Director Scherfig is the first woman to use the strict Dogma 95 filmmaking rules (hand-held cameras, natural light, live music, no studios scenes, no costumes, and no special effects) of her Danish colleagues. She's also the first to try to do a romantic comedy in the Dogma style, and she pulls it off nicely. Her tale brings together six quirky lonelyhearts: Andreas (Berthlesen), newly widowed minister; Hall-Finn (Kaalund), a soccer-obsessed restaurant manager; his best friend Jorgen (Gantzler), who's convinced he's impotent; Olympia (Stovelbaek), who likes Andreas and cares for her abusive, ill father; Karen (Jorgensen) who cuts Hal-Finn's hair and cares for her alcoholic shrew of a mother; and Giulia (Jensen), an Italian waitress with a crush on Jorgen, in a Conversational Italian class. The seemingly lightweight plot is anchored by insight into everyday misery and hurt amid the giddy matchmaking and likeable characters.