review: The Fourth Kind
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<b>Nov 06, 2009 </b></td>
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<p>
<i><a href="http://www.movieretriever.com/movies/1702937/The%20Fourth%20Kind">The Fourth Kind</a> </i>starts with star <a href="http://www.movieretriever.com/castandcredits/13495/Milla-Jovovich">Milla Jovovich</a> walking toward the screen, introducing herself, and explaining what will be one of the most unusual and misguided film structures of the year. The film, written and directed by <a href="http://www.movieretriever.com/castandcredits/94671/Olatunde-Osunsanmi">Olatunde Osunsanmi</a> (and somewhat co-starring the filmmaker too, but we'll get to that), purports to tell the true story of some mysterious occurrences that happened in the fall of 2000 in Nome, Alaska. To do so, Osunsanmi liberally uses split-screen, showing &quot;real footage&quot; from psychology sessions and even police video on one side and <a href="http://www.movieretriever.com/blog/492/movie-review-the-fourth-kind
/1702937">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Nov 2009 10:11:25 -0500</pubDate>
<link>http://www.movieretriever.com/blog/492/movie-review-the-fourth-kind
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<title>Movie Review: The Box
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<b>Nov 06, 2009 </b></td>
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<p>
The ads for <a href="http://www.movieretriever.com/movies/1702933/The%20Box"><i>The Box</i></a> really should say &quot;From the writer/director of <a href="http://www.movieretriever.com/movies/1682752/Donnie-Darko"><i>Donnie Darko</i></a> and <a href="http://www.movieretriever.com/movies/1696386/Southland-Tales"><i>Southland Tales</i></a>&quot; just so audiences know what they're about to experience. For some reason, given the commercial failure of <i>Tales</i> and the relatively straightforward commercials for <i>The Box,</i> I assumed that <a href="http://www.movieretriever.com/castandcredits/81415/Richard-Kelly">Richard Kelly</a>'s third film would feature the director more &quot;reined in&quot; and constricted by an audience-pleasing thriller. I was both right and wrong. Kelly's <i>The Box</i> features enough of the filmmaker's brand of David Lynch-ian lunacy that I expect it will completely turn off <a href="http://www.movieretriever.com/blog/491/movie-review-the-box
/1702933">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Nov 2009 09:51:20 -0500</pubDate>
<link>http://www.movieretriever.com/blog/491/movie-review-the-box
/1702933</link>
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<title>Movie Review: Precious: Based on the Novel &quot;Push&quot; by Sapphire
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<b>Nov 06, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/95652/Lee-Daniels">Lee Daniels</a>' <a href="http://www.movieretriever.com/movies/1702942/Precious:%20Based%20on%20the%20Novel%20%27Push%27%20by%20Sapphire#more_about"><i>Precious: Based on the Novel “Push” by Sapphire</i></a> ends with a dedication that the film is for &quot;precious girls everywhere.&quot; The words will resonate with legions of fans of this tragic true story – women and even men who will identify with a devastating tale of rising above abuse, poverty, addiction, and seemingly insurmountable odds. Bleak, depressing, and shockingly brutal, <i>Precious</i> is the &quot;feel-bad feel-good&quot; movie of the year. It's a
film designed to pummel you with a situation that would send most
humans into a weeping fetal position but to then <a href="http://www.movieretriever.com/blog/490/movie-review-precious-based-on-the-novel-push-by-sapphire
/1702942">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Nov 2009 09:32:31 -0500</pubDate>
<link>http://www.movieretriever.com/blog/490/movie-review-precious-based-on-the-novel-push-by-sapphire
/1702942</link>
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<title>Movie Review: A Christmas Carol
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<b>Nov 05, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/15467/Robert-Zemeckis">Robert Zemeckis</a>' soulless take on the Charles Dickens' classic <a href="http://www.movieretriever.com/movies/1701642/A%20Christmas%20Carol"><i>A Christmas Carol</i></a> never once justifies its existence, displaying so many awful behind-the-scenes decisions that it's almost hard to believe that so many talented people were involved in its production. Nearly every design element of Zemeckis' third motion capture film (after <a href="http://www.movieretriever.com/movies/1689005/The-Polar-Express"><i>The Polar Express</i></a> and <i><a href="http://www.movieretriever.com/movies/1696376/Beowulf">Beowulf</a>,</i> both of which had their flaws but look like absolute masterpieces next to this disaster) is just plain wrong and the overall aesthetic of the film is remarkably annoying. As the film progressed, I found <a href="http://www.movieretriever.com/blog/489/movie-review-a-christmas-carol
/1701642">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 05 Nov 2009 14:41:55 -0500</pubDate>
<link>http://www.movieretriever.com/blog/489/movie-review-a-christmas-carol
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<title>Interview with Martin Landau
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<b>Nov 02, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/8465/Landau-Martin">Martin Landau</a> is a living legend. He recently flew into Chicago with two films to present at the 45th Chicago International Film Festival, a remastered print of <a href="http://www.movieretriever.com/movies/390880/North-by-Northwest"><i>North by Northwest</i></a> and a new drama entitled <i>Lovely, Still</i>. The former is now available on Blu-ray (release date: November 3rd, 2009). The latter is a small film co-starring <a href="http://www.movieretriever.com/castandcredits/3453/Burstyn-Ellen">Ellen Burstyn</a> about an elderly romance with a twist.





Landau is still working harder and more consistently than most actors half his age. We were honored to have a one-on-one with the Oscar-winning actor and covered <a href="http://www.movieretriever.com/blog/488/interview-with-martin-landau
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 02 Nov 2009 17:29:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/488/interview-with-martin-landau
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<title>Movie Review: Bronson
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<b>Oct 30, 2009 </b></td>
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<p>
The viciously dark and violent <a href="http://www.movieretriever.com/movies/1702903/Bronson"><i>Bronson</i></a> is an exercise of style over substance that sometimes connects on a purely visceral level but is ultimately as shallow and single-minded as its insane protagonist. The title character is a legend in the British prison system, having spent a large majority of his life not just behind bars but in solitary confinement. Michael Peterson, who later renamed himself Bronson after his movie hero, was born into a middle-class family and very little history or background is given about what made him so undeniably insane. It's refreshing <a href="http://www.movieretriever.com/blog/487/movie-review-bronson
/1702903">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Oct 2009 14:59:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/487/movie-review-bronson
/1702903</link>
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<title>Movie Review: Amelia
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<b>Oct 23, 2009 </b></td>
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<p>
If <a href="http://www.movieretriever.com/castandcredits/47773/Hilary-Swank">Hilary Swank</a> and <a href="http://www.movieretriever.com/castandcredits/10506/Richard-Gere">Richard Gere</a> had been born sixty years earlier, I imagine that <i><a href="http://www.movieretriever.com/movies/1702527/Amelia">Amelia</a>,</i> the biopic of Amelia Earhart in which they star, would have come out nearly the same way. And it would have been a purely so-so movie then too. <i>Amelia</i> is one of those films that doesn't necessarily do that much wrong that it’s worth getting fired up about like the truly worst films of the year. It’s not even the worst film released this week. It looks good, the performances are interesting, and it features <a href="http://www.movieretriever.com/blog/485/movie-review-amelia
/1702527">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 23 Oct 2009 00:03:10 -0400</pubDate>
<link>http://www.movieretriever.com/blog/485/movie-review-amelia
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<title>Movie Review: An Education
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<b>Oct 23, 2009 </b></td>
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<p>
We all have at least one moment in our lives when we are presented with a concrete, well-defined fork in the road. If you don't have one, you simply haven't reached it yet. It can be something as simple as whether or not to go out on a second date with the person who would eventually become your spouse or something as huge as moving out of your hometown instead of choosing to stay in the same zip code in which you were born. <a href="http://www.movieretriever.com/movies/1702528/An-Education"><i>An Education</i></a> is about a time in a young <a href="http://www.movieretriever.com/blog/484/movie-review-an-education
/1702528">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 23 Oct 2009 00:02:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/484/movie-review-an-education
/1702528</link>
<guid>http://www.movieretriever.com/blog/484/movie-review-an-education
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<title>Movie Review: Antichrist
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<b>Oct 23, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/24595/Lars-von%20Trier">Lars von Trier</a>'s <a href="http://www.movieretriever.com/movies/1701793/Antichrist"><i>Antichrist</i></a> divides this critic nearly as much as any film in years. That alone probably makes some our readership interested in it and it's tempting to say that everyone should see this radically polarizing film for themselves and form their own opinion. Well, then isn't that a recommendation of sorts? Is it possible to say that a film ultimately fails but that it does so in an ambitious, interesting way that nearly makes it worth seeing? And then how do you grade such a film? <i>Antichrist</i> is unlike anything <a href="http://www.movieretriever.com/blog/483/movie-review-antichrist
/1701793">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 23 Oct 2009 00:02:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/483/movie-review-antichrist
/1701793</link>
<guid>http://www.movieretriever.com/blog/483/movie-review-antichrist
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<title>Movie Review: Cirque du Freak: The Vampire's Assistant
</title>
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<b>Oct 23, 2009 </b></td>
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<p>
The unwieldy and odd title to <a href="http://www.movieretriever.com/movies/1702543/The-Vampire%27s-Assistant"><i>Cirque du Freak: The Vampire's Assistant</i></a> should tell you what you need to know about the film that bears its name – it's just not quite right. There are elements of <a href="http://www.movieretriever.com/castandcredits/63153/Paul-Weitz">Paul Weitz</a>'s film, based on the first two books of a series by Darren Shan, that come together effectively, but the entire film ultimately mistakes being manic for being interesting and being inconsistent for being quirky and eccentric. With a plot that plays like what I imagine 1980s <a href="http://www.movieretriever.com/castandcredits/17701/Burton-Tim">Tim Burton</a> might have attempted with <a href="http://www.movieretriever.com/blog/482/movie-review-cirque-du-freak-the-vampires-assistant
/1702543">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 23 Oct 2009 00:01:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/482/movie-review-cirque-du-freak-the-vampires-assistant
/1702543</link>
<guid>http://www.movieretriever.com/blog/482/movie-review-cirque-du-freak-the-vampires-assistant
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<title>Movie Review: Motherhood
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<b>Oct 23, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/12619/Uma-Thurman">Uma Thurman</a>, recently in the Windy City for the Chicago International Film Festival, has been telling reporters that the reason she was interested in starring in <a href="http://www.movieretriever.com/castandcredits/73550/Katherine-Dieckmann">Katherine Dieckmann</a>'s <a href="http://www.movieretriever.com/movies/1702535/Motherhood"><i>Motherhood</i></a> is because there haven't been enough films made about
the day-to-day life of the modern matriarch. That's an undeniable fact.
If there's a major character in a film and the identification of her as
a mother is a crucial part of the story then it's almost certain that
she's either going to die in a touching hospital bed scene or turn into
“Mommie Dearest.” We need more <a href="http://www.movieretriever.com/blog/481/movie-review-motherhood
/1702535">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 23 Oct 2009 00:01:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/481/movie-review-motherhood
/1702535</link>
<guid>http://www.movieretriever.com/blog/481/movie-review-motherhood
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<title>Movie Review: Ong Bak 2: The Beginning
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<b>Oct 23, 2009 </b></td>
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<p>
If I was still an impressionable young man more easily swayed by the martial arts skills of the cinematic heroes of my youth like <a href="http://www.movieretriever.com/castandcredits/1537/Lee-Bruce">Bruce Lee</a> then I think I might have a <a href="http://www.movieretriever.com/castandcredits/91040/Jaa-Tony">Tony Jaa</a> poster on my wall. Honestly, the guy totally kicks ass. Despite rumors of the actor/director losing his mind in the Cambodian jungles a la <a href="http://www.movieretriever.com/castandcredits/3860/Francis-Ford-Coppola">Coppola</a> on <i><a href="http://www.movieretriever.com/movies/584930/Apocalypse-Now">Apocalypse Now</a>,</i> the film that resulted, <i>Ong Bak 2: The Beginning</i>
features an international star at the top of his particular game right
now, delivering continuously impressive vehicles for his gritty, <a href="http://www.movieretriever.com/blog/480/movie-review-ong-bak-2-the-beginning
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 23 Oct 2009 00:00:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/480/movie-review-ong-bak-2-the-beginning
</link>
<guid>http://www.movieretriever.com/blog/480/movie-review-ong-bak-2-the-beginning
</guid>
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<title>Interview with Lone Scherfig, Director of An Education
</title>
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<b>Oct 22, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/80021/Lone-Scherfig">Lone Scherfig</a>’s <a href="http://www.movieretriever.com/movies/1702528/An-Education"><i>An Education</i></a> is easily one of my favorite films of the year and it’s in no small part because of the masterful direction from this talented Danish filmmaker. One of many things that works so perfectly in this coming-of-age film about a young lady named Jenny (<a href="http://www.movieretriever.com/castandcredits/92912/Carey-Mulligan">Carey Mulligan</a>) who falls for an older man (<a href="http://www.movieretriever.com/castandcredits/63024/Peter-Sarsgaard">Peter Sarsgaard</a>) in 1962 London, besides <a href="http://www.movieretriever.com/castandcredits/73507/Nick-Hornby">Nick Hornby</a>’s fantastic screenplay, is that the entire ensemble registers. Mulligan gives the best performance of the year and the overall ensemble – Sarsgaard, <a href="http://www.movieretriever.com/castandcredits/280/Alfred-Molina">Alfred Molina</a>, <a href="http://www.movieretriever.com/blog/476/interview-with-lone-scherfig-director-of-an-education
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 22 Oct 2009 17:18:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/476/interview-with-lone-scherfig-director-of-an-education
</link>
<guid>http://www.movieretriever.com/blog/476/interview-with-lone-scherfig-director-of-an-education
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<title>Interview with Willem Dafoe, Star of Antichrist
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<b>Oct 21, 2009 </b></td>
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The legendary <a href="http://www.movieretriever.com/castandcredits/13021/Willem-Dafoe">Willem Dafoe</a> recently sat down for a one-on-one interview on the day that his controversial <a href="http://www.movieretriever.com/movies/1701793/Antichrist"><i>Antichrist</i></a> from director <a href="http://www.movieretriever.com/castandcredits/24595/Lars-von%20Trier">Lars von Trier</a> was playing at the 45th Chicago International Film Festival. Since its Cannes debut, <i>Antichrist</i> has stirred up controversy with its raw, graphic depiction of a couple in emotional freefall after the death of their child. Dafoe gives yet another fearless performance, a great turn in a career full of them. In person, Dafoe is rivetingly intellectual and fascinating to talk to. We merely skimmed the surface of his <a href="http://www.movieretriever.com/blog/474/interview-with-willem-dafoe-star-of-antichrist
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 21 Oct 2009 16:01:45 -0400</pubDate>
<link>http://www.movieretriever.com/blog/474/interview-with-willem-dafoe-star-of-antichrist
</link>
<guid>http://www.movieretriever.com/blog/474/interview-with-willem-dafoe-star-of-antichrist
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<title>Movie Review: Trucker
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<b>Oct 21, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/111426/James-Mottern">James Mottern</a>'s <a href="http://www.movieretriever.com/movies/1702920/Trucker"><i>Trucker</i></a> features spectacular performances but these excellent actors are required to do too much heavy lifting with a script that plays out too predictably to be effective. Anyone who has spent time with their TV sets tuned to The Sundance Chanel could practically write every scene and character arc in <i>Trucker</i> from the plot description alone. But if a film is predictable does that make it bad? Yes. There should have been a few more moments in <i>Trucker</i> that didn't feel cribbed from &quot;Independent Drama 101,&quot; but it seems clear <a href="http://www.movieretriever.com/blog/471/movie-review-trucker
/1702920">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Wed, 21 Oct 2009 11:08:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/471/movie-review-trucker
/1702920</link>
<guid>http://www.movieretriever.com/blog/471/movie-review-trucker
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<title>Live Blog from the CLF Movieathon
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<b>Oct 16, 2009 </b></td>
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<p>
Welcome to the annual MovieRetriever.com live blog of the Children Leukemia Foundation of Michigan's yearly Hollywood Nights 24-hour movie-a-thon! Every year, our fearless editorial staff ventures out to this movie lover's dream event, questing to endure a full day of non-stop movies all for the good of charity (and our OCD love of all things film-ish).

</p>
<p>

If you'd like to donate to our cause, please click <a href="http://www.movieretriever.com/blog/439/can-movieretrievercom-endure-24-hours-of-movies-for-a-good-cause-help-us-fight-leukemia-on-october-16th">here</a> to donate and we'll be updating throughout the day to give you updates on the quality of the movies and our deteriorating mental states.

</p>
<p>

Per usual, the team <a href="http://www.movieretriever.com/blog/470/live-blog-from-the-clf-movieathon
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 16 Oct 2009 10:09:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/470/live-blog-from-the-clf-movieathon
</link>
<guid>http://www.movieretriever.com/blog/470/live-blog-from-the-clf-movieathon
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<title>Movie Review: Law Abiding Citizen
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<b>Oct 16, 2009 </b></td>
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<p>
A film that plays like <a href="http://www.movieretriever.com/movies/1653273/Seven"><i>Seven</i></a> rewritten by The Jigsaw Killer, <a href="http://www.movieretriever.com/movies/1702532/Law%20Abiding%20Citizen"><i>Law Abiding Citizen</i></a> is an absolutely reprehensible, illogical, and poorly made thriller that raises more questions than it answers. Aside from a mountain of plot hole questions that arise from one of the most ridiculous scripts in a very long time, the main question I have about <i>Law Abiding Citizen</i> is simple – how did relatively talented people like <a href="http://www.movieretriever.com/castandcredits/61921/Gerard-Butler">Gerard Butler</a>, <a href="http://www.movieretriever.com/castandcredits/55285/Jamie-Foxx">Jamie Foxx</a>, and <a href="http://www.movieretriever.com/castandcredits/83857/Viola-Davis">Viola Davis</a> get involved in this mess? It's the kind of disastrously bad screenplay <a href="http://www.movieretriever.com/blog/469/movie-review-law-abiding-citizen
/1702532">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Oct 2009 07:27:43 -0400</pubDate>
<link>http://www.movieretriever.com/blog/469/movie-review-law-abiding-citizen
/1702532</link>
<guid>http://www.movieretriever.com/blog/469/movie-review-law-abiding-citizen
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<title>Movie Review: Where the Wild Things Are
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<b>Oct 16, 2009 </b></td>
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<p>
Whatever you think of the final product, <a href="http://www.movieretriever.com/castandcredits/64695/Spike-Jonze">Spike Jonze</a>'s highly anticipated and already divisive adaptation of Maurice Sendak's beloved <a href="http://www.movieretriever.com/movies/1701683/Where-the-Wild-Things-Are"><i>Where the Wild Things Are</i></a> is undeniably one of the most remarkably ambitious films in years. Instead of literally adapting Sendak's book, something that would have run about six minutes, Jonze and co-writer <a href="http://www.movieretriever.com/castandcredits/109581/Dave-Eggers">Dave Eggers</a> (and collaborator/star <a href="http://www.movieretriever.com/castandcredits/16188/Catherine-Keener">Catherine Keener</a>) have tried to recreate the feelings, emotions, and intangibles associated with it. Remember the way the book made you feel? That’s the movie they’re trying to make, not just another kid’s flick.

</p>


	
	
	
	
	
	
	


<p>
To <a href="http://www.movieretriever.com/blog/468/movie-review-where-the-wild-things-are
/1701683">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Oct 2009 07:09:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/468/movie-review-where-the-wild-things-are
/1701683</link>
<guid>http://www.movieretriever.com/blog/468/movie-review-where-the-wild-things-are
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<title>Movie Review: New York, I Love You
</title>
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<b>Oct 16, 2009 </b></td>
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<p>
Continuing the interesting artistic construct of the much better <i><a href="http://www.movieretriever.com/movies/1694607/Paris,-je-t%27aime">Paris je'taime</a>, <a href="http://www.movieretriever.com/movies/1702536/New-York,-I-Love-You">New York, I Love You</a></i> features directors from around the world linking what is
essentially a series of short films about the city that is still
arguably the center of the universe. The idea of a bringing a melting
pot of cinematic voices together to tell the stories of the greatest
multi-cultural cities in America is a fascinating one but <i>New York, I Love You</i> not only fails to come together as a complete film but absolutely wastes the opportunity to actually portray the beating <a href="http://www.movieretriever.com/blog/467/movie-review-new-york-i-love-you
/1702536">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 16 Oct 2009 07:07:41 -0400</pubDate>
<link>http://www.movieretriever.com/blog/467/movie-review-new-york-i-love-you
/1702536</link>
<guid>http://www.movieretriever.com/blog/467/movie-review-new-york-i-love-you
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<title>Interview with Spike Jonze, Catherine Keener, and Max Records of Where the Wild Things Are
</title>
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<b>Oct 14, 2009 </b></td>
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<p>
On the day before a charity screening of <a href="http://www.movieretriever.com/movies/1701683/Where%20the%20Wild%20Things%20Are"><i>Where the Wild Things Are</i></a>, writer/director <a href="http://www.movieretriever.com/castandcredits/64695/Spike-Jonze">Spike Jonze</a>, star <a href="http://www.movieretriever.com/castandcredits/109685/Max-Records">Max Records</a>, and star (and so much more) <a href="http://www.movieretriever.com/castandcredits/16188/Catherine-Keener">Catherine Keener</a> sat down with us (and Adam Fendelman of <a href="http://www.hollywoodchicago.com/" target="_blank">HollywoodChicago.com</a>) to discuss their highly anticipated and already controversial adaptation of the beloved Maurice Sendak classic. The lively conversation shot around the room with Jonze starting off by asking his interviewers questions and everyone becoming involved in what felt more like a discussion than a typical Q&amp;A session. Jonze and Records sat on <a href="http://www.movieretriever.com/blog/464/interview-with-spike-jonze-catherine-keener-and-max-records-of-where-the-wild-things-are
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 14 Oct 2009 16:20:48 -0400</pubDate>
<link>http://www.movieretriever.com/blog/464/interview-with-spike-jonze-catherine-keener-and-max-records-of-where-the-wild-things-are
</link>
<guid>http://www.movieretriever.com/blog/464/interview-with-spike-jonze-catherine-keener-and-max-records-of-where-the-wild-things-are
</guid>
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<title>Movie Review: Mary and Max
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<b>Oct 14, 2009 </b></td>
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<p>
Adam Elliott's <i>Mary and Max</i> is the most surprisingly moving film of the year, an experience that literally knocked me back as it brought tears to my eyes. This year is proving to be the year where traditionally family-oriented forms are used to tell stories that arguably appeal more to adults than kids with films like <i><a href="http://www.movieretriever.com/movies/1700109/Coraline">Coraline</a>, <a href="http://www.movieretriever.com/movies/1701683/Where-the-Wild-Things-Are">Where the Wild Things Are</a>,</i> and <a href="http://www.movieretriever.com/movies/1701485/9-"><i>9</i></a>. <i>Mary and Max</i> is claymation that is, even more than those other films, undeniably for grown-ups or young adults. This is bittersweet, dark, serious screenwriting with two <a href="http://www.movieretriever.com/blog/463/movie-review-mary-and-max
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 14 Oct 2009 09:46:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/463/movie-review-mary-and-max
</link>
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<title>The Ten Greatest Films of Joel and Ethan Coen
</title>
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<b>Oct 12, 2009 </b></td>
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<p>
As <a href="http://www.movieretriever.com/castandcredits/14843/Joel-Coen">Joel</a> and <a href="http://www.movieretriever.com/castandcredits/14844/Ethan-Coen">Ethan Coen</a> bask in the glow of another critical darling with the brilliant <i><a href="http://www.movieretriever.com/movies/1702541/A-Serious-Man">A Serious Man</a>, </i>we thought it might be time to look back over the quarter-century of filmmaking that these two amazing filmmakers have already produced and rank their already-beloved output. Yes, they've only directed fourteen films. So, the challenge is not narrowing a list of films down to ten but ranking them. And it's far more challenging with the Coens than you might expect.
</p>
<p>
&nbsp;
</p>




Joel and Ethan Coen on the set of <i>A Serious Man</i>. 



The <a href="http://www.movieretriever.com/blog/462/the-ten-greatest-films-of-joel-and-ethan-coen
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 12 Oct 2009 14:46:37 -0400</pubDate>
<link>http://www.movieretriever.com/blog/462/the-ten-greatest-films-of-joel-and-ethan-coen
</link>
<guid>http://www.movieretriever.com/blog/462/the-ten-greatest-films-of-joel-and-ethan-coen
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<title>Movie Review: Paranormal Activity
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<b>Oct 12, 2009 </b></td>
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<p>
Comparing a movie to the incredibly divisive <a href="http://www.movieretriever.com/movies/1676825/The-Blair-Witch-Project"><i>The Blair Witch Project</i></a> will often earn a critic derisive snorts. And yet it's impossible to ignore the comparison when talking about the highly buzzed <i><a href="http://www.movieretriever.com/movies/1703148/Paranormal%20Activity">Paranormal Activity</a>.</i> Ten years since <i>Blair Witch,</i> here comes another independently made, super-cheap, handheld camera film that is clearly a blockbuster in the making. And just as <i>Blair Witch</i> cleverly played with marketing and buzz by pretending to be based on a true story, Paramount has brilliantly pitched <i>Paranormal Activity</i> as a viral movie, a film that they've played in <a href="http://www.movieretriever.com/blog/461/movie-review-paranormal-activity
/1703148">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 12 Oct 2009 11:36:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/461/movie-review-paranormal-activity
/1703148</link>
<guid>http://www.movieretriever.com/blog/461/movie-review-paranormal-activity
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<title>Movie Review: A Serious Man
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<b>Oct 09, 2009 </b></td>
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<p>
How do we handle adversity? When life hands you serious crisis, what do you turn to for answers to your existential questions? Many, many people turn to faith but what do we do when that is inadequate? Faith, by its very definition, relies on believing that the hardships that befall us are happening for a reason that we will never know. It's some “higher plan.” And yet, we are asked to live good, moral lives while it feels like forces are working against us. <a href="http://www.movieretriever.com/movies/1702541/A-Serious-Man"><i>A Serious Man</i></a> is about a math teacher, a <a href="http://www.movieretriever.com/blog/460/movie-review-a-serious-man
/1702541">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Oct 2009 00:04:15 -0400</pubDate>
<link>http://www.movieretriever.com/blog/460/movie-review-a-serious-man
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<title>Movie Review: Couples Retreat
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<b>Oct 09, 2009 </b></td>
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<p>
The script for the increasingly intolerable <a href="http://www.movieretriever.com/movies/1702531/Couples-Retreat"><i>Couples Retreat</i></a> plays like a rejected November sweeps episode of <i>According to Jim</i> with the nauseating couples from that affront to comedy replaced by celebrities <a href="http://www.movieretriever.com/castandcredits/55718/Vaughn-Vince">Vince Vaughn</a>, <a href="http://www.movieretriever.com/castandcredits/5574/Bateman-Jason">Jason Bateman</a>, <a href="http://www.movieretriever.com/castandcredits/46864/Favreau-Jon">Jon Favreau</a>, <a href="http://www.movieretriever.com/castandcredits/97200/Akerman-Malin">Malin Akerman</a>, <a href="http://www.movieretriever.com/castandcredits/94052/Kristen-Bell">Kristen Bell</a>, <a href="http://www.movieretriever.com/castandcredits/31984/Davis-Kristin">Kristin Davis</a>, <a href="http://www.movieretriever.com/castandcredits/41629/Love-Faizon">Faizon Love</a>, and <a href="http://www.movieretriever.com/castandcredits/111780/Hawk-Kali">Kali Hawk</a>. Like a couple headed for divorce, <i>Couples Retreat</i> starts promisingly, goes through a few bumpy patches, and ends in a final act so unfunny, poorly made, and ill-conceived that it nearly approaches &quot;so bad you should see <a href="http://www.movieretriever.com/blog/459/movie-review-couples-retreat
/1702531">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Oct 2009 00:03:37 -0400</pubDate>
<link>http://www.movieretriever.com/blog/459/movie-review-couples-retreat
/1702531</link>
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<title>Movie Review: Fuel
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<b>Oct 09, 2009 </b></td>
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<p>
And you thought <a href="http://www.movieretriever.com/castandcredits/49209/Moore-Michael">Michael Moore</a>'s documentaries were depressing? Welcome to <i><a href="http://www.movieretriever.com/movies/1703147/Fuel">Fuel</a>,</i> a brutal, in-your-face, personal examination of our country's reliance on oil. The subject is undeniably an important one. Oil is intrinsically linked to nearly everything you do from the car that you drive to work to the heat that you feel when you get there and well, well beyond. If you don’t know that yet, you’re simply not paying attention. And the signs that we need to pull back the throttle on our demand for oil are well-documented and important. But <a href="http://www.movieretriever.com/blog/458/movie-review-fuel
/1703147">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Oct 2009 00:02:03 -0400</pubDate>
<link>http://www.movieretriever.com/blog/458/movie-review-fuel
/1703147</link>
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<title>Interview with Michael Stuhlbarg, Star of A Serious Man
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<b>Oct 08, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/68574/Michael-Stuhlbarg">Michael Stuhlbarg</a> is already well-known to the theater community, building an award-winning stage resume. He has appeared in a few small film and television roles, but he has what is easily his breakthrough role this month as Larry Gopnik, the lead in <i><a href="http://www.movieretriever.com/movies/1702541/A-Serious-Man">A Serious Man</a>,</i> the new film from the Coen brothers (<a href="http://www.movieretriever.com/castandcredits/14843/Joel-Coen">Joel</a> and <a href="http://www.movieretriever.com/castandcredits/14844/Ethan-Coen">Ethan</a>). After his wife asks for a “Get” (a Jewish divorce), Larry is sent spiraling into a spiritual crisis in this personal, clever dramedy from two of our most important filmmakers. In person, Stuhlbarg is a <a href="http://www.movieretriever.com/blog/455/interview-with-michael-stuhlbarg-star-of-a-serious-man
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 08 Oct 2009 10:39:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/455/interview-with-michael-stuhlbarg-star-of-a-serious-man
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<title>Movie Review: Capitalism: A Love Story
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<b>Oct 03, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/49209/Michael-Moore">Michael Moore</a>’s has  always taken on some pretty meaty social issues in his films. He started with an exploration of the vanishing American middle class in <i><a href="http://www.movieretriever.com/movies/1044092/Roger-&amp;-Me">Roger &amp; Me</a>,</i> continued with a rather rudimentary look at evil of corporate America in <i><a href="http://www.movieretriever.com/movies/1671370/The-Big-One">The Big One</a>,</i> seemed to hit his creative stride with the superb indictment of America’s affinity for firearms – <i><a href="http://www.movieretriever.com/movies/1685990/Bowling-for-Columbine">Bowling for Columbine</a>,</i> then called for action against the Bush administration’s questionable practices in <i><a href="http://www.movieretriever.com/movies/1687950/Fahrenheit-9/11">Fahrenheit 9/11</a>,</i> until finally trying to dissect and reinvent American health care with <i><a <a href="http://www.movieretriever.com/blog/452/movie-review-capitalism-a-love-story
/1702530">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 03 Oct 2009 15:42:04 -0400</pubDate>
<link>http://www.movieretriever.com/blog/452/movie-review-capitalism-a-love-story
/1702530</link>
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<title>Movie Review: The Invention of Lying
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<b>Oct 02, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/92455/Ricky-Gervais">Ricky Gervais</a> the writer crams so many concepts and clever ideas into <a href="http://www.movieretriever.com/movies/1701428/The-Invention-of-Lying"><i>The Invention of Lying</i></a> that Ricky Gervais the director and actor aren't quite sure what to do with them. The script for this unusual and witty comedy is undeniably ambitious and interesting but the film that results from it moves at an awkward, stuttering pace, and never builds like it might have under the guidance of a more expert comedy director. Nearly Charlie Kaufman-esque in its presentation of a world just slightly but crucially askew from our own, <i>The Invention <a href="http://www.movieretriever.com/blog/451/movie-review-the-invention-of-lying
/1701428">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 02 Oct 2009 15:31:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/451/movie-review-the-invention-of-lying
/1701428</link>
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<title>Movie Review: Zombieland
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<b>Oct 02, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/movies/1702545/Zombieland"><i>Zombieland</i></a> is easily one of the most enjoyable films of the year, one of the rare 2009 offerings that can honestly be called a thrill ride and the most flat-out fun horror/comedy since <i><a href="http://www.movieretriever.com/movies/1688141/Shaun-of-the-Dead">Shaun of the Dead</a>,</i> a film it actually deserves to stand just under if not next to in the history of the sub-genre. Destined to have a loyal following that buys Tallahassee action figures and anxiously awaits the announcement of the inevitable sequel, <i>Zombieland</i> is one of the biggest surprises of the year. Wonderfully dark, perfectly paced, beautifully cast, <a href="http://www.movieretriever.com/blog/450/movie-review-zombieland
/1702545">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 02 Oct 2009 00:03:10 -0400</pubDate>
<link>http://www.movieretriever.com/blog/450/movie-review-zombieland
/1702545</link>
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<title>Movie Review: Whip It
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<b>Oct 02, 2009 </b></td>
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<p>
How much credit you give for a film with &quot;its heart in the right place&quot; over unpredictability, originality, or even an unflawed ensemble will determine how much you like <a href="http://www.movieretriever.com/castandcredits/3156/Drew-Barrymore">Drew Barrymore</a>'s directorial debut, <i><a href="http://www.movieretriever.com/movies/1702544/Whip-It">Whip It</a>.</i> Do you give the ugly duckling more leeway because it's got the right soul and the right passion for the game? In other words, are you the kind of sports watcher who cheers for the player that resembles Rudy because you really like to root for the underdog and ignore the fact that Rudy’s not really that <a href="http://www.movieretriever.com/blog/449/movie-review-whip-it
/1702544">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 02 Oct 2009 00:02:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/449/movie-review-whip-it
/1702544</link>
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<title>Movie Review: Big Fan
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<b>Oct 02, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/26371/Siegel-Robert">Robert Siegel'</a>s <i>Big Fan</i> is a dark, daring drama that could be described as a &quot;<i>Taxi Driver</i>-esque” variation on the crazy world of sports fandom but the film isn't nearly that disturbing, nor is it meant to be. <a href="http://www.movieretriever.com/castandcredits/87427/Oswalt-Patton">Patton Oswalt</a>'s Paul Aufiero certainly has his social and emotional demons, but he'd be the first to tell you that he's generally harmless. He's like a lot of guys out there in his unwillingness to see anything beyond his favorite sports team, the New York Giants. Siegel (the writer of <a href="http://www.movieretriever.com/movies/1699494/The-Wrestler"><i>The Wrestler</i></a> and <a href="http://www.movieretriever.com/blog/448/movie-review-big-fan
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 02 Oct 2009 00:00:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/448/movie-review-big-fan
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<title>
Interview with Woody Harrelson &amp; Jesse Eisenberg, Stars of Zombieland

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<b>Oct 01, 2009 </b></td>
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<a href="http://www.movieretriever.com/castandcredits/16163/Woody-Harrelson">Woody Harrelson</a> and <a href="http://www.movieretriever.com/castandcredits/83705/Jesse-Eisenberg">Jesse Eisenberg</a> survived the waking dead in the great <a href="http://www.movieretriever.com/movies/1702545/Zombieland"><i>Zombieland</i></a> but could they survive a junket with five Chicago writers at one round table? Seriously, the stars have the same ridiculously potent chemistry in person as they do on-screen in the film that the production notes perfectly captured as “<i>Midnight Run</i> with zombies.” The buddy element of <i>Zombieland</i> is just as important as the undead and Harrelson and Eisenberg are fantastic. They were both affable and interesting as five writers, all of whom loved the film, fired questions <a href="http://www.movieretriever.com/blog/444/
interview-with-woody-harrelson--jesse-eisenberg-stars-of-zombieland

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 01 Oct 2009 15:14:13 -0400</pubDate>
<link>http://www.movieretriever.com/blog/444/
interview-with-woody-harrelson--jesse-eisenberg-stars-of-zombieland

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interview-with-woody-harrelson--jesse-eisenberg-stars-of-zombieland

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<title>Interview with Michael Moore, Director of Capitalism: A Love Story
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<b>Sep 29, 2009 </b></td>
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<p>
Oscar-winning director <a href="http://www.movieretriever.com/castandcredits/49209/Moore-Michael">Michael Moore</a> is back with <a href="http://www.movieretriever.com/movies/1702530/Capitalism:-A-Love-Story"><i>Capitalism: A Love Story</i></a>, a film about the economic crisis currently facing our country. With a film that could be called a bookend to the twenty-year-old <i><a href="http://www.movieretriever.com/movies/1044092/Roger-&amp;-Me">Roger &amp; Me</a>,</i> Moore returns issues like unions, jobs, and brings the complexity of economic theory and the bailout to the multiplex. Moore sat down with us recently for a very exclusive interview and after introductions revealed that I was from the Detroit area as well, we started with a discussion of that endangered city.

</p>

<a href="http://www.movieretriever.com/blog/interviews"><i>by Brian Tallerico</i></a>






<b>**********</b>

<p>


<b>MovieRetriever: <a href="http://www.movieretriever.com/blog/443/interview-with-michael-moore-director-of-capitalism-a-love-story
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 29 Sep 2009 10:32:14 -0400</pubDate>
<link>http://www.movieretriever.com/blog/443/interview-with-michael-moore-director-of-capitalism-a-love-story
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<title>Movie Review: Surrogates
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<b>Sep 25, 2009 </b></td>
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<p>
Like <a href="http://www.movieretriever.com/movies/604370/Blade-Runner"><i>Blade Runner</i></a> re-imagined by a twelve-year-old, <a href="http://www.movieretriever.com/castandcredits/32635/Mostow-Jonathan">Jonathan Mostow</a>'s awful <i>Surrogates</i> posits a world where actual humans have been replaced by robot versions of themselves. People merely lie in their bedrooms hooked up to machines that go about their former lives but with no fear of disease, perfect (although oddly polished) skin, and the inability to face what truly makes us human – the fact that we're all eventually going to die. When a user unhooks from his surrogate, it merely shuts down. If I had had a surrogate to send to <a href="http://www.movieretriever.com/blog/442/movie-review-surrogates
/1701491">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Sep 2009 09:38:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/442/movie-review-surrogates
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<title>Movie Review: Bright Star
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<b>Sep 25, 2009 </b></td>
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<p>
I adore <a href="http://www.movieretriever.com/castandcredits/24945/Jane-Campion">Jane Campion</a>'s <i><a href="http://www.movieretriever.com/movies/1701647/Bright-Star">Bright Star</a>.</i> It's like a piece of poetry that just hits you in such the right way that you can see virtually no flaw in it. In fact, you don’t even try. Truly great poetry, including much of what was written by <i>Bright Star</i>'s subject John Keats, transcends dissection, explanation, or criticism. It just grabs something inside of you and connects on a deeper level. When people truly connect with the written word it doesn't necessarily do so with their brain as much as their heart or some <a href="http://www.movieretriever.com/blog/441/movie-review-bright-star
/1701647">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 25 Sep 2009 09:21:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/441/movie-review-bright-star
/1701647</link>
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<title>Interview with Jane Campion, Writer/Director of Bright Star
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<b>Sep 24, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/24945/Jane-Campion">Jane Campion</a>'s <a href="http://www.movieretriever.com/movies/1701647/Bright-Star"><i>Bright Star</i></a> is a gorgeous, beautiful romance, a story of love between the legendary John Keats (<a href="http://www.movieretriever.com/castandcredits/91480/Ben-Whishaw">Ben Whishaw</a>) and his muse, Fanny Brawne (<a href="http://www.movieretriever.com/castandcredits/94425/Abbie-Cornish">Abbie Cornish</a>). Co-starring <a href="http://www.movieretriever.com/castandcredits/39594/Fox-Kerry">Kerry Fox</a> and <a href="http://www.movieretriever.com/castandcredits/26757/Paul-Schneider">Paul Schneider</a>, <i>Bright Star</i> is a sumptuous period piece that doesn't feel like a costume drama. It is a timeless love story brought to life by an amazing screenplay by the writer and director of <a href="http://www.movieretriever.com/movies/1093600/The-Piano"><i>The Piano</i></a>. She sat down with us recently to discuss the film.


</p>

<a href="http://www.movieretriever.com/blog/interviews"><i>by Brian Tallerico</i></a>




<b>**********</b>

<p>
<b>
MovieRetriever: </b>When I was doing research, the <a href="http://www.movieretriever.com/blog/440/interview-with-jane-campion-writer/director-of-bright-star
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 24 Sep 2009 13:50:34 -0400</pubDate>
<link>http://www.movieretriever.com/blog/440/interview-with-jane-campion-writer/director-of-bright-star
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<title>Can MovieRetriever.com Endure 24 Hours of Movies for a Good Cause? Help Us Fight Leukemia on October 16th!
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<b>Sep 23, 2009 </b></td>
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The folks behind MovieRetriever.com are back raising money for the <a href="http://www.leukemiamichigan.org/">Children's Leukemia Foundation of Michigan</a> (one of our favorite charities) again this fall and we really need your help. We managed to collect just over $1,500 last year and we want to beat that this year! But we're getting ahead of ourselves aren't we? How about a little back story to set the mood?
<p>
Every year (for around five years running), the MovieRetriever.com Team participates in the Hollywood Nights Movie Marathon - 24 hours of non-stop movies at Emagine Theatre at Fountain Walk in <a href="http://www.movieretriever.com/blog/439/can-movieretrievercom-endure-24-hours-of-movies-for-a-good-cause-help-us-fight-leukemia-on-october-16th
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 23 Sep 2009 14:52:59 -0400</pubDate>
<link>http://www.movieretriever.com/blog/439/can-movieretrievercom-endure-24-hours-of-movies-for-a-good-cause-help-us-fight-leukemia-on-october-16th
</link>
<guid>http://www.movieretriever.com/blog/439/can-movieretrievercom-endure-24-hours-of-movies-for-a-good-cause-help-us-fight-leukemia-on-october-16th
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<title>Movie Review: Jennifer's Body
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<b>Sep 18, 2009 </b></td>
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<p>
<a href="http://www.movieretriever.com/castandcredits/87554/Megan-Fox">Megan Fox</a> is not the only reason that anyone will see <i><a href="http://www.movieretriever.com/movies/1701482/Jennifer%27s%20Body">Jennifer’s Body</a>,</i> but she is probably the main thing audiences will have in mind if they take a chance on this new feministic approach to the demon comes to high school and leaves death and destruction in its wake tale. In fact, if you’ve seen the trailer, you know that the film is being marketed as a half-naked demonic Megan Fox terrorizing a small town for 90 minutes story. While this might be enough to pull in the target audience of <a href="http://www.movieretriever.com/blog/437/movie-review-jennifers-body
/1701482">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 18 Sep 2009 17:30:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/437/movie-review-jennifers-body
/1701482</link>
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<title>Movie Review: The Burning Plain
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<b>Sep 18, 2009 </b></td>
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<p>
Guillermo Arriaga's <i>The Burning Plain</i> is a dull dirge of a film, a movie that employs the same circling narrative structure that the writer used far-more-effectively in <i>Babel, Amores Perros,</i> and <i>21 Grams,</i> but ends up feeling like nothing more than a very
well-made soap opera. I honestly believe that if you took apart the
criss-crossing narratives of Arriaga's earlier films and made them run
chronologically there would still be intriguing, interesting stories to
tell. The flashback/flashforward structure of those films actually
added to the storytelling, especially in <i>Babel,</i> where one of the
subjects of the film is difficulty in <a href="http://www.movieretriever.com/blog/436/movie-review-the-burning-plain
/1701676">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 18 Sep 2009 13:52:59 -0400</pubDate>
<link>http://www.movieretriever.com/blog/436/movie-review-the-burning-plain
/1701676</link>
<guid>http://www.movieretriever.com/blog/436/movie-review-the-burning-plain
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<title>Movie Review: The Informant!
</title>
<description><![CDATA[
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<b>Sep 18, 2009 </b></td>
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<td>
<p>
Steven Soderbergh's <i>The Informant! </i>reaffirms its creator's status as one of the most important American directors working today. Just as great performers find a new way to approach every role, Soderbergh rarely repeats himself. And just as great performers make roles completely their own, Soderbergh brings traditional stories to life in continuously unique, interesting ways. With a truly original script by Scott Z. Burns, <i>The Informant!</i> approaches what first feels like a previously well-told story and turns it into something fresh, new, hilarious, and memorable. One of the best films of the year to <a href="http://www.movieretriever.com/blog/435/movie-review-the-informant
/1701480">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 18 Sep 2009 00:10:18 -0400</pubDate>
<link>http://www.movieretriever.com/blog/435/movie-review-the-informant
/1701480</link>
<guid>http://www.movieretriever.com/blog/435/movie-review-the-informant
</guid>
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<title>Movie Review: Cloudy With a Chance of Meatballs
</title>
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<b>Sep 18, 2009 </b></td>
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<p>
<i>Cloudy With a Chance of Meatballs</i> is one of the most surprisingly clever and enjoyable family films of the year, a very funny slice of CGI whimsy with a perfect voice cast, interesting visual aesthetic, and even a heartwarming message that doesn't feel pounded down your throat like a hot-dog eating contest. As someone who has seen WAY too many useless, disposable, interchangeable kid's movie in the last few years (for every Pixar gem, there seem to be seven or eight complete wastes of time), it brings me great pleasure to say that <i>Cloudy <a href="http://www.movieretriever.com/blog/434/movie-review-cloudy-with-a-chance-of-meatballs
/1701468">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 18 Sep 2009 00:08:25 -0400</pubDate>
<link>http://www.movieretriever.com/blog/434/movie-review-cloudy-with-a-chance-of-meatballs
/1701468</link>
<guid>http://www.movieretriever.com/blog/434/movie-review-cloudy-with-a-chance-of-meatballs
</guid>
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<title>The Ten Greatest Films of Steven Soderbergh
</title>
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<b>Sep 16, 2009 </b></td>
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<td>
<p>
With <a href="http://www.movieretriever.com/castandcredits/18303/Steven-Soderbergh">Steven Soderbergh</a>'s latest slice of cinematic greatness hitting theaters this week in <a href="http://www.movieretriever.com/movies/1701480/The-Informant"><i>The Informant!</i></a>, we thought we'd take a look back at the amazing career of one of the most important filmmakers of the last two decades. With as impressive a range of films as anyone working today, what's remarkable about Soderbergh is his ability to go from completely mainstream blockbusters like the <i>Ocean's</i> franchise to much smaller films like <a href="http://www.movieretriever.com/movies/1691783/Bubble"><i>Bubble</i></a> to something in between like <a href="http://www.movieretriever.com/movies/1693189/The-Good-German"><i>The Good German</i></a> (cast was mainstream but concept was definitely not). He's completely <a href="http://www.movieretriever.com/blog/433/the-ten-greatest-films-of-steven-soderbergh
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 16 Sep 2009 16:43:44 -0400</pubDate>
<link>http://www.movieretriever.com/blog/433/the-ten-greatest-films-of-steven-soderbergh
</link>
<guid>http://www.movieretriever.com/blog/433/the-ten-greatest-films-of-steven-soderbergh
</guid>
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<title>Movie Review: The Baader Meinhof Complex
</title>
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<b>Sep 15, 2009 </b></td>
</tr>
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<td>
<p>
Sharing thematic commonalities with Steven Soderbergh's Che and Steve McQueen's <i>Hunger</i> from earlier this year, Uli Edel's <i>The Baader Meinhof Complex</i> is a detailed and brutal examination of the fact that there are no winners in a revolution. Refusing to take sides in his epic retelling of the saga of the RAF in the 1960s and 1970s, Edel has made a film that doesn't take sides or turn its revolutionary characters into martyrs or icons. With determined force, <i>The Baader Meinhof Complex </i>races through years of kidnappings, riots,
assassinations, hunger strikes, trials, and suicides. It <a href="http://www.movieretriever.com/blog/432/movie-review-the-baader-meinhof-complex
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Tue, 15 Sep 2009 15:41:31 -0400</pubDate>
<link>http://www.movieretriever.com/blog/432/movie-review-the-baader-meinhof-complex
</link>
<guid>http://www.movieretriever.com/blog/432/movie-review-the-baader-meinhof-complex
</guid>
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<title>Remembering Patrick Swayze: A Movie Trailer Retrospective
</title>
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<b>Sep 15, 2009 </b></td>
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<td>
<p>

The remarkably talented <a href="http://www.movieretriever.com/castandcredits/9705/Swayze-Patrick">Patrick Swayze</a>, one of the more popular movie stars from the 1980s and early 1990s and the actor who gave us the line “No one puts Baby in a corner,” died Monday, September 14 after a long battle with cancer at the young age of 57. With early turns in films like <a href="http://www.movieretriever.com/movies/690250/The-Outsiders"><i>The Outsiders</i></a> and <a href="http://www.movieretriever.com/movies/804950/Red-Dawn"><i>Red Dawn</i></a>, Swayze built an image as a sensitive tough guy. He took that role to new heights with <a href="http://www.movieretriever.com/movies/1075368/Point-Break"><i>Point Break</i></a> and the incredibly successful <i><a href="http://www.movieretriever.com/movies/944690/Dirty-Dancing">Dirty Dancing</a>.</i> A career-defining role in <a href="http://www.movieretriever.com/blog/431/remembering-patrick-swayze-a-movie-trailer-retrospective
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Tue, 15 Sep 2009 11:08:18 -0400</pubDate>
<link>http://www.movieretriever.com/blog/431/remembering-patrick-swayze-a-movie-trailer-retrospective
</link>
<guid>http://www.movieretriever.com/blog/431/remembering-patrick-swayze-a-movie-trailer-retrospective
</guid>
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<title>Movie Review: Whiteout
</title>
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<b>Sep 11, 2009 </b></td>
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<td>
<p>
 It took four people to write one of the most ridiculous, inane, dull scripts of the year for <i>Whiteout,</i> another entry in arguably the worst run of cinematic offerings in a
long time. Except for Quentin Tarantino's latest, the last few weeks
have been brutal with junk like <i>Shorts, The Final Destination, H2, All About Steve, </i>and <i>9</i>
littering the marketplace. Perhaps next year, the studios should just
take off a few weeks as kids are going back to school or simply admit
that they're unleashing their least wanted projects on paying
audiences. The latest unwanted child of Hollywood <a href="http://www.movieretriever.com/blog/430/movie-review-whiteout
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 11 Sep 2009 00:04:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/430/movie-review-whiteout
</link>
<guid>http://www.movieretriever.com/blog/430/movie-review-whiteout
</guid>
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<title>Movie Review: 9
</title>
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<b>Sep 09, 2009 </b></td>
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<td>
<p>
Shane Acker's <i>9</i> is a vision of a mesmerizing, terrifying, futuristic world that heralds a new voice in the world of computer animation ... for about two minutes. Then tricky things like plot, dialogue, character, and voice work come into the picture and <i>9</i> collapses like a sock puppet with no hand to guide it. At times nearly unbearable to sit through (even at under an hour-and-fifteen-minutes without credits), <i>9</i> is a complete disaster and anyone who tells you different is someone who likes the concept and isn't really looking at the final product. <a href="http://www.movieretriever.com/blog/427/movie-review-9
/1701485">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 09 Sep 2009 01:07:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/427/movie-review-9
/1701485</link>
<guid>http://www.movieretriever.com/blog/427/movie-review-9
</guid>
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<title>Interview with Bobcat Goldthwait, Writer/Director of World's Greatest Dad
</title>
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<b>Sep 08, 2009 </b></td>
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<td>
<a href="http://www.movieretriever.com/castandcredits/1323/Bob%28cat%29-Goldthwait">Bobcat Goldthwait</a> doesn't make movies for the masses. Love them or hate them, you have to respect that his films are not prepackaged creations designed to fit some concept of the popular aesthetic. Like any filmmaker, he wants to connect with an audience, but he is first and foremost interested in making films that he would want to see. Most great filmmakers are. Goldthwait’s <a href="http://www.movieretriever.com/movies/1701657/World%27s-Greatest-Dad"><i>World's Greatest Dad</i></a> is easily his best film to date and one that displays a confidence and awareness that comes with decades of moviemaking experience. He sat down <a href="http://www.movieretriever.com/blog/426/interview-with-bobcat-goldthwait-writer/director-of-worlds-greatest-dad
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Tue, 08 Sep 2009 10:55:14 -0400</pubDate>
<link>http://www.movieretriever.com/blog/426/interview-with-bobcat-goldthwait-writer/director-of-worlds-greatest-dad
</link>
<guid>http://www.movieretriever.com/blog/426/interview-with-bobcat-goldthwait-writer/director-of-worlds-greatest-dad
</guid>
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<title>Movie Review: Extract
</title>
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<b>Sep 04, 2009 </b></td>
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<p>
Mike Judge has made the blue-collar counterpart to the white-collar comedy that made <i>Office Space</i> one of the most successful cult comedies of the last few years in the even better <i>Extract</i>, one of the funnier films of the year and a great showcase for one of our most underrated comedians. Jason Bateman has finally found a film role that displays the straight-man brilliance he showed off on <i>Arrested Development</i> as Joel, the manager of an Extract plant that finds itself in the middle of a weird comedy of errors. Bateman is simply great. <a href="http://www.movieretriever.com/blog/424/movie-review-extract
/1701677">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 04 Sep 2009 11:41:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/424/movie-review-extract
/1701677</link>
<guid>http://www.movieretriever.com/blog/424/movie-review-extract
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<title>Movie Review: All About Steve
</title>
<description><![CDATA[
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<b>Sep 04, 2009 </b></td>
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<p>
How can I put into words how completely worthless I find the reprehensible <i>All About Steve</i>? How's this? Stop reading this review. Forget this movie even exists. It's not worth your brain power for the 90 seconds it would probably take you to get to the zero-star rating at the bottom of this piece. Think about anything BUT <i>All About Steve</i>. It's better for the sake of the collective human consciousness. Easily one of the worst movies of the year (if not the decade), there is not one redeeming quality to <i>All About Steve</i>, <a href="http://www.movieretriever.com/blog/423/movie-review-all-about-steve
/1701419">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 04 Sep 2009 07:41:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/423/movie-review-all-about-steve
/1701419</link>
<guid>http://www.movieretriever.com/blog/423/movie-review-all-about-steve
</guid>
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<title>Movie Review: World's Greatest Dad
</title>
<description><![CDATA[
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<b>Sep 04, 2009 </b></td>
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<p>
Writer/director Bobcat Goldthwait’s <i>World's Greatest Dad</i> is easily this controversial filmmaker’s best work to date. It’s a daring comedy that displays a confidence and awareness that comes from decades of moviemaking experience and finally reaching a point where a director focuses on what entertains him more than trying to predict test screening responses or box office gross. Clever, entertaining, and very, very dark <i>World's Greatest Dad</i> is unlike any comedy that you've seen this year and, for that fact alone, deserves some attention.

Lance Clayton (Robin Williams) is a poetry teacher who wishes he was <a href="http://www.movieretriever.com/blog/422/movie-review-worlds-greatest-dad
/1701657">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 04 Sep 2009 07:36:42 -0400</pubDate>
<link>http://www.movieretriever.com/blog/422/movie-review-worlds-greatest-dad
/1701657</link>
<guid>http://www.movieretriever.com/blog/422/movie-review-worlds-greatest-dad
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<title>Interview with Mike Judge, Director of Extract
</title>
<description><![CDATA[
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<b>Sep 03, 2009 </b></td>
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<p>
Mike Judge’s <a href="http://www.movieretriever.com/movies/1701677/Extract"><i>Extract,</i></a> starring Jason Bateman, Mila Kunis, Kristen Wiig, Ben Affleck, and J.K. Simmons finds the man who wrote and directed <a href="http://www.movieretriever.com/movies/1674474/Office-Space"><i>Office Space</i></a> and <a href="http://www.movieretriever.com/movies/1662743/Beavis-and-Butt-Head-Do-America"><i>Beavis &amp; Butthead</i> <i>Do America</i></a> back in the world of hard work and immense stupidity. Soft-spoken, smiling, and very friendly, Mike Judge is just as cool as fans of his would think he is in person and his new film is arguably his best. The very talented writer/director sat down with us recently in Chicago to talk about his latest film, his most beloved characters, and <a href="http://www.movieretriever.com/blog/421/interview-with-mike-judge-director-of-extract
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 03 Sep 2009 14:32:26 -0400</pubDate>
<link>http://www.movieretriever.com/blog/421/interview-with-mike-judge-director-of-extract
</link>
<guid>http://www.movieretriever.com/blog/421/interview-with-mike-judge-director-of-extract
</guid>
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<item>
<title>The Ten Most Anticipated Movies of Fall 2009
</title>
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<b>Sep 02, 2009 </b></td>
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<p>
Summer went by in a blur, didn't it? Doesn't it feel like it was only yesterday that we were wondering if <i>Star Trek</i> would live up to expectations and lamenting how long it was until <i>Inglourious Basterds </i>was coming out?
And yet here we are, two-thirds of the way through the year and looking
at a fall lineup that is, well, okay. Is anyone honestly thrilled about
the movies slated for Fall 2009?
</p>
<p>
There were more than enough films to make a top ten anticipated films and a few are sure to be great, but coming up with <a href="http://www.movieretriever.com/blog/420/the-ten-most-anticipated-movies-of-fall-2009
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 02 Sep 2009 11:23:29 -0400</pubDate>
<link>http://www.movieretriever.com/blog/420/the-ten-most-anticipated-movies-of-fall-2009
</link>
<guid>http://www.movieretriever.com/blog/420/the-ten-most-anticipated-movies-of-fall-2009
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<title>
Movie Review: The Final Destination

</title>
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<b>Aug 28, 2009 </b></td>
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<p>
Even the gimmick of 3D can't save the fourth (and easily worst) <i>Final Destination</i> film from the trash heap of cinema Hollywood usually produces this time of year, a dark period when studios dump the films that weren’t quite big enough for the summer and aren’t quite good enough for the fall. With less creative effort than most high school film projects, some of the worst acting of the year, shockingly horrendous dialogue, and even a series of deaths that have become completely uninspired, the only distinction that <i>The Final Destination</i> can lay claim <a href="http://www.movieretriever.com/blog/419/
movie-review-the-final-destination

/1701472">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 28 Aug 2009 12:10:51 -0400</pubDate>
<link>http://www.movieretriever.com/blog/419/
movie-review-the-final-destination

/1701472</link>
<guid>http://www.movieretriever.com/blog/419/
movie-review-the-final-destination

</guid>
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<title>Movie Review: Taking Woodstock
</title>
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<b>Aug 28, 2009 </b></td>
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<td>
<p>
Ang Lee's <i>Taking Woodstock</i> is an incredibly frustrating drama, a film that is so easy to get behind thematically and one with fascinating subject matter, but it's a movie that never gets over some of the stereotypes of its subject matter to present a fully-formed, relatable, human drama. <i>Taking Woodstock</i> should be an experience that transports the viewer to another time and place, bringing to life an era and its people and making them identifiable for modern audiences. Many of the elements for that kind of transformative experience are there, both behind the scenes <a href="http://www.movieretriever.com/blog/418/movie-review-taking-woodstock
/1701655">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 28 Aug 2009 12:08:03 -0400</pubDate>
<link>http://www.movieretriever.com/blog/418/movie-review-taking-woodstock
/1701655</link>
<guid>http://www.movieretriever.com/blog/418/movie-review-taking-woodstock
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<title>Ten Classic Movie Deaths We Want to See in 3D
</title>
<description><![CDATA[
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<b>Aug 27, 2009 </b></td>
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<td>
<p>
<a href="http://www.movieretriever.com/movies/1701472/Final-Destination:-Death-Trip-3D"><i>The Final Destination</i></a>, the fourth chapter in the horror series, hits theatres this week and, while we might debate (loudly debate) the critical merit of the <i>Final Destination</i> movies as a whole - we'll admit - the movie is a PERFECT choice for 3D. (In case you hadn't heard, the <i>FD</i> series is going into the third-dimension with this movie, which we're sure will inspire a long lame succession of &quot;A new dimension of horror&quot; taglines). <i>The Final Destination</i> movies have always been just montages of semi-creative, increasingly over-the-top death scenes anyway, so <a href="http://www.movieretriever.com/blog/417/ten-classic-movie-deaths-we-want-to-see-in-3d
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 27 Aug 2009 13:59:14 -0400</pubDate>
<link>http://www.movieretriever.com/blog/417/ten-classic-movie-deaths-we-want-to-see-in-3d
</link>
<guid>http://www.movieretriever.com/blog/417/ten-classic-movie-deaths-we-want-to-see-in-3d
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</item>
<item>
<title>Lessons Learned from the Best and Worst Movies of Summer 2009
</title>
<description><![CDATA[
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<b>Aug 25, 2009 </b></td>
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<td>
They’re not screening <a href="http://www.movieretriever.com/movies/1701472/Final-Destination:-Death-Trip-3D"><i>The Final Destination</i></a> or <a href="http://www.movieretriever.com/movies/1701477/H2-:-Halloween-2"><i>H2: Halloween II </i></a>for critics (big surprise), so, hate to break it to you, kids, but the summer season is basically over. Thus, it's time to ask the question, movie fans - what did you learn on your summer vacation? Honestly, it doesn't seem like Hollywood learned a lot. The films that connected with the public and the films that connected with critics were generally movies whose trajectory you could chart from their first preview. Is anyone really surprised that <a href="http://www.movieretriever.com/movies/1700807/Transformers:-Revenge-of-the-Fallen"><i>Transformers: Revenge of the <a href="http://www.movieretriever.com/blog/416/lessons-learned-from-the-best-and-worst-movies-of-summer-2009
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Tue, 25 Aug 2009 17:47:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/416/lessons-learned-from-the-best-and-worst-movies-of-summer-2009
</link>
<guid>http://www.movieretriever.com/blog/416/lessons-learned-from-the-best-and-worst-movies-of-summer-2009
</guid>
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<title>Movie Review: Inglourious Basterds
</title>
<description><![CDATA[
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<b>Aug 21, 2009 </b></td>
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<td>
<p>
He's done it again. Quentin Tarantino has delivered. Unlike anything you will see the rest of this year or even the next few movie seasons, his <i>Inglourious Basterds </i>is a daring, inventive, genre-defying film that has already polarized viewers. One of the elements missing from this season (and many in recent years) has been a movie worth arguing about. Remember how people ridiculed or adored films like <i>A.I., Eyes Wide Shut</i>, or even <i>The Blair Witch Project</i>? Whatever side of the debate you fall on, doesn't it feel like there are fewer and fewer <a href="http://www.movieretriever.com/blog/415/movie-review-inglourious-basterds
/1701481">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 21 Aug 2009 09:39:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/415/movie-review-inglourious-basterds
/1701481</link>
<guid>http://www.movieretriever.com/blog/415/movie-review-inglourious-basterds
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<title>Movie Review: Cold Souls
</title>
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<b>Aug 21, 2009 </b></td>
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<p>
<i>Cold Souls</i> is yet another example of a clever concept hampered by poor follow-through. I love the ideas at play in <i>Cold Souls</i> and casting Paul Giamatti in the lead role was a stroke of genius, but the final film is a frustratingly dull, drab and surface level experience. It's a movie about losing your soul that doesn't really have one; a film school project that feels like it’s trying to come up with something that could be compared to Charlie Kaufman, but missing the emotional weight of that talented writer/director's work. <i>Cold Souls</i> <a href="http://www.movieretriever.com/blog/414/movie-review-cold-souls
/1701651">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 21 Aug 2009 09:31:26 -0400</pubDate>
<link>http://www.movieretriever.com/blog/414/movie-review-cold-souls
/1701651</link>
<guid>http://www.movieretriever.com/blog/414/movie-review-cold-souls
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<title>Movie Review: Shorts
</title>
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<b>Aug 21, 2009 </b></td>
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<p>
Watching Robert Rodriguez's <i>Shorts</i> is akin to watching a home movie made by your neighbor's kids if they happened to be the offspring of a millionaire filmmaker. Just imagine it. The filmmaker would think that everything his kids did in the name of family entertainment would be delightfully inventive, hysterically funny, and perfectly timed. You would probably disagree. <i>Shorts </i>is shockingly bad, an awkwardly conceived comedy that doesn't seem aimed at children as much as written, produced, and directed by them. Sucking in typically talented actors like Leslie Mann, William H. Macy, Jon Cryer, <a href="http://www.movieretriever.com/blog/413/movie-review-shorts
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 21 Aug 2009 09:30:01 -0400</pubDate>
<link>http://www.movieretriever.com/blog/413/movie-review-shorts
</link>
<guid>http://www.movieretriever.com/blog/413/movie-review-shorts
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<item>
<title>The Ten Best Performances from the Films of Quentin Tarantino
</title>
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<b>Aug 20, 2009 </b></td>
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<p>
Critics are often praising the incredible ear for dialogue of writer/director <a href="http://www.movieretriever.com/castandcredits/41330/Quentin-Tarantino">Quentin Tarantino</a> (and his new film, <a href="http://www.movieretriever.com/movies/1701481/Inglourious-Basterds"><i>Inglourious Basterds</i></a>, is certainly one of the best screenplays of the year to date) but his body of directorial work is just as notable for the amazing performances he has guided in the last twenty years in only six (and-a-half if you count <i>Four Rooms</i>) films. His characters have become so iconic that their names have become cultural reference points – Mr. Blonde, Vincent Vega, Jackie Brown, Marsellus Wallace, The Bride, and Stuntman Mike to <a href="http://www.movieretriever.com/blog/412/the-ten-best-performances-from-the-films-of-quentin-tarantino
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 20 Aug 2009 11:10:31 -0400</pubDate>
<link>http://www.movieretriever.com/blog/412/the-ten-best-performances-from-the-films-of-quentin-tarantino
</link>
<guid>http://www.movieretriever.com/blog/412/the-ten-best-performances-from-the-films-of-quentin-tarantino
</guid>
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<item>
<title>Movie Review: Ponyo
</title>
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<b>Aug 19, 2009 </b></td>
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<p>
Like most of Hayao Miyazaki’s films, <i>Ponyo</i> (known as <i>Ponyo on the Cliff by the Sea</i> to international audiences more tolerant of long titles) is an operatic fairy tale. It is a beautiful and touching story that eloquently addresses many adult themes (the environment, feminism, love, to name just a few) yet sustains enough whimsy and enchanted storytelling to make it the perfect children’s film.

</p>


	
	
	
	
	
	
	


<p>
This wonderfully adapted tale of the Little Mermaid (of Hans Christian Andersen fame) is ostensibly about 5-year-old Sosuke (Frankie Jonas), who lives with his mother (Tina Fey) in a picturesque <a href="http://www.movieretriever.com/blog/411/movie-review-ponyo
/1701654">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 19 Aug 2009 16:25:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/411/movie-review-ponyo
/1701654</link>
<guid>http://www.movieretriever.com/blog/411/movie-review-ponyo
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<title>Movie Review: The Time Traveler's Wife
</title>
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<b>Aug 15, 2009 </b></td>
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<p>
<i>&quot;Is it too weird?&quot;
&quot;No, I think it's kind of magical.&quot;</i>

There are elements of the “magical” at play in director Robert Schwentke's nearly effective adaptation of the beloved Audrey Niffenegger novel, <i>The Time Traveler's Wife</i>, but, ultimately, the film is far from “too weird.” If anything, it's not weird enough. A tale about a man who travels through time but stays betrothed to his one true love should be awash in romance, magic, and surrealism. It should be poetry, not prose. The fact is that the themes of a piece like this one are much <a href="http://www.movieretriever.com/blog/410/movie-review-the-time-travelers-wife
/1699503">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Sat, 15 Aug 2009 00:30:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/410/movie-review-the-time-travelers-wife
/1699503</link>
<guid>http://www.movieretriever.com/blog/410/movie-review-the-time-travelers-wife
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<title>Movie Review: Thirst
</title>
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<b>Aug 13, 2009 </b></td>
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<p>
<i>“Stop acting so humane! You’re not even human.”</i>

Park Chan-wook's inventive, daring, and sometimes shocking <i>Thirst</i> is an examination of sacrifice, faith, desire, and sin through the eyes of one of the most interesting filmmakers of the '00s. The man who was so intrigued by the concept of vengeance that he made three films about it (<i>Sympathy for Mr. Vengeance, Oldboy</i>, and <i>Lady Vengeance</i>) is still searching the depths of the human soul for the subjects that truly horrify us. As you might imagine, Thirst is not your average film about bloodsucking freaks. This is <a href="http://www.movieretriever.com/blog/409/movie-review-thirst
/1701790">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 13 Aug 2009 20:56:03 -0400</pubDate>
<link>http://www.movieretriever.com/blog/409/movie-review-thirst
/1701790</link>
<guid>http://www.movieretriever.com/blog/409/movie-review-thirst
</guid>
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<title>Movie Review: District 9
</title>
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<b>Aug 13, 2009 </b></td>
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<p>
Neill Blomkamp's <i>District 9</i> is a revelatory debut, an inventive, daring, original piece of filmmaking that doesn't just hint at a new arrival on the scene as much as blasts one into the film consciousness. It's a completely different genre, but, at the same time, I'm reminded of the first time I saw <i>Reservoir Dogs</i> in a darkened room. Everyone knew that this young video store clerk with the memorable name was no one-hit wonder. There's enough grin-producing ingenuity at play in <i>District 9</i> to give critics and film goers that same sensation, that <a href="http://www.movieretriever.com/blog/408/movie-review-district-9
/1701653">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 13 Aug 2009 12:31:49 -0400</pubDate>
<link>http://www.movieretriever.com/blog/408/movie-review-district-9
/1701653</link>
<guid>http://www.movieretriever.com/blog/408/movie-review-district-9
</guid>
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<item>
<title>Movie Review: I Sell the Dead
</title>
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<b>Aug 13, 2009 </b></td>
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<p>
The concept behind Glenn McQuaid's <i>I Sell the Dead</i> is so undeniably clever that the film is likely to find a loyal cult audience that's willing to overlook its sizable flaws and embrace it with genre-loving, open arms. Horror fans, especially those who get excited by a cast list that includes Ron Perlman (<i>Hellboy</i>), Larry Fessenden (<i>Wendigo</i>), and Angus Scrimm (<i>Phantasm</i>), can be an incredibly forgiving lot. Sometimes an original concept, a plot that pays homage to a bygone era, and a few cast members who appear to be having a good time is <a href="http://www.movieretriever.com/blog/407/movie-review-i-sell-the-dead
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Thu, 13 Aug 2009 12:29:01 -0400</pubDate>
<link>http://www.movieretriever.com/blog/407/movie-review-i-sell-the-dead
</link>
<guid>http://www.movieretriever.com/blog/407/movie-review-i-sell-the-dead
</guid>
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<item>
<title>Must-See Miyazaki: Five Movies to Watch After You See Ponyo
</title>
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<b>Aug 12, 2009 </b></td>
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<p>
If you don't know the name <a href="http://www.movieretriever.com/castandcredits/49245/Hayao-Miyazaki">Hayao Miyazaki</a>, you really don't know movies. Easily one of the most influential filmmakers of the last three decades, he is perhaps the only living man to honestly deserve comparison to Walt Disney. A living legend in his home country of Japan, Miyazaki's films are built on a beautiful foundation of themes that all screenwriting, especially the kind directed at children, could use a lot more of, including a strong feminist ideal and a respect for nature and Mother Earth. Even without their admirable themes, Miyazaki's films <a href="http://www.movieretriever.com/blog/406/mustsee-miyazaki-five-movies-to-watch-after-you-see-ponyo
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 12 Aug 2009 17:26:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/406/mustsee-miyazaki-five-movies-to-watch-after-you-see-ponyo
</link>
<guid>http://www.movieretriever.com/blog/406/mustsee-miyazaki-five-movies-to-watch-after-you-see-ponyo
</guid>
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<title>The Ten All-Time Best Years for Sci-Fi Movies
</title>
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<b>Aug 12, 2009 </b></td>
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<p>
As the buzz continues to build for the Peter Jackson-produced, alien-apartheid thriller <a href="http://www.movieretriever.com/movies/1701653/District%209"><b><i>District 9</i></b></a>, it's been fun to see how much movie-going audiences actually love science fiction films, how excited they get at the prospect of a &quot;good&quot; sci-fi movie hitting their local multiplex. But, while the enthusiasm for the genre is inspiring, it's hard to deny that sci-fi is a difficult genre to pull off on film. For every <a href="http://www.movieretriever.com/movies/604370/Blade-Runner"><i>Blade Runner</i></a> or <a href="http://www.movieretriever.com/movies/1074108/Solaris"><i>Solaris</i></a>, there are fifty <a href="http://www.movieretriever.com/movies/1683803/The-Adventures-of-Pluto-Nash"><i>Adventures of Pluto Nash</i></a> or <a href="http://www.movieretriever.com/movies/1051302/Spaced-Invaders"><i>Spaced Invaders</i></a>. Maybe that's why it's so <a href="http://www.movieretriever.com/blog/405/the-ten-alltime-best-years-for-scifi-movies
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Wed, 12 Aug 2009 14:19:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/405/the-ten-alltime-best-years-for-scifi-movies
</link>
<guid>http://www.movieretriever.com/blog/405/the-ten-alltime-best-years-for-scifi-movies
</guid>
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<title>Interview with Sharlto Copley, star of District 9
</title>
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<b>Aug 11, 2009 </b></td>
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<td>
<p>
It is incredibly rare to see a debut performer on the cover of <i>Entertainment Weekly</i> and before his movie has even hit theaters, but it is also incredibly rare to have a film with the buzz of <a href="http://www.movieretriever.com/movies/1701653/District-9-"><i>District 9</i></a>. If you haven’t heard it, you simply haven’t been paying attention.

Debut actor Sharlto Copley stars in <i>District 9</i> as Wikus van der Merwe, the unlucky employee of MNU (Multi-National Unit) that has been tasked with leading to the effort to move hundreds of thousands of aliens from their ghetto (named District 9) to another <a href="http://www.movieretriever.com/blog/404/interview-with-sharlto-copley-star-of-district-9
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Tue, 11 Aug 2009 15:35:26 -0400</pubDate>
<link>http://www.movieretriever.com/blog/404/interview-with-sharlto-copley-star-of-district-9
</link>
<guid>http://www.movieretriever.com/blog/404/interview-with-sharlto-copley-star-of-district-9
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<title>Interview with Neill Blomkamp, director of District 9
</title>
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<b>Aug 10, 2009 </b></td>
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<p>
Very few films with no star power from first-time directors have ever been preceded by the deafening buzz that is building around <a href="http://www.movieretriever.com/movies/1701653/District-9-"><i>District 9</i></a>. After a Comic-Con screening that had audience members and critics raving, articles started popping up in the <i>New York Times, USA Today, Entertainment Weekly,</i> and pretty much everywhere with any kind of movie coverage. The set-up for the film is simple – aliens landed on Earth decades ago and we put them in a slum in South Africa. When tensions build with humans, the Multi-National United Company is tasked <a href="http://www.movieretriever.com/blog/403/interview-with-neill-blomkamp-director-of-district-9
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Mon, 10 Aug 2009 13:31:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/403/interview-with-neill-blomkamp-director-of-district-9
</link>
<guid>http://www.movieretriever.com/blog/403/interview-with-neill-blomkamp-director-of-district-9
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<title>Movie Review: Revanche
</title>
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<b>Aug 07, 2009 </b></td>
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<p>
A prostitute trying to escape her desperate existence, a bank robber looking for something other than his boring life, a rookie police officer, and a woman unable to get pregnant with her husband. It sounds like the casting agent call sheet for a crackerjack Hollywood thriller full of twists and turns and probably starring someone like Milla Jovovich or Ewan McGregor. Gotz Spielmann's <i>Revanche</i>
has thriller elements to be sure, but the Austrian writer/director
treats his material more like an old-fashioned noir, filling it with
dour, low-key notes that overshadow the more sensational elements of
the story and <a href="http://www.movieretriever.com/blog/402/movie-review-revanche
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 07 Aug 2009 16:58:20 -0400</pubDate>
<link>http://www.movieretriever.com/blog/402/movie-review-revanche
</link>
<guid>http://www.movieretriever.com/blog/402/movie-review-revanche
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<title>District 9 Director and Star Reveal Interest in a Sequel!
</title>
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<b>Aug 07, 2009 </b></td>
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<p>
In a series of exclusive interviews that we'll publish in full on Monday and Tuesday of next week, both star Sharlto Copley and director Neil Blomkamp revealed that they would both be interested in a sequel to the already-buzzed and well-reviewed <a href="http://www.movieretriever.com/movies/1701653/District-9-"><i>District 9</i></a> if the opportunity presents itself. 

</p>


<p>
Copley expressed no hesitation when asked if he would return to filmmaking duty if a sequel to <i>District 9</i> was put into production, saying more than once how much he enjoyed the process of making the highly anticipated film, opening <b>August 14th, 2009</b> from Sony.

</p>



<p>
Blomkamp <a href="http://www.movieretriever.com/blog/401/district-9-director-and-star-reveal-interest-in-a-sequel
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 07 Aug 2009 13:13:50 -0400</pubDate>
<link>http://www.movieretriever.com/blog/401/district-9-director-and-star-reveal-interest-in-a-sequel
</link>
<guid>http://www.movieretriever.com/blog/401/district-9-director-and-star-reveal-interest-in-a-sequel
</guid>
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<title>Remembering John Hughes: A Movie Trailer Retrospective
</title>
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<b>Aug 07, 2009 </b></td>
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<p>
The great <a href="http://www.movieretriever.com/castandcredits/6324/Hughes-John">John Hughes</a>, possibly one of the most influential and popular writer/directors of the 1980s and the one filmmaker perhaps most often identified with the phrase “teen movie,” died yesterday from a heart attack in New York City at the age of fifty-nine. Hughes’ movies, which frequently featured children and teens struggling to make sense of the world around them, became instant classics – the kinds of movies that were loved by audiences, but could never be described as guilty pleasures. His movies were fun, entertaining, and ridiculously quotable (every person over <a href="http://www.movieretriever.com/blog/400/remembering-john-hughes-a-movie-trailer-retrospective
">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 07 Aug 2009 11:55:50 -0400</pubDate>
<link>http://www.movieretriever.com/blog/400/remembering-john-hughes-a-movie-trailer-retrospective
</link>
<guid>http://www.movieretriever.com/blog/400/remembering-john-hughes-a-movie-trailer-retrospective
</guid>
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<title>Movie Review: Julie &amp; Julia
</title>
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<b>Aug 07, 2009 </b></td>
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<p>
Very few people in this world have accomplished what they want in life without the support of someone by their side. I can personally attest to the fact that I would not be anywhere near the dream job I have if not for the supportive love of my life. To me, that's the true story at the heart of Nora Ephron's <i>Julie &amp; Julia</i>, a crowd-pleasing dramedy about getting out of your supposedly predetermined roles in life and pursuing your passion. For Julia Child, that was cooking. For Julie Powell, it was writing. The <a href="http://www.movieretriever.com/blog/399/movie-review-julie--julia
/1701483">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 07 Aug 2009 00:40:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/399/movie-review-julie--julia
/1701483</link>
<guid>http://www.movieretriever.com/blog/399/movie-review-julie--julia
</guid>
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<title>Movie Review: A Perfect Getaway
</title>
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<b>Aug 07, 2009 </b></td>
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<td>
<p>
David Twohy's <i>A Perfect Getaway</i> is a relatively shocking surprise in a time of the film going season usually marred by the junk that the studios try to push on the public rather than films they might actually enjoying seeing. Put bluntly, August and September usually blow. I'm not sure about September yet, but I can tell you, without breaking embargo too badly, that for at least the next three weeks August definitely doesn't blow.

</p>


	
	
	
	
	
	
	


<p>
One of the more pleasant and biggest surprises of the season is being released on the first Friday of the <a href="http://www.movieretriever.com/blog/398/movie-review-a-perfect-getaway
/1701425">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 07 Aug 2009 00:31:51 -0400</pubDate>
<link>http://www.movieretriever.com/blog/398/movie-review-a-perfect-getaway
/1701425</link>
<guid>http://www.movieretriever.com/blog/398/movie-review-a-perfect-getaway
</guid>
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<title>Movie Review: The Answer Man
</title>
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<b>Aug 07, 2009 </b></td>
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<p>
How can a film with two of the best young actresses of their generation in the supporting cast and the great Jeff Daniels and underrated Lauren Graham as its leads go wrong? Impossible, you say? Kat Dennings and Olivia Thirlby are talented enough that they can carry anything across the &quot;thumbs up&quot; threshold and Daniels and Graham are so incredibly likable and consistent that <i>The Answer Man</i> can't really be bad? Before I saw it, I would have probably agreed. Now, I know the answer.

</p>


	
	
	
	
	
	
	


<p>
Lead Arlen Faber (Jeff Daniels) comes from the school of <a href="http://www.movieretriever.com/blog/397/movie-review-the-answer-man
/1701660">...Read more at MovieRetriever.com</a>
</td>
</tr>
</table>]]></description>
<pubDate>Fri, 07 Aug 2009 00:24:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/397/movie-review-the-answer-man
/1701660</link>
<guid>http://www.movieretriever.com/blog/397/movie-review-the-answer-man
</guid>
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<title>Movie Review: Adam
</title>
<description><![CDATA[
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<b>Aug 07, 2009 </b></td>
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<p>
Genuine performances and the best of filmmaking intentions cannot disguise as deeply flawed a script as the one for <i>Adam</i>, a generally sweet story brought down by baffling screenwriting decisions and manipulative, mawkish, TV-movie-of-the-week direction. Hugh Dancy (<i>Confessions of a Shopaholic</i>) gives a well-researched, heartfelt, nuanced performance – especially when compared to the typical treatment of the mentally handicapped in cinema – but he's left stranded by a script that never connects its characters or the threads of drama that it's trying to convey. What should be sweet is dull and what should be <a href="http://www.movieretriever.com/blog/396/movie-review-adam
/1701662">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 07 Aug 2009 00:18:31 -0400</pubDate>
<link>http://www.movieretriever.com/blog/396/movie-review-adam
/1701662</link>
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<item>
<title>
Six Ways the GI Joe Movie Could Be Better Than Transformers 2

</title>
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<b>Aug 05, 2009 </b></td>
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<p>
It was announced on Tuesday that Paramount Pictures wouldn't be screening <a href="http://www.movieretriever.com/movies/1700794/G.I.%20Joe:%20Rise%20of%20Cobra"><i>GI Joe: The Rise of Cobra</i></a> for critics and, let's be honest, is anyone really that surprised? Trying to explain the critical snub, Rob Moore, vice chairman of Paramount Pictures <a href="http://www.google.com/hostednews/ap/article/ALeqM5jxlA2U7DV2QJ_XB7XB_7MfONGMaQD99S3U980">commented</a>, &quot;After the chasm we experienced with <a href="http://www.movieretriever.com/movies/1700807/Transformers:-Revenge-of-the-Fallen"><i>Transformers 2</i></a> between the response of audiences and critics, we chose to forgo opening-day print and broadcast reviews as a strategy to promote <i>G.I. Joe</i>.&quot;

That quote tells us two things: 1). Paramount isn't expecting <a href="http://www.movieretriever.com/movies/1700794/G.I.%20Joe:%20Rise%20of%20Cobra"><i>GI Joe</i></a> to get the same warm critical <a href="http://www.movieretriever.com/blog/395/
six-ways-the-gi-joe-movie-could-be-better-than-transformers-2

">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 05 Aug 2009 00:00:15 -0400</pubDate>
<link>http://www.movieretriever.com/blog/395/
six-ways-the-gi-joe-movie-could-be-better-than-transformers-2

</link>
<guid>http://www.movieretriever.com/blog/395/
six-ways-the-gi-joe-movie-could-be-better-than-transformers-2

</guid>
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<title>Movie Review: Funny People
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<b>Jul 31, 2009 </b></td>
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<p>
Watching Judd Apatow's <i>Funny People</i> is akin to watching a friend try a new stand-up routine. You admire the effort it takes to get up there and put yourself on the line, but it's easier to be kinder to the ambition than the execution. I love many of the pieces of <i>Funny People</i>, but a movie is not about individual parts and the entire sum of Apatow's biggest misstep to date has some undeniable flaws. It's an ambitious, interesting, complex piece that simply got away from one of the most talented comedy writer/directors of <a href="http://www.movieretriever.com/blog/394/movie-review-funny-people
/1700793">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 31 Jul 2009 08:51:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/394/movie-review-funny-people
/1700793</link>
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<title>Movie Review: Fragments
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<b>Jul 30, 2009 </b></td>
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<p>
Ensemble dramas about the ripple effect of tragedy and fate can be a tricky minefield of screenwriting clichés. They can lead to great rewards, but the risk for failure is also high. For every <i>Magnolia</i> or <i>Short Cuts,</i> there are several disastrous efforts that rarely see the light of day outside of the festival circuit. One such effort is just barely seeing the light of day as <i>Fragments</i> (formerly known as <i>Winged Creatures</i> on the festival circuit ... a much better name) is opening in New York today and Los Angeles next week with <a href="http://www.movieretriever.com/blog/393/movie-review-fragments
">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Thu, 30 Jul 2009 17:59:59 -0400</pubDate>
<link>http://www.movieretriever.com/blog/393/movie-review-fragments
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<guid>http://www.movieretriever.com/blog/393/movie-review-fragments
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<title>The 10 Funniest People Working in Film Today
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<b>Jul 29, 2009 </b></td>
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With <i>Funny People</i> hitting theaters this weekend, it got us thinking about the title of Judd Apatow's highly anticipated new comedy. Who are the real funny people in the movie world? Let’s start with perspective. Trying to make a list of funny writers or actors in the entire history of film would be impossible. How do you compare Charlie Chaplin to Mel Brooks to Judd Apatow? It's impossible. So, we decided to stick to the ten funniest people working<i> today.</i> They could be writers, actors, or directors. The only requirement is a consistent delivery <a href="http://www.movieretriever.com/blog/392/the-10-funniest-people-working-in-film-today
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 29 Jul 2009 13:37:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/392/the-10-funniest-people-working-in-film-today
</link>
<guid>http://www.movieretriever.com/blog/392/the-10-funniest-people-working-in-film-today
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<title>Movie Review: Orphan
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<b>Jul 24, 2009 </b></td>
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<p>
Due largely to the excellent work by Vera Farmiga and Peter Sarsgaard, Jaume Collet-Serra's <i>Orphan</i> is a surprisingly effective thriller that should deliver exactly what audiences expect from it. Bucking the trend of being just another &quot;demon kid&quot; movie, <i>Orphan</i> features a clever mix of honest emotion and ridiculous, over-the-top, <i>Mommie Dearest</i>-esque insanity. Are the moments of insanity – mostly involving kid-on-kid crime – MEANT to be funny? I'm not sure that it matters. Movies are enjoyable for what they are, not for what they mean to be. And I have to admit to <a href="http://www.movieretriever.com/blog/391/movie-review-orphan
/1701486">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 24 Jul 2009 08:08:16 -0400</pubDate>
<link>http://www.movieretriever.com/blog/391/movie-review-orphan
/1701486</link>
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<title>Movie Review: G-Force
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<b>Jul 24, 2009 </b></td>
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<p>
Every critic <i>tries</i> to go into each screening with a blank slate. But it's naive to think that this kind of critical purity is one hundred percent possible. After all, we are only human. And after being bombarded by ill-conceived, poorly executed, dull, family films – most of them featuring talking animals – I have to admit to a little pessimism going into <i>G-Force</i>, a 3D movie about talking, crime-fighting rodents. For every wonderful film like <i>Coraline</i> or <i>Up</i>, there are usually three family movies that are either boring (<i>Ice Age: Dawn of the <a href="http://www.movieretriever.com/blog/390/movie-review-gforce
/1701474">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 24 Jul 2009 07:35:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/390/movie-review-gforce
/1701474</link>
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<title>Movie Review: Humpday
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<b>Jul 24, 2009 </b></td>
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<p>
Lynn Shelton's highly-buzzed <i>Humpday</i> is a very good dissection of friendship, sexuality, ego, domesticity, and our perceptions about who we are and how far we are willing to go to prove that we are not so easily-defined. We are all labeled on a nearly daily basis –  &quot;Husband,&quot; &quot;Single,&quot; &quot;Straight,&quot; &quot;Gay&quot; –  and most of those labels do a horrible job of telling the whole story. <i>Humpday</i> is about two old friends who have gone in very different directions since college. One wanders the world, choosing where he's going to go and <a href="http://www.movieretriever.com/blog/389/movie-review-humpday
/1701659">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Jul 2009 07:33:27 -0400</pubDate>
<link>http://www.movieretriever.com/blog/389/movie-review-humpday
/1701659</link>
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<title>The Other 5 Best Picture Nominees: What if the Academy Had Instituted the New 10 Nominee Rule in 2000?
</title>
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<b>Jul 22, 2009 </b></td>
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<p>
As anyone with an internet connection and an interest in film knows by now, the Academy of Motion Picture Arts and Sciences has expanded the Best Picture category to ten nominees this year instead of the usual five. While everyone is talking about the chances of <i>The Hurt Locker, <a href="http://www.movieretriever.com/movies/1700803/Public-Enemies">Public Enemies</a>, <a href="http://www.movieretriever.com/movies/1701809/Up">Up</a>,</i> and <a href="http://www.movieretriever.com/movies/1700804/Star-Trek"><i>Star Trek</i></a> to sneak in when they might have had more difficulty with only five choices, it got us thinking about the change in a “what if” kind of way. What if they had made this move earlier? <a href="http://www.movieretriever.com/blog/388/the-other-5-best-picture-nominees-what-if-the-academy-had-instituted-the-new-10-nominee-rule-in-2000
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 22 Jul 2009 10:50:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/388/the-other-5-best-picture-nominees-what-if-the-academy-had-instituted-the-new-10-nominee-rule-in-2000
</link>
<guid>http://www.movieretriever.com/blog/388/the-other-5-best-picture-nominees-what-if-the-academy-had-instituted-the-new-10-nominee-rule-in-2000
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<title>The Ten Best Performances by Meryl Streep
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<b>Jul 20, 2009 </b></td>
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<p>
Arguably the best actress of all time turned sixty last month (on June 22, 2009). Do your part to celebrate the birthday of one of the most influential and important movies stars in the history of the form – Meryl Streep. It's amazing to look over the career of any movie star and actually have difficulty narrowing it down to a list of great performances to number ten. The fact is that it would be easy to pick TWENTY performances from Streep that are better than the single best turn from the entire career <a href="http://www.movieretriever.com/blog/387/the-ten-best-performances-by-meryl-streep
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Mon, 20 Jul 2009 13:51:39 -0400</pubDate>
<link>http://www.movieretriever.com/blog/387/the-ten-best-performances-by-meryl-streep
</link>
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<title>Movie Review: Dead Snow
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<b>Jul 17, 2009 </b></td>
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<p>
I really hope Sam Raimi sees <i>Dead Snow.</i> Just as Edgar Wright and Simon Pegg's great <i>Shaun of the Dead</i> was a cinematic love letter to the work of the masterful George Romero, the Norwegian horror film <i>Dead Snow</i> is a blood-splattered ode to the films that Sam Raimi and Bruce Campbell made in the woods so many years ago. Not only are <i>Evil Dead</i> and its sequel actually mentioned by a character in the film, but the style, story, and even the amputation are straight from the &quot;Cult of Ash.&quot; The horror movie <a href="http://www.movieretriever.com/blog/386/movie-review-dead-snow
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 17 Jul 2009 11:57:14 -0400</pubDate>
<link>http://www.movieretriever.com/blog/386/movie-review-dead-snow
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<title>Movie Review: (500) Days of Summer
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<b>Jul 17, 2009 </b></td>
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<p>
Marc Webb's <i>(500) Days of Summer</i> is a clever dissection of not just romance but the very concept that drives the genre of the love story – that that we all have that one person out there and we're simply waiting for the day when we cross their path, birds sing, lightning strikes, and we find true love. With a witty script, daring structure, and a few visual flourishes, Webb has made a film that many viewers will fall head over heels in love with and plan a second viewing of immediately after the <a href="http://www.movieretriever.com/blog/385/movie-review-500-days-of-summer
/1701473">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 17 Jul 2009 07:25:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/385/movie-review-500-days-of-summer
/1701473</link>
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<title>Movie Review: Three Monkeys
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<b>Jul 17, 2009 </b></td>
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<p>
Nuri Bilge Ceylan's <i>Three Monkeys</i> is a film about aftermath and consequences more than action. With his most forcefully narrative film to date, the great Turkish director tells a story that could play like a Hitchcockian noir in a more conventional filmmaker's hands, but he does so with his own mournful, elegiac style. There is an accidental death, a murder, and infidelity in <i>Three Monkeys</i> but none of it happens on-screen. Ceylan and his co-writers are far more interested in the ripple effect than the actual throwing of the stone. The keeping of the <a href="http://www.movieretriever.com/blog/384/movie-review-three-monkeys
">...Read more at MovieRetriever.com</a>
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</table>]]></description>
<pubDate>Fri, 17 Jul 2009 07:21:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/384/movie-review-three-monkeys
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<title>Movie Review: Harry Potter and the Half-Blood Prince

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<b>Jul 15, 2009 </b></td>
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<p>
<i>Harry Potter and the Half-Blood Prince </i>is the sixth in the series of films based on J.K. Rowling’s epic novels, and it’s the first to offer a glimpse of light at the end of the tunnel. Though Harry’s destiny has been clear from the start, his triumphs in past movies have always been rewarded with a seemingly equal number of new hurdles. For those who haven’t been reading the books and don’t know what lies ahead (a group that includes myself), that episodic tone has, at times, tested a filmgoer’s endurance. So it’s a <a href="http://www.movieretriever.com/blog/383/movie-review-harry-potter-and-the-halfblood-prince

/1700796">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Wed, 15 Jul 2009 08:20:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/383/movie-review-harry-potter-and-the-halfblood-prince

/1700796</link>
<guid>http://www.movieretriever.com/blog/383/movie-review-harry-potter-and-the-halfblood-prince

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<title>Movie Review: Brüno
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<b>Jul 10, 2009 </b></td>
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<p>
The advertising for Sacha Baron Cohen’s latest film, <i>Brüno</i>, uses the clever tagline “Borat was so 2006.” And in an effort to prove that, Cohen spends much of this film working overtime to top the outrageousness of his last one. That is, of course, a tall order, considering the candid-camera style shock tactics of this film cling so tightly to the coattails of <i>Borat</i>, a film that mined many of its pleasures by surprising an audience that was far more unsuspecting three years ago. But Cohen is determined nonetheless and within five minutes of <a href="http://www.movieretriever.com/blog/382/movie-review-br&atilde;&frac14;no
/1700790">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 10 Jul 2009 01:22:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/382/movie-review-br&amp;atilde;&amp;frac14;no
/1700790</link>
<guid>http://www.movieretriever.com/blog/382/movie-review-br&amp;atilde;&amp;frac14;no
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<title>Movie Review: Il Divo
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<b>Jul 10, 2009 </b></td>
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<p>
Paolo Sorrentino's <i>Il Divo</i>, winner of the Prix du Jury at the Cannes Film Festival in 2008, is finally getting a limited release stateside and audiences open to daring and inventive foreign cinema should not miss one of the better Italian films of the last several years. <i>Il Divo</i> is a stunning piece of work that feels both familiar and completely unique at the same time. The story contains elements of power struggles as old as Shakespeare and modern mafia films, but the structural choices of Sorrentino’s writing and bold decisions of his direction <a href="http://www.movieretriever.com/blog/381/movie-review-il-divo
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Fri, 10 Jul 2009 00:06:13 -0400</pubDate>
<link>http://www.movieretriever.com/blog/381/movie-review-il-divo
</link>
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<title>Looking Back on the Harry Potter Films ... So Far
</title>
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<b>Jul 09, 2009 </b></td>
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<p>
By now there can’t be too many people on the planet who haven’t at least heard of Harry Potter. Based on the worldwide box office, there are even fewer who have yet to see one of the movies based on J.K. Rowling’s series of books chronicling the adolescence of the young wizard. The latest film in the series, <i>Harry Potter and the Half-Blood Prince</i> (directed by David Yates) is set to open worldwide on July 15 and promises to be a much darker Potter adventure than its predecessors. Hopefully, this makes for a more <a href="http://www.movieretriever.com/blog/380/looking-back-on-the-harry-potter-films--so-far
">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Thu, 09 Jul 2009 15:55:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/380/looking-back-on-the-harry-potter-films--so-far
</link>
<guid>http://www.movieretriever.com/blog/380/looking-back-on-the-harry-potter-films--so-far
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<title>Movie Review: The Hurt Locker
</title>
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<b>Jul 09, 2009 </b></td>
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<p>
Kathryn Bigelow's riveting <i>The Hurt Locker</i> is unlike any other film experience that you will have this year. It is a masterpiece of the art of building and releasing tension and is an outright spectacular movie. Not only is it the best Iraq War film to date but it is also the best of 2009 (at least so far). Bigelow takes viewers halfway around the world to bring the twisted world of soldiers who diffuse bombs for a living into relatable perspective and she's made a film unlike any other in a very long <a href="http://www.movieretriever.com/blog/379/movie-review-the-hurt-locker
/1702485">...Read more at MovieRetriever.com</a>
</td>
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</table>]]></description>
<pubDate>Thu, 09 Jul 2009 11:25:41 -0400</pubDate>
<link>http://www.movieretriever.com/blog/379/movie-review-the-hurt-locker
/1702485</link>
<guid>http://www.movieretriever.com/blog/379/movie-review-the-hurt-locker
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<title>Movie Review: The Girl From Monaco
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<b>Jul 03, 2009 </b></td>
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<p>
Anne Fontaine's <i>The Girl From Monaco</i> is a lovely piece of fluff, a clever and sexy comedy that plays like a summer day in the south of France – lovely and enjoyable while you’re in the moment but ultimately somewhat forgettable. <i>Monaco</i> is the kind of lighthearted farce that art house audiences have come to expect from the phrase &quot;French comedy&quot; and it's mostly delightful with only a dark turn in the final act that doesn't quite fit with the rest of the piece and a bit too little weight to the entire proceeding. <a href="http://www.movieretriever.com/blog/378/movie-review-the-girl-from-monaco
">...Read more at MovieRetriever.com</a>
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</table>]]></description>
<pubDate>Fri, 03 Jul 2009 00:02:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/378/movie-review-the-girl-from-monaco
</link>
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<title>Movie Review: Public Enemies
</title>
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<b>Jul 01, 2009 </b></td>
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<p>
Michael Mann's <i>Public Enemies</i> is an intellectual, epic, dense examination of the days when the bank robber was on the way out the door and the legend of “The G-Man” was on the rise. The former is represented by one of the &quot;public enemies&quot; of the day, John Dillinger (Johnny Depp), and the latter by the man tasked with bringing the notorious criminal to justice by jury or bullet, Melvin Purvis (Christian Bale). Dillinger stole money with the ease that many of his peers bought a gallon of milk and flagrantly walked among the <a href="http://www.movieretriever.com/blog/377/movie-review-public-enemies
/1700803">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 01 Jul 2009 00:03:31 -0400</pubDate>
<link>http://www.movieretriever.com/blog/377/movie-review-public-enemies
/1700803</link>
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<title>Movie Review: Ice Age: Dawn of the Dinosaurs
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<b>Jul 01, 2009 </b></td>
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<p>
If you have a child of the right age that you're considering seeing <i>Ice Age: Dawn of the Dinosaurs</i> then you may have seen some of the &quot;exclusive&quot; short
films that usually accompany high profile DVD releases of kid’s movies.
For example, the <i>Madagascar</i> movies usually include a short starring the movie-stealing penguins to push sales of the home release. They are usually harmless, mildly entertaining diversions but they don't have nearly the creativity or drive of the feature film. They're an afterthought that don't grate on the nerves because they only run about five to <a href="http://www.movieretriever.com/blog/376/movie-review-ice-age-dawn-of-the-dinosaurs
/1700797">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 01 Jul 2009 00:03:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/376/movie-review-ice-age-dawn-of-the-dinosaurs
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<title>Movie Review: Whatever Works
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<b>Jun 26, 2009 </b></td>
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<p>
Has there ever been a better mouthpiece for Woody Allen's brand of misanthropic humor than Larry David? It turns out that the answer is a resounding yes and that double the grumpy is not necessarily double the fun. <i>Whatever Works</i> is yet another example of one of the greatest American filmmakers of all time following a success with a misstep (it’s happened a lot in the last couple decades). It's nowhere near the auteur's worst recent films (<i>The Curse of the Jade Scorpion</i> and <i>Anything Else</i> will play in a personal circle of Hell), <a href="http://www.movieretriever.com/blog/375/movie-review-whatever-works
/1701682">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Jun 2009 07:29:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/375/movie-review-whatever-works
/1701682</link>
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<title>Movie Review: Surveillance
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<b>Jun 26, 2009 </b></td>
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<p>
Watching Jennifer Lynch's <i>Surveillance</i> is like watching air come out of a set of tires. The promise of the set-up and the promising cast slowly dissipates from a screenplay that seems to know that it gets less interesting as it's forced to make more sense. <i>Surveillance</i> falls prey to a common problem of mystery movies in that each revelation does the film a disservice, making it less intriguing instead of more. By the final reveal of <i>Surveillance</i>, there's nothing and no one to care about other than the return of some interesting actors who <a href="http://www.movieretriever.com/blog/374/movie-review-surveillance
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Jun 2009 07:28:15 -0400</pubDate>
<link>http://www.movieretriever.com/blog/374/movie-review-surveillance
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<title>Eleven Woody Allen Movies to Rent Rather Than Seeing Whatever Works
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<b>Jun 25, 2009 </b></td>
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<p>

Before we get too far – Woody Allen’s <i>Whatever Works</i> is far from the WORST choices at theaters this week. (That title belongs to a little sequel based on a toy line.) But it does stick to the pattern of Allen's career in that he usually follows a hit with a miss. Just as <i>Scoop</i> followed <i>Match Point</i>, <i>Whatever Works</i> follows <i>Vicky Cristina Barcelona</i>. So, why not wait out the next “comeback” and go back to the video store or your Netflix queue this weekend instead of seeing a sub-par Allen script that he <a href="http://www.movieretriever.com/blog/373/eleven-woody-allen-movies-to-rent-rather-than-seeing-whatever-works
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Jun 2009 14:48:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/373/eleven-woody-allen-movies-to-rent-rather-than-seeing-whatever-works
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<title>The Best Movie Sequels of the Year from 1989 to 2009
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<b>Jun 24, 2009 </b></td>
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We never, NEVER thought we'd hear ourselves saying this, but, dear lord, we need a good sequel and we need one NOW. Fine, the movie sequel has gotten a pretty bad rap over the years - deservedly so - but, even though we've been hurt by sequels before, there's just something about a part two, prequel, or next chapter that revs the soul of our inner movie geeks. Typically, Hollywood goes overboard in the sequel department, but 2009 hasn't exactly been the best year in the history of the form. So far, all we've <a href="http://www.movieretriever.com/blog/372/the-best-movie-sequels-of-the-year-from-1989-to-2009
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 24 Jun 2009 12:35:37 -0400</pubDate>
<link>http://www.movieretriever.com/blog/372/the-best-movie-sequels-of-the-year-from-1989-to-2009
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<title>Movie Review: Transformers: Revenge of the Fallen
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<b>Jun 24, 2009 </b></td>
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<i>Transformers: Revenge of the Fallen</i> is a jaw-droppingly awful movie, a piece of loud, cluttered, stupid junk that stands below any that the often criticized Michael Bay has ever directed. Consider that all the warning that you probably need. If you have never felt cheated by movies like <i>The Island, Pearl Harbor</i>, or <i>Bad Boys II</i>, then <i>Revenge of the Fallen</i> has a chance of delivering what you need, but the rest of you should take your least satisfying Bay experience and turn it up to eleven and that will approximate how you <a href="http://www.movieretriever.com/blog/371/movie-review-transformers-revenge-of-the-fallen
/1700807">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 24 Jun 2009 10:39:01 -0400</pubDate>
<link>http://www.movieretriever.com/blog/371/movie-review-transformers-revenge-of-the-fallen
/1700807</link>
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<title>Movie Review: Moon
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<b>Jun 19, 2009 </b></td>
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We all fear being replaced by a younger, faster, healthier model. For a lot of workers, especially those with physical demands on their job, it's an honest and regular concern. Believe it or not, it's that down-to-Earth concept that essentially drives Duncan Jones' <i>Moon</i>, a slice of existential science fiction with a fantastic lead performance from the always-great Sam Rockwell. 

Rockwell plays Sam Bell, a blue-collar worker on the dark side of the moon in a future where we've discovered an energy-producing element far from home. With only the companionship of his loyal robot <a href="http://www.movieretriever.com/blog/370/movie-review-moon
/1701667">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Jun 2009 11:13:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/370/movie-review-moon
/1701667</link>
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<title>Movie Review: The Proposal
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<b>Jun 19, 2009 </b></td>
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I have a terrible secret. Even though I regard man-friendly, heroically dystopian flicks like <i>Brazil </i>and <i>Miller's Crossing</i> as among my favorite movies, I have this weird little soft-spot for Sandra Bullock romantic comedies. Maybe something softened when I got married and had a kid, but I don't think that's it. Bullock is simply pretty darn good at what she does, even though some people will never acknowledge - no matter what - that what she does has merit and is harder to pull off than it looks. I equate Bullock's stature in the <a href="http://www.movieretriever.com/blog/369/movie-review-the-proposal
/1701489">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Jun 2009 11:04:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/369/movie-review-the-proposal
/1701489</link>
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<title>Interview with Harold Ramis, Year One
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<b>Jun 19, 2009 </b></td>
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As the director of films like <i>Caddyshack</i> and <i>Groundhog Day</i> and a writer on movies like <i>Animal House</i>, <i>Stripes</i>, and <i>Ghostbusters</i>, Harold Ramis’ influence on modern comedic cinema can’t be underestimated. Just ask the current king of Hollywood humor, writer/director Judd Apatow, who has often cited Ramis' films as childhood favorites and leapt at the chance to serve as producer on Ramis’ newest film, <i>Year One</i>. This past week, a screening of that movie served as the opening night centerpiece of Chicago’s “Just for Laughs” festival. And just before it began, Harold was the <a href="http://www.movieretriever.com/blog/368/interview-with-harold-ramis-year-one
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Jun 2009 09:38:45 -0400</pubDate>
<link>http://www.movieretriever.com/blog/368/interview-with-harold-ramis-year-one
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<title>Movie Review: Year One
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<b>Jun 19, 2009 </b></td>
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<p>
There are a lot of films that Harold Ramis can be proud of. After all, this is the guy who directed <i>Caddyshack, National Lampoon’s Vacation,</i> and <i>Groundhog Day</i> and wrote a slew of other comedy gems like <i>Stripes, Animal House, </i>and <i>Ghostbusters</i>. He’s even done some flat out awesome work on television (<i>The Office</i> and <i>SCTV</i>). But, there are also an equal, if not greater, number of films and projects that he might not want mentioned too many times alongside his name. Sadly, <i>Year One</i> falls into the latter category. It’s a disjointed, poorly <a href="http://www.movieretriever.com/blog/367/movie-review-year-one
/1700812">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Jun 2009 01:58:14 -0400</pubDate>
<link>http://www.movieretriever.com/blog/367/movie-review-year-one
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<title>Mid-Term Movie Studio Report Card: Are Studios Making the Grade in 2009?
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<b>Jun 18, 2009 </b></td>
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<p>
We're nearly halfway through 2009 and, although there has yet to be a major break-out hit on the level of <a href="http://www.movieretriever.com/movies/1697578/Iron-Man"><i>Iron Man</i></a> or <a href="http://www.movieretriever.com/movies/1697567/The-Dark-Knight"><i>The Dark Knight</i></a>, there have definitely been a few success stories. And, let's be frank, a few failures. Keeping that in mind, we asked ourselves - which movie studios should be happiest at the mid-term point of 2009? Who should give their marketing team a July bonus? And which studios have been producing with the most consistent level of quality? To determine who makes the grade, first, we took <a href="http://www.movieretriever.com/blog/366/midterm-movie-studio-report-card-are-studios-making-the-grade-in-2009
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 18 Jun 2009 16:49:58 -0400</pubDate>
<link>http://www.movieretriever.com/blog/366/midterm-movie-studio-report-card-are-studios-making-the-grade-in-2009
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<title>Interview with Duncan Jones, Director of Moon
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<b>Jun 16, 2009 </b></td>
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Duncan Jones is the talented, fascinating young man whose directorial debut, the psychological science fiction drama, <a href="http://www.sonyclassics.com/moon/"><i>Moon</i></a>, is about to thrill audiences around the country. <i>Moon</i> is a fantastic film about an astronaut (Sam Rockwell) stuck in a space-station on the moon where he mines an energy-producing substance and sends it back to Earth. His three-year assignment with only a robot pal (voiced by Kevin Spacey) to talk to is finally coming to an end, but his last few days on the lunar surface prove to be more than a little unusual. After <a href="http://www.movieretriever.com/blog/365/interview-with-duncan-jones-director-of-moon
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 16 Jun 2009 12:51:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/365/interview-with-duncan-jones-director-of-moon
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<title>Movie Review: Away We Go
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<b>Jun 12, 2009 </b></td>
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<p>
There are moments in all of our lives when we find ourselves floating in the wind, unsure of what's coming next or even where we want to be when it arrives. Sam Mendes' <i>Away We Go</i> is about those life-defining moments and is actually an odd companion piece to his divisive <i>Revolutionary Road</i> from just six months ago. In that film, a young couple
longed for escape from suburban ennui but kept finding themselves
pulled back in by the trappings of family, work, and &quot;normal life.&quot; <i>Away We Go</i> is about a young couple looking for <a href="http://www.movieretriever.com/blog/364/movie-review-away-we-go
/1701645">...Read more at MovieRetriever.com</a>
</td>
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<pubDate>Fri, 12 Jun 2009 00:04:15 -0400</pubDate>
<link>http://www.movieretriever.com/blog/364/movie-review-away-we-go
/1701645</link>
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<title>Movie Review: The Taking of Pelham 123
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<b>Jun 12, 2009 </b></td>
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<p>
Tony Scott's remake of <i>The Taking of Pelham 123</i> is far from perfect or even really notable for much of anything, but I do think the film will deliver what most ticket-buying audiences are looking for in theaters – a reasonable amount of entertainment for their dollar for the time they're eating popcorn and drinking soda. The opportunity for more than &quot;just not bad&quot; was definitely missed but perhaps the incredibly low expectations I had for not just another remake but another Tony Scott and Denzel Washington collaboration brought this critic to the point <a href="http://www.movieretriever.com/blog/363/movie-review-the-taking-of-pelham-123
/1700805">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Jun 2009 00:04:05 -0400</pubDate>
<link>http://www.movieretriever.com/blog/363/movie-review-the-taking-of-pelham-123
/1700805</link>
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<title>Movie Review: Enlighten Up
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<b>Jun 12, 2009 </b></td>
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<p>
What is the connection between twisting yourself into a pretzel in a yoga studio and true spiritual enlightenment? It's an interesting question and the main drive behind <i>Enlighten Up</i>, a successful new documentary about how many different versions, visions, and variations there are in the world of yoga. What makes director Kate Churchill's documentary particularly interesting is the fact that diehard practitioners of spiritual practices like yoga aren't exactly the most open to questioning and skeptics aren’t easy to convince that yoga is the way to mental, emotional, and spiritual happiness. Ask a yogi <a href="http://www.movieretriever.com/blog/362/movie-review-enlighten-up
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Jun 2009 00:03:57 -0400</pubDate>
<link>http://www.movieretriever.com/blog/362/movie-review-enlighten-up
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<title>Movie Review: Tulpan
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<b>Jun 12, 2009 </b></td>
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<p>
Kazakh documentary filmmaker Sergey Dvortsevoy brings his eye for detail to the award-winning <i>Tulpan</i>, a gentle and accomplished slice of realism about the difficulty of finding domestic bliss anywhere, especially in a part of the world with a cultural heritage that seems to be fading from the country to the city. <i>Tulpan</i> is about a young man named Asa (Askhat Kuchinchirekov) who longs for what people want everywhere – a good wife, a good job, and a good life. The difference between you and Asa is that this young man lives in a desolate, <a href="http://www.movieretriever.com/blog/361/movie-review-tulpan
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Jun 2009 00:03:48 -0400</pubDate>
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<title>12 Movies That Absolutely MUST Be Released on Blu-Ray DVD Now!
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<b>Jun 08, 2009 </b></td>
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<p>
Last week, we gave you a nice shopping list of the best of the best to take to your local Blu-Ray seller and now, this week, we're looking to the future of the format. If you're new to the world of HD video and audio, you've surely had that horrible experience that has befallen us all. You finally got your shiny new toy and you're ready to play with the other kids. You excitedly go online to buy your favorite movie and discover that not only is your dearly beloved not on Blu-Ray yet <a href="http://www.movieretriever.com/blog/360/12-movies-that-absolutely-must-be-released-on-bluray-dvd-now
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 08 Jun 2009 14:53:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/360/12-movies-that-absolutely-must-be-released-on-bluray-dvd-now
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<title>Movie Review: The Hangover
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<b>Jun 05, 2009 </b></td>
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<p>
Todd Phillips's <i>The Hangover</i> appears primed to be the breakout comedy of the year and I'm sure I'm going to get a lot of heat for this but the simple fact is that it's just not that funny or as clever as it should be. Will you have a good time? Maybe. Especially if you can do a few shots before the movie or sneak in a bottle of Wild Turkey. But I'm willing to bet that if I gave the writing assignment of the concept of <i>The Hangover</i> to half of you, the <a href="http://www.movieretriever.com/blog/359/movie-review-the-hangover
/1701478">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Jun 2009 00:16:18 -0400</pubDate>
<link>http://www.movieretriever.com/blog/359/movie-review-the-hangover
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<title>Movie Review: Land of the Lost
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<b>Jun 05, 2009 </b></td>
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<p>
Brad Silberling's <i>Land of the Lost</i> is an absolute disaster, an unqualified mess that reminded me of legendary flops like <i>Howard the Duck</i> or <i>Waterworld</i> on more than one occasion. Completely unfunny, horribly conceived, and with absolutely no personality of its own, <i>Land of the Lost</i> is one of the most shockingly inert, dead-on-arrival major films that I've seen in a very long time. The super-charming Anna Friel and a clever cameo by Matt Lauer represent the only two highlights in a film filled with lowlights that's based on the classic TV show. Why <a href="http://www.movieretriever.com/blog/358/movie-review-land-of-the-lost
/1700798">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Jun 2009 00:16:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/358/movie-review-land-of-the-lost
/1700798</link>
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<title>Movie Review: Downloading Nancy
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<b>Jun 05, 2009 </b></td>
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<p>
<i>Downloading Nancy</i> is an amazing example of talented actors doing their best to make something genuine of a complex concept but being betrayed by writers and a director who seem afraid to really let the film connect. Maria Bello, Jason Patric, and Rufus Sewell are absolutely fearless in what they deliver as experts in their craft. It's just the way in which that delivery is used that fails to register. <i>Downloading Nancy</i> is a film about raw, emotional issues that is handled like a clinical exam. It's almost worth seeing just because the disparity <a href="http://www.movieretriever.com/blog/357/movie-review-downloading-nancy
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Jun 2009 00:16:00 -0400</pubDate>
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<b>Jun 05, 2009 </b></td>
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<p>
There has been a wave of science fiction in 2009 that has offered entertaining escapism (<i>Star Trek</i>), disappointing CGI overload (<i>Terminator: Salvation</i>), and psychological drama (the upcoming <i>Moon</i>). More proof that science fiction is back in a big way is the foreign language indie <i>Sleep Dealer</i>, a clever but deeply flawed film that plays like Guillermo Del Toro's version of an unpublished Philip K. Dick short story. Sounds great, right? Of course, and there are definitely elements of <i>Sleep Dealer</i> that work, but the final product is ultimately a great
piece of evidence supporting the <a href="http://www.movieretriever.com/blog/356/movie-review-sleep-dealer
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Jun 2009 00:15:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/356/movie-review-sleep-dealer
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<title>Join the HD Revolution: The First Ten Blu-Rays You Should Buy
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<b>Jun 04, 2009 </b></td>
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<p>
The Blu-Ray revolution has been more of a slowly rising tide than a tidal wave of 1080P glory that we hoped it would be. With more and more alternative ways to watch films and TV shows, the Blu-Ray market hasn't taken off nearly as rapidly as previous technological advancements or as those of us already “upconverted” think it should. But once you do make that switch and jump into the Blu-Ray ocean, there will be no looking back. With incredible video and audio and revolutionary ways to present behind-the-scenes material, Blu-Ray is an amazing <a href="http://www.movieretriever.com/blog/355/join-the-hd-revolution-the-first-ten-blurays-you-should-buy
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 04 Jun 2009 13:23:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/355/join-the-hd-revolution-the-first-ten-blurays-you-should-buy
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<title>Win a Sony Home Theater System From MovieRetriever.com!
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<b>Jun 02, 2009 </b></td>
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<p>
MovieRetriever.com is for movie hounds looking for the next great movie to watch, at home or in the theater. Our irreverent Barks with Bite blog delivers honest movie reviews, interviews with cast members and more, all with a snarky disposition to keep your tail wagging! 
</p>




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We created hundreds of unique lists. What is a MovieRetriever list? <a href="http://www.movieretriever.com/blog/354/win-a-sony-home-theater-system-from-movieretrievercom
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 02 Jun 2009 10:28:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/354/win-a-sony-home-theater-system-from-movieretrievercom
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<title>Movie Review: Drag Me to Hell
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<b>May 29, 2009 </b></td>
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<p>
Sam Raimi returns to the gleefully gory world of horror this week with the above average <i>Drag Me to Hell</i>, a film that nearly brings a genre junkie to comparisons to the <i>Evil Dead</i> trilogy but falls just short of that kind of acclaim. Masterfully directed (certainly more than <i>Spider-Man 3</i>) and with a thoroughly enjoyable screenplay, <i>Drag Me to Hell</i> delivers on what it promises even if it doesn't quite exceed them to make it a pure horror classic. With wonderful sequences that hark back to Ash versus his own hand and a <a href="http://www.movieretriever.com/blog/353/movie-review-drag-me-to-hell
/1700791">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 29 May 2009 10:29:31 -0400</pubDate>
<link>http://www.movieretriever.com/blog/353/movie-review-drag-me-to-hell
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<title>Movie Review: Pontypool
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<b>May 29, 2009 </b></td>
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<p>
How would an isolated radio station respond to a zombie apocalypse? In the middle of a small town in Ontario, a trio of people in a very old-fashioned radio station in the titular Pontypool deals with their own version of <i>War of the Worlds.</i> A radio DJ (the excellent Stephen McHattie) sees something very unusual on the way to work but that's nothing compared to the phone call they get from their traffic reporter describing a mob outside a doctor's office that has descended into general, bloody chaos. Wisely keeping the budget low while <a href="http://www.movieretriever.com/blog/352/movie-review-pontypool
/1701641">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 29 May 2009 10:02:25 -0400</pubDate>
<link>http://www.movieretriever.com/blog/352/movie-review-pontypool
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<title>Movie Review: What Goes Up
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<b>May 29, 2009 </b></td>
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<p>
Jonathan Glatzer's debut film, <i>What Goes Up</i>, is such a confused, convoluted, odd piece of cinema that I almost recommend seeing it just because it is so very unusual. It’s a comedy/drama/teen movie set in the days preceding the 1986 Challenger explosion. You don’t see that every Friday at the multiplex. Despite its originality and a few decent performances, you will rarely see a film more misguided in its tone changes or awkward in its transitions. Completely misunderstanding its teenage characters and reducing its journalist lead to the only sane man in an asylum, <a href="http://www.movieretriever.com/blog/351/movie-review-what-goes-up
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 29 May 2009 07:57:39 -0400</pubDate>
<link>http://www.movieretriever.com/blog/351/movie-review-what-goes-up
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<title>Movie Review: Departures</title>
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<b>May 27, 2009 </b></td>
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<p>When the Academy Award for Best Foreign Language Film was given to the Japanese Departures, it sent shockwaves through Oscar parties around the world. Yes, a select few people who knew the film and Academy voting trends predicted the upset, but it was a surprise nonetheless. With a landmark film like Waltz with Bashir and the beloved The Class both nominated and a great selection of foreign films deemed unworthy or ineligible under the Academy's stupid system (Gomorrah, Let the Right One In, Tell No One, A Christmas Tale), Departures had to be something <a href="http://www.movieretriever.com/blog/350/movie-review-departures/1701432">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 27 May 2009 17:35:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/350/movie-review-departures/1701432</link>
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<title>Movie Review: Up
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<b>May 27, 2009 </b></td>
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<p>
With toys that come to life, a family of superheroes, a refined rat, a lovable robot, and many more characters, Pixar has continually shattered expectations, but even the most creative animation movement since Walt Disney picked up a pen has to break the pattern eventually, right? For everyone out there anxiously awaiting each Pixar film, there's a detractor just waiting for the other shoe to drop. They're going to have to keep waiting. With <i>Up</i>, Pixar has once again proven that this creative force of a studio isn't concerned with expectations of story or <a href="http://www.movieretriever.com/blog/349/movie-review-up
/1701809">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 27 May 2009 12:17:46 -0400</pubDate>
<link>http://www.movieretriever.com/blog/349/movie-review-up
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<title>MovieRetriever Editors Views: Night at the Museum: Battle of the Smithsonian</title>
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<b>May 27, 2009 </b></td>
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<p>Now that our critic at large, <a href="http://www.movieretriever.com/blog/347/movie-review-night-at-the-museum-battle-of-the-smithsonian/1700799">Brian Tallerico</a>, has given his opinion on Night at the Museum: Battle of the Smithsonian, we here at MovieRetriever.com thought you might enjoy some additional perspectives from the editors. So, without further adieu, here is the opinion of....<a href="http://www.movieretriever.com/vh_profile/28/Turk182"><strong>Turk182</strong></a>I approached Night at the Museum: Battle of the Smithsonian expecting a louder, more obnoxious version of the first film. I thought it would improve on the spectacle but not necessarily be a better movie. I figured I would ultimately feel about it like I did the second and <a href="http://www.movieretriever.com/blog/348/movieretriever-editors-views-night-at-the-museum-battle-of-the-smithsonian">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 27 May 2009 00:18:48 -0400</pubDate>
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<title>Movie Review: Night at the Museum: Battle of the Smithsonian</title>
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<b>May 22, 2009 </b></td>
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<p>Night at the Museum: Battle of the Smithsonian is a tough film for a critic to review. Your opinion of the film will depend on your expectations and the critical question at play &ndash; should you judge a movie solely on how it will satisfy its target audience? We can't ignore that this CGI smorgasbord was made for families to escape the barbecues and parades this Memorial Day weekend. Will they be satisfied by the wacky escapades of Larry Daley (Ben Stiller)? Probably. There's a manic, everything-and-the-kitchen-sink approach that usually works for air-conditioned toddlers <a href="http://www.movieretriever.com/blog/347/movie-review-night-at-the-museum-battle-of-the-smithsonian/1700799">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 May 2009 11:34:33 -0400</pubDate>
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<title>Movie Review: The Brothers Bloom</title>
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<b>May 22, 2009 </b></td>
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<p><a href="http://www.movieretriever.com/blog/342/interview-rian-johnson-writer/director-of-the-brothers-bloom">Rian Johnson</a>'s debut film, Brick, was a riveting noir, an announcement of a new writer in love with how he could manipulate the English language in a brave new way. Brick was an underrated gem that hinted at creative things to come. But would Johnson fall victim to the dreaded sophomore slump? When The Brothers Bloom debuted on the festival circuit last year, the buzz from a lot of critics and fest-goers seemed to confirm that he had. The film was judged as an over-done, manic misstep with some good ideas and performances <a href="http://www.movieretriever.com/blog/346/movie-review-the-brothers-bloom/1699489">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 May 2009 11:20:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/346/movie-review-the-brothers-bloom/1699489</link>
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<title>Movie Review: The Girlfriend Experience</title>
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<b>May 22, 2009 </b></td>
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<p>It's tempting to look at Steven Soderbergh's incredible filmography and apply the old axiom of a filmmaker who does &quot;one for them, one for me.&quot; Movie makers often trade off their multiplex fare with smaller films that are usually more personal and intimate. In Soderbergh's case, one could look at films like Bubble or Che and argue and think that they belong in the latter category. The problem with this theory is that it doesn't work for Soderbergh. He loves the Ocean's movies as much as the one about Che Guevara. He simply makes <a href="http://www.movieretriever.com/blog/345/movie-review-the-girlfriend-experience/1701638">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 May 2009 10:57:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/345/movie-review-the-girlfriend-experience/1701638</link>
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<title>Movie Review: Outrage</title>
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<b>May 22, 2009 </b></td>
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&quot;The only reason people hate gay people is because their leaders tell them to.&quot; - Rep. Barney Frank, (D-MA)<p>If you don't believe the above quote and think that homophobia is something natural or intrinsic to the human condition then you can stop reading this review now. The color in your sky is different than the one I see and we&rsquo;re not going to agree on a lot of things, especially not a documentary about gay rights. I think Frank is onto something essential with this simple statement, something about how teachers, religious figures, politicians, <a href="http://www.movieretriever.com/blog/344/movie-review-outrage">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 May 2009 10:30:19 -0400</pubDate>
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<title>Movie Review: Adoration</title>
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<b>May 22, 2009 </b></td>
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Atom Egoyan's Adoration is at least two films in one (arguably more) but they don&rsquo;t quite come together into anything approaching a cohesive vision and the talented screenwriter/director loses track of the more interesting narrative in a final act that devolves into uninteresting melodrama. And, yet, I still kind of liked Adoration. There are so many interesting ideas in the first two acts of the film, which feel more like the Egoyan who made waves with the excellent Exotica and The Sweet Hereafter, that it's easier to forgive the final act, which feels far <a href="http://www.movieretriever.com/blog/343/movie-review-adoration/1701630">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 May 2009 10:09:42 -0400</pubDate>
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<title>Interview: Rian Johnson, Writer/Director of The Brothers Bloom</title>
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<b>May 21, 2009 </b></td>
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<p>Writer/Director Rian Johnson has made two films, the great <a href="http://www.movieretriever.com/movies/1691827/Brick">Brick</a> and the very-good <a href="http://www.movieretriever.com/movies/1699489/The-Brothers-Bloom">The Brothers Bloom</a>, finally opening this month after many frustrating delays. Johnson is a fascinating young filmmaker, someone in love with the language of cinema. How many filmmakers start their careers with modern noir and modern con man movies? Johnson takes risks and both of them have paid off. He sat down with us on the eve of the Opening Night celebration for <a href="http://www.movieretriever.com/movies/1699489/The-Brothers-Bloom">The Brothers Bloom</a> at the Chicago International Film Festival. This humble young man was about <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/342_weisz.jpg" alt="" title="" /></td></tr><tr><td align="center">Rachel Weisz</td></tr></table><a href="http://www.movieretriever.com/blog/342/interview-rian-johnson-writer/director-of-the-brothers-bloom">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 21 May 2009 17:14:03 -0400</pubDate>
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<title>Movie Review: Terminator Salvation</title>
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&nbsp; Your enjoyment of McG's Terminator Salvation depends largely on your expectations, so let me be blunt &ndash; lower them significantly. If you approach the film as an effects-heavy summer extravaganza then you may be satisfied but if you are a purist of the universe that Cameron invented, interested in seeing something human to match the machine, an admirer of the complex work that Christian Bale has delivered in the past, or have any problems at all with 2nd-grade level dialogue, then find an alternate this weekend. Terminator Salvation is CGI masturbation &ndash; it's <a href="http://www.movieretriever.com/blog/340/movie-review-terminator-salvation/1700806">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 21 May 2009 00:03:41 -0400</pubDate>
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<title>Seven Things We Want From Star Trek 2</title>
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<b>May 20, 2009 </b></td>
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<p>It's almost hard to believe that the Star Trek universe has been rebooted successfully enough that we're actually looking forward to a sequel and not just assuming the next one will suck (or that the next one will be good, depending on whether the last was an odd or even entry). With the critical and commercial success of <a href="http://www.movieretriever.com/castandcredits/64644/J.J.-(Jeffrey)-Abrams">J.J. Abrams</a>' incredible film, a sequel is not &ldquo;likely&rdquo; or even &ldquo;planned,&rdquo; it's as inevitable as the annual Saw movie. It's going to happen. There's nothing you can do about it.As much as we adored <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/338_flares2.jpg" alt="" title="" /></td></tr><tr><td align="center">Skydiving to the Narada's drill arm.</td></tr></table><a href="http://www.movieretriever.com/blog/338/seven-things-we-want-from-star-trek-2">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 20 May 2009 14:12:47 -0400</pubDate>
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<title>Interview: Rachel Weisz from The Brothers Bloom</title>
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<b>May 19, 2009 </b></td>
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Rachel Weisz is one of those rare actresses who is both stunningly beautiful in person but also completely down to Earth and incredibly easy to talk to. In other words, she&rsquo;s a great interview. At last year&rsquo;s Chicago International Film Festival, Weisz sat down with MovieRetriever, Capone of Ain&rsquo;t It Cool News, and Peter Sobcysnki of EFilmCritic to promote the opening night film for the fest, <a href="http://www.movieretriever.com/movies/1699489/The-Brothers-Bloom">The Brothers Bloom</a>. The delightful Bloom from <a href="http://www.movieretriever.com/movies/1691827/Brick">Brick</a> director Rian Johnson finally opens around the rest of the country this month, including this Friday in Chicago. <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/337_BB-009IMG3021_banjo.jpg" alt="Rachel Weisz" title="Rachel Weisz" /></td></tr><tr><td align="center">Rachel Weisz</td></tr></table><a href="http://www.movieretriever.com/blog/337/interview-rachel-weisz-from-the-brothers-bloom">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 19 May 2009 13:58:38 -0400</pubDate>
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<title>Interview: Pete Docter, Director of Up</title>
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<b>May 15, 2009 </b></td>
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<p>If you have heard any of the growing buzz coming out of the Cannes Film Festival, you will probably not be surprised to hear that Pixar has done it again. That buzz is about to become a deafening roar by the time it gets to the United States. Pete Docter&rsquo;s <a href="http://www.movieretriever.com/movies/1700809/Up">Up</a> is going to be one of the most beloved films of not just the season but the year. We'll be back soon (next week) to review the actual film but we got a wonderful, exclusive sit-down with Docter, the director of Up <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/336_up_ver2.jpg" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/336/interview-pete-docter-director-of-up">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 May 2009 11:11:59 -0400</pubDate>
<link>http://www.movieretriever.com/blog/336/interview-pete-docter-director-of-up</link>
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<title>Movie Review: Angels &amp; Demons</title>
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<b>May 15, 2009 </b></td>
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&nbsp; Ron Howard's Angels &amp; Demons is an unqualified disaster, a film that makes the practically narcoleptic The Da Vinci Code look like a Hitchcockian masterpiece in comparison. I've been a little hard on Howard in the past, professing the opinion that almost everything he delivers feels a bit too safe. He is the ultimate B-movie director, never taking true risks and, therefore, never deserving the acclaimed auteur status that I feel some of have anointed him with since his second Oscar nomination for Frost/Nixon, another 3-star, B-level film. Occasionally, Howard slightly elevates his <a href="http://www.movieretriever.com/blog/335/movie-review-angels--demons/1700789">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 May 2009 09:39:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/335/movie-review-angels--demons/1700789</link>
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<title>Movie Review: Management</title>
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&nbsp; Stephen Belber's Management is an odd slice of whimsy, a film that contains familiar elements of standard romantic comedies but strives for something unique in its blend of humor, romance, drama, and character-driven quirkiness. The film doesn't completely come together, but it does hint at a bright future for filmmaker Stephen Belber, the acclaimed playwright who helped bring The Laramie Project and Richard Linklater's Tape to life. His directorial debut displays enough originality in its tone and ambition in its ideas that it will be worth the trip for audiences looking for a <a href="http://www.movieretriever.com/blog/334/movie-review-management">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 May 2009 09:36:18 -0400</pubDate>
<link>http://www.movieretriever.com/blog/334/movie-review-management</link>
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<title>Movie Review: Rudo y Cursi</title>
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<p>Carlos Cuaron's Rudo y Cursi is a genial, light film that I truly want to recommend. I'm a huge fan of a lot of Mexican cinema of the last few years, think Gael Garcia Bernal and Diego Luna are fascinating young actors, and would like to see more films like this gentle tale of brothers who become soccer stars and watch their fame and flaws tear their lives apart. But I just can't do it. Rudo y Cursi is an open shot on an empty goal. With its great leads and talented writer/director, the <a href="http://www.movieretriever.com/blog/333/movie-review-rudo-y-cursi">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 May 2009 09:33:44 -0400</pubDate>
<link>http://www.movieretriever.com/blog/333/movie-review-rudo-y-cursi</link>
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<title>Interview: Stephen Belber, Writer/Director of Management</title>
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<b>May 14, 2009 </b></td>
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<p>Stephen Belber, the acclaimed playwright who helped bring <a href="http://www.movieretriever.com/movies/1684729/The-Laramie-Project">The Laramie Project</a> and <a href="http://www.movieretriever.com/movies/1682854/Tape">Tape</a> to film, makes his directorial debut this week with the quirky comedy Management, starring Steve Zahn, Jennifer Aniston, and Woody Harrelson. Management is about a motel employee who goes to extremes to get the buttoned-up saleswoman who crosses his path to realize she loves him too. Belber took time out of his busy schedule to make an international call, getting in touch with us from Paris, France to discuss his film, process, past, and future. </p><p align="right"><a href="http://www.movieretriever.com/blog/interviews">--Brian Tallerico</a></p><p <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/332_managementposter.jpg" alt="MANAGEMENT" title="MANAGEMENT" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/332/interview-stephen-belber-writer/director-of-management">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 14 May 2009 14:49:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/332/interview-stephen-belber-writer/director-of-management</link>
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<title>Interview with Marc Caro, Director of Dante 01, Delicatessen, City of Lost Children</title>
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<b>May 13, 2009 </b></td>
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In the &lsquo;90s, Marc Caro became internationally known as half of one of the world's most inspiring teams of foreign filmmakers by making <a href="http://www.movieretriever.com/movies/1085245/Delicatessen">Delicatessen</a> and <a href="http://www.movieretriever.com/movies/1655270/The-City-of-Lost-Children">The City of Lost Children</a> with Jean-Pierre Jeunet. Those two masterpieces hinted at wonderful things to come. Well, Jeunet went on to make <a href="http://www.movieretriever.com/movies/1682903/Amelie">Amelie</a> and <a href="http://www.movieretriever.com/movies/1689017/A-Very-Long-Engagement">A Very Long Engagement</a>, but Caro essentially disappeared with only one TV credit between Children and this year. Somewhat surprisingly, at least to this viewer, Caro&rsquo;s <a href="http://www.movieretriever.com/movies/1701408/Dante-01">Dante 01</a> hit DVD on April 21st, 2009. This dark sci-fi vision has <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/331_dante_01poster.jpg" alt="DANTE 01" title="DANTE 01" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/331/interview-with-marc-caro-director-of-dante-01-delicatessen-city-of-lost-children">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 13 May 2009 12:49:57 -0400</pubDate>
<link>http://www.movieretriever.com/blog/331/interview-with-marc-caro-director-of-dante-01-delicatessen-city-of-lost-children</link>
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<title>MovieRetriever Editors Views: Star Trek</title>
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<b>May 08, 2009 </b></td>
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J.J. Abrams&rsquo; reboot of the <a href="http://www.movieretriever.com/movies/1700804/Star-Trek">Star Trek</a> franchise will easily be the biggest movie of the weekend and, if audiences can get past their Trek prejudice, might be one of the biggest movies of the summer. The film has received a largely rapturous critical response so far (there have been, per usual, a few dissenters), but we&rsquo;re still encountering lots of people who are unsure whether they want to see Star Trek. Some because they don&rsquo;t know what the movie is about, some because they simply don&rsquo;t like Trek&rsquo;s legacy, and some because <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/330_star_trek_xi_ver18_xlg.jpg" alt="Star Trek" title="Star Trek" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/330/movieretriever-editors-views-star-trek">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 08 May 2009 00:41:10 -0400</pubDate>
<link>http://www.movieretriever.com/blog/330/movieretriever-editors-views-star-trek</link>
<guid>http://www.movieretriever.com/blog/330/movieretriever-editors-views-star-trek</guid>
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<title>Interview: Director/Writer Derick Martini on Lymelife</title>
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<b>May 07, 2009 </b></td>
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Derick Martini cares enough about his directorial debut, the very promising and well-made Lymelife, that he took the time and went out of his way to get in touch with us mere days after his wife gave birth to his first child via emergency section. In a very long, fascinating conversation, only part of which is reproduced below, Derick and I spoke about a wide variety of topics including the films that inspired <a href="http://www.movieretriever.com/blog/320/movie-review-lymelife">Lymelife</a>, the current state of cinema, how arthouse films are marketed, and working with Alec Baldwin.<a href="http://www.movieretriever.com/blog/interviews">--Brian Tallerico</a><strong>**********</strong><p><strong>MOVIE RETRIEVER:</strong> How's <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/329_LYMELIFE FINAL 1 SHEET.jpg" alt="Lymelife" title="Lymelife" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/329/interview-director/writer-derick-martini-on-lymelife">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 07 May 2009 14:19:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/329/interview-director/writer-derick-martini-on-lymelife</link>
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<title>Movie Review: Star Trek</title>
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<b>May 07, 2009 </b></td>
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It's early in the year, but you probably won't see a more straight-up entertaining ride of a movie than J.J. Abrams' rollicking reboot of Star Trek, a film that not only stands tall above most of its many sub-genre peers (one of the best reboots/sequels/sci-fi/summer/etc movies) but also simply works on almost every single level. Like Casino Royale did with Bond, the new Star Trek has taken a large chapter of my youth and not just kick-started it again for a new generation but enhanced the entire mythology of the series. Honestly, if someone <a href="http://www.movieretriever.com/blog/328/movie-review-star-trek/1700804">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 07 May 2009 00:17:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/328/movie-review-star-trek/1700804</link>
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<title>Early 2009: The Best and Worst Movies of the Year to Date</title>
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<b>May 06, 2009 </b></td>
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<p>Before summer gets thoroughly underway with <a href="http://www.movieretriever.com/movies/1700804/Star-Trek">Star Trek</a> (because, let's be honest, the lackluster <a href="http://www.movieretriever.com/movies/1700811/X-Men-Origins:-Wolverine">X-Men Origins: Wolverine</a> doesn't really count for anything), we thought we'd take a minute to look back at the first four months of 2009. Were there any films or performances that critics or awards groups will remember in eight month's time? Was there a Richard Jenkins in The Visitor? Even a Silence of the Lambs (a rare February release that went onto big things over a year later at the Oscars)? Was there anything out there that will <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/327_1coraline.jpg" alt="Coraline" title="Coraline" /></td></tr><tr><td align="center">Coraline</td></tr></table><a href="http://www.movieretriever.com/blog/327/early-2009-the-best-and-worst-movies-of-the-year-to-date">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 06 May 2009 11:34:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/327/early-2009-the-best-and-worst-movies-of-the-year-to-date</link>
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<title>Movie Review: The Skeptic</title>
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<b>May 06, 2009 </b></td>
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&nbsp;&nbsp;They don't make old-fashioned ghost stories as often as they used to, particularly now that the horror market is flooded with Saw rip-offs and torture porn. Consequently, I'm usually a little forgiving of films that remind me of the great horror classics that influenced the way I look at the genre like Carnival of Souls or The Haunting. To be blunt, I'm forgiving of ghost stories. And yet, I still can't quite get behind Tennyson Bardwell's The Skeptic, a film with good ideas and performances but weak, predictable, two-dimensional, frustrating dialogue. It's a feature <a href="http://www.movieretriever.com/blog/326/movie-review-the-skeptic">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 06 May 2009 10:51:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/326/movie-review-the-skeptic</link>
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<title>Looking Back on the Star Trek Films</title>
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<b>May 05, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">Regardless of its incarnation (be it television show, film, cartoon, video game, etc.), Star Trek has largely been considered a nerd-based franchise for the bulk of its existence. That is about to change following the release of the wildly anticipated reboot of the brand from director J. J. Abrams called simply <a href="http://www.movieretriever.com/movies/1700804/Star-Trek">Star Trek</a>. The film looks to reinvigorate the story of the original crew of the Enterprise by exploring their formative years while simultaneously delivering a legitimate and well-made action-adventure film (something that has been lacking all too <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/325_st1.jpg" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/325/looking-back-on-the-star-trek-films">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 05 May 2009 13:12:52 -0400</pubDate>
<link>http://www.movieretriever.com/blog/325/looking-back-on-the-star-trek-films</link>
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<title>Interview: Director Sacha Gervasi on Anvil! The Story of Anvil</title>
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<b>May 04, 2009 </b></td>
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The best documentary of the year, <a href="http://www.movieretriever.com/blog/305/movie-review-anvil-the-story-of-anvil">Anvil! The Story of Anvil</a>, is captivating audiences around the country. How big is the Anvil buzz? When I called director Sacha Gervasi this week, he was mid-meeting with VH1 about expanding the film to over 200 more cities. Most documentaries are lucky to play in the Big Apple alone and <a href="http://www.movieretriever.com/blog/305/movie-review-anvil-the-story-of-anvil">Anvil</a> is looking at a nationwide expansion. The band that never broke it big officially has turned into superstars (check out the latest Rolling Stone if you don&rsquo;t believe it). Gervasi took time out of <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/323_anvil_quad.jpg" alt="Anvil" title="Anvil" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/323/interview-director-sacha-gervasi-on-anvil-the-story-of-anvil">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 04 May 2009 10:57:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/323/interview-director-sacha-gervasi-on-anvil-the-story-of-anvil</link>
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<title>Movie Review: X-Men Origins: Wolverine</title>
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<b>May 01, 2009 </b></td>
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&nbsp; Does the first big summer movie set the tone for the entire season? Last summer, Iron Man rocked audiences and most critics, and I think any summer movie season that gives us Wall-E and The Dark Knight needs to be looked at as a good one. The year before was the disappointing Spider-Man 3 and the disappointment continued with Shrek the Third and Pirates of the Caribbean 3. If there's anything to the idea that the first weekend in May can serve as a canary in the movie coal mine, indicating good or <a href="http://www.movieretriever.com/blog/322/movie-review-xmen-origins-wolverine/1700811">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 01 May 2009 09:23:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/322/movie-review-xmen-origins-wolverine/1700811</link>
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<title>Movie Review: Tyson</title>
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<b>May 01, 2009 </b></td>
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&nbsp; How does one even begin to try and capture a man as unique and un-definable as Mike Tyson on film? Writer/director James Toback made the brilliant decision to let the only person who truly knows Tyson to write his biography, the champ himself. With only his own words, spoken over five days spent with his &quot;autobiographer,&quot; edited together with fight/archival footage and footage of a modern athlete walking on a California beach, Toback's Tyson paints a riveting portrait of a man with many more shades of gray than his typical black and white <a href="http://www.movieretriever.com/blog/321/movie-review-tyson">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 01 May 2009 09:19:21 -0400</pubDate>
<link>http://www.movieretriever.com/blog/321/movie-review-tyson</link>
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<title>Movie Review: Lymelife</title>
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<b>May 01, 2009 </b></td>
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&nbsp;&nbsp;Quirky indie films about families adapting to change in the '70s or '80s have become alarmingly common and commonly alarming. To this critic, most of them are overdone examples of what's wrong with independent filmmaking. They're usually way too self-conscious, as if you're watching a film student's home movies that only he finds interesting, funny, or insightful. The teenagers always talk like NYC film grads (because wouldn't we all like to think we were actually cool and misunderstood instead of just dorky), the parents are always grotesquely exaggerated in their bad behavior, and everybody <a href="http://www.movieretriever.com/blog/320/movie-review-lymelife">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 01 May 2009 09:17:10 -0400</pubDate>
<link>http://www.movieretriever.com/blog/320/movie-review-lymelife</link>
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<title>Box Office Predictions: The Top 20 Movies of Summer 2009</title>
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<b>Apr 30, 2009 </b></td>
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<p>The star-powered summer movie season is finally upon us and it's filled with more box office potential than perhaps any year previous. Economic times are tough, but the super-grosses of early 2009 films like Paul Blart and Taken have proven that, despite foreclosures and 401K implosions, people are still going to the movies in droves. In fact, some have argued that people need Hollywood escapism now more than ever. Well, audiences will be getting heavy doses of such escapism, to the tune of billions of dollars, over the next four months. So, when the <a href="http://www.movieretriever.com/blog/319/box-office-predictions-the-top-20-movies-of-summer-2009">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 30 Apr 2009 08:41:04 -0400</pubDate>
<link>http://www.movieretriever.com/blog/319/box-office-predictions-the-top-20-movies-of-summer-2009</link>
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<title>Interview: Director James Toback Talks Tyson</title>
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<b>Apr 28, 2009 </b></td>
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<a href="http://www.movieretriever.com/castandcredits/14664/James-Toback">James Toback</a> has been a controversial figure in Hollywood for years, dividing audiences and critics over films like <a href="http://www.movieretriever.com/movies/841310/Fingers">Fingers</a>, <a href="http://www.movieretriever.com/movies/664500/Exposed">Exposed</a>, <a href="http://www.movieretriever.com/movies/1671393/Two-Girls-and-a-Guy">Two Girls and a Guy</a>, and <a href="http://www.movieretriever.com/movies/1678392/Black-and-White">Black and White</a>. There's no divisiveness in opinion over the quality of his latest film, a riveting self-portrait of a fascinating man called Tyson. In no one's words but Mike Tyson&rsquo;s own, Toback allows one of the greatest boxers who ever lived an amazing self-examination captured on celluloid. The response has been nearly universal in its acclaim. Mixing archival footage and a few <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/318_TOBACK1.jpg" alt="JAMES TOBACK" title="JAMES TOBACK" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/318/interview-director-james-toback-talks-tyson">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 28 Apr 2009 22:29:25 -0400</pubDate>
<link>http://www.movieretriever.com/blog/318/interview-director-james-toback-talks-tyson</link>
<guid>http://www.movieretriever.com/blog/318/interview-director-james-toback-talks-tyson</guid>
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<title>Movie Reviews: April Showers</title>
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<b>Apr 28, 2009 </b></td>
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&nbsp; For this critic, reviewing a movie like April Showers is very difficult. I often think that movies made this recently about a tragedy as deep and damaging as what happened at Columbine High School ten years ago this month veer dangerously close to exploitation. It turns out that a label like that would be too easy a way to write off this accomplished, harrowing, and deeply, deeply personal film. Writer/director Andrew Robinson was actually there on that day in that school. A Columbine grad, a decade later he has become a filmmaker with <a href="http://www.movieretriever.com/blog/317/movie-reviews-april-showers">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 28 Apr 2009 22:22:01 -0400</pubDate>
<link>http://www.movieretriever.com/blog/317/movie-reviews-april-showers</link>
<guid>http://www.movieretriever.com/blog/317/movie-reviews-april-showers</guid>
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<title>Twenty Film Franchises in Need of a Reboot</title>
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<b>Apr 27, 2009 </b></td>
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<p>Movie sequels and remakes have been almost universally decried as being creatively corrupt, yet audiences and critics alike seem infinitely more forgiving of the franchise &quot;reboot.&quot; Most notably, <a href="http://www.movieretriever.com/movies/1689153/Batman-Begins">Batman Begins</a> injected new life into the masked corpse left by Joel Schumacher and <a href="http://www.movieretriever.com/movies/1692998/Casino-Royale">Casino Royale</a> completely re-imagined the Bond franchise. (And Ed Norton's <a href="http://www.movieretriever.com/movies/1697575/The-Incredible-Hulk">The Incredible Hulk</a> reboot was marginally less disappointing than Ang Lee's <a href="http://www.movieretriever.com/movies/1686211/Hulk">Hulk</a>.) This summer, <a href="http://www.movieretriever.com/movies/1700804/Star-Trek">Star Trek</a> and <a href="http://www.movieretriever.com/movies/1700806/Terminator-Salvation">Terminator: Salvation</a> will attempt to work that reboot magic again on two legendary franchises that had grown seriously stale. <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/316_karatekid.jpg" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/316/twenty-film-franchises-in-need-of-a-reboot">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 27 Apr 2009 12:33:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/316/twenty-film-franchises-in-need-of-a-reboot</link>
<guid>http://www.movieretriever.com/blog/316/twenty-film-franchises-in-need-of-a-reboot</guid>
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<title>Movie Review: The Mutant Chronicles</title>
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<b>Apr 23, 2009 </b></td>
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<p>Reviews of CGI-heavy, stylized, futuristic movies often use the phrase &quot;looks like watching someone playing a video game.&quot; For Simon Hunter&rsquo;s The Mutant Chronicles, I'd adjust it slightly, yet it's an important difference - &quot;looks like someone else watching an AWFUL video game cut scene.&quot; Actually, video games usually look better than this, one of the most bizarrely-designed films I've seen in a very long time. Combine some of the most misguided design decisions in years with dialogue (&ldquo;Any last words?&rdquo; &ldquo;Shut the f*** up.&rdquo;), plot, and characters out of an Uwe Boll film <a href="http://www.movieretriever.com/blog/315/movie-review-the-mutant-chronicles">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 23 Apr 2009 08:47:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/315/movie-review-the-mutant-chronicles</link>
<guid>http://www.movieretriever.com/blog/315/movie-review-the-mutant-chronicles</guid>
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<title>Beyond Wolverine: Ten Other Movie Origins We'd Like to See</title>
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<b>Apr 23, 2009 </b></td>
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<p>&quot;All legends have an origin.&quot; So goes the over-played preview for <a href="http://www.movieretriever.com/movies/1700811/X-Men-Origins:-Wolverine">X-Men Origins: Wolverine</a>. All of them? Really? Does the legend of Harry from <a href="http://www.movieretriever.com/movies/917300/Harry-and-the-Hendersons">Harry and the Hendersons</a> have an origin worth telling? <a href="http://www.movieretriever.com/movies/897810/Howard-the-Duck">Howard the Duck</a>? <a href="http://www.movieretriever.com/movies/1677466/Monkeybone">Monkeybone</a>? Probably not. Clearly, however, there&rsquo;s something there in the idea that great characters from movie history might have a back story worth telling. It&rsquo;s time for a list.</p><p>With X-Men Origins: Wolverine opening next week, it got our twisted minds thinking about what other origin stories we'd like to see on the big screen. <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/314_1_morpheus.jpg" alt="Morpheus from The Matrix" title="Morpheus from The Matrix" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/314/beyond-wolverine-ten-other-movie-origins-wed-like-to-see">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 23 Apr 2009 08:24:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/314/beyond-wolverine-ten-other-movie-origins-wed-like-to-see</link>
<guid>http://www.movieretriever.com/blog/314/beyond-wolverine-ten-other-movie-origins-wed-like-to-see</guid>
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<title>Movie Review: State of Play</title>
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<b>Apr 17, 2009 </b></td>
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<p>The BBC mini-series version of State of Play is one of the most acclaimed things to ever appear on television stateside or across the pond. The truncated, defanged, and neutralized theatrical version of essentially the same bare bones of the story - directed by Kevin Macdonald and starring Russell Crowe, Ben Affleck, Rachel McAdams, Helen Mirren, Jason Bateman, and Robin Wright Penn - might stand reasonably tall on its own merits, but it's merely a shadow of its source material. Viewers completely unfamiliar with the original may find enough to like here. Some of <a href="http://www.movieretriever.com/blog/313/movie-review-state-of-play/1700959">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Apr 2009 10:12:37 -0400</pubDate>
<link>http://www.movieretriever.com/blog/313/movie-review-state-of-play/1700959</link>
<guid>http://www.movieretriever.com/blog/313/movie-review-state-of-play</guid>
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<title>Movie Review: Hunger</title>
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<b>Apr 17, 2009 </b></td>
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<p>Steve McQueen's Hunger is a daring, brutal, vital piece of filmmaking. It made my list as one of the best films of 2008, after a brief qualifying run in New York and Los Angeles, and is only now getting a wide release theatrically. In fact, there's been a bit of controversy over whether or not Hunger qualifies as a 2008 or 2009 film. Who cares? It's a great piece of dramatic work in either year. Hunger may have won the prize at Cannes last May for best first feature and will probably be included <a href="http://www.movieretriever.com/blog/312/movie-review-hunger">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Apr 2009 10:09:41 -0400</pubDate>
<link>http://www.movieretriever.com/blog/312/movie-review-hunger</link>
<guid>http://www.movieretriever.com/blog/312/movie-review-hunger</guid>
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<title>Movie Review: Sugar</title>
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<b>Apr 17, 2009 </b></td>
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<p>Ryan Fleck and Anna Boden's Half Nelson was one of the best films of 2006 and yet I somehow approached their follow-up Sugar with trepidation. Maybe it's the fear of the sophomore slump. Maybe it's the vastly different kind of material I knew this sports drama would be. Maybe it's my own ignorance at assuming that they couldn't do it again without the incredible performances by Ryan Gosling, Shareeka Epps, and Anthony Mackie to anchor their drama. Mere minutes into Sugar, I felt those concerns dissipate. I don't think this is quite the masterwork <a href="http://www.movieretriever.com/blog/311/movie-review-sugar">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Apr 2009 10:07:18 -0400</pubDate>
<link>http://www.movieretriever.com/blog/311/movie-review-sugar</link>
<guid>http://www.movieretriever.com/blog/311/movie-review-sugar</guid>
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<title>Movie Review: American Violet</title>
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<b>Apr 17, 2009 </b></td>
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<p>Tim Disney's American Violet is a film of which I don&rsquo;t enjoy being overly critical. It&rsquo;s easy and kind of fun to rip into worthless junk like Death Race, but this drama has such a righteous and respectable goal that gives me no pleasure in pointing out its shortcomings. Everyone's heart is in the right place and the way that drug laws are ridiculously enforced in this country should definitely be brought to the forefront of more people's minds. Minimum sentences, rushed plea bargains, and over-the-top drug enforcement tactics that claim innocent bystanders on <a href="http://www.movieretriever.com/blog/310/movie-review-american-violet/1701420">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Apr 2009 10:03:57 -0400</pubDate>
<link>http://www.movieretriever.com/blog/310/movie-review-american-violet/1701420</link>
<guid>http://www.movieretriever.com/blog/310/movie-review-american-violet</guid>
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<title>The Potential Sleeper Movie Hits of Summer 2009</title>
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<b>Apr 16, 2009 </b></td>
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<p>The likely hits of the upcoming summer movie season - films like <a href="http://www.movieretriever.com/movies/1700806/Terminator-Salvation">Terminator Salvation</a> or <a href="http://www.movieretriever.com/movies/1700789/Angels-&amp;-Demons">Angels &amp; Demons</a> - seem even easier to spot than most previous years. Sure, there's probably reason for producers to be a little bit nervous about the box office potential of films like <a href="http://www.movieretriever.com/movies/1700798/Land-of-the-Lost">Land of the Lost</a> and <a href="http://www.movieretriever.com/movies/1700794/G.I.-Joe:-Rise-of-Cobra">G.I. Joe</a>, but most of the big movies scheduled for summer 2009 feel like fastballs down the middle &ndash; guaranteed hits. But, if that's the case, where will the surprises come from? Will there be a movie <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/309_1_GirlfriendEx_SashaGrey.jpg" alt="Sasha Grey" title="Sasha Grey" /></td></tr><tr><td align="center">Sasha Grey in Steven Soderbergh's &quot;The Girlfriend Experience&quot;</td></tr></table><a href="http://www.movieretriever.com/blog/309/the-potential-sleeper-movie-hits-of-summer-2009">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 16 Apr 2009 08:08:58 -0400</pubDate>
<link>http://www.movieretriever.com/blog/309/the-potential-sleeper-movie-hits-of-summer-2009</link>
<guid>http://www.movieretriever.com/blog/309/the-potential-sleeper-movie-hits-of-summer-2009</guid>
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<title>Movie Review: Tokyo Sonata</title>
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<b>Apr 13, 2009 </b></td>
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<p>The definition of &quot;sonata&quot; &ndash; a composition for one or two instruments, typically in three or four movements in contrasted forms and keys.</p><p>The instruments at play in Kiyoshi Kurosawa&rsquo;s excellent Tokyo Sonata are the four members of a family, and they are definitely in contrasted forms and keys. This very good dissection of the dissolution of a once-stable family is like watching the air leak out of a balloon. It's slow, painful, and drawn out with one inevitable conclusion (although the final act of Tokyo Sonata is incredibly unpredictable). Sonata is an effective, memorable <a href="http://www.movieretriever.com/blog/308/movie-review-tokyo-sonata">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 13 Apr 2009 22:04:47 -0400</pubDate>
<link>http://www.movieretriever.com/blog/308/movie-review-tokyo-sonata</link>
<guid>http://www.movieretriever.com/blog/308/movie-review-tokyo-sonata</guid>
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<title>Movie Review: Observe and Report</title>
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<b>Apr 10, 2009 </b></td>
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<p>Jody Hill's excellent and sure-to-be divisive Observe and Report takes the average comedy about goofy authority figures and turns it on its head. Hill, Seth Rogen, and the rest of the talented team behind this truly twisted movie recognize that if one was to honestly look at characters like Paul Blart or any of the morons from the Police Academy train wrecks, they would have to admit that they're probably a little crazy. Ronnie Barnhardt, the lead in Observe and Report, is a LOT crazy. This dark, subversive film was reportedly inspired by Taxi <a href="http://www.movieretriever.com/blog/307/movie-review-observe-and-report/1700802">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Apr 2009 08:49:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/307/movie-review-observe-and-report/1700802</link>
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<title>The Ten Most Anticipated Summer Movies of 2009</title>
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<b>Apr 09, 2009 </b></td>
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<p>The box office party doesn't usually start for Hollywood until the first weekend in May. Of course, anyone who's paid any attention to the charts so far this year knows that we've practically been in blockbuster season since January. Just look at the grosses for <a href="http://www.movieretriever.com/movies/1700132/Paul-Blart:-Mall-Cop">Paul Blart: Mall Cop</a>, <a href="http://www.movieretriever.com/movies/1700134/Taken">Taken</a>, <a href="http://www.movieretriever.com/movies/1700112/Friday-the-13th">Friday the 13th</a>, and <a href="http://www.movieretriever.com/movies/1700792/Fast-&amp;-Furious">Fast &amp; Furious</a>. Some of the most high-profile films coming out this summer probably won't out-earn those early-year mega-hits and that&rsquo;s more than a little unusual.</p><p>Perhaps that's why we're going into this summer season somewhat apathetically. <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/306_whateverworks.jpg" alt="" title="" /></td></tr><tr><td align="center">Woody Allen (left), Evan Rachel Wood (center), and Larry David (right) on the set of WHATEVER WORKS. </td></tr></table><a href="http://www.movieretriever.com/blog/306/the-ten-most-anticipated-summer-movies-of-2009">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 09 Apr 2009 11:42:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/306/the-ten-most-anticipated-summer-movies-of-2009</link>
<guid>http://www.movieretriever.com/blog/306/the-ten-most-anticipated-summer-movies-of-2009</guid>
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<title>Movie Review: Anvil! The Story of Anvil</title>
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<b>Apr 08, 2009 </b></td>
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&nbsp; It's early in 2009 but you probably won't see a more enjoyable, uplifting, simply fantastic documentary this year than Sacha Gervasi's great Anvil! The Story of Anvil, a sublime film that could be pitched by a studio head as &quot;American Movie meets Metallica: Some Kind of Monster&quot;. If you know how great those two docs are, buy your tickets to the rock show that is Anvil! before it sells out. Humorous documentaries like Spellbound, Young@Heart, and The King of Kong: A Fistful of Quarters have developed cult followings over the last few years <a href="http://www.movieretriever.com/blog/305/movie-review-anvil-the-story-of-anvil">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 08 Apr 2009 17:22:34 -0400</pubDate>
<link>http://www.movieretriever.com/blog/305/movie-review-anvil-the-story-of-anvil</link>
<guid>http://www.movieretriever.com/blog/305/movie-review-anvil-the-story-of-anvil</guid>
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<title>Movie Review: The Mysteries of Pittsburgh</title>
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<b>Apr 08, 2009 </b></td>
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<p>The Mysteries of Pittsburgh is a low-budget, low-level, low-energy film with some pretty high-profile voices behind it. The film is based on the first book ever-written by the amazing author Michael Chabon (The Yiddish Policeman's Union, The Amazing Adventures of Kavalier and Clay), was adapted into a feature film and directed by Rawson Marshall Thurber (Dodgeball), and features the gorgeous Sienna Miller (Factory Girl), super-talented Peter Sarsgaard (Kinsey), and intriguing Jon Foster (The Door in the Floor). The film struggled in development for years (Jason Schwartzman was nearly attached a few years ago) and <a href="http://www.movieretriever.com/blog/304/movie-review-the-mysteries-of-pittsburgh">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 08 Apr 2009 13:44:05 -0400</pubDate>
<link>http://www.movieretriever.com/blog/304/movie-review-the-mysteries-of-pittsburgh</link>
<guid>http://www.movieretriever.com/blog/304/movie-review-the-mysteries-of-pittsburgh</guid>
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<title>Movie Review: Fast &amp; Furious</title>
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<b>Apr 03, 2009 </b></td>
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<p>&quot;Maybe you're not a good guy pretending to be a bad guy. Maybe you're a bad guy pretending to be a good guy.&quot; It was at this point, as these lines were delivered by the lovely Jordana Brewster to the half-asleep Paul Walker and everyone involved on both sides of the camera appeared to maintain a straight face, that I not only audibly swore at the screen, but also checked out of Fast &amp; Furious never to return. Of course, defenders of junk like this will say, &quot;It's only an action movie. The dialogue <a href="http://www.movieretriever.com/blog/303/movie-review-fast--furious/1700792">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Apr 2009 09:53:02 -0400</pubDate>
<link>http://www.movieretriever.com/blog/303/movie-review-fast--furious/1700792</link>
<guid>http://www.movieretriever.com/blog/303/movie-review-fast--furious</guid>
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<title>Interview: Director Cary Fukunaga Talks Sin Nombre</title>
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<b>Apr 02, 2009 </b></td>
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<p>Cary Fukunaga has made a debut film that will not soon be forgotten. His <a href="http://www.movieretriever.com/blog/301/movie-review-sin-nombre">Sin Nombre</a> is not only one of the best debuts of the year, but also one of the best of the last several years. The Sundance Film Festival, a forum that usually spreads the wealth, gave the film their Best Director and Best Cinematography trophies in 2008. Following Sundance, Focus Features waited for the right moment to unleash this excellent thriller about a gang member and a Honduran girl trying to make it to the United States with a <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/302_CaryFukunaga_1.jpg" alt="Cary Fukunaga" title="Cary Fukunaga" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/302/interview-director-cary-fukunagatalks-sin-nombre">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 02 Apr 2009 22:49:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/302/interview-director-cary-fukunagatalks-sin-nombre</link>
<guid>http://www.movieretriever.com/blog/302/interview-director-cary-fukunagatalks-sin-nombre</guid>
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<title>Movie Review: Sin Nombre</title>
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<b>Apr 02, 2009 </b></td>
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<p>You probably don't know the name Cary Joji Fukunaga. You will. This debut director's amazing Sin Nombre has already won some major film awards, including Best Director AND Best Cinematography at the Sundance Film Festival in 2008, and he's already been signed to a development deal by a fantastic studio that doesn't often put rookie filmmakers on the payroll - Focus Features (home of Milk, Brokeback Mountain, and many more). And it won't be long into Sin Nombre before you know why. A shockingly confident, riveting, dark examination of life from the South end <a href="http://www.movieretriever.com/blog/301/movie-review-sin-nombre">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 02 Apr 2009 22:41:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/301/movie-review-sin-nombre</link>
<guid>http://www.movieretriever.com/blog/301/movie-review-sin-nombre</guid>
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<title>Movie Review: Shall We Kiss?</title>
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<b>Apr 02, 2009 </b></td>
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<p>Emmanuel Mouret's Shall We Kiss? has earned accurate comparisons to the work of Woody Allen and Eric Rohmer, particularly thanks to the way its creator is so clearly in love with the way men and women use words in the silly dance of love. It's a relatively delightful, if sometimes forced, examination of the fine line between friendship and romance and the collateral damage caused by crossing it. Like in some of Allen's comedies, the witty banter can sometimes seems overly mannered and a bit too smart for its own good, but there's a <a href="http://www.movieretriever.com/blog/300/movie-review-shall-we-kiss">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 02 Apr 2009 22:38:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/300/movie-review-shall-we-kiss</link>
<guid>http://www.movieretriever.com/blog/300/movie-review-shall-we-kiss</guid>
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<title>Interview: Director Ramin Bahrani Talks Goodbye Solo</title>
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<b>Mar 27, 2009 </b></td>
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<p>Roger Ebert has called Ramin Bahrani &ldquo;The New Great American Director&rdquo; and, after you&rsquo;ve seen Man Push Cart, Chop Shop, and this week&rsquo;s <a href="http://www.movieretriever.com/blog/296/movie-review-goodbye-solo">Goodbye Solo</a>, you&rsquo;ll understand why. Solo is a cab driver who befriends an elderly gentleman named William who has asked him to drive him to Blowing Rock, an immense cliff in North Carolina, in a few weeks. Solo suspects that William has no plans to come back and tries to work his way into this lonely man&rsquo;s life in the hope of pulling him back from the edge of the <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/299_Ramin.jpg" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/299/interview-director-ramin-bahrani-talks-goodbye-solo">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 27 Mar 2009 00:58:19 -0400</pubDate>
<link>http://www.movieretriever.com/blog/299/interview-director-ramin-bahrani-talks-goodbye-solo</link>
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<title>Movie Review: Monsters vs. Aliens</title>
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<b>Mar 27, 2009 </b></td>
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<p>As a film critic, I'm often asked about the incredible Pixar animation streak that has produced masterpieces like Toy Story, Finding Nemo, The Incredibles, and WALL-E in such a relatively short period of time. In decades, people will look back at this period of Pixar like they do the early years of Disney films, which included such recognized classics as Snow White and the Seven Dwarves, Pinocchio, Fantasia, and Sleeping Beauty. But the question isn't IF what Pixar is doing is great, but rather why? What are they doing that studios like Sony and <a href="http://www.movieretriever.com/blog/298/movie-review-monsters-vs-aliens/1701424">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 27 Mar 2009 00:18:20 -0400</pubDate>
<link>http://www.movieretriever.com/blog/298/movie-review-monsters-vs-aliens/1701424</link>
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<title>Movie Monsters vs. Aliens: Who Would Win?</title>
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<b>Mar 26, 2009 </b></td>
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<p>DreamWorks' <a href="http://www.movieretriever.com/movies/1701424/Monsters-Vs.--Aliens">Monsters vs. Aliens</a> is an automatic conversation starter for hardcore movie fans. And by &ldquo;hardcore,&rdquo; we mean movie shirt-wearing, convention-attending, quote-spewing movie fans. Anyone who doesn&rsquo;t openly acknowledge their deep movie dorkness should move on now. It&rsquo;s gonna get ugly.</p><p>With references to <a href="http://www.movieretriever.com/movies/107237/Attack-of-the-50-Foot-Woman">Attack of the 50-Foot Woman</a>, <a href="http://www.movieretriever.com/movies/526110/The-Blob">The Blob</a>, <a href="http://www.movieretriever.com/movies/1050127/Creature-from-the-Black-Lagoon">The Creature from the Black Lagoon</a>, and more, Monsters vs. Aliens was clearly made with a history of movie creatures in mind. But it just scrapes the iceberg of movie history when it comes to monsters and aliens. It really <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/297_1creature_jarjar.JPG" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/297/movie-monsters-vs-aliens-who-would-win">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 26 Mar 2009 14:04:01 -0400</pubDate>
<link>http://www.movieretriever.com/blog/297/movie-monsters-vs-aliens-who-would-win</link>
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<title>Movie Review: Goodbye Solo</title>
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<b>Mar 26, 2009 </b></td>
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<p>I don't usually open up about my own emotional reaction to a film, but my response to Ramin Bahrani's excellent Goodbye Solo was unusual enough that I believe it says something about the caliber of what this mega-talented young filmmaker has accomplished. I was riveted throughout the entire film by two of the most genuine performances I've seen in a long time and I was certainly intrigued by the story, but there was little emotional response. No quivering lip, drying eyes, or embarrassing snort of impending tears. The drama of the story certainly merited <a href="http://www.movieretriever.com/blog/296/movie-review-goodbye-solo">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 26 Mar 2009 13:08:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/296/movie-review-goodbye-solo</link>
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<title>Movie Review: I Love You, Man</title>
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<b>Mar 20, 2009 </b></td>
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<p>It's not surprising that I Love You, Man comes from the mind of John Hamburg - the writer/director best known for authoring the screenplay for Meet the Parents (and its lesser sequel, Meet the Fockers) and for directing Along Came Polly - because the dominant impression one gets after leaving I Love You, Man is that Paul Rudd has become the new Ben Stiller. While Rudd has earned major comedy street cred over the past few years, alternating between projects with the Judd Apatow (Anchorman, Knocked Up) and the State (Wet Hot American Summer, <a href="http://www.movieretriever.com/blog/295/movie-review-i-love-you-man/1700126">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Mar 2009 12:51:36 -0400</pubDate>
<link>http://www.movieretriever.com/blog/295/movie-review-i-love-you-man/1700126</link>
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<title>Movie Review: Duplicity</title>
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<b>Mar 20, 2009 </b></td>
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<p>Tony Gilroy is back with the same whip-smart ear for dialogue that helped make Michael Clayton one of the more acclaimed films of the last few years and another ridiculously talented ensemble working on all cylinders to produce the light, breezy, enjoyable Duplicity. After the intense mystery of Clayton, Gilroy has produced its mirror image in a con game that feels like a throwback to an era of charismatic, world-hopping and be-hopping mysteries (like Charade) that they just don't make that often any more. Duplicity falls short of Clayton and some its own potential <a href="http://www.movieretriever.com/blog/294/movie-review-duplicity/1701421">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Mar 2009 00:57:48 -0400</pubDate>
<link>http://www.movieretriever.com/blog/294/movie-review-duplicity/1701421</link>
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<title>Movie Review: Sunshine Cleaning</title>
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<b>Mar 20, 2009 </b></td>
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<p>Amy Adams shines in the mostly charming Sunshine Cleaning, a film with elements that truly work and a fantastic central performance, but that never quite comes together as perfectly as one would hope. Co-starring Emily Blunt, Alan Arkin, Steve Zahn, and Clifton Collins Jr., this is a comedy that could easily satisfy any audience member who went out and bought Little Miss Sunshine and Juno the day they hit DVD. Is there such a thing as a &quot;Sundance-esque comedy&quot;? Think quirky characters, clever writing, a great ensemble, a final act emotional push, and usually <a href="http://www.movieretriever.com/blog/293/movie-review-sunshine-cleaning/1701427">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Mar 2009 00:53:45 -0400</pubDate>
<link>http://www.movieretriever.com/blog/293/movie-review-sunshine-cleaning/1701427</link>
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<title>Movie Review: The Great Buck Howard</title>
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<b>Mar 20, 2009 </b></td>
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<p>Sean McGinley's The Great Buck Howard tells the story of a man whose form of entertainment has gone the way of the dodo, vaudeville, and the career of Steven Seagal and yet feels old-fashioned in its own right, the kind of comedy/coming-of-age story with a wide demographic appeal but no direct hook to a target audience that doesn&rsquo;t get made that often any more. The Great Buck Howard is likely to slip through your movie-going cracks and has clearly been a problem for Magnolia, as they've held onto it for well over a year, <a href="http://www.movieretriever.com/blog/292/movie-review-the-great-buck-howard/1701495">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Mar 2009 00:49:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/292/movie-review-the-great-buck-howard/1701495</link>
<guid>http://www.movieretriever.com/blog/292/movie-review-the-great-buck-howard</guid>
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<title>Movie Review: Shuttle
</title>
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<b>Mar 20, 2009 </b></td>
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<p>
Film critics that also happen to be horror movie junkies are an unusual breed. I happen to be one, so I know of what I speak. More than, say, drama, comedy, or Belgian movie fans, I feel like we're constantly searching for that next indie horror movie fix, going out of our way to support the little man trying to scare you.  There are a number of reasons for this mindset. Of course, most of us have been so deeply damaged by the mainstream state of the genre - thanks to junk like the <a href="http://www.movieretriever.com/blog/291/movie-review-shuttle
/1701686">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Mar 2009 00:45:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/291/movie-review-shuttle
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<title>The Ten Best Vampire Movies of the Modern Era</title>
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<b>Mar 20, 2009 </b></td>
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<p>With <a href="http://www.movieretriever.com/movies/1700136/Underworld:-The-Rise-of-the-Lycans">Underworld: Rise of the Lycans</a> opening earlier this year, <a href="http://www.movieretriever.com/movies/1701407/Let-the-Right-One-In">Let the Right One In</a> winning awards right and left (but getting snubbed by the Oscars), and every casting rumor about the <a href="http://www.movieretriever.com/movies/1699480/Twilight">Twilight</a> sequel, The Twilight Saga's New Moon, turning the internet into a message board-posting rampage, blood-sucking creatures of the night are the &quot;in creature&quot; for 2009. A few years ago it was all about zombies and maybe Benicio Del Toro can bring it back to werewolves with The Wolf Man, but we are undeniably in the year of the <a href="http://www.movieretriever.com/blog/290/the-ten-best-vampire-movies-of-the-modern-era">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Mar 2009 00:18:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/290/the-ten-best-vampire-movies-of-the-modern-era</link>
<guid>http://www.movieretriever.com/blog/290/the-ten-best-vampire-movies-of-the-modern-era</guid>
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<title>Interview: Colin Hanks Talks About The Great Buck Howard</title>
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<b>Mar 17, 2009 </b></td>
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<p>He doesn&rsquo;t make a big splash on the red carpet and isn&rsquo;t on the cover of Us magazine every other week (to his great credit), but Colin Hanks has worked steadily and consistently for years in Hollywood. In 2008 alone, he appeared in <a href="http://www.movieretriever.com/movies/1699457/W.">W.</a>, <a href="http://www.movieretriever.com/movies/1697321/Untraceable">Untraceable</a>, <a href="http://www.movieretriever.com/movies/1699425/The-House-Bunny">The House Bunny</a>, and episodes of Mad Men and Numb3rs. He also played the lead in <a href="http://www.movieretriever.com/movies/1701495/The-Great-Buck-Howard"><strong>The Great Buck Howard</strong></a>, co-starring John Malkovich, Emily Blunt, Steve Zahn, and Tom Hanks, from writer/director Sean McGinly. In Buck Howard, Hanks plays Troy Gabel, a young man searching <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/289_Hanksalone.jpg" alt="COLIN HANKS" title="COLIN HANKS" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/289/interview-colin-hanks-talks-about-the-great-buck-howard">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 17 Mar 2009 10:30:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/289/interview-colin-hanks-talks-about-the-great-buck-howard</link>
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<title>The Top Ten Remakes Nobody Asked For</title>
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<b>Mar 13, 2009 </b></td>
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<p>With two remakes opening this weekend &ndash; Last House on the Left and <a href="http://www.movieretriever.com/movies/1701426/Race-to-Witch-Mountain">Race to Witch Mountain</a> &ndash; and dozens more in some state of production, the remake pattern is no longer a &quot;trend,&quot; it's simply a part of moviemaking. Trends come and go. Remakes aren't going anywhere. But not all remakes are created equal. Some are certainly better (Last House on the Left, <a href="http://www.movieretriever.com/movies/1687803/Dawn-of-the-Dead">Dawn of the Dead</a>) than others (<a href="http://www.movieretriever.com/movies/1696119/Halloween">Halloween</a>, <a href="http://www.movieretriever.com/movies/1690897/The-Fog">The Fog</a>), but picking out the good from the bad is overdone. We know that lists of the best <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/288_poseidon_adventure.JPG" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/288/the-top-ten-remakes-nobody-asked-for">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Mar 2009 12:42:47 -0400</pubDate>
<link>http://www.movieretriever.com/blog/288/the-top-ten-remakes-nobody-asked-for</link>
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<title>Movie Review: Last House on the Left
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<b>Mar 13, 2009 </b></td>
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<p>
Modern audiences are SO much different now than they were when Wes Craven first unleashed his original <i>Last House on the Left</i> on the world that a remake almost seems justified. It's not like <i>Friday the 13th</i> or <i>Halloween</i> because not only do those original films still have much of the impact they did when they were first released but they also have endless sequels have kept them in the public mind's eye. Jason Voorhees and Michael Myers didn't need resurrecting because they never were given a chance to die. The characters and plot <a href="http://www.movieretriever.com/blog/287/movie-review-last-house-on-the-left
/1701500">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Mar 2009 10:28:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/287/movie-review-last-house-on-the-left
/1701500</link>
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<title>Movie Review: Crossing Over
</title>
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<b>Mar 13, 2009 </b></td>
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<p>
One of the best actors of all time, Sean Penn, was once in Wayne Kramer's <i>Crossing Over</i>. The story behind why he's no longer in the film reportedly goes that he saw the final product and disapproved of a subplot involving an Iranian honor killing. Now, having seen the final film, I can tell you that this is no small subplot. It's not something he might have easily missed with even one read of the screenplay or asking someone on set, “Hey, what’s this movie about?” So, we have two possibilities – either he <a href="http://www.movieretriever.com/blog/286/movie-review-crossing-over
/1697566">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Mar 2009 10:24:48 -0400</pubDate>
<link>http://www.movieretriever.com/blog/286/movie-review-crossing-over
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<title>Movie Review: Tokyo!
</title>
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<b>Mar 13, 2009 </b></td>
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<p>
Anthology movies are always hit-and-miss. If you're lucky, a majority of the short trees that make up the movie forest are worth your time and you walk away satisfied. Such is the case with the intriguing <i>Tokyo!,</i> a trifecta of short films loosely about the Japanese metropolis directed by three people who are not from there – Frenchmen Michel Gondry and Leos Carax and South Korean Bong Joon-Ho. Two-and-a-half out of three isn't bad for a movie like this one. Yes, it could have been a more cohesive vision – each film only very <a href="http://www.movieretriever.com/blog/285/movie-review-tokyo
/1701429">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Mar 2009 10:21:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/285/movie-review-tokyo
/1701429</link>
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<title>Movie Review: Brothers at War</title>
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<b>Mar 13, 2009 </b></td>
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<p>On the way out of Brothers at War, one of my esteemed colleagues in the Chicago Film Critics Association summed up a pretty natural response to the documentary when he said, &quot;Well, I guess if we have to sit through left-wing propaganda about the war then we should have to sit through right-wing propaganda too.&quot; Propaganda might be a harsh word for Jacob Rademacher's film about his two siblings serving in Iraq, but it's not far off. Rademacher and executive producer Gary Sinise are clearly the kind of people who believe that not only <a href="http://www.movieretriever.com/blog/284/movie-review-brothers-at-war">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Mar 2009 10:18:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/284/movie-review-brothers-at-war</link>
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<title>Movie Review: Everlasting Moments
</title>
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<b>Mar 13, 2009 </b></td>
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<p>
<i>Everlasting Moments</i> gained a pre-release reputation for at least one wrong reason. This is the movie that made it impossible for the Academy of Motion Picture Arts and Sciences to even consider nominating the amazing <i>Let the Right One In</i>, one of the most beloved films of 2008 in any language. Because of an outdated and asinine rule, the Academy only considers one movie per country every year and Sweden didn't submit Tomas Alfredson's film. They chose <i>Everlasting Moments</i>. I know it's a pipe dream that the Academy would have considered <i>Let the Right <a href="http://www.movieretriever.com/blog/283/movie-review-everlasting-moments
/1701497">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Mar 2009 10:15:25 -0400</pubDate>
<link>http://www.movieretriever.com/blog/283/movie-review-everlasting-moments
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<title>Eight Complaints about Watchmen That Are Hard to Dismiss</title>
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<b>Mar 12, 2009 </b></td>
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<p>To begin, before the full-on flame assault commences, we should say upfront that we really, really wanted to like <a href="http://www.movieretriever.com/movies/1701431/Watchmen">Watchmen</a>. We love the original book, we definitely liked most of director Zack Snyder's previous stuff (<a href="http://www.movieretriever.com/movies/1687803/Dawn-of-the-Dead">Dawn of the Dead</a> and <a href="http://www.movieretriever.com/movies/1694118/300-">300</a> were fun), and we flat-out adored all of the advance material we saw - the trailers, the posters, the viral marketing campaign, complete with <a href="http://www.youtube.com/watch?v=nd5cInmK6LQ">fake newscasts</a> and 80s-era <a href="http://www.minutemenarcade.com/uk/">videogames</a>... there was a lot to enjoy. Then we saw the movie. And, to quote Rorschach, &quot;Hurm.&quot; (Or, in the <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/282_Rorschach1.jpg" alt="RORSHACH" title="RORSHACH" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/282/eight-complaints-about-watchmen-that-are-hard-to-dismiss">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 12 Mar 2009 00:51:24 -0400</pubDate>
<link>http://www.movieretriever.com/blog/282/eight-complaints-about-watchmen-that-are-hard-to-dismiss</link>
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<title>Movie Review: Watchmen
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<b>Mar 06, 2009 </b></td>
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<p>
Alan Moore was right. His masterful and influential <i><a href="http://www.movieretriever.com/movies/1701431/Watchmen">Watchmen</a></i> may be forever un-filmable. It certainly wasn't filmable by Zack Snyder. The director of <i>300</i> has made a loud, violent, poorly paced, disjointed, and misguided film that's both too loyal to its source material and uncertain of what that source material was trying to say. Snyder and writers David Hayter and Alex Tse have taken one of the most influential books of the last quarter-century and compressed into a confusing and confused pop epic that only registers at all because of the ambitiousness of <a href="http://www.movieretriever.com/blog/281/movie-review-watchmen
/1701431">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Mar 2009 12:26:32 -0500</pubDate>
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<title>Movie Review: The Black Balloon</title>
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<b>Mar 06, 2009 </b></td>
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<p>Elissa Down's The Black Balloon is a tough film to review. It's easy to see that everyone involved has their heart in the right place. They're trying to make an honest film about the difficulty of growing up in a family with an autistic child. When people like Ashton Kutcher or Eva Longoria make completely worthless drivel, it somehow makes a critic feel like they're doing something responsible by warning audiences what they're in for with that junk. It&rsquo;s easy to do so and, I&rsquo;ll admit it, kind of fun. But not all bad <a href="http://www.movieretriever.com/blog/280/movie-review-the-black-balloon">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Mar 2009 01:29:49 -0500</pubDate>
<link>http://www.movieretriever.com/blog/280/movie-review-the-black-balloon</link>
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<title>Top Ten Non-Superhero Comic Book Movies</title>
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<b>Mar 05, 2009 </b></td>
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<p>Alan Moore and Dave Gibbons' <a href="http://www.movieretriever.com/movies/1701431/Watchmen">Watchmen </a>is a graphic novel that attempts to deconstruct the mythology of the superhero. It uses elements of a traditional superhero story but also comments, satirizes them, and blows them to pieces. As such, should it really be lumped into the same category as <a href="http://www.movieretriever.com/movies/389380/Superman:-The-Movie">Superman</a> and <a href="http://www.movieretriever.com/movies/1697578/Iron-Man">Iron Man</a>, as a lot of critics are doing in their reviews of the Zack Snyder film? </p><p>It got us at MovieRetriever thinking about movies based on comic books and graphic novels that aren't your typical superhero stories. Believe it <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/279_from_hell_ver1.jpg" alt="FROM HELL" title="FROM HELL" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/279/top-ten-nonsuperhero-comic-book-movies">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 05 Mar 2009 23:22:47 -0500</pubDate>
<link>http://www.movieretriever.com/blog/279/top-ten-nonsuperhero-comic-book-movies</link>
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<title>Why Watchmen's Alan Moore Hates the Movie Industry (And Who Can Blame Him?)</title>
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<b>Mar 03, 2009 </b></td>
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<p>&quot;I find film in its modern form to be quite bullying. It spoon-feeds us, which has the effect of watering down our collective cultural imagination. It is as if we are freshly hatched birds looking up with our mouths open waiting for Hollywood to feed us more regurgitated worms. The Watchmen film sounds like more regurgitated worms. I for one am sick of worms. Can't we get something else? Perhaps some takeout? Even Chinese worms would be a nice change.&quot; - Alan Moore, <a href="http://latimesblogs.latimes.com/herocomplex/2008/09/alan-moore-on-w.html">Los Angeles Times</a>, 9/18/08.</p><a href="https://movieretriever.theretailerplace.com/MLB/actions/searchHandler.do?key=9781414400044&amp;nextPage=bookDetails&amp;parentNum=11830"></a><p>There may be fanboys everywhere counting <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/278_WFCM-00229r.jpg" alt="WATCHMEN" title="WATCHMEN" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/278/why-watchmens-alan-moore-hates-the-movie-industry-and-who-can-blame-him">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 03 Mar 2009 01:05:17 -0500</pubDate>
<link>http://www.movieretriever.com/blog/278/why-watchmens-alan-moore-hates-the-movie-industry-and-who-can-blame-him</link>
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<title>Five Graphic Novels Hollywood Needs to Stay Away From</title>
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<b>Mar 01, 2009 </b></td>
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<p>It's safe to say that next week's release of <a href="http://www.movieretriever.com/movies/1701431/Watchmen">Watchmen </a>- Zack Snyder's long-awaited film adaptation of one of the most-acclaimed graphic novels of all time - will greeted by a reaction that can perhaps best be described as a &quot;geek-gasm.&quot; Outpourings of nerdy love for the film have already begun cascading across the internet with fanboy staples like Ain't-it-Cool-News' <a href="http://www.aintitcool.com/node/40225">Harry Knowles</a> and net icon <a href="http://wilwheaton.typepad.com/wwdnbackup/2009/02/spoiler-alert-watchmen-is-fucking-awesome.html">Wil Wheaton</a> already penning virtual love letters to Watchmen, a movie that comic book fans never really thought they'd ever see on the big screen. And <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/277_YMan.jpg" alt="Y the Last Man" title="Y the Last Man" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/277/five-graphic-novels-hollywood-needs-to-stay-away-from">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 01 Mar 2009 21:15:46 -0500</pubDate>
<link>http://www.movieretriever.com/blog/277/five-graphic-novels-hollywood-needs-to-stay-away-from</link>
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<title>Movie Review: Two Lovers</title>
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<b>Feb 26, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">James Gray's excellent Two Lovers is not your standard romantic drama. There are no pop music montages, no gross-out humor, and no cases of mistaken identity or dark secrets waiting to be revealed. Gray's film is a shockingly old-fashioned character study, a movie that looks and feels like a transplant from the 1970s, but also shares a lot in common with much older tales of unrequited love, longing, and loss. With one of the best performances of Joaquin Phoenix's career and a style and <a href="http://www.movieretriever.com/blog/276/movie-review-two-lovers/1700117">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 26 Feb 2009 23:40:59 -0500</pubDate>
<link>http://www.movieretriever.com/blog/276/movie-review-two-lovers/1700117</link>
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<title>Movie Review: Gomorrah</title>
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<b>Feb 26, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">Matteo Garrone's controversial Gomorrah is a mob movie like no other. To lump it in the same category as Scarface or GoodFellas would be misleading. No one is going to have posters of these characters on their wall or quote their over-the-top dialogue. In fact, Gomorrah may be the most deglamorized look at mafia culture ever made. It is a daring, sprawling film about the blanket effect of both the actual Italian mob and the impact of its reputation. Kids run around pointing guns, <a href="http://www.movieretriever.com/blog/275/movie-review-gomorrah/1701412">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 26 Feb 2009 23:39:39 -0500</pubDate>
<link>http://www.movieretriever.com/blog/275/movie-review-gomorrah/1701412</link>
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<title>MovieRetriever Editors Appear on the Radio!</title>
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<b>Feb 23, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">MovieRetriever.com&nbsp;Editors Mike Tyrkus and Tom Burns (Turk182 and CoolerKing to the cognoscenti) were guests of <a href="http://www.internetadvisor.net/" target="_blank">The Internet Advisor</a> radio talkshow&nbsp;on WJR in Detroit, Michigan over the weekend. Over the course of the half-hour interview, they discussed the 2009 Academy Awards as well as the history of the site and the general goings on at MovieRetriever.com with the hosts of the show (Gary Baker and Foster Braun, Ed Rudel, and Lauren Baker).</p><p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal"></p><p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/274_Tom Burns and Mike Tyrkus on IA 2-09 Resized.jpg" alt="" title="" /></td></tr><tr><td align="center">MovieRetriever.com editors Tom Burns (l) and Mike Tyrkus (r) during their appearance on <em>The Internet Advisor</em>.</td></tr></table><a href="http://www.movieretriever.com/blog/274/movieretriever-editors-appear-on-the-radio">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 23 Feb 2009 13:25:20 -0500</pubDate>
<link>http://www.movieretriever.com/blog/274/movieretriever-editors-appear-on-the-radio</link>
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<title>The 2009 Academy Award Winners (and How Close Our Picks Came)</title>
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<b>Feb 23, 2009 </b></td>
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<p align="left">The 81st annual Academy Awards were handed out on Sunday, February 22, 2009 and there were a few surprises (not many, but there were a few). Hugh Jackman did a fine job as host, though the humor displayed by past hosts was missed. His opening musical number was excellent (see the clip below) but that tribute to musicals in the middle of the ceremony might have gone on just a little too long (but that&rsquo;s just our opinion). Dispensing with excessive clips for the acting awards and going with the pseudo-roast format was <a href="http://www.movieretriever.com/blog/273/the-2009-academy-award-winners-and-how-close-our-picks-came">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 23 Feb 2009 10:47:06 -0500</pubDate>
<link>http://www.movieretriever.com/blog/273/the-2009-academy-award-winners-and-how-close-our-picks-came</link>
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<title>Who Will Win (And Who Should Win) at the 2009 Oscars</title>
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<b>Feb 20, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">When I spoke to Danny Boyle last October, he was surprised by the positive response that his Slumdog Millionaire was starting to receive stateside after buzz from the Toronto Film Festival began getting louder and louder. Four months later, in the wake of dozens of awards and on the eve of an Oscars in which most people predict Slumdog will win at least half a dozen awards, I often wonder if he's still surprised now. What would surprise him more? A win for best Picture, Director, or Adapted Screenplay? <a href="http://www.movieretriever.com/blog/272/who-will-win-and-who-should-win-at-the-2009-oscars">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Feb 2009 10:29:58 -0500</pubDate>
<link>http://www.movieretriever.com/blog/272/who-will-win-and-who-should-win-at-the-2009-oscars</link>
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<title>Movie Review: Just Another Love Story
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<b>Feb 20, 2009 </b></td>
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<p>
Scandinavian Ole Bornedal's <i>Just Another Love Story</i> is not really &quot;just another&quot; anything. The clever title of this arthouse release, now playing in some cities and opening in Chicago on February 20th, could have been &quot;just another mystery,&quot; &quot;just another noir,&quot; &quot;just another thriller,&quot; &quot;just another mid-life crisis,&quot; or &quot;just another mind-f***&quot;. Whatever he calls it, Bornedal has made an effective, entertaining slice of weirdness, a movie with just enough twists and turns to make it easy to get over the sensation that its creator thinks the world of himself and his film. Occasionally <a href="http://www.movieretriever.com/blog/271/movie-review-just-another-love-story
/1701409">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 20 Feb 2009 10:26:56 -0500</pubDate>
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<title>Movie Review: Must Read After My Death
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<b>Feb 18, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&nbsp;
</p>
<p style="margin: 0in 0in 0pt" class="MsoNormal">
Like the remarkable <i>Capturing the Friedmans</i>, Morgan Dews' <i>Must Read After My Death</i> is a riveting examination of family at its most dysfunctional told entirely with home movies and personal recordings. Using nothing but his editorial skills with the footage he found when his grandmother passed away in 2001, Dews reaches behind the closed doors of the picket fence, much like AMC's <i>Mad Men</i> or Sam Mendes' <i>Revolutionary Road</i> and finds unbelievable darkness behind it. The difference, of course, is that <i>Must Read After <a href="http://www.movieretriever.com/blog/264/movie-review-must-read-after-my-death
/1701668">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 18 Feb 2009 15:07:01 -0500</pubDate>
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<title>The Ten Biggest Acting Oscar Snubs of the '00s</title>
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<b>Feb 15, 2009 </b></td>
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Sally Hawkins, Michelle Williams, and Kristin Scott Thomas had something in common this year. They all had the same chance of hearing their names read at the Academy Awards. All were mentioned as contenders for Best Actress during at least one part of the awards season, but the tough competition last year left them on the outside looking in. Of course, they're not alone. An entire book could be written about the mistakes the Academy has made in their five-nominee short lists over the eighty-plus years they've been handing out awards. We don't have <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/263_EternalSunshine-Poster.jpg" alt="Eternal Sunshine of the Spotless Mind (2004)" title="Eternal Sunshine of the Spotless Mind (2004)" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/263/the-ten-biggest-acting-oscar-snubs-of-the-00s">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 15 Feb 2009 22:15:26 -0500</pubDate>
<link>http://www.movieretriever.com/blog/263/the-ten-biggest-acting-oscar-snubs-of-the-00s</link>
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<title>Movie Review: Friday the 13th</title>
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<b>Feb 13, 2009 </b></td>
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<p>There's really only one question surrounding director Marcus Nispel and producer Michael Bay's reboot of the Friday the 13th franchise - um, what's the point? The new Friday the 13th is essentially just another entry in the original franchise with new faces and a glossier sheen than, say, Jason Takes Manhattan. The problem with this new film is that it completely wastes any opportunity to update the series that made Jason Voorhees a household name around the world. The result is a film that I don&rsquo;t find nearly as loathsome as the recent reboots <a href="http://www.movieretriever.com/blog/262/movie-review-friday-the-13th/1700112">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Feb 2009 10:31:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/262/movie-review-friday-the-13th/1700112</link>
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<title>Movie Review: The International</title>
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<b>Feb 13, 2009 </b></td>
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<p>The International starts promisingly and has an absolutely amazing sequence about two-thirds of the way through, but everything that surrounds that roughly fifteen minutes of screen time is cinematic valium, the kind of overly talky script that is somehow both over-written and predictable at the same time. As I was watching The International the same three words kept running through my mind and it's not a phrase that any filmmaker wants to hear - &quot;stuck in neutral.&quot; Run Lola Run director Tom Tykwer has made a shockingly inert film where every character is trapped <a href="http://www.movieretriever.com/blog/261/movie-review-the-international/1697577">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 13 Feb 2009 10:21:59 -0500</pubDate>
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<title>Five Books That Should Be Turned Into Stop-Motion Animated Movies
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<b>Feb 10, 2009 </b></td>
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<p>
With Neil Gaiman's <a href="http://www.movieretriever.com/blog/8/256/Movie-Review:-Coraline"><i>Coraline</i> </a>becoming one of the first critical and commercial hits of the year, it got us thinking about how stop-motion animation has evolved over the years - from creepy old Russian fairy tales to Rankin/Bass Christmas specials to <i><a href="http://www.movieretriever.com/movies/1094070/The-Nightmare-before-Christmas">The Nightmare Before Christmas</a></i>. And now that, with few box-office successes under its belt, stop-motion has arguably worked itself into the Hollywood mainstream, we can't help up think of how it could be used to bring some of the most beloved books of our childhood to life. <i>Coraline</i> is a massive <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/259_roald-dahl-the-bfg.jpg" alt="The BFG" title="The BFG" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/259/five-books-that-should-be-turned-into-stopmotion-animated-movies
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 10 Feb 2009 15:48:18 -0500</pubDate>
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<title>Your Guide to the Oscar-Nominated Short Films</title>
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<b>Feb 09, 2009 </b></td>
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<p>For the last few years, Magnolia Pictures and Shorts International have been expertly taking the ten nominated films for the Oscar for Short Film: Live Action &amp; Animation and presenting them in two theatrical programs for separate admissions. The lineup is currently playing at the Music Box in Chicago and in theatres in New York and Los Angeles and is expanding to 60 cities throughout the country in the following weeks. Together with the theatrical run, the nominated short films will be released on iTunes on February 17th on iTunes stores in the US, <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/257_aufdertreck.jpg" alt="AUF DER STRECKE © Academy of Media Arts, Cologne" title="AUF DER STRECKE © Academy of Media Arts, Cologne" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/257/your-guide-to-the-oscarnominated-short-films">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 09 Feb 2009 11:36:54 -0500</pubDate>
<link>http://www.movieretriever.com/blog/257/your-guide-to-the-oscarnominated-short-films</link>
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<title>Movie Review: Coraline</title>
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<b>Feb 06, 2009 </b></td>
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<p>Henry Selick's Coraline is a mesmerizing, nearly great trip to the world of stop-motion animation that further proves that this art form is not a genre, it's a medium. Animation can support films as diverse as Kung Fu Panda, Waltz With Bashir, and Coraline, an impressive 3D exploration of childhood fantasies gone wrong. Based on the beloved book by Neil Gaiman and featuring excellent voice work by Dakota Fanning, Teri Hatcher, John Hodgman, and Ian McShane, Coraline is a continuously inspiring journey with a new, wonderful surprise around every corner. If it came out <a href="http://www.movieretriever.com/blog/256/movie-review-coraline/1700109">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Feb 2009 00:32:51 -0500</pubDate>
<link>http://www.movieretriever.com/blog/256/movie-review-coraline/1700109</link>
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<title>Movie Review: He's Just Not That Into You</title>
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<b>Feb 06, 2009 </b></td>
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<p>Isn't it a little weird to turn a non-fiction book about how women have fallen for countless romantic clich&eacute;s like &quot;he's being mean to you because he likes you&quot; or &quot;never call him, wait for him to call you&quot; into a romantic comedy, which is easily the most clich&eacute;-ridden genre in the history of film? What's even weirder is that it mostly works. Like any relationship, He's Just Not That Into You has its bumpy spots, but Ken Kwapis' film is surprisingly mature, enjoyable, and well-done. On one hand, it can be looked at <a href="http://www.movieretriever.com/blog/255/movie-review-hes-just-not-that-into-you/1697573">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Feb 2009 00:28:13 -0500</pubDate>
<link>http://www.movieretriever.com/blog/255/movie-review-hes-just-not-that-into-you/1697573</link>
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<title>Movie Review: Fanboys
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<b>Feb 06, 2009 </b></td>
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<p>
&nbsp;
</p>
<p>
Kyle Newman's long-delayed and controversial <i>Fanboys</i> is finally getting a release after years of meddling by The Weinstein Company. Having spoken to Newman about the proposed changes to his comedy, I can honestly tell you that what is hitting theaters is probably the best version of <i>Fanboys</i> we could have been given. What Newman reports that the studio wanted to do to this film - removing the emotional core, adding stupid humor - would have made it significantly worse and I think it probably would have never seen the light of day, becoming a <a href="http://www.movieretriever.com/blog/254/movie-review-fanboys
/1699467">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Feb 2009 00:24:47 -0500</pubDate>
<link>http://www.movieretriever.com/blog/254/movie-review-fanboys
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<title>Movie Review: The Class
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<b>Feb 06, 2009 </b></td>
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<p>
The modern trend in education is moving towards the median. Smart kids are not encouraged because it's assumed they don't need the help or attention, while the students who don't perform are given all of a teacher's time. It has created a disturbing &quot;settling&quot; in classrooms around the world, as we all work towards the average. There's more than just that going on in Laurent Cantet's very good <i>The Class</i>, but the trend towards mediocrity in education is what I took away from the very depressing but realistic slice of life in a French <a href="http://www.movieretriever.com/blog/253/movie-review-the-class
/1701415">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 06 Feb 2009 00:16:53 -0500</pubDate>
<link>http://www.movieretriever.com/blog/253/movie-review-the-class
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<title>Interview: Viola Davis, Oscar-Nominated Star of DOUBT</title>
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<b>Feb 05, 2009 </b></td>
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Very few actresses have made such an impact with as little screen time as Viola Davis has with her two-scene role in <a href="http://www.movieretriever.com/movies/1699486/Doubt"><strong>Doubt</strong></a>. But it&rsquo;s not the first time Davis has walked off with a major movie, stealing <a href="http://www.movieretriever.com/movies/1685339/Antwone-Fisher">Antwone Fisher </a>and <a href="http://www.movieretriever.com/movies/1691881/World-Trade-Center">World Trade Center</a> with similar-sized roles and also appearing in <a href="http://www.movieretriever.com/movies/1685289/Far-from-Heaven">Far From Heaven</a>, <a href="http://www.movieretriever.com/movies/1685291/Solaris">Solaris</a>, and <a href="http://www.movieretriever.com/movies/1694450/Disturbia">Disturbia</a>. In person, Davis is charming, fascinating, and the kind of interview subject that you wish you could spend a whole day with. She was kind enough to take a little time <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/251_ViolaDavis4.jpg" alt="Meryl Streep and Viola Davis in Doubt" title="Meryl Streep and Viola Davis in Doubt" /></td></tr><tr><td align="center"><div align="center">Meryl Streep and Viola Davis in <em>Doubt</em></div></td></tr></table><a href="http://www.movieretriever.com/blog/251/interview-viola-davis-oscarnominated-star-of-doubt">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 05 Feb 2009 21:37:08 -0500</pubDate>
<link>http://www.movieretriever.com/blog/251/interview-viola-davis-oscarnominated-star-of-doubt</link>
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<title>Interview: Henry Selick, Director of CORALINE</title>
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<p class="MsoNormal">Quick &ndash; Who directed <a href="http://www.movieretriever.com/movies/1094070/The-Nightmare-before-Christmas">Nightmare Before Christmas</a>? Most people incorrectly answer &ldquo;Tim Burton.&quot; Granted, it was his vision originally, but director Henry Selick brought it to life in a film that many people still hold dear to their heart. Selick returns this week with a film likely to find a similar cult following, Coraline, the story of a young girl who finds a secret door in her house to an alternate world. Selick, who bears a striking resemblance to Jack Skellington (tall, thin, a little pale), is a gentle, fascinating man, who <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/250_Coraline1.jpg" alt="" title="" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/250/interview-henry-selick-director-of-coraline">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 05 Feb 2009 11:26:38 -0500</pubDate>
<link>http://www.movieretriever.com/blog/250/interview-henry-selick-director-of-coraline</link>
<guid>http://www.movieretriever.com/blog/250/interview-henry-selick-director-of-coraline</guid>
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<title>Top of the Charts: The Top Ten Musical Biopics</title>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">We recently revisited the musical biopic <a href="http://www.movieretriever.com/movies/943790/The-Buddy-Holly-Story">The Buddy Holly Story</a> following the 50th anniversary of the death of Holly (Buddy died along with Ritchie Valens and the Big Bopper on February 3, 1950). This got us to thinking about the music biopic genre as a whole and the characteristics movies within the genre share. </p> <p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">Many of these films feature a singularly excellent performance by the lead actor or actress that so embodies the subject that it can <a href="http://www.movieretriever.com/blog/248/top-of-the-charts-the-top-ten-musical-biopics">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 04 Feb 2009 15:24:26 -0500</pubDate>
<link>http://www.movieretriever.com/blog/248/top-of-the-charts-the-top-ten-musical-biopics</link>
<guid>http://www.movieretriever.com/blog/248/top-of-the-charts-the-top-ten-musical-biopics</guid>
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<title>Interview: Kyle Newman, Director of FANBOYS</title>
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<b>Feb 03, 2009 </b></td>
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<p>It&rsquo;s been a long few years for Kyle Newman. The young director&rsquo;s comedy, <a href="http://www.movieretriever.com/movies/1699467/Fanboys">Fanboys</a>, following a group of George Lucas-obsessed friends on a quest to see <a href="http://www.movieretriever.com/movies/1675659/Star-Wars:-Episode-1--The-Phantom-Menace">Star Wars: Episode One - The Phantom Menace</a> before its released, wrapped in the summer of 2006 and is just now being released in theaters on February 6th, 2009. What took so long? Well, the involvement of Harvey Weinstein, another director, reshoots, new cameos, and the removal of an entire plotline can lead to a long post-production. But with the help of an intense internet campaign, <table border="0" width="" align="center"><tr><td><img src="http://www.movieretriever.com/images/partner/blogs/247_fanboys-vader-poster-fullsize.jpg" alt="Are YOU a Fanboy?" title="Are YOU a Fanboy?" /></td></tr><tr><td align="center"></td></tr></table><a href="http://www.movieretriever.com/blog/247/interview-kyle-newman-director-of-fanboys">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 03 Feb 2009 21:25:03 -0500</pubDate>
<link>http://www.movieretriever.com/blog/247/interview-kyle-newman-director-of-fanboys</link>
<guid>http://www.movieretriever.com/blog/247/interview-kyle-newman-director-of-fanboys</guid>
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<title>Movie Review: Taken
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<b>Jan 30, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&nbsp;
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
Imagine Jason Bourne or Jack Bauer twenty years down the road with an ex-wife and a daughter who doesn't think he's all that cool any more. Sure, they’ve put their spy skills on the back burner, but kicking ass is like riding a bicycle. You don't forget the basics. Now imagine that Bourne or Bauer's daughter is kidnapped and imagine the ass that would be kicked to get her back. That's the basic premise of <i>Taken</i>, a swiftly-paced and shockingly satisfying thriller that deserves <a href="http://www.movieretriever.com/blog/245/movie-review-taken
/1700134">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jan 2009 09:46:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/245/movie-review-taken
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<title>Movie Review: Wendy and Lucy
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<b>Jan 30, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&nbsp;
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&nbsp;
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
<i>Wendy and Lucy</i> is a heart-wrenching, tragic look at the human strays of society, the people who have either left the mainstream on their own or who we have left behind in our general pursuit of the American dream. What happens to the people who fall through the economic and social cracks? Where do the drifters and the unemployed go when there are fewer and fewer places for them? And when they get lost, who finds them and gives <a href="http://www.movieretriever.com/blog/244/movie-review-wendy-and-lucy
/1699488">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 30 Jan 2009 09:43:54 -0500</pubDate>
<link>http://www.movieretriever.com/blog/244/movie-review-wendy-and-lucy
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<title>Movie Review: Waltz With Bashir</title>
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<b>Jan 23, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">Waltz With Bashir is one of the most riveting, evocative, and memorable experiences I've had in a movie theater in a very long time. It's hard to put into words the emotional impact a critic can experience when he sees something as daringly new as Ari Folman's masterful dissection of memory and regret. It&rsquo;s like eating a good meal after a steady diet of Hot Pockets. It&rsquo;s why we do what we do. In a wonderful, beautiful world, Bashir would become the art house <a href="http://www.movieretriever.com/blog/240/movie-review-waltz-with-bashir/1699505">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 23 Jan 2009 08:41:57 -0500</pubDate>
<link>http://www.movieretriever.com/blog/240/movie-review-waltz-with-bashir/1699505</link>
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<title>Movie Review: Donkey Punch
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<b>Jan 23, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
 
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&quot;Anyone heard of a donkey punch?&quot;
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&nbsp;
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
<i>Donkey Punch</i>, the controversial film from last year's festival circuit about beautiful people doing VERY ugly things, has finally made its way to stateside theaters and it feels like a movie sure to find a cult following but also disappoints on many levels. Oliver Blackburn's film is essentially another variation on the <i>Very Bad Things</i> concept - the idea that relatively good people will do very bad things if <a href="http://www.movieretriever.com/blog/239/movie-review-donkey-punch
/1701413">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 23 Jan 2009 08:35:33 -0500</pubDate>
<link>http://www.movieretriever.com/blog/239/movie-review-donkey-punch
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<title>The 81st Annual Academy Award Nominations Have Been Announced!</title>
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<b>Jan 22, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal"><img src="http://www.movieretriever.com/images/partner/blogs/238_OscarStatue.jpg" hspace="10" vspace="5" align ="left" alt="" title="" />The 81st annual Academy Award nominations were announced earlier today (see the clip below for the announcement), and, per usual, there's a lot of be happy about and a lot to make you fall to your knees, reach up to the sky and scream &quot;WHY?&quot; The biggest story of the day will probably be the snubs with the highest grossing movie of the year, The Dark Knight, losing out in most of the major categories and only receiving nods for best supporting actor (a foregone conclusion) and its technical <a href="http://www.movieretriever.com/blog/238/the-81st-annual-academy-award-nominations-have-been-announced">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 22 Jan 2009 14:45:36 -0500</pubDate>
<link>http://www.movieretriever.com/blog/238/the-81st-annual-academy-award-nominations-have-been-announced</link>
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<title>They Made Another Crocodile Dundee? Movie Three-quels Nobody Asked For!</title>
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<b>Jan 22, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">Not all three-quels are created equal. For every <a href="http://www.movieretriever.com/movies/1694514/The-Bourne-Ultimatum">Bourne Ultimatum</a>, we have to sit through a dozen or so films of the quality of <a href="http://www.movieretriever.com/movies/1691852/X-Men:-The-Last-Stand">X-Men: The&nbsp;Last Stand</a>. But even with the VAST chasm of difference in quality between those two films, they do share something in common - they were inevitable. <a href="http://www.movieretriever.com/movies/1687899/The-Bourne-Supremacy">The Bourne Supremacy</a> and <a href="http://www.movieretriever.com/movies/1686205/X2:-X-Men-United">X2: X-Men United</a> were huge hits, a lot of their stars came back for the next film, and, most importantly, the fans downright demanded they be made. We're not here <a href="http://www.movieretriever.com/blog/237/they-made-another-crocodile-dundee-movie-threequels-nobody-asked-for">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 22 Jan 2009 11:55:39 -0500</pubDate>
<link>http://www.movieretriever.com/blog/237/they-made-another-crocodile-dundee-movie-threequels-nobody-asked-for</link>
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<title>And the Nominees for the 81st Academy Awards Will Be...</title>
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<b>Jan 19, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">MovieRetriever.com is going on record. Write it down. Impress your friends. These WILL be the nominees when the Academy of Motion Picture Arts &amp; Sciences goes through their annual routine on Thursday morning at 5:30am PST. Yes, we're confident. You almost have to be in a year as weird as this one. Or, at least, Hollywood is that predictable. These aren't necessarily our picks for best of the year, but, given eighty previous years of ceremonies, these are pretty informed guesses. So, without further ado...</p><p style="margin: 0in 0in 0pt" <a href="http://www.movieretriever.com/blog/235/and-the-nominees-for-the-81st-academy-awards-will-be">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 19 Jan 2009 10:24:06 -0500</pubDate>
<link>http://www.movieretriever.com/blog/235/and-the-nominees-for-the-81st-academy-awards-will-be</link>
<guid>http://www.movieretriever.com/blog/235/and-the-nominees-for-the-81st-academy-awards-will-be</guid>
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<title>Movie Review: Che</title>
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<b>Jan 16, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">Before we get started, because it's opening here in Chicago as one film and it is useless to see one without the other, Steven Soderbergh's Che will be reviewed and discussed as one experience, even though each half will be mentioned, as they clearly have different dramatic purposes. Having said that, I think giving each film a separate grade, as some publications have chosen to do, is ridiculous. It's equivalent to reviewing the pre- and post-intermission parts of Gone With the Wind separately. No <a href="http://www.movieretriever.com/blog/233/movie-review-che/1700597">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Jan 2009 15:06:08 -0500</pubDate>
<link>http://www.movieretriever.com/blog/233/movie-review-che/1700597</link>
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<title>Movie Review: Defiance
</title>
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<b>Jan 16, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&nbsp;
</p>
<p style="margin: 0in 0in 0pt" class="MsoNormal">
If you're a fan of Edward Zwick's previous films like <i>Blood Diamond</i>, <i>Legends of the Fall</i>, <i>The Last Samurai</i>, and <i>The Siege</i>, then you will probably like more of the same in <i>Defiance</i>. I'm not a fan of those films and got exactly what I expected with Zwick’s latest. I think, on film, Zwick is one of the least subtle and most over-the-top directors that works regularly. He chooses emotionally resonant themes like the violence of the diamond trade in Africa or the heroic <a href="http://www.movieretriever.com/blog/232/movie-review-defiance
/1699485">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Jan 2009 15:04:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/232/movie-review-defiance
/1699485</link>
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<title>Movie Review: Last Chance Harvey
</title>
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<b>Jan 16, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
<i> </i>
</p>
<p style="margin: 0in 0in 0pt" class="MsoNormal">
<i>Last Chance Harvey</i> is one of those simple, gentle movies that doesn't really do anything remarkable but features two performances strong enough to get nearly any audience member over the generic attributes of its screenplay. It’s an old-fashioned crowd pleaser about two lonely but likable people who become a little less lonely and a little more likable over the running time of a feature film. Featuring Dustin Hoffman's best work in at least a decade, arguably two, and a charming, delightful turn from the <a href="http://www.movieretriever.com/blog/231/movie-review-last-chance-harvey
/1700128">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 16 Jan 2009 15:02:26 -0500</pubDate>
<link>http://www.movieretriever.com/blog/231/movie-review-last-chance-harvey
/1700128</link>
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<title>The Ten Greatest Canines in Cinema History</title>
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<b>Jan 15, 2009 </b></td>
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As you may have guessed, we here at MovieRetriever.com have a certain affinity for dogs (in case you&rsquo;re just joining us &ndash; our mascot is an anthropomorphic movie-reviewing Labrador retriever). So, you can imagine how thrilled we are with the recent slew of films concerning man&rsquo;s best friend that have come our way via the multiplex. There&rsquo;s <a href="http://www.movieretriever.com/movies/1699499/Marley-&amp;-Me">Marley &amp; Me</a>, which strikes just the right balance of humor and emotion and <a href="http://www.movieretriever.com/movies/1699464/Bolt">Bolt</a> which proves that not all non-Pixar made animated films have to necessarily suck. There&rsquo;s even another live-action canine caper in <a href="http://www.movieretriever.com/blog/230/the-ten-greatest-canines-in-cinema-history">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 15 Jan 2009 19:56:18 -0500</pubDate>
<link>http://www.movieretriever.com/blog/230/the-ten-greatest-canines-in-cinema-history</link>
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<title>Eight Movies Hollywood Should Remake in 3D</title>
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<b>Jan 14, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">Before people start losing their minds and sending us hate mail, it's not like we're suggesting that movies should ever be remade. But that's like saying it should never rain. Good luck with that. As Hollywood continues its headlong run into being completely creatively bankrupt, there are more and more remakes every year. In just January, horror fans will be subjected to <a href="http://www.movieretriever.com/movies/1700137/The-Uninvited">The Uninvited</a>, a remake of the great <a href="http://www.movieretriever.com/movies/1689079/A-Tale-of-Two-Sisters">The Tale of Two Sisters</a>, and a 3D version of My Bloody Valentine. With Jeffrey Katzenberg's recent claim <a href="http://www.movieretriever.com/blog/229/eight-movies-hollywood-should-remake-in-3d">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 14 Jan 2009 16:12:09 -0500</pubDate>
<link>http://www.movieretriever.com/blog/229/eight-movies-hollywood-should-remake-in-3d</link>
<guid>http://www.movieretriever.com/blog/229/eight-movies-hollywood-should-remake-in-3d</guid>
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<title>Movie Review: Timecrimes
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<b>Jan 13, 2009 </b></td>
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It's not often that you see what could be called &quot;a simple time travel movie.” That's why I kind of love <i>Timecrimes</i>, the latest Spanish sensation on the arthouse circuit and one of the more original and unique science fiction movies in years. Of course, there's nothing simple about jumping through small periods of time, and <i>Timecrimes</i> is complex in its own interesting way, but what debut director Nacho Vigalondo wisely never does is to fall into the hyperbole that seems to have pervaded the genre. For years, every <a href="http://www.movieretriever.com/blog/228/movie-review-timecrimes
/1700600">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 13 Jan 2009 20:39:43 -0500</pubDate>
<link>http://www.movieretriever.com/blog/228/movie-review-timecrimes
/1700600</link>
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<title>Movie Review: Yonkers Joe
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<b>Jan 13, 2009 </b></td>
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Hollywood has long been obsessed with the aging con man. It’s ironic but all actors of a certain age inevitably play a cop looking to close one last case or a criminal looking to get one last score. The title character in <i>Yonkers Joe</i> is the latter, a guy who is cut from an old-fashioned cloth of con men and who struggles with the iron-clad security of modern casinos. Joe (Chazz Palminteri) is a dice man. Within the blink of an eye, he can replace the dice at a <a href="http://www.movieretriever.com/blog/227/movie-review-yonkers-joe
/1701410">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 13 Jan 2009 20:38:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/227/movie-review-yonkers-joe
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<title>The 2009 Golden GlobeWinners!
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<b>Jan 12, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
Well, this year’s Golden Globe Awards ceremony has come and gone and its <i>Slumdog Millionaire</i> by a mile taking home four major awards (though curiously no acting accolades). The ceremony was far better than last year’s lackluster press conference due to the writer’s strike (but really, that bar wasn’t very high).
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&nbsp;
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While we’re big fans of Danny Boyle and <i>Slumdog Millionaire</i> is definitely one of our favorite films this year, we enjoyed the acting awards a bit more this year. <a href="http://www.movieretriever.com/blog/225/the-2009-golden-globe&acirc;winners
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 12 Jan 2009 10:46:25 -0500</pubDate>
<link>http://www.movieretriever.com/blog/225/the-2009-golden-globe&amp;acirc;winners
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<title>Ten of the Worst Movies Ever Released in January</title>
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<b>Jan 09, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">There's a science to releasing movies, a time-tested methodology that studios have refined to maximize profits by premiering certain films at certain times of the year. Some months are traditionally great for date movies, others for family fare, and so on. The rules are constantly changing, but there's one release rule that seems pretty consistent through Hollywood's history - if a movie is being released in January, it's probably a big piece of crap.</p><p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">Sure, there are some exceptions - <a href="http://www.movieretriever.com/blog/224/ten-of-the-worst-movies-ever-released-in-january">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jan 2009 12:36:54 -0500</pubDate>
<link>http://www.movieretriever.com/blog/224/ten-of-the-worst-movies-ever-released-in-january</link>
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<title>Movie Review: The Unborn
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<b>Jan 09, 2009 </b></td>
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David S. Goyer's <i>The Unborn</i> is like a bad remake of a good Asian horror movie except there's no source material from which the American version could get be accused of being lost in translation. This one is just lost from inception. Actually, <i>The Unborn </i>practically feels like a remake of one of 2009's worst - <i>One Missed Call -</i> from its dull brunette lead to its lack of genuine scares to featuring Meagan Good in the supporting cast. An odd blend of superstition, <a href="http://www.movieretriever.com/blog/223/movie-review-the-unborn
/1700135">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jan 2009 00:04:40 -0500</pubDate>
<link>http://www.movieretriever.com/blog/223/movie-review-the-unborn
/1700135</link>
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<title>Movie Review: Not Easily Broken
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<b>Jan 09, 2009 </b></td>
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<i> </i>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
<i>Not Easily Broken</i> is a film not easily reviewed. For every element of the production that doesn't work, there's something that pulls the film back from being one that's easy to dismiss. Gene Siskel and Roger Ebert used to the word &quot;marginal&quot; to qualify their film reviews when they could have been easily swayed to &quot;thumbs up&quot; or &quot;thumbs down&quot;. <i>Not Easily Broken</i> is as &quot;marginal&quot; as a movie as you may see in all of 2009. From moment to moment, Bill Duke's domestic <a href="http://www.movieretriever.com/blog/222/movie-review-not-easily-broken
/1700130">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 09 Jan 2009 00:02:56 -0500</pubDate>
<link>http://www.movieretriever.com/blog/222/movie-review-not-easily-broken
/1700130</link>
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<title>Movie Review: Revolutionary Road</title>
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<b>Jan 02, 2009 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">What would the bickering George and Martha from Who's Afraid of Virginia Woolf have been like thirty years before that fateful night? A better question might be - would they be as interesting without the gravity of time, which is such a major part of Edward Albee's amazing play? Would the audience care about their squabbles and their selfish, ego-driven grievances? The answer presented by Sam Mendes' Revolutionary Road is a resounding &quot;no.&quot; </p><p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">Revolutionary <a href="http://www.movieretriever.com/blog/221/movie-review-revolutionary-road/1699500">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 02 Jan 2009 14:55:50 -0500</pubDate>
<link>http://www.movieretriever.com/blog/221/movie-review-revolutionary-road/1699500</link>
<guid>http://www.movieretriever.com/blog/221/movie-review-revolutionary-road</guid>
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<title>Lessons Learned from the Worst Movies of 2008</title>
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<b>Dec 30, 2008 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">Unbearable romantic comedies, star vehicles with the parking brake stuck in the &quot;on&quot; position, sequels that nobody asked even be made much less wanted to see, and careers that should have ended years ago - 2008 was head-scratchingly bad when it came to the bottom of the cinematic barrel. Wouldn't you think that the continuing diversity of entertainment would make for better movies? When people have more and more options to watch movies on everything from their iPod to their PS3 to their cell phone, Hollywood is going to <a href="http://www.movieretriever.com/blog/220/lessons-learned-from-the-worst-movies-of-2008">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 30 Dec 2008 21:29:05 -0500</pubDate>
<link>http://www.movieretriever.com/blog/220/lessons-learned-from-the-worst-movies-of-2008</link>
<guid>http://www.movieretriever.com/blog/220/lessons-learned-from-the-worst-movies-of-2008</guid>
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<title>Movie Review: The Curious Case of Benjamin Button
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<b>Dec 25, 2008 </b></td>
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&nbsp;
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
What would you learn about life if you lived it in reverse? If you were born with the calm wisdom of an older gentleman, how would it affect the way you approach the world? Would you be less passionate with the furor of adolescence replaced with the complacency of old age? That's just one of many interesting questions posed by <i>The Curious Case of Benjamin Button</i>, one of the most ambitious and technically accomplished films of 2008. David Fincher's incredibly detailed film may not <a href="http://www.movieretriever.com/blog/219/movie-review-the-curious-case-of-benjamin-button
/1699497">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Dec 2008 00:47:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/219/movie-review-the-curious-case-of-benjamin-button
/1699497</link>
<guid>http://www.movieretriever.com/blog/219/movie-review-the-curious-case-of-benjamin-button
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<title>Movie Review: The Wrestler
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<b>Dec 25, 2008 </b></td>
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&nbsp;
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Mickey Rourke's work in <i>The Wrestler</i> is not just a lead in another sports movie. It's as iconic a performance as we've seen in all of 2008. It's rare, but every once in a while, you see a film character emerge who you know immediately will become a well-known part of the common knowledge of movie history. They're names that everyone knows - Tony Montana, Rocky Balboa, Jake La Motta, Don Corleone. Randy “The Ram” Robinson joins that elite group of people that immediately <a href="http://www.movieretriever.com/blog/218/movie-review-the-wrestler
/1699494">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Dec 2008 00:45:11 -0500</pubDate>
<link>http://www.movieretriever.com/blog/218/movie-review-the-wrestler
/1699494</link>
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<title>Movie Review: The Reader
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<b>Dec 25, 2008 </b></td>
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&nbsp;
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An oddly cool, distant movie about very emotionally raw issues, Stephen Daldry's <i>The Reader</i> is not a complete success but features enough quality work by Ralph Fiennes and Kate Winslet to merit recommendation. Honestly, <i>The Reader</i> is one of those movies that I find hard to criticize or praise too vehemently. It's practically what I like to call a &quot;shrug film,” one of those flicks that dissipates from memory without much negative or positive to make it worth talking about. Only the work of <a href="http://www.movieretriever.com/blog/217/movie-review-the-reader
/1699487">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Dec 2008 00:42:56 -0500</pubDate>
<link>http://www.movieretriever.com/blog/217/movie-review-the-reader
/1699487</link>
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<title>Movie Review: Valkyrie
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<b>Dec 25, 2008 </b></td>
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&nbsp;
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In the right material - <i>Magnolia</i>, <i>Born on the Fourth of July</i>, <i>Minority Report</i> - Tom Cruise can be a powerfully vibrant actor. But there's a resonance, a gravity that some actors bring to the big screen that Mr. Cruise simply does not have. I like Cruise, but actors need to know their strengths and, in the wrong material, Tom too often mistakes morose for serious and looks drowsy instead of intense. That sensation pervades <i>Valkyrie</i>, a film that needed to have a crackerjack <a href="http://www.movieretriever.com/blog/216/movie-review-valkyrie
/1699504">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Dec 2008 00:40:10 -0500</pubDate>
<link>http://www.movieretriever.com/blog/216/movie-review-valkyrie
/1699504</link>
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<title>Happy Holidays from the Hound!</title>
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<b>Dec 25, 2008 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">It&rsquo;s that time of year again. That wonderful, blessed season where everyone pretends to embrace their fellow man, regardless of race, creed, or political affiliation and yet &ndash; no matter how many times we force ourselves to say &ldquo;Happy Holidays&rdquo; &ndash; it&rsquo;s still hard to ignore that 95% of the Western world is swathed in Christmas decorations and the only thing on TV is George Bailey and Rudolph. But, if you forget about the hypocrisy of the season for just a tiny bit, you&rsquo;ll realize that the holidays aren&rsquo;t <a href="http://www.movieretriever.com/blog/215/happy-holidays-from-the-hound">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Dec 2008 00:35:31 -0500</pubDate>
<link>http://www.movieretriever.com/blog/215/happy-holidays-from-the-hound</link>
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<title>The Best Movies of 2008
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<b>Dec 22, 2008 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
It's that time of year when critics make the often futile attempt to sum up hundreds of movies and twelve months of viewing into a nice, neat package. How do you define 2008 in movies? Personally, I found myself turning away from films that were too focused on the depressing. The movies that I loved not only transcended criticism but also were more often than not &quot;positive.&quot; Maybe Poppy in <i>Happy-Go-Lucky</i> wore off on me but bleak films like <i>Revolutionary Road</i>, <i>Changeling</i>, <i>Ballast</i>, <i>Wendy and Lucy</i>, and <i>I've Loved <a href="http://www.movieretriever.com/blog/209/the-best-movies-of-2008
">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 22 Dec 2008 01:06:42 -0500</pubDate>
<link>http://www.movieretriever.com/blog/209/the-best-movies-of-2008
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<title>Movie Review: Yes Man
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<b>Dec 20, 2008 </b></td>
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&nbsp;
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Jim Carrey has had a few projects recently that he probably should have said &quot;no&quot; to when offered. <i>The Number 23</i> and <i>Fun With Dick and Jane</i> spring immediately to mind. So, it's tempting to fall back on that critical crutch for his latest work, <i>Yes Man</i>, but I can't whole-heartedly exclaim in my best Gene Shalit impression, &quot;Say NO to <i>Yes Man</i>!&quot; The comedy doesn't come together, but it's not a complete disaster and I could see movie goers high on eggnog and <a href="http://www.movieretriever.com/blog/208/movie-review-yes-man
/1699495">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 20 Dec 2008 16:45:20 -0500</pubDate>
<link>http://www.movieretriever.com/blog/208/movie-review-yes-man
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<title>Movie Review: Seven Pounds
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<b>Dec 19, 2008 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&nbsp;
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&quot;There's been a suicide.&quot;
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&nbsp;
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&quot;Who's the victim?&quot;
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&nbsp;
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
&quot;I am.&quot;
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&nbsp;
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<p style="margin: 0in 0in 0pt" class="MsoNormal">
No, actually, the paying audience is the victim. With those opening lines spoken by a distraught Will Smith, Gabriele Muccino begins his overly sentimental, mawkish, ridiculous drama, <i>Seven Pounds</i>, a movie that transcends melodrama in its first few minutes and proceeds into the overdone stratosphere. The message of <a href="http://www.movieretriever.com/blog/207/movie-review-seven-pounds
/1699492">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Dec 2008 22:43:28 -0500</pubDate>
<link>http://www.movieretriever.com/blog/207/movie-review-seven-pounds
/1699492</link>
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<title>The Best Supporting Performances of 2008</title>
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<b>Dec 19, 2008 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">For the best lead performances of 2008, check out the first half of this feature, posted yesterday (<a href="http://www.movieretriever.com/blog/editors/202/The-Best-Lead-Performances-of-2008">The Best Lead Performances of 2008</a>). Today, we move on to the supporting performances. Just as Brett Favre is nothing without his receivers and every Cy Young award-winning pitcher should share it with the catcher who called the pitches, great performances are usually nothing without a great supporting turn to balance it. As mentioned yesterday, I loved Viola Davis in <a href="http://www.movieretriever.com/movies/1699486/Doubt">Doubt</a> and Michael Shannon in <a href="http://www.movieretriever.com/movies/1699500/Revolutionary-Road">Revolutionary Road</a>, but they're <a href="http://www.movieretriever.com/blog/206/the-best-supporting-performances-of-2008">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Dec 2008 12:45:14 -0500</pubDate>
<link>http://www.movieretriever.com/blog/206/the-best-supporting-performances-of-2008</link>
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<title>Movie Review: Gran Torino
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<b>Dec 19, 2008 </b></td>
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The critics blindly defending Clint Eastwood's <i>Gran Torino</i> are looking at the film through the warped lens of history. No one loves Clint Eastwood more than I do. I've seen every film that Clint made with Sergio Leone and the Dirty Harry anthology repeatedly and would take <i>Unforgiven</i> to my desert island. <i>Million Dollar Baby </i>and <i>Mystic</i><i> River</i> were near the top of the list for their respective years. I'll even stand up and defend his less popular films like <i>A Perfect World</i>, <i>Heartbreak <a href="http://www.movieretriever.com/blog/205/movie-review-gran-torino
/1700123">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Dec 2008 11:01:03 -0500</pubDate>
<link>http://www.movieretriever.com/blog/205/movie-review-gran-torino
/1700123</link>
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<title>Movie Review: The Tale of Despereaux
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<b>Dec 19, 2008 </b></td>
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<i>The Tale of Despereaux</i> is not one of those antic, schticky animated movies that have littered the landscape like straight-to-video sequels to <i>The Land Before Time,</i> and yet it's just as much of a misstep, proving that there's more than one way to make a bad cartoon. With design that borders on creepy more than creative, voice work that rarely seems inspired, and a story that may work on the page but falls flat on the big screen, <i>The Tale of Despereaux</i> only saves <a href="http://www.movieretriever.com/blog/204/movie-review-the-tale-of-despereaux
/1699493">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Dec 2008 10:40:46 -0500</pubDate>
<link>http://www.movieretriever.com/blog/204/movie-review-the-tale-of-despereaux
/1699493</link>
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<title>The Best Lead Performances of 2008</title>
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<b>Dec 17, 2008 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">Sing along &ndash; &ldquo;It's the most critical time of the year.&rdquo; If you desire, you could read hundreds of articles giving away critics awards, making top ten lists, and assembling Oscar predictions for the best of 2008, but it can be difficult to separate the best performances from the ones that are just well-marketed. In an effort to separate the For Your Consideration campaigns from the work that will honestly be remembered beyond next year's award season, we're here to break down the best of the four major acting <a href="http://www.movieretriever.com/blog/202/the-best-lead-performances-of-2008">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 17 Dec 2008 22:51:23 -0500</pubDate>
<link>http://www.movieretriever.com/blog/202/the-best-lead-performances-of-2008</link>
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<title>Movie Review: The Day The Earth Stood Still
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<b>Dec 12, 2008 </b></td>
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The rumbling sound you hear that shakes the theaters playing <i>The Day the Earth Stood Still</i> this weekend isn't an awesome sound system. It's everyone involved with the original turning over in their grave. Only loosely related to the sci-fi classic from which it steals its name, the remake of <i>The Day the Earth Stood Still</i> is being advertised as a &quot;reimagining,&quot; but the words &quot;bastardization&quot; or &quot;plundering&quot; would be more appropriate. Director Scott Derrickson and the producers of the new film haven't just <a href="http://www.movieretriever.com/blog/200/movie-review-the-day-the-earth-stood-still
/1699484">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Dec 2008 00:10:38 -0500</pubDate>
<link>http://www.movieretriever.com/blog/200/movie-review-the-day-the-earth-stood-still
/1699484</link>
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<title>Movie Review: Frost/Nixon
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<b>Dec 12, 2008 </b></td>
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There is inherent drama in the true story of David Frost's landmark interview with Richard Nixon in 1977. There's a &quot;David and Goliath” story, an &quot;Abuse of Power&quot; story, and a showcase for acting powerhouses. It's right up Ron Howard's alley. Sadly, it also easily falls prey to the director's lack of passion and general whitewashing of cinema. Almost every movie that Ron Howard has directed has been &quot;good-not-great.” He's perhaps the most consistent, 3-star director of all time, and this highly-buzzed picture does <a href="http://www.movieretriever.com/blog/199/movie-review-frost/nixon
/1699482">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Dec 2008 00:08:41 -0500</pubDate>
<link>http://www.movieretriever.com/blog/199/movie-review-frost/nixon
/1699482</link>
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<title>Movie Review: Doubt
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<b>Dec 12, 2008 </b></td>
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Based on John Patrick Shanley's Pulitzer Prize-winning play, <i>Doubt</i> is an acting powerhouse, a dialogue-driven dissection of faith, religion, sin, and belief, which might not deliver the gut punch that it could have in a better director's hands but is a must-see for some of the best performances of the year and the kind of exercise in acting that you don’t see that often any more. 
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&nbsp;
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<i>Doubt</i> is essentially a three-person show - Sister <a href="http://www.movieretriever.com/blog/198/movie-review-doubt
/1699486">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Dec 2008 00:06:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/198/movie-review-doubt
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<title>Movie Review: Nothing Like the Holidays
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<b>Dec 12, 2008 </b></td>
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<i> </i>
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<i>Nothing Like the Holidays</i>? Really, nothing? Aren't there a few things like the holidays? <i>Nothing Like the Holidays</i> is this year's slice of ethnic-spiced pumpkin pie a la <i>This Christmas</i> or <i>The Perfect Holiday</i> from last season. Originally titled &quot;Humboldt Park&quot; and probably more about the thriving and wonderful Hispanic neighborhood on the west side of Chicago, <i>Nothing Like the Holidays</i> is as generic and predictable as they come. The talented ensemble lifts the film above some of its <a href="http://www.movieretriever.com/blog/197/movie-review-nothing-like-the-holidays
/1699472">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Dec 2008 00:04:17 -0500</pubDate>
<link>http://www.movieretriever.com/blog/197/movie-review-nothing-like-the-holidays
/1699472</link>
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<title>Movie Review: Dark Streets</title>
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<b>Dec 12, 2008 </b></td>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">This year's Idlewild or Romance and Cigarettes is finally here in Dark Streets, another musically ambitious film that mistakes flair for soul and fancy costumes for style. A unique but ultimately disastrous semi-noir, semi-musical, semi-comedy, and semi-mystery, Dark Streets is a semi-film, a movie that never comes together into anything coherent or worth caring about. A few scene-stealing actors save it from complete disaster, although a lackluster lead keeps trying to drag it away from them and back down the alley of cinematic shame. <a href="http://www.movieretriever.com/blog/196/movie-review-dark-streets/1700598">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Dec 2008 00:00:39 -0500</pubDate>
<link>http://www.movieretriever.com/blog/196/movie-review-dark-streets/1700598</link>
<guid>http://www.movieretriever.com/blog/196/movie-review-dark-streets</guid>
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<title>
The Ten Best Movies of 2009 - That's Right, 2009

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<b>Dec 11, 2008 </b></td>
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[<b>Editor's Note:</b> Although this piece was originally written in late 2008 and was intended as a possible look into the future, we here at MovieRetriever.com are fairly proud of how spot on most of the predictions were. Even though a few movies have slipped into 2010 (<i>Shutter Island</i>) and a few (<i>Watchmen</i>) may no longer be considered by most to be some of the year's best, we're still confident you'll find the piece insightful and entertaining. Enjoy.] 
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&nbsp;
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Now that <a href="http://www.movieretriever.com/blog/195/
the-ten-best-movies-of-2009--thats-right-2009

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 11 Dec 2008 08:54:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/195/
the-ten-best-movies-of-2009--thats-right-2009

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the-ten-best-movies-of-2009--thats-right-2009

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<title>In Memoriam: Forrest J. Ackerman: 1916-2008
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<b>Dec 09, 2008 </b></td>
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In what will be a blow to Sci-Fi fans everywhere, the man largely credited with creating the term has passed on. <b>Forrest J. Ackerman</b> passed away late last Thursday night after a bout with illness. He was one of science fiction’s greatest fans and helped spawn the careers of many of its classic writers and inspired many film effects artists, and directors.
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Along with publishing the legendary <i>Famous Monsters of Filmland</i> magazine, he co-wrote stories <a href="http://www.movieretriever.com/blog/194/in-memoriam-forrest-j-ackerman-19162008
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 09 Dec 2008 11:37:31 -0500</pubDate>
<link>http://www.movieretriever.com/blog/194/in-memoriam-forrest-j-ackerman-19162008
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<title>Best Movie Trailer Songs of 2008
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<b>Dec 04, 2008 </b></td>
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Movie trailers have evolved into works of art unto themselves, and, aside from featuring some of the best editing in Hollywood, they also use music more effectively than 80% of most mainstream films. Coming attractions are part preview, part sales pitch, part music video, and the truly great trailer editors can bring all of those elements together in a rousing package that forces you to turn to your best friend and whisper, “Dude, we HAVE to see that.” And music is a big part of eliciting that reaction from <a href="http://www.movieretriever.com/blog/193/best-movie-trailer-songs-of-2008
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 04 Dec 2008 02:19:57 -0500</pubDate>
<link>http://www.movieretriever.com/blog/193/best-movie-trailer-songs-of-2008
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<title>Movie Review: Milk
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<b>Dec 02, 2008 </b></td>
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&quot;<i>My name is Harvey Milk and I'm here to recruit you.</i>&quot; I have long bristled at the suggestion that film has the power to change minds or effect the world of human rights. Art is art, and we shouldn't put too much pressure on filmmakers to be world-changers. But Gus Van Sant's absolutely brilliant <i>Milk</i> has made me rethink that idea. Harvey Milk, a crucial leader of the gay rights movement in the '70s, told people that it wasn't just okay to be who they were, if it meant <a href="http://www.movieretriever.com/blog/192/movie-review-milk
/1699470">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 02 Dec 2008 21:51:13 -0500</pubDate>
<link>http://www.movieretriever.com/blog/192/movie-review-milk
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<title>
10 Terrible Life Lessons from Your Favorite Christmas Movies

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<b>Dec 01, 2008 </b></td>
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It's finally December and you know what that means - despite all your best attempts to remain non-denominational and &quot;Happy Holidays&quot; friendly, you're going to spend a LARGE portion of this month watching Christmas movies. If you own a TV, it's a foregone conclusion that you're going to see <i><a href="http://www.movieretriever.com/editor/movies/792060/A-Christmas-Story">A Christmas Story</a></i> and <a href="http://www.movieretriever.com/editor/movies/447960/It's-a-Wonderful-Life"><i>It's a Wonderful Life</i>,</a> at least, four times each, so - regardless of your race, gender, or creed - you need to prepare yourself for liberal doses of Hollywood-approved X-Mas spirit. However, even though <a href="http://www.movieretriever.com/blog/191/
10-terrible-life-lessons-from-your-favorite-christmas-movies

">...Read more at MovieRetriever.com</a>
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<pubDate>Mon, 01 Dec 2008 14:58:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/191/
10-terrible-life-lessons-from-your-favorite-christmas-movies

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<title>Movie Review: My Name Is Bruce
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<b>Nov 28, 2008 </b></td>
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A loser teenager in a <i>Bubba Ho-Tep</i> shirt tries to pick up a girl with lines like &quot;Give me some sugar, baby.&quot; As much as the critic in me knows it's goofy, the boy who watched <i>Evil Dead II</i> and <i>Army of Darkness</i> forty-five times is smiling. <i>My Name is Bruce</i> is a movie made for fans of one of the best B-movie actors of all time, and the final product is a sometimes-clever, very self-aware ode to the <a href="http://www.movieretriever.com/blog/190/movie-review-my-name-is-bruce
/1700312">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 28 Nov 2008 14:57:02 -0500</pubDate>
<link>http://www.movieretriever.com/blog/190/movie-review-my-name-is-bruce
/1700312</link>
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<title>
Eight Classic Movie Bars for the Biggest Bar Weekend of 2008

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<b>Nov 26, 2008 </b></td>
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Let's be frank. Thanksgiving is nice - cardboard pilgrim hats, feigning interest in parades, silently unbuckling your belt under the dinner table - but it's really just a means to an end. The REAL holiday is the night before, because we all know that the pre-Thanksgiving Wednesday is the only holiday that gives St. Patrick's Day any competition for the most alcohol-fueled day of the year. That's right. November 26th is Christmas for alcoholics, kicking off the biggest bar weekend of the year, so prepare yourself to run into <a href="http://www.movieretriever.com/blog/189/
eight-classic-movie-bars-for-the-biggest-bar-weekend-of-2008

">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 26 Nov 2008 13:03:51 -0500</pubDate>
<link>http://www.movieretriever.com/blog/189/
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<title>Movie Review: Australia
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<b>Nov 26, 2008 </b></td>
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Baz Luhrmann has never been accused of subtlety. His gloriously romantic vision led to the charming simplicity of <i>Strictly Ballroom</i>, the unapologetic theatricality of <i>Romeo Juliet</i>, and the absolutely wonderful <i>Moulin Rouge!</i> I love all three of those movies. I find myself having to make excuses for his latest, <i>Australia</i>, in order to even say that I like it at all. It's a deeply flawed, bloated, distant, poorly paced film with some beautiful scenery, old-fashioned storytelling, and solid performances. <a href="http://www.movieretriever.com/blog/188/movie-review-australia
/1699463">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 26 Nov 2008 02:10:53 -0500</pubDate>
<link>http://www.movieretriever.com/blog/188/movie-review-australia
/1699463</link>
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<title>Movie Review: Transporter 3
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<b>Nov 26, 2008 </b></td>
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After the recent press screening of <i>Transporter 3</i>, there was actually discussion among the critics in attendance as to whether or not the Jason Statham vehicles (pun intended) might qualify as the worst trilogy of ALL TIME. (I’ll admit it. I started it. But it wasn’t long before others were in agreement.) The rule was that any of the first three movies of any film franchise could count (so, as painful as they were, you couldn't include <i>Saw IV</i> <a href="http://www.movieretriever.com/blog/187/movie-review-transporter-3
/1699479">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 26 Nov 2008 02:09:25 -0500</pubDate>
<link>http://www.movieretriever.com/blog/187/movie-review-transporter-3
/1699479</link>
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<title>A Teen's Take on Twilight
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<b>Nov 21, 2008 </b></td>
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Earlier this week, we did a feature on excuses grown-ups could use to justify going to see the much buzzed-about teen vampire flick <a href="http://www.movieretriever.com/editor/movies/1699480/Twilight"><b><i>Twilight</i></b> </a>this weekend, and do you know why we did that article? Because even though most people we’ve talked to over the age of 25 have said either they don’t understand the appeal of Stephenie Meyer’s modern gothic romance or something akin to “Why am I only hearing about this <i>Twilight </i>movie now?,” the truth of the matter is... EVERYONE is going to see it <a href="http://www.movieretriever.com/blog/186/a-teens-take-on-twilight
/1699480">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 Nov 2008 00:06:17 -0500</pubDate>
<link>http://www.movieretriever.com/blog/186/a-teens-take-on-twilight
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<title>Movie Review: Bolt
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<b>Nov 21, 2008 </b></td>
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If you take Pixar out of the equation, the current state of movie animation is pretty dire. With a few exceptions (<i>Monster House</i>, <i>Meet the Robinsons</i>), the boom in CGI technology has taken the drive out of storytelling. Walt Disney and the other pioneers who always saw the form as a way to tell a wonderful tale above all else would turn away from the recent flock of animated films that have turned the emphasis to the visual and <a href="http://www.movieretriever.com/blog/185/movie-review-bolt
/1699464">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 Nov 2008 00:03:00 -0500</pubDate>
<link>http://www.movieretriever.com/blog/185/movie-review-bolt
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<title>Movie Review: A Christmas Tale
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<b>Nov 21, 2008 </b></td>
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<i>A Christmas Tale</i> is not your standard dysfunctional family drama. There's not only a lot more to it than the predictable cliches that the genre usually delivers - don't expect a heartwarming ending - but also it's never once intended to be about a &quot;traditional holiday experience.” Yes, you will probably see something of yourself or your siblings in the incredibly twisted and damaged clan of the Vuillards, but Arnaud Desplechin's film is a character study of a different <a href="http://www.movieretriever.com/blog/184/movie-review-a-christmas-tale
/1699466">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 21 Nov 2008 00:01:18 -0500</pubDate>
<link>http://www.movieretriever.com/blog/184/movie-review-a-christmas-tale
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<title>Six Excuses Grown-Ups Can Use for Going to See Twilight This Weekend 
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<b>Nov 19, 2008 </b></td>
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Sigh... it's going to be a rough time at the multiplex for anyone old enough to legally drink this weekend. The last pre-Thanksgiving movie releases are always typically family-friendly, but, this year, there are only two real choices if you want to see a new movie (and have already seen <i><a href="http://www.movieretriever.com/blog/179/Movie-Review:-Quantum-of-Solace">Quantum of Solace</a></i>), and both have their baggage, particularly for audiences over twelve years old. First, there's <i><a href="http://www.movieretriever.com/editor/movies/1699464/Bolt">Bolt</a></i>, which has had good trailers and Pixar's resident genius John Lasseter working behind the scenes (big pluses), but it's <a href="http://www.movieretriever.com/blog/183/six-excuses-grownups-can-use-for-going-to-see-twilight-this-weekend-
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 19 Nov 2008 13:48:44 -0500</pubDate>
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<title>Movie Review: Let the Right One In
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<b>Nov 14, 2008 </b></td>
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There's just something vampirism and adolescence that makes for a perfect fit. If you think about it, the legend of the vampire has always been one of the outcast, the count in his castle who can never find love because he's only going to outlive his mortal beloved or end up sucking her blood. And when did you feel the most like an outcast? Like someone who will never find true love? Puberty. The <i>Twilight</i> books have turned the <a href="http://www.movieretriever.com/blog/182/movie-review-let-the-right-one-in
/1701407">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 Nov 2008 09:37:01 -0500</pubDate>
<link>http://www.movieretriever.com/blog/182/movie-review-let-the-right-one-in
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<title>Movie Review: Ashes of Times Redux
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<b>Nov 14, 2008 </b></td>
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It's been an unusual year for Wong Kar-Wai fans. First, there was <i>My Blueberry Nights</i>, a film that caused quite a stir at Cannes, most of which was not positive. The highly edited version of <i>Nights</i> that ended up stateside feels like the least essential film in the WKW filmography to this massive fan of the visually stunning director. (If you haven't seen <i>In the Mood For Love</i> and <i>2046</i>, get thee to a DVD store or Netflix queue <a href="http://www.movieretriever.com/blog/181/movie-review-ashes-of-times-redux
/1700106">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 14 Nov 2008 09:35:45 -0500</pubDate>
<link>http://www.movieretriever.com/blog/181/movie-review-ashes-of-times-redux
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<title>Movie Review: Quantum of Solace
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<b>Nov 13, 2008 </b></td>
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If <i>Casino Royale</i> was an earthquake that shook the world of twenty-first action movies and rearranged the landscape, <i>Quantum of Solace</i> is the aftershock. It may not have the direct, unexpected impact of the original tremor, but it still has enough power to knock you on your ass. The first direct sequel in James Bond history - the film picks up nearly immediately after the end of <i>Royale</i> - <i>Quantum of Solace</i> is an effective, thrilling action movie, if not <a href="http://www.movieretriever.com/blog/179/movie-review-quantum-of-solace
/1699473">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 13 Nov 2008 00:01:03 -0500</pubDate>
<link>http://www.movieretriever.com/blog/179/movie-review-quantum-of-solace
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<title>Movie Review: Slumdog Millionaire
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<b>Nov 12, 2008 </b></td>
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Danny Boyle's <i>Slumdog Millionaire</i> is so many movies blended into one film - a nearly perfect film - that it's almost impossible to accurately put into words what this masterful director has accomplished with one of the best movies of the year. Just see it. The comparison that keeps coming to my mind is a movie that you would probably never equate with a story about a homeless Indian teenager. Remember how Quentin Tarantino took familiar elements of the <a href="http://www.movieretriever.com/blog/178/movie-review-slumdog-millionaire
/1699476">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 12 Nov 2008 00:11:24 -0500</pubDate>
<link>http://www.movieretriever.com/blog/178/movie-review-slumdog-millionaire
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<title>
Ten Movie Endings That Should've Been Re-Shot

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<b>Nov 11, 2008 </b></td>
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There's been a lot of talk about how movies end lately, particularly with the news that Baz Luhrmann was forced to reshoot the ending of his upcoming Nicole Kidman/Hugh Jackman epic, <i><a href="http://www.movieretriever.com/editor/movies/1699463/Australia">Australia</a></i>, to give it a more uplifting ending (beware spoiler-heavy news items on that one - they reveal who lives and who dies) and with director Zack Synder's recent <a href="http://www.newsarama.com/film/081110-watchmen-synder-ending.html">admission</a> that he altered the ending of his greatly anticipated comic-book adaptation, <i>Watchmen</i>, despite having spent the past year selling the film to fanboys with the promise <a href="http://www.movieretriever.com/blog/177/
ten-movie-endings-that-shouldve-been-reshot

">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 11 Nov 2008 14:40:30 -0500</pubDate>
<link>http://www.movieretriever.com/blog/177/
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<title>Movie Review: Madagascar: Escape 2 Africa
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<b>Nov 07, 2008 </b></td>
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Some movies vacillate between good and bad.  Certain films can start off interesting and fall apart as they progress, while others may grow on you as they unspool (although it's a lot rarer for a failed project to save itself than for a quality to flick to go south). Unless it's a masterpiece or an unqualified disaster, most movies are going to have their pluses and minuses on display at different moments during their running time. Perhaps the most <a href="http://www.movieretriever.com/blog/176/movie-review-madagascar-escape-2-africa
/1699471">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 Nov 2008 00:11:47 -0500</pubDate>
<link>http://www.movieretriever.com/blog/176/movie-review-madagascar-escape-2-africa
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<title>Movie Review: Synecdoche, New York
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<b>Nov 07, 2008 </b></td>
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And you thought Charlie Kaufman's earlier movies didn't make sense? The brilliant writer's first foray into direction produces his least easy-to-define film to date, a movie that turns in on itself so many times that it somewhat loses its way. The best cast of the year and one of the most original screenplays of all time make <i>Synecdoche, New York</i> worth seeing, but Kaufman's writing requires masterful direction from people like Spike Jonze or Michel Gondry to really come <a href="http://www.movieretriever.com/blog/175/movie-review-synecdoche-new-york
/1699456">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 Nov 2008 00:09:53 -0500</pubDate>
<link>http://www.movieretriever.com/blog/175/movie-review-synecdoche-new-york
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<title>Movie Review: Role Models
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David Wain's <i>Role Models</i> is a great set-up for a movie with a fantastic cast, but the talented comedian behind the great and underrated <i>Wet Hot American Summer</i> forgot the follow-through. The first half hour of <i>Role Models</i> is as laugh-out-loud funny as practically anything in this great year for comedy (it's been the most thriving genre of 2008 from <i>Sarah Marshall</i> through the R-rated trifecta of late summer to <i>Zack and Miri</i> and now this), but it will <a href="http://www.movieretriever.com/blog/174/movie-review-role-models
/1699475">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 Nov 2008 00:07:49 -0500</pubDate>
<link>http://www.movieretriever.com/blog/174/movie-review-role-models
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<title>Movie Review: The Boy in the Striped Pajamas
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<b>Nov 07, 2008 </b></td>
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<i>The Boy in the Striped Pajamas</i> will undoubtedly pull many a heartstring and make many an audience member shed a tear, but, with a premise and execution this hollow and manipulative, I beg you, don't fall for it. Don't give into filmmakers who know that children in peril and Holocaust stories have an inherent emotional power and are prepared to use that power to do whatever it takes to make you cry. <i>Striped Pajamas</i> is not just misguided drama. <a href="http://www.movieretriever.com/blog/173/movie-review-the-boy-in-the-striped-pajamas
/1699465">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 07 Nov 2008 00:06:05 -0500</pubDate>
<link>http://www.movieretriever.com/blog/173/movie-review-the-boy-in-the-striped-pajamas
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<title>
Who Should Direct the Movie Versions of Crichton's Final Novels?

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<b>Nov 06, 2008 </b></td>
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Fans were shocked this week by the sudden death of Michael Crichton, the award-winning writer and producer who was best known as the godfather of the techno-thriller genre as well as for Hollywood's big-ticket film adaptations of his novels. For a large portion of the 1990s, a new Crichton movie was an annual event - starting with 1993's <i><a href="http://www.movieretriever.com/editor/movies/1092260/Jurassic-Park">Jurassic Park</a></i>, there was at least one movie based on a Crichton novel released every year until 1999, with the exception of 1996, which can be excused since that year <a href="http://www.movieretriever.com/blog/172/
who-should-direct-the-movie-versions-of-crichtons-final-novels

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 06 Nov 2008 14:25:16 -0500</pubDate>
<link>http://www.movieretriever.com/blog/172/
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<title>
McCain or Obama: How Movie Superheroes Would Vote in '08

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<b>Nov 02, 2008 </b></td>
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The long journey to Election Day is finally ending, and the campaign has been the topic of much discussion around the MovieRetriever.com offices - in between, you know, arguments about the relative merits of <i>Superman Returns </i>vs. <i>Spider-Man 3 </i>(lesser of two evils battle) and <i>Dark Knight</i> vs. <i>Iron Man </i>(too close to call). Somehow, these two disparate threads tied together, and we wondered how some of our most beloved cinematic superheroes would view this election, were they not busy with nocturnal crime fighting, saving the world from aliens, <a href="http://www.movieretriever.com/blog/170/
mccain-or-obama-how-movie-superheroes-would-vote-in-08

">...Read more at MovieRetriever.com</a>
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<pubDate>Sun, 02 Nov 2008 22:23:47 -0500</pubDate>
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<title>
The Ten Goriest Horror Movie Scenes

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Halloween is a great time to curl up and watch a scary movie or two with someone you love, or perhaps even by yourself. But, we wouldn’t recommend going solo – who are you going to send to the kitchen to get more popcorn? – after all, there could be a psychopath in there waiting to chop you up into little bits. Anyway, some of the best thrills to be had when watching a horror film are found in the gorier entries to the genre. It’s is for this reason that we here <a href="http://www.movieretriever.com/blog/169/
the-ten-goriest-horror-movie-scenes

">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 31 Oct 2008 16:38:07 -0400</pubDate>
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<title>Movie Review: Zack and Miri Make a Porno
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<b>Oct 31, 2008 </b></td>
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It seemed inevitable that the Judd Apatow-verse and the View Askew-verse headed by Kevin Smith would eventually merge. Smith himself has even credited <i>Knocked Up</i> with showing him not just that Seth Rogen was MADE to star in a film co-starring Jason Mewes but that the ceiling on his brand of raunchy humor wasn't as low as he suspected. If they could make a blockbuster out of a schlub who smokes pot all the time, has a career goal that involves celebrity nudity, and <a href="http://www.movieretriever.com/blog/167/movie-review-zack-and-miri-make-a-porno
/1699459">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 31 Oct 2008 09:23:48 -0400</pubDate>
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<title>Movie Review: Fear(s) of the Dark
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<b>Oct 31, 2008 </b></td>
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Hollywood doesn't really understand what scares you anymore. I honestly don't believe anyone over the age of fifteen is scared by the Saw movies. They're action movies or, more accurately, exercises in the twisted human desire to watch people get tortured. The fact is that most modern horror movies aren't really going for scares any more. They're going for the jump, the racing heart, and the gory finish. But that doesn't last. It doesn't stick with you. The fact is that a creaking floorboard <a href="http://www.movieretriever.com/blog/166/movie-review-fears-of-the-dark
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 31 Oct 2008 06:53:30 -0400</pubDate>
<link>http://www.movieretriever.com/blog/166/movie-review-fears-of-the-dark
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<b>Oct 31, 2008 </b></td>
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Lance Hammer's highly acclaimed <i>Ballast</i> is a painful, depressing experience. In fact, some could easily argue that it borders on audience torture. <i>Ballast</i> is not only bereft of a single laugh, there's not even a crack of a smile. It's about people who are no longer physically able to look on the bright side of life, and it features some of the most heart-wrenching dramatic material of the year. But to what end? What is the dramatic purpose of a movie like <i>Ballast</i>, a <a href="http://www.movieretriever.com/blog/165/movie-review-ballast
/1700591">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 31 Oct 2008 06:43:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/165/movie-review-ballast
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<title>Movie Review: I've Loved You So Long
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<b>Oct 31, 2008 </b></td>
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Sometimes movies seem to come out of the personality of the stars at the center of the film. It can be something as simple as how John Wayne's movies seemed to be written around The Duke's persona or the fact that a lot of Al Pacino flicks seem to have scripts driven by the amount of scenery-chewing moments they provide the star. But, occasionally, a star's personality can positively impact and truly define a movie. It's that sensation that not only was an actor <a href="http://www.movieretriever.com/blog/164/movie-review-ive-loved-you-so-long
/1700107">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 31 Oct 2008 06:39:25 -0400</pubDate>
<link>http://www.movieretriever.com/blog/164/movie-review-ive-loved-you-so-long
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<title>Movie Review: RockNRolla</title>
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<p style="margin: 0in 0in 0pt" class="MsoNormal">&nbsp;</p><p style="margin: 0in 0in 0pt" class="MsoNormal">What the hell happened to Guy Ritchie? Sure, it's easy to point a finger at Madonna (and the cynical side of me thinks that all the press lately surrounding their miserable marriage is just publicity for Guy's new movie), but it's truly shocking how drastically this once uber-promising writer/director has fallen. After Lock, Stock, and Two Smoking Barrels and Snatch, Ritchie was on top of the hip movie world. He was the British Quentin Tarantino, a guy who had his finger on the pulse <a href="http://www.movieretriever.com/blog/163/movie-review-rocknrolla">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 31 Oct 2008 06:33:40 -0400</pubDate>
<link>http://www.movieretriever.com/blog/163/movie-review-rocknrolla</link>
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<title>Five Movies That Kevin Smith Should Direct
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<b>Oct 30, 2008 </b></td>
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Chances are - unless you live in a fundamentalist, anti-technology commune in Utah or unless all your friends are vigilant about keeping a swear jar - someone you know is a fan of <a href="http://www.movieretriever.com/editor/castandcredits/50664/Smith-Kevin">Kevin Smith</a>. Even if you missed the original indie firestorm created by Smith's low-budget debut, <i>Clerks</i>, back in 1994, there's a good chance that you've witnessed some part of the writer/director/actor's impressive resume in the subsequent 14 years. Since <i>Clerks</i>, he's written and directed <i>Mallrats</i>, <i>Chasing Amy</i>, <i>Dogma</i>, <i>Jay &amp; Silent Bob Strike Back</i>, <i>Jersey <a href="http://www.movieretriever.com/blog/162/five-movies-that-kevin-smith-should-direct
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 30 Oct 2008 13:12:06 -0400</pubDate>
<link>http://www.movieretriever.com/blog/162/five-movies-that-kevin-smith-should-direct
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<title>Movie Review: Dear Zachary
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<b>Oct 29, 2008 </b></td>
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Critics constantly overuse phrases like &quot;gut-wrenching&quot; and &quot;heartbreaking&quot; when it comes to writing about emotionally devastating films, almost to the point where those words don't even mean much anymore. They certainly only begin to capture what you feel when you’re stuck trying to review a movie that honestly did leave you emotionally shattered. Here's the best way I can put it - I was lucky enough to see <i>Dear Zachary: A Letter to a Son About His Father</i> on a screener in the comfort <a href="http://www.movieretriever.com/blog/159/movie-review-dear-zachary
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 29 Oct 2008 13:12:18 -0400</pubDate>
<link>http://www.movieretriever.com/blog/159/movie-review-dear-zachary
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<title>
A Teen's Take on High School Musical 3

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<b>Oct 28, 2008 </b></td>
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This weekend, <i><a href="http://www.movieretriever.com/editor/movies/1699440/High-School-Musical-3:-Senior-Year">High School Musical 3: Senior Year</a></i> made over $42 million at the box office, shattering the record for highest grossing movie musical ever and surprising absolutely NO ONE under the age of 15. Maybe it’s a generational thing, maybe we’ve missed the Disney Corporation’s subliminal mind rays that pulse out from every episode of <i>The Suite Life of Zack and Cody</i>, or maybe it’s because most of us were born before 1980 (the horror!), but even the stunted man-boys at the MovieRetriever offices can’t really understand <a href="http://www.movieretriever.com/blog/158/
a-teens-take-on-high-school-musical-3

/1699440">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 28 Oct 2008 13:28:12 -0400</pubDate>
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<title>Uwe Boll Offers Alternatives to Seeing Saw V
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<b>Oct 24, 2008 </b></td>
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We received a pained phone call from our theatrical critic this week, asking (as polite as he could) whether we wanted him to pay out of his own pocket to see <i><a href="http://www.movieretriever.com/editor/movies/1699453/Saw-5">Saw V</a></i>. You see, certain movies tend not to hold critic screenings before they're released and, generally, those films are, almost always, giant piles of crap. There are certain movies that are just considered &quot;critic proof,&quot; either because they're obviously popcorn thrills of the lowest common denominator - meant more for Joe <a href="http://www.movieretriever.com/blog/157/uwe-boll-offers-alternatives-to-seeing-saw-v
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Oct 2008 01:22:13 -0400</pubDate>
<link>http://www.movieretriever.com/blog/157/uwe-boll-offers-alternatives-to-seeing-saw-v
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<title>Movie Review: Changeling
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<b>Oct 24, 2008 </b></td>
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The best Clint Eastwood films typically deal with people caught in complex, morally gray situations. The heroes of <i>Unforgiven</i>, <i>Mystic</i><i> River</i>, and <i>Million Dollar Baby</i> are all faced with tough decisions and questions without easy answers. The man who made his legacy playing violent heroes in spaghetti westerns understands that sometimes good and bad can reside together in the same troubled soul. I mention this because the complexity and subtlety that has defined Eastwood's past masterpieces is missing from <a href="http://www.movieretriever.com/blog/156/movie-review-changeling
/1699433">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Oct 2008 00:20:58 -0400</pubDate>
<link>http://www.movieretriever.com/blog/156/movie-review-changeling
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<title>Movie Review: Happy-Go-Lucky
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<b>Oct 24, 2008 </b></td>
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My mother once asked me if I was a &quot;generally happy&quot; person. I'm still not sure of the answer, but I'm fascinated by the question. What does that mean? Who is without sadness at times? And who can say for sure if the balance makes one &quot;generally happy&quot; or &quot;generally sad&quot;? I’m not sure about myself, but I can tell you one thing for sure - Poppy (Sally Hawkins) is generally happy. Poppy is over-the-top, out-of-control, stupid happy, the <a href="http://www.movieretriever.com/blog/155/movie-review-happygolucky
/1699438">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Oct 2008 00:19:23 -0400</pubDate>
<link>http://www.movieretriever.com/blog/155/movie-review-happygolucky
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<title>Movie Review: Pride and Glory
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<b>Oct 24, 2008 </b></td>
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How do so many talented people go so far awry? Edward Norton is usually very smart about the projects he picks (even <i>The Incredible Hulk </i>was a smart movie and the failure of it was not his fault) and Colin Farrell has shown signs of life in the past with recent underrated performances in <i>Cassandra's Dream</i> and <i>In Bruges</i>. When they heard the pitch for <i>Pride and Glory</i>, they must have assumed that they would be making a gritty <a href="http://www.movieretriever.com/blog/154/movie-review-pride-and-glory
/1699447">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 24 Oct 2008 00:17:49 -0400</pubDate>
<link>http://www.movieretriever.com/blog/154/movie-review-pride-and-glory
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<title>How to Pick the Perfect Movie to Watch on Halloween
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<b>Oct 23, 2008 </b></td>
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Holiday weekends are always big for movie-going. Families spend Thanksgiving evening going to see <i>Harry Potter</i> (well, they were going to), Christmas Day perusing the Oscar hopefuls, Memorial Day helping people like Michael Bay break the bank, and the Fourth of July worshipping at the altar of Will Smith. But, even though it never gets the same attention as those others, Halloween is truly one of the biggest movie holidays of the year. Don't believe us? Go to a Blockbuster at about 7 pm Halloween night and just TRY <a href="http://www.movieretriever.com/blog/153/how-to-pick-the-perfect-movie-to-watch-on-halloween
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 23 Oct 2008 10:55:38 -0400</pubDate>
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<title>Movie Review: W.
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<b>Oct 17, 2008 </b></td>
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What is Oliver Stone's <i>W.</i>? The previews made it seem like it would be a satirical slice of presidential life. How else to explain the use of &quot;What a Wonderful World&quot; over footage of the nightmare of the last eight years? But the final product itself is more (and kind of less) than a comedy. In fact, and maybe this is a personal thing, there's not a lot to laugh about when it comes to President George W. Bush. Yes, I gleefully smiled at <a href="http://www.movieretriever.com/blog/149/movie-review-w
/1699457">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Oct 2008 09:11:56 -0400</pubDate>
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<title>
Movie Review: Max Payne

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<b>Oct 17, 2008 </b></td>
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Isn't it amazing how we can easily spend 20 hours or more of our lives playing great video games, but 90 minutes of the same franchise in movie form can be nearly unbearable? Quick - you've got two hours to kill, will you watch movies like <i>Doom</i>, <i>Resident Evil</i>, or <i>Hitman</i> or spend the time playing the games that inspired them? It’s not even a question. And it’s no surprise that <i>Max Payne</i> doesn’t break the pattern.
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<p style="margin: 0in <a href="http://www.movieretriever.com/blog/148/
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/1699443">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Oct 2008 09:10:30 -0400</pubDate>
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<title>Movie Review: Sex Drive
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<b>Oct 17, 2008 </b></td>
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Go to an underage drinking party in any college town across the country and you'll see basically the same thing - horny, drunk kids acting like idiots. From coast to coast and keg to keg, the parties are nearly identical, only the names, faces, and levels of alcohol poisoning change. Essentially, teen sex comedies follow the same rule. The horndogs from <i>Porky’s</i> to <i>American Pie</i> to <i>Harold and Kumar</i> are nearly identical - they want to get laid and have a good time. So, <a href="http://www.movieretriever.com/blog/147/movie-review-sex-drive
/1699455">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 17 Oct 2008 09:08:55 -0400</pubDate>
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<title>Ten Unbelievably Overrated Horror Movies
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<b>Oct 16, 2008 </b></td>
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Loyal readers of this blog will no doubt remember the Hound’s list of <a href="http://www.movieretriever.com/editor/blog/editors/145/Ten-Truly-Underrated-Horror-Movies">Ten Truly Underrated Horror Films</a>. That list got us thinking here at the MovieRetriever.com offices (which we do from time to time – contrary to what some of you may think) about films that get maybe a bit too much attention. So, we set out to draw up a list of ten films we think are just a bit overrated. Don’t get us wrong, many of these movies are some of our all-time favorites (believe us, you’ll know when <a href="http://www.movieretriever.com/blog/146/ten-unbelievably-overrated-horror-movies
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 16 Oct 2008 15:11:28 -0400</pubDate>
<link>http://www.movieretriever.com/blog/146/ten-unbelievably-overrated-horror-movies
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<title>Ten Truly Underrated Horror Movies
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<b>Oct 14, 2008 </b></td>
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Every year around Halloween, movie fans around the world turn away from Oscar nominees and Judd Apatow comedies and begin browsing video stores for something really, honest-to-God scary. And that's not an easy task. While horror movies, on a whole, have a big fan-following thanks to their visceral thrills and gory kills, whenever you ask someone to name a legitimately scary movie, you'll normally hear the same titles repeated over and over. T<i>he Exorcist, Alien, The Shining, Texas Chainsaw Massacre</i> (the original), <i>Psycho, Silence of the Lambs, Halloween, The <a href="http://www.movieretriever.com/blog/145/ten-truly-underrated-horror-movies
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 14 Oct 2008 11:41:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/145/ten-truly-underrated-horror-movies
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<title>Movie Review: Rachel Getting Married
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<b>Oct 10, 2008 </b></td>
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What is a wedding? Unless there's a shotgun, mail order bride or a prearrangement going on, it's usually a celebration of love. Now, imagine a woman who thinks she has fallen so far out of humanity that she states in an AA meeting that she believes she is unworthy of even God's love going through a weekend wedding of her sister. That’s the basic set-up for <i>Rachel Getting Married</i> – a woman who believes she is unlovable surrounded by <a href="http://www.movieretriever.com/blog/144/movie-review-rachel-getting-married
/1699449">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Oct 2008 07:18:26 -0400</pubDate>
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<title>Movie Review: City of Ember
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<b>Oct 10, 2008 </b></td>
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Gil Kenan's <i>Monster House</i> was a pleasantly surprising shout-out to the kind of kids’ adventure movies they don't make that often any more. The film was clearly the product of a man raised on movies like <i>The Goonies</i>, <i>Explorers</i>, and <i>Monster Squad</i>. Kenan's highly anticipated follow-up, <i>City of Ember</i>, also reminds me of some '80s movies, but this time it's <i>Hudson Hawk</i> and <i>Howard the Duck</i>. <i>City of Ember</i> is a design nightmare, a movie that should transport the <a href="http://www.movieretriever.com/blog/143/movie-review-city-of-ember
/1699434">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 10 Oct 2008 07:16:39 -0400</pubDate>
<link>http://www.movieretriever.com/blog/143/movie-review-city-of-ember
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<title>Seven Degrees of James Bond Imitators
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<b>Oct 09, 2008 </b></td>
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We realize that <a href="http://www.movieretriever.com/editor/genre/1/subgenre/45/James-Bond">Bond, James Bond</a> wasn't the first spy in the history of fiction - heck, James Fenimore Cooper's novel <i>The Spy</i> came out in 1821 - however, Commander Bond still remains at as the reigning alpha super-spy of the modern world. Yes, we're aware of the works of John le Carré and Robert Ludlum, but NONE of their creations have had the same pop culture impact as Ian Fleming's James Bond. And that impact is nowhere <a href="http://www.movieretriever.com/blog/142/seven-degrees-of-james-bond-imitators
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 09 Oct 2008 13:58:11 -0400</pubDate>
<link>http://www.movieretriever.com/blog/142/seven-degrees-of-james-bond-imitators
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<guid>http://www.movieretriever.com/blog/142/seven-degrees-of-james-bond-imitators
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<title>Movie Review: Body of Lies
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<b>Oct 09, 2008 </b></td>
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&quot;It's like <i>The Departed</i> with Arabs instead of the Irish mob!&quot; That might sound simplistic, but it's a shockingly apt way to describe <i>Body of Lies</i>, Ridley Scott's moderately successful journey into the labyrinthine world of intelligence operations in the Middle East. Once again, Leonardo DiCaprio plays the poor, sure-to-be-tortured soul heading into a world of pain and death and, once again, a shocking portion of the dialogue in William Monahan's script (he also wrote <i>The Departed</i>) takes place over mouth pieces, cell phones, <a href="http://www.movieretriever.com/blog/141/movie-review-body-of-lies
/1699432">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 09 Oct 2008 00:04:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/141/movie-review-body-of-lies
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<title>Movie Review: Nick &amp; Norah's Infinite Playlist
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<b>Oct 03, 2008 </b></td>
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As someone who grew up idolizing the movies of John Hughes and kind of wanting to be Lloyd Dobler, I definitely long for more movies like <i>The Breakfast Club</i> and <i>Say Anything</i>. It’s not just nostalgia. It’s that, except for the rare <i>Superbad</i>, modern teen movies suck. After being relatively non-existent on the market for years, the &quot;teen genre&quot; got hijacked by the <i>American Pie</i> movies, turning the genre into a cavalcade of gross-out jokes and T&amp;A, and the humanity of Hughes and Cameron <a href="http://www.movieretriever.com/blog/140/movie-review-nick--norahs-infinite-playlist
/1699445">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Oct 2008 00:04:54 -0400</pubDate>
<link>http://www.movieretriever.com/blog/140/movie-review-nick--norahs-infinite-playlist
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<title>Movie Review: Religulous
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<b>Oct 03, 2008 </b></td>
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You know Bill Maher was sitting in his massive home theater watching movies like <i>Sicko</i> and <i>Super Size Me</i> and thinking, &quot;I could totally do that.&quot; To prove it, Maher teamed with <i>Borat</i> director Larry Charles to make <i>Religulous</i>, a pseudo-comedy-documentary that purports to be one man's search for faith and proof in a world of doubt. Maher opens the documentary at Megiddo, Israel, the spot that millions of people believe will be the site of the end of the world. From there, Maher <a href="http://www.movieretriever.com/blog/139/movie-review-religulous
/1699450">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Oct 2008 00:03:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/139/movie-review-religulous
/1699450</link>
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<title>Movie Review: Appaloosa
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<b>Oct 03, 2008 </b></td>
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For the first time since <i>Pollock</i>, Ed Harris steps behind the camera again to direct an old-fashioned Western in the mold of <i>3:10 to Yuma</i> and <i>Open</i><i> Range</i>. With <i>Appaloosa</i>, Harris is clearly shooting for the timeless quality of the genre, the one that makes it feel like this film could have been made 20, 40, or even 60 years earlier without changing much of the production at all. Oddly, the two things that would have been different back then are both the biggest <a href="http://www.movieretriever.com/blog/138/movie-review-appaloosa
/1699290">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Oct 2008 00:01:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/138/movie-review-appaloosa
/1699290</link>
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<title>Movie Review: Flash of Genius
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<b>Oct 03, 2008 </b></td>
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<i> </i>
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<i>Flash of Genius</i> is an incredibly frustrating film, a movie with a great central performance, excellent design, and an entire team whose heart is in the right place, but it's also a movie with a screenplay that never gets to the true heart of this fascinating story. One of the more underrated actors alive, Greg Kinnear, sells <i>Flash of Genius</i> as a David-and-Goliath tale, another case of the little man striving to take down the giant. But there's more to the Bob Kearns story <a href="http://www.movieretriever.com/blog/137/movie-review-flash-of-genius
/1699437">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 03 Oct 2008 00:00:10 -0400</pubDate>
<link>http://www.movieretriever.com/blog/137/movie-review-flash-of-genius
/1699437</link>
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<title>
Seven Animated Movies More Sequel-Worthy Than Kung-Fu Panda

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<b>Oct 02, 2008 </b></td>
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<i>Kung-Fu Panda</i> wasn't a bad movie. Not in the slightest. There were some great vocal performances, fun action, and cool animation, but, we'll admit, it wasn't the animated sequel news we've been waiting for. In our world where the next 10 chapters of <i>Shrek</i> have already called dibs on their release dates and Disney will have a half-assed, direct-to-DVD sequel for almost ANYTHING, it's been hard to really get excited about sequels to animated films lately. Even the in-progress <i>Cars 2</i> (which we're sure will be well done) doesn't <a href="http://www.movieretriever.com/blog/136/
seven-animated-movies-more-sequelworthy-than-kungfu-panda

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 02 Oct 2008 16:29:55 -0400</pubDate>
<link>http://www.movieretriever.com/blog/136/
seven-animated-movies-more-sequelworthy-than-kungfu-panda

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<guid>http://www.movieretriever.com/blog/136/
seven-animated-movies-more-sequelworthy-than-kungfu-panda

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<title>Hound Bites: DVD Reviews in 50 Words or Less
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<b>Oct 01, 2008 </b></td>
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<p>
The Hound is a busy dog – this week he’s pouring over his vast collection of Paul Newman movies and reacquainting himself with the work of one of cinema’s greatest actors – so he doesn’t always have the time to write 2,500-word opuses on the latest two-disc special edition or straight-to-the-shelf gore-fest DVD. But that doesn’t mean he doesn’t care. Here are the Hound’s off-the-cuff, sight-unseen first impressions of this week’s DVD releases, summarizing their appeal in a jaunty 50 words or less:
</p>
    
<p>
<b>Major DVD Releases for Tuesday, September 30</b>
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<p class="MsoNormal">
<a <a href="http://www.movieretriever.com/blog/135/hound-bites-dvd-reviews-in-50-words-or-less
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 01 Oct 2008 00:27:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/135/hound-bites-dvd-reviews-in-50-words-or-less
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<title>An Appreciation of Paul Newman: 1925-2008
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<b>Sep 27, 2008 </b></td>
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One of the final living legends of movies passed away on Friday night and the world is a much sadder place. <a href="http://www.movieretriever.com/editor/castandcredits/9800/Paul-Newman">Paul Newman</a> has died of cancer at the age of 83 at his home in Westport, Connecticut. Many, many outlets have already given the career of Paul Newman its due, and there will certainly be some of that in this off-the-cuff appreciation of a man who influenced this film critic as much as any that ever stepped in front of the camera, but I want to start with one thing that <a href="http://www.movieretriever.com/blog/133/an-appreciation-of-paul-newman-19252008
">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 27 Sep 2008 19:23:38 -0400</pubDate>
<link>http://www.movieretriever.com/blog/133/an-appreciation-of-paul-newman-19252008
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<title>Movie Review: Eagle Eye
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<b>Sep 26, 2008 </b></td>
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Just because you're paranoid doesn't mean you should make a movie about it. The abysmal <i>Eagle Eye</i> attempts to take modern-day paranoia about the intrusive nature of technology and turn it into an action movie. The result is an unqualified disaster, an unbelievable, unrealistic, and simply un-enjoyable barrage of noise and increasingly ridiculous plot twists. <i>Eagle Eye</i> doesn't just require suspension of disbelief on the part of its audience. It demands that all logic and believability be left at the ticket counter with your <a href="http://www.movieretriever.com/blog/132/movie-review-eagle-eye
/1699296">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Sep 2008 08:19:17 -0400</pubDate>
<link>http://www.movieretriever.com/blog/132/movie-review-eagle-eye
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<title>Movie Review: Miracle at St. Anna
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<b>Sep 26, 2008 </b></td>
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Spike Lee's <i>Miracle at St. Anna</i> is a puzzler, a film that isn't just traditionally bad, but features some of the most baffling filmmaking decisions of 2008. It's a head-scratcher that makes you wonder just what sort of movie the people involved thought they were making, because it is very unlikely that any of that imagined film is up on the screen. Disjointed storytelling, selfish editing, a misguided and unfocused screenplay, and some incredibly bad performances turn what could have been an interesting film <a href="http://www.movieretriever.com/blog/131/movie-review-miracle-at-st-anna
/1699304">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Sep 2008 08:18:09 -0400</pubDate>
<link>http://www.movieretriever.com/blog/131/movie-review-miracle-at-st-anna
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<title>Movie Review: Choke
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<b>Sep 26, 2008 </b></td>
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Chuck Palahniuk has long been obsessed with bodily expulsions, an obsession that, arguably, the author explored to its furthest depths in one of his best novels, <i>Choke</i>. The fourth novel from the man who wrote <i>Fight Club</i> and <i>Haunted</i> is about all those things we push out of our body both physically and emotionally, whether it be through the Heimlich Maneuver, dirty sex on a bathroom floor, or coming to terms with the mental and physical decline of a loved one. It’s not an <a href="http://www.movieretriever.com/blog/130/movie-review-choke
/1699294">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Sep 2008 08:16:39 -0400</pubDate>
<link>http://www.movieretriever.com/blog/130/movie-review-choke
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<title>Movie Review: The Duchess
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<b>Sep 26, 2008 </b></td>
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<i> </i>
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<i>The Duchess</i> is this season's &quot;painted cinema.&quot; All the colors are there and it's never hard to look at, but it's ultimately as two-dimensional as a trip to the art gallery. A lovely score by Rachel Portman, nomination-worthy costume design by Michael O'Connor, an intriguing supporting performance by Ralph Fiennes (an actor who is almost always one of the best things about every film he’s in), and... well... that's it. If you took away the costumes and the gorgeous sets and moved the action <a href="http://www.movieretriever.com/blog/129/movie-review-the-duchess
/1699295">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Sep 2008 08:15:34 -0400</pubDate>
<link>http://www.movieretriever.com/blog/129/movie-review-the-duchess
/1699295</link>
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<title>Movie Review: The Lucky Ones
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<b>Sep 26, 2008 </b></td>
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I know it’s an easy play on the title, but <i>The Lucky Ones</i> are the folks in the theater next door to Neil Burger’s heartfelt but deeply, deeply flawed drama about three Iraq soldiers on a bizarre road trip across America’s heartland. Despite a heart that’s clearly in the right place and three very good actors in the lead roles, <i>The Lucky Ones</i> can be easily discarded onto the pyre of failed Iraq War movies like <i>Lions For Lambs</i>, <i>Rendition</i>, <i>In the Valley of <a href="http://www.movieretriever.com/blog/128/movie-review-the-lucky-ones
/1699303">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 26 Sep 2008 08:14:25 -0400</pubDate>
<link>http://www.movieretriever.com/blog/128/movie-review-the-lucky-ones
/1699303</link>
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<title>Ten Other Icons That Should Be Played by Johnny Depp
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<b>Sep 25, 2008 </b></td>
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On Wednesday, the Walt Disney Company hosted an event in Hollywood to preview their upcoming film slate and possibly the two most noteworthy announcements were that indie-actor turned film-franchise-fixture Johnny Depp will be playing the Mad Hatter in Tim Burton's upcoming 3D version of <i>Alice in Wonderland</i> and that Depp will also very probably be playing Tonto in a <i>Lone Ranger</i> movie. (Apparently, during the event, after a marching band played a chorus of the Lone Ranger theme, Depp appeared behind Disney Chairman Dick Cook on stage in full <a href="http://www.movieretriever.com/blog/127/ten-other-icons-that-should-be-played-by-johnny-depp
">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 25 Sep 2008 00:51:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/127/ten-other-icons-that-should-be-played-by-johnny-depp
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<title>Hackers Reveal the 2008 Candidates' Netflix Queues
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<b>Sep 19, 2008 </b></td>
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Pundits were shocked this week when hackers announced that they had broken into Governor Sarah Palin's Yahoo email account and posted images of her correspondence on the internet. While this invasion of privacy raised many eyebrows in Washington, apparently, the 2008 Presidential candidates did not move quick enough to further protect their vital online information and, we're sad to say, the hackers have struck again. This time, MovieRetriever.com has been contacted by a group of computer pirates who claim to have hacked all of the candidates' personal Netflix accounts, <a href="http://www.movieretriever.com/blog/126/hackers-reveal-the-2008-candidates-netflix-queues
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Sep 2008 10:27:00 -0400</pubDate>
<link>http://www.movieretriever.com/blog/126/hackers-reveal-the-2008-candidates-netflix-queues
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<guid>http://www.movieretriever.com/blog/126/hackers-reveal-the-2008-candidates-netflix-queues
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<title>Movie Review: Lakeview Terrace
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<b>Sep 19, 2008 </b></td>
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&nbsp;
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The racial and social tension that used to be solely the product of the “urban drama” has moved to the suburbs in <i>Lakeview Terrace</i>, an interesting-but-flawed thriller from the once-controversial Neil LaBute. The famous playwright and director of <i>In the Company of Men</i> and <i>The Shape of Things</i> has long been interested in what happens when good people are forced to co-exist with bad and, despite a relatively generic set-up and some awful previews, <i>Lakeview Terrace</i> is not as <a href="http://www.movieretriever.com/blog/125/movie-review-lakeview-terrace
/1699302">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 19 Sep 2008 00:02:50 -0400</pubDate>
<link>http://www.movieretriever.com/blog/125/movie-review-lakeview-terrace
/1699302</link>
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<title>Can These Five Upcoming Movies Escape the Sophomore Slump?
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<b>Sep 17, 2008 </b></td>
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There's a phenomenon in the entertainment industry known as the &quot;sophomore slump,&quot; a terrifying condition (much worse than the &quot;freshman fifteen&quot;) in which a movie director finds unparalleled success with their debut effort only to stumble (and, in some cases, crash and burn) with their follow-up project. It happened to John Singleton with <i>Poetic Justice</i>, Kevin Smith with <i>Mallrats</i>, Andrew Niccol with <i>Simone </i>- heck, as a director, even Kevin Costner followed up <i>Dances with Wolves</i> with <i>The Postman</i>. Even directors with less-than-successful debuts tend to have trouble with <a href="http://www.movieretriever.com/blog/124/can-these-five-upcoming-movies-escape-the-sophomore-slump
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 17 Sep 2008 15:45:13 -0400</pubDate>
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To some, <i>Righteous Kill</i> may have been the long-anticipated reunion of two acting titans (Al Pacino and Robert De Niro). Those same people may probably have even been looking forward to this new offering from director Jon Avnet (who, the last time I checked hadn’t really scored since <i>Fried Green Tomatoes</i> way back in 1991). At the risk of forfeiting my man card, I have to admit that I have never been much of a fan of De Niro and Pacino’s last collaboration – <a href="http://www.movieretriever.com/blog/123/editors-views-righteous-kill
/1699308">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Sep 2008 16:58:35 -0400</pubDate>
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<title>Movie Review: Burn After Reading
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One of the oldest archetypes in screenwriting is that of the &quot;lovable loser.&quot; It's a character model that's been a major part of the medium from Charlie Chaplin to Ben Stiller, and the Coen Brothers are very familiar with that special kind of comedic hero that can’t quite get his stuff together. Characters like H.I. McDunnough (<i>Raising Arizona</i>), Jeffrey Lebowski (<i>The Big Lebowski</i>) and Jerry Lundegaard (<i>Fargo</i>) may have been morons, but you could always tell that the Coens felt for them. They loved <a href="http://www.movieretriever.com/blog/122/movie-review-burn-after-reading
/1699293">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 12 Sep 2008 00:24:12 -0400</pubDate>
<link>http://www.movieretriever.com/blog/122/movie-review-burn-after-reading
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<title>Seven of the Least Subtle Moments in Recent Movie History
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Film is not necessarily a subtle medium and, as if to prove that point, there are certain movie directors who've made careers of taking subtlety, covering it in gunpowder and diesel, and igniting it with the tailpipe of a nitro-burning funny car. (Looking at you, Michael Bay.) And while we can't fault those agents of bombast for avoiding the understated, there are other directors who almost specialize in the subtle, delivering film after film filled with quirky character moments, brooding tensions, and unspoken suspense. However, even the most accomplished <a href="http://www.movieretriever.com/blog/121/seven-of-the-least-subtle-moments-in-recent-movie-history
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 10 Sep 2008 21:07:19 -0400</pubDate>
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There's a lot to like about the modern film industry - the Coen Brothers winning Oscars, halfway-decent Batman movies, mercifully few Dane Cook &quot;comedies&quot; - however, there are certain age-old traditions that Hollywood has abandoned lately, and we're here to say enough is enough. Specifically, we're here to petition for the return of the overly-expository end-credit rap song. You know what we're talking about - those insanely catchy rap anthems that run during the end credits of movies, blithely recounting everything you've just watched to a drum-machine beat. What <a href="http://www.movieretriever.com/blog/120/ten-hilariously-awesome-endcredit-rap-songs
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 09 Sep 2008 22:26:53 -0400</pubDate>
<link>http://www.movieretriever.com/blog/120/ten-hilariously-awesome-endcredit-rap-songs
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<title>Movie Review: Bangkok Dangerous
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<b>Sep 05, 2008 </b></td>
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Does anyone else remember when Nicolas Cage mattered? Does he? When he was not only an A-list actor but someone who had an unpredictable screen presence and charisma that was indefinably unique? The Cage of the 1980s and 1990s has become a caricature of his former self, appearing in by-the-numbers junk like the <i>National Treasure</i> movies or, even worse, genre product that he does clearly for the paycheck. How else to explain <i>Ghost Rider</i>, <i>The Wicker Man</i>, <i>Next</i>, or <i>Bangkok Dangerous</i>? We’ve come to expect boring action movies that don’t screen <a href="http://www.movieretriever.com/blog/119/movie-review-bangkok-dangerous
/1697564">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 05 Sep 2008 17:01:56 -0400</pubDate>
<link>http://www.movieretriever.com/blog/119/movie-review-bangkok-dangerous
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<title>Underrated Sci-Fi Movies: Five We Missed, Five We Didn't
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<b>Sep 02, 2008 </b></td>
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We've had a massive response to last week's feature on <a href="http://www.movieretriever.com/editor/blog/editors/115/Ten-Truly-Underrated-Sci-Fi-Movies">Ten Truly Underrated Sci-Fi Movies</a>, a response that's taught us two things - 1). People have a true, hardcore passion for talking about their favorite sci-fi films and 2). People effing HATE <i>Aeon Flux</i>. (We knew it was going to be an unpopular choice, but sometimes, you've just got to live dangerously.) But the main thing we want to get across to our readers is &quot;We've heard you.&quot; We are self-obsessed, self-esteem-challenged narcissists, and we've read every comment, <a href="http://www.movieretriever.com/blog/116/underrated-scifi-movies-five-we-missed-five-we-didnt
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 02 Sep 2008 11:54:49 -0400</pubDate>
<link>http://www.movieretriever.com/blog/116/underrated-scifi-movies-five-we-missed-five-we-didnt
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<title>Ten Truly Underrated Sci-Fi Movies
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<b>Aug 27, 2008 </b></td>
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What is it about sci-fi movies that always make us give them the benefit of the doubt? Case in point - this week's pathetic-looking Vin Diesel vehicle, <a href="http://www.movieretriever.com/editor/movies/1697563/Babylon-AD"><i>Babylon</i><i> A.D.</i></a>, which (surprise, surprise) isn't screening for critics. (Never a good sign.) Diesel plays Toorop, a futuristic mercenary charged with protecting a young woman who might be the host for an organism... yawn... oh sorry, nodded off from boredom for a minute. But, meanness aside, even though <i>Babylon A.D.</i> is a Vin Diesel movie, directed by the auteur who brought <a href="http://www.movieretriever.com/blog/115/ten-truly-underrated-scifi-movies
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 27 Aug 2008 12:59:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/115/ten-truly-underrated-scifi-movies
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<title>Live-Blogging 24 Hours of Movies for Children's Leukemia
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<b>Aug 22, 2008 </b></td>
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You've got to hand it to the <b>Children's Leukemia Foundation of Michigan</b>. Not only do they do provide a staggering level of much-needed comfort and support to families of children and adults affected by leukemia, lymphoma, and other related blood disorders, but they also know how to throw one heck of a fundraiser. While other charities focus solely on physical activities - fun runs, marathons, and so on - the CLF very, very wisely realized that there's a market for organizing fundraisers targeted towards the lazy, out of shape, <a href="http://www.movieretriever.com/blog/114/liveblogging-24-hours-of-movies-for-childrens-leukemia
">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Aug 2008 09:42:08 -0400</pubDate>
<link>http://www.movieretriever.com/blog/114/liveblogging-24-hours-of-movies-for-childrens-leukemia
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<title>Movie Review: Death Race
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If you're considering seeing <i>Death Race</i> this weekend, send me ten bucks and I'll personally come to your house and punch you in the face instead. It will be more dramatically rewarding. How about a more practical idea? You see that trailer above this review? Plug in your headphones. (Others shouldn't have to suffer.) Turn your computer's volume up as high as it will go. Watch it 52 times in a row. Take some Advil and call Paul W.S. <a href="http://www.movieretriever.com/blog/113/movie-review-death-race
/1699421">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Aug 2008 00:02:54 -0400</pubDate>
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<title>Movie Review: Elegy
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<b>Aug 22, 2008 </b></td>
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There’s much irony in the fact that it took a female director to finally successfully bring the sometimes misogynistic Philip Roth to the big screen. Based on a short story by the masterful writer called <i>The Dying Animal</i>, Isabel Coixet's <i>Elegy</i> is one of the more interesting dramas of the year, and it has not been easy to heap praise on previous Roth adaptations like <i>The Human Stain</i> or <i>Portnoy's Complaint</i>. With other modern masters of the written word <a href="http://www.movieretriever.com/blog/112/movie-review-elegy
/1699362">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 22 Aug 2008 00:01:34 -0400</pubDate>
<link>http://www.movieretriever.com/blog/112/movie-review-elegy
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<title>Open Letter to James Cameron RE: AVATAR
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<b>Aug 20, 2008 </b></td>
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Hi Jim,
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Hey, we read the interview you did about <b><i>Avatar</i></b>, your long-gestating sci-fi epic, in the <i><a href="http://www.hollywoodreporter.com/hr/content_display/film/news/e3i6ec60c14937dc20da6960fa2dd95937c" target="_blank">Hollywood Reporter</a></i> two weeks ago, and, we'll admit, we're getting very, very excited about the project.
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<b>[<i><u>Editor's note</u></i></b><b> -</b> For those of you who don't know, <i>Avatar </i>- which is slated for a December 2009 release - is Cameron's first theatrical film <a href="http://www.movieretriever.com/blog/111/open-letter-to-james-cameron-re-avatar
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 20 Aug 2008 11:52:24 -0400</pubDate>
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<title>Movie Review: The Rocker
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<b>Aug 20, 2008 </b></td>
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I've been trying all day to think of an album equivalent to <i>The Rocker</i>, but I can’t come up with a record title that’s widely recognized as being only half-worthwhile. Here’s the best way to put it – think of a musician or band that you really consider talented and burn together a mix tape that alternates between their best tracks and their absolute worst. <i>The Rocker</i> is a frustrating comedy, one that can't completely be written off as <a href="http://www.movieretriever.com/blog/110/movie-review-the-rocker
/1699429">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 20 Aug 2008 00:10:33 -0400</pubDate>
<link>http://www.movieretriever.com/blog/110/movie-review-the-rocker
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<title>
Ten Terrible Moments in Movie Design

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<b>Aug 19, 2008 </b></td>
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We're not exactly what you'd call &quot;design-obsessed&quot; here at MovieRetriever.com. We don't believe in feng shui, we don't follow fashion, and, even if you put a gun to our heads, we'd be hard pressed to distinguish a Frank Lloyd Wright house from a Roscoe's House of Chicken and Waffles. (Roscoe's is the one where the plumbing actually works, right?) But, even though we generally don't have a very discriminating palette, we are very, very sensitive when it comes to <a href="http://www.movieretriever.com/blog/109/
ten-terrible-moments-in-movie-design

">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 19 Aug 2008 11:47:20 -0400</pubDate>
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<title>Movie Review: Henry Poole Is Here
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<b>Aug 16, 2008 </b></td>
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It’s undeniably hard to make a movie about faith and miracles with grace and subtlety, but couldn't director Mark Pellington and writer Albert Torres have put a little effort into it? About as subtle as a prayer revival meeting tag-teamed by Jeremiah Wright and Al Sharpton, the awful <i>Henry Poole Is Here</i> hammers home its desire to teach you a lesson about hope like a marathon of NBC's &quot;Now You Know&quot; commercials. With a pre-production that failed in nearly <a href="http://www.movieretriever.com/blog/108/movie-review-henry-poole-is-here
/1699414">...Read more at MovieRetriever.com</a>
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<pubDate>Sat, 16 Aug 2008 12:21:32 -0400</pubDate>
<link>http://www.movieretriever.com/blog/108/movie-review-henry-poole-is-here
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<title>Movie Review: Vicky Cristina Barcelona
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<b>Aug 15, 2008 </b></td>
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Woody Allen had to go to London to find his edge again with the brilliant <i>Match Point,</i> and, apparently, he had to go to Barcelona to find his softer side. Allen's best comedy in over a decade, <i>Vicky Cristina Barcelona</i>, is another gem from the living legend, one of the best movies of the year and a delightful, end-of-summer reminder that it is still possible to write an original screenplay not based on a comic book, TV series, or <a href="http://www.movieretriever.com/blog/107/movie-review-vicky-cristina-barcelona
/1699416">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 Aug 2008 16:44:22 -0400</pubDate>
<link>http://www.movieretriever.com/blog/107/movie-review-vicky-cristina-barcelona
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<title>Movie Review: The Clone Wars
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<b>Aug 15, 2008 </b></td>
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Do you remember when George Lucas left so much to thrive in his viewer's imaginations? Just the fact that <i>The New Hope</i> was the fourth installment in a reportedly nine-part series always left fans of the original <i>Star Wars</i> trilogy the right to dream. We could imagine what happened in those first three films and what would happen after <i>Jedi</i>. And what the hell were the Clone Wars, that cool-sounding conflict mentioned off the cuff by Obi-Wan Kenobi to <a href="http://www.movieretriever.com/blog/106/movie-review-the-clone-wars
/1699415">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 Aug 2008 08:48:53 -0400</pubDate>
<link>http://www.movieretriever.com/blog/106/movie-review-the-clone-wars
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<title>Movie Review: Transsiberian
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<b>Aug 15, 2008 </b></td>
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The Trans-Siberian rail line through Asia is still one of the most fascinating in the world. From Beijing to Moscow, travelers face an odd dichotomy between the inherently claustrophobic nature of traveling by train, with its small beds and cabins, and the wide-open expanse of a vast barely-populated, snow-covered landscape, where wandering off the beaten path is seriously not advised. And if you're a pair of travel-weary Americans, it becomes an even more startling experience, especially if you don't <a href="http://www.movieretriever.com/blog/105/movie-review-transsiberian
/1699289">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 15 Aug 2008 08:46:43 -0400</pubDate>
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<title>Movie Review: Tropic Thunder
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<b>Aug 13, 2008 </b></td>
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<p>
<i>Tropic Thunder</i> is star/co-writer/director Ben Stiller's big middle finger to the critics who have noted that his career trajectory has turned pretty lame since he started doing family-friendly, lowest-common-denominator fare like <i>Meet the Fockers</i> and <i>Night at the Museum</i>. Sure, they made Ben billions, but where was the daring performer from <i>The Ben Stiller Show</i>, <i>There's Something About Mary</i>, or even the reckless dude who made <i>The Cable Guy</i>? He's back in <i>Tropic Thunder</i>, the most daringly un-PC, in-your-face film that Hollywood has produced since <i>Team America: World Police</i> and a solid third hit <a href="http://www.movieretriever.com/blog/104/movie-review-tropic-thunder
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<pubDate>Wed, 13 Aug 2008 00:10:42 -0400</pubDate>
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<title>WHO Directed That?: Four New Movies That Are Keeping Their Directors a Secret
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<b>Aug 13, 2008 </b></td>
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If you're planning on seeing <i>Vicky Cristina Barcelona</i>, prepare yourself for a surprise. It's not a third-act twist and Javier Bardem definitely isn't a ghost or anything, but, if you've been following the movie's ad campaign, you might be very, very surprised to know that <i>Vicky Cristina Barcelona</i> is actually a Woody Allen movie. (Pause for gasps.) That might not be a shocker if you're a Woody fan or if you're a big Hollywood news junkie, but if you're the average moviegoer, the kind that bases their decision to <a href="http://www.movieretriever.com/blog/103/who-directed-that-four-new-movies-that-are-keeping-their-directors-a-secret
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 13 Aug 2008 00:06:08 -0400</pubDate>
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<title>Help MovieRetriever.com Fight Leukemia!
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The folks behind MovieRetriever.com are raising money for the Children's Leukemia Foundation of Michigan this summer and would like to ask for your help. First, a little back story to set the mood....
</p>

<a href="http://www.leukemiamichigan.org/Fundraising/Default.aspx?TeamId=44" target="_blank"></a>


Every year, the MovieRetriever.com Team participates in the Hollywood Nights Movie Marathon - 24 hours of non-stop movies at Emagine Theatre at Fountain Walk in Novi, Michigan. The marathon takes place this year on August 22 &amp; 23 and is a contest of pure endurance, greater than any triathlon or survival course - can the MovieRetriever.com Team persevere through 24 <a href="http://www.movieretriever.com/blog/102/help-movieretrievercom-fight-leukemia
">...Read more at MovieRetriever.com</a>
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<pubDate>Tue, 12 Aug 2008 10:15:35 -0400</pubDate>
<link>http://www.movieretriever.com/blog/102/help-movieretrievercom-fight-leukemia
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<title>
Five Movies That Joss Whedon Should Direct

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<b>Aug 07, 2008 </b></td>
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If you've never heard of <a href="http://www.movieretriever.com/editor/castandcredits/47774/Whedon-Joss">Joss Whedon</a>, then you obviously don't watch TV or movies, you probably don't go on the internet that much, you definitely don't read comic books or blogs, and you probably don't know any men or women between the ages of 18 to 35. Now that we've made you annoyingly self-conscious, for those who legitimately don't know who Joss is, he's the creator of such fan favorite TV series as <i>Buffy the Vampire Slayer</i>, <i>Angel</i>, <i>Firefly</i> (and its movie spin-off <i><a href="http://www.movieretriever.com/editor/movies/1690310/Serenity">Serenity</a></i>), and the <a href="http://www.movieretriever.com/blog/101/
five-movies-that-joss-whedon-should-direct

">...Read more at MovieRetriever.com</a>
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<pubDate>Thu, 07 Aug 2008 12:54:45 -0400</pubDate>
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<title>Movie Review: Pineapple Express
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<b>Aug 06, 2008 </b></td>
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The title of the latest Apatow-verse comedy, <i>Pineapple Express</i>, refers to a particularly rare and potent blend of marijuana, a miracle buzz that only a few lucky people can get from the right dealer. It seems appropriate subject matter for a comedy that is itself a unique blend of action and comedy, the kind of buddy movie that they made a lot more of in the '80s (<i>Midnight Run</i>, <i>48 Hours</i>, etc.), but that has kind of fallen out of style now that the Farrelly brothers and Will Ferrell have replaced dark humor with <a href="http://www.movieretriever.com/blog/100/movie-review-pineapple-express
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<pubDate>Wed, 06 Aug 2008 00:03:15 -0400</pubDate>
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<title>Ten 80s Movies That Don't Get the Credit They Deserve
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<b>Aug 05, 2008 </b></td>
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What was it about the 1980s that inspires so much nostalgia nowadays? Was it the eight years of Reaganomics? The collapse of East European communism? New Coke, parachute pants, Thriller, Pac-Man, two separate-but-equal <i>Teen Wolf</i> movies? (Don't laugh. The first <i>Teen Wolf</i> is much, much worse than you remember.) Who knows? But, for whatever reason, you'd be hard-pressed to find a decade that modern pop culture reveres more than the 1980s. As such, people seem to go crazy for 80s movies and, we'll admit, there was a lot of <a href="http://www.movieretriever.com/blog/99/ten-80s-movies-that-dont-get-the-credit-they-deserve
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<pubDate>Tue, 05 Aug 2008 10:46:50 -0400</pubDate>
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<title>Movie Review: The Mummy: Tomb of the Dragon Emperor
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<b>Aug 01, 2008 </b></td>
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With a title that reads like a Mad Libs contest winner for stupid action sequels (other failed-but-equal entries might have been &quot;Crypt of the Monkey King&quot; or &quot;Pyramid of the Lizard Master&quot;), <i>The Mummy: Tomb of the Dragon Emperor</i> takes the already-mediocre reputation set by the first two <i>Mummy</i> films and completely destroys it. One of the most insufferable and boring action movies in years, <i>Mummy 3</i> should be an embarrassment to everyone involved, but that assumes that Rob Cohen can still feel shame, <a href="http://www.movieretriever.com/blog/98/movie-review-the-mummy-tomb-of-the-dragon-emperor
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<pubDate>Fri, 01 Aug 2008 00:03:58 -0400</pubDate>
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<title>Movie Review: Baghead
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<b>Aug 01, 2008 </b></td>
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A pair of awkward couples head to a cabin in the middle of nowhere after attending an independent film festival. The indie feature &quot;We Are Naked&quot; has inspired the foursome to believe that they can make a great film on their own with basically the money in their pockets and whatever they can come up with over a few bottles of wine. One of the pairs - Matt (Ross Partridge) and Catherine (Elise Muller) - has been on-and-off for years, and the other features a poor schlub named Chad <a href="http://www.movieretriever.com/blog/97/movie-review-baghead
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<pubDate>Fri, 01 Aug 2008 00:02:47 -0400</pubDate>
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<title>Movie Review: Swing Vote
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<b>Aug 01, 2008 </b></td>
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In this most vitriolic of political seasons, it makes sense that a studio would release a film that tries to bring peace to this increasingly divided country. Who better to unite us all than the everyman character that Kevin Costner has worn over the years like a comfortable pair of fishing boots? As more and more &quot;average Americans&quot; feel like they have no control over the decisions that are made about their country, it feels like an appropriate time for Hollywood to swoop in <a href="http://www.movieretriever.com/blog/96/movie-review-swing-vote
/1699285">...Read more at MovieRetriever.com</a>
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<pubDate>Fri, 01 Aug 2008 00:01:41 -0400</pubDate>
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<title>The Future of DC Comics Superhero Movies
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<b>Jul 31, 2008 </b></td>
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It seems funny, given the current box office dominance of <i>The Dark Knight</i>, that, just three weeks ago, Batman publisher DC Comics was having a high-level summit with its sister company Warner Brothers to come up with a more consistent strategy for bringing DC's wide catalog of superhero properties to the big screen. According to a recent article in <i><a href="http://www.variety.com/article/VR1117988775.html?categoryid=13&amp;cs=1&amp;nid=2562" target="_blank">Variety</a></i>,  &quot;Warners has never had such a strategy, and there have long been complaints the studio has been slow to exploit a potential treasure trove of franchises. And <a href="http://www.movieretriever.com/blog/95/the-future-of-dc-comics-superhero-movies
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<pubDate>Thu, 31 Jul 2008 13:22:40 -0400</pubDate>
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<title>Ten Moments Skeptics Want to See in Star Wars: The Clone Wars
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<b>Jul 30, 2008 </b></td>
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Here at the MovieRetriever offices, we're usually more than willing to give a movie, any movie, the benefit of the doubt. You never know when you're going to find a diamond in the rough, when something that sounds like an insanely stupid idea - a movie based on a Disney theme-park ride, for example - turns into something very memorable and very cool. (And, no, we're not referring to <i>Haunted</i><i> Mansion</i> or <i>The Country Bears</i>.)
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However, we'll admit, we're having <a href="http://www.movieretriever.com/blog/92/ten-moments-skeptics-want-to-see-in-star-wars-the-clone-wars
">...Read more at MovieRetriever.com</a>
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<pubDate>Wed, 30 Jul 2008 16:05:00 -0400</pubDate>
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<title>Movie Review: The X-Files: I Want to Believe
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<b>Jul 25, 2008 </b></td>
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Anticipation breeds expectation. Sure, the last few seasons of <i>The X Files</i> wrote a terrible final chapter for a once-amazing show, but the prospect of the reunion of Gillian Anderson, David Duchovny, and Chris Carter made the fanboy in all of us, well, to quote the title, want to believe. About a third of the way into the decade-in-waiting sequel to 1998’s <i>The X Files: Fight the Future</i>, I found myself scribbling alternate titles that a critic could use as the title for their <a href="http://www.movieretriever.com/blog/91/movie-review-the-xfiles-i-want-to-believe
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<pubDate>Fri, 25 Jul 2008 07:24:51 -0400</pubDate>
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