Raymond Chandler's penultimate novel with the unmistakable Altman touch--which is to say that some of the changes to the story have pushed purist noses out of joint. Gould is cast as an insouciant anti-Marlowe, the film noir atmosphere has been transmuted into a Hollywood film neon, genre jibing abounds, and the ending has been rewritten. But the revamping serves a purpose, which is to make Marlowe a viable character in a contemporary world. Handsomely photographed by Vilmos Zsigmond. Don't miss bulky boy Arnold's cameo (his second film appearance).