The film had some great acting, and some awe-inspiring cinematography. And yes, I loved all the action scenes. However, there was no real substance to the plot; instead, we get typical Hollywood quasi-intelligent cliched conversations that try to sound deep and meaningful. Needless to say, it ends up being cheesy. Another problem I had with the movie was it's PG-13 rating. Hollywood insists on making money; to their credit, they do it well. But to take an R-rated franchise and dull it down to a PG-13 is just obnoxious. They did the same thing to the Die Hard movies (Live Free or Die Hard's unrated version was SO much better than the theatrical one). It's not that I love blood and f-bombs, it's that it makes the movie feel more like it's predecessors.
Bottom line: while obviously not being anywhere near as good as the first two due to some script flaws and it's weak rating, Terminator Salvation still managed to entertain with it's loud and exciting action. Plus, it was better than the Rise of the Machines.
Disappointing to say the least. The movie is a one note bore until late the film. The dialogue is atrocious. Slipping in the "I'll be back" line was as forced a line as I've ever seen. In fact, it drew an audible groan from the crowd I saw it with. Leaps in logic and rather mundane action drop this film to the bottom of the barrel in terms of summer blockbuster material. I honestly can't think of one thing the director did right. Shooting this one note crapfest through panty-hose to give it a grainy feel may have seemed like an artistic touch but all it did was add to the unsavory feel and genuine disappointment this movie will generate.
Salvation is pretty good as a post-apocalyptic war movie with spectacular visual effects, but as a Terminator movie, it has a completely different vibe from the other three. I went in expecting something less than T1 and T2, and thus was not really disappointed. Salvation is probably almost as good as T3 (which I happen to like), but it almost feels like it's in a completely different genre. You have men fighting against all manner of machines, and the Terminators themselves are almost incidental, at least until the finale. Anton Yelchin is great as a young Kyle Reese and, as Marcus Wright, Sam Worthington completely steals the movie away from Christian Bale. I would likely watch it again, but this is definitely a different kind of Terminator movie.
That Costume...
Reviewed by Sharkbait for Catwoman at 2009-03-07 14:05:06
...would be the only reason this thing doesn't get the WOOF! Berry, of course, looks fantastic. The rest is a crappy story, lame CGI, and a groan a minute.
Newspaper article from: Entertainment Newsweekly; 5/22/2009; 909+ words...secret behind the possible annihilation of mankind. Terminator Salvation is directed by McG, from a screenplay by MichaelFerris and John Brancato. The film is produced by Moritz Borman, Derek Anderson, Victor Kubicek and Jeffrey Silver, and...
Newspaper article from: Entertainment Newsweekly; 5/8/2009; 1105+ words...s Angels, We Are Marshall). The screenplay is by MichaelFerris & John Brancato. Moritz Borman, Derek Anderson, Victor...editor Conrad Buff (Shooter), costume designer Michael Wilkinson (Watchmen), visual effects supervisor Charlie...
Newspaper article from: Entertainment Newsweekly; 7/21/2008; 1041+ words...modern family." Adapted from the novel by Michael Downing, "Breakfast with Scot" is a...Robin Brule, Kathryn Haggis, Travis Ferris and Jeananne Goossen. "We are totally thrilled that Michael Downing's fantastic novel will reach...
Newspaper article from: TelevisionWeek; 4/16/2007; 583 words...the truth is more complex than the conventional wisdom,'' Michael Cascio, senior VP of special programming at NatGeo, said...in Chicago. Among the positive things on display were the Ferris wheel, the tin can and the Pledge of Allegiance, but the...
Newspaper article from: Contemporary Theatre, Film and Television; 1/1/2005; 1666+ wordsRICHARDS, Michael 1949(?) – PERSONAL Full name, Michael Anthony Richards; born July 24, 1949 (some sources...known as The Mogul ), The Movie Channel, 1984. Mark Ferris, London Suite (also known as Neil Simon's " London...