Charlton Heston parting the Red Sea and other religious epics proving that most miracles can be reproduced by technical fakery while still inspiring faith in God.
(1964)
Perhaps Pasolini's greatest film, retelling the story of Christ in gritty, neo-realistic tones and portraying the man less as a divine presence than as a political revolutionary. The yardstick by which all Jesus-films are to be measured. In Italian with English subtitles or dubbed.
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