The classic seedy story of insurance agent Walter Neff (MacMurray), who's seduced by deadly blonde Phyllis Dietrichson (Stanwyck) into killing her husband (Powers) so they can collect together from his company. But the husband's "accident" invites suspicions from claims adjustor Keyes (Robinson) and Walter and Phyllis begin to turn on each other. Terrific, influential film noir, the best of its kind. Based on the James M. Cain novel.
Newspaper article from: Literature-Film Quarterly; 7/1/2009; Scott, Ian ; 5980+ words...Falling Down (Schumacher, 1993), Chinatown (Polanski, 1974), and all the way back to literary adaptations DoubleIndemnity (Wilder, 1944) and Mildred Pierce (Curtiz, 1945) among many others. LA as the archetypal dark city, "sprawled...
Newspaper article from: Literature-Film Quarterly; 7/1/2009; Snee, Brian J. ; 6136+ words...abandoned even by some of its best known writers. James M. Cain, author of The Postman Always Rings Twice and DoubleIndemnity, wrote in a style that epitomized the hard-boiled school, and yet he refused to accept the designation in part...
Newspaper article from: Film Criticism; 12/22/2007; Manon, Hugh S. ; 10482+ words...angular alternation of dark shadows and stark fields of light across various on-screen surfaces in films such as DoubleIndemnity (Billy Wilder, 1944), The Dark Corner (Henry Hathaway, 1946), Raw Deal (Anthony Mann, 1948), and many...
Newspaper article from: Literature-Film Quarterly; 10/1/2007; Fine, David ; 8633+ words...In addition to Lang's film, Otto Preminger's Laura (based on a Vera Caspary novel) and Billy Wilder's DoubleIndemnity (on a James M. Cain novel) appeared that year--both noir crime dramas by directors, who, like Lang, were...
Newspaper article from: Film Comment; 11/1/2002; Smith, Gavin ; 2985+ words...prototypical noir femme fatale, shoot Fred MacMurray in DoubleIndemnity. The camera then eases back from the TV screen to reveal...contrived setpieces (Dressed to Kill, Blow Out, Body Double, Raising Cain, and, let's say, Snake Eyes) are...