Michelle Yeoh

Yeoh, Cheung and Miu are three superheros, each with their own unique powers, battle The Lord of the Underground to prevent him from kidnapping babies. Fun, over the top mixture of kung fu, slapstick and wild special effects. The film is delibrately cheesy, but it has it's share genuinely intense moments as well. Well worth seeing, but skip the Mirimax version.

If you want to read more about THE MUMMY: TOMB OF THE DRAGON EMPEROR, check out the MovieRetriever.com review in the BARKS WITH BITE blog by clicking HERE!

So, does Babylon A.D. get an "A" or a "D" on its scorecard? Maybe it will depend on which version of the movie you get to see in the years to come. This film got my attention as another one of those movies that shatters auteur theory into jagged little pieces. The French director, Mathieu Kassovitz even hates his own movie now that it has been taken away from him by the studio and bailed out by the production's insurance company after it went over budget and well beyond the film schedule. Maybe Babylon A.D. will get revisited on DVD in its former "glory." Its current "glory" is like an annoying, predictable firework. The movie is a cross between "The Fifth Element" and "Children of Men" without any of the playful fun of the former, and none of the intensity of the latter. Barely any of the movie takes place in New York, as the advertisements would have me believe, which may have something to do with the production going over budget (You can tell this is the New York of the future, though, because there are lots of neon advertisements splattered across the sides of buildings). The action sequences are chaotic, which may have something to do with the production going over budget, or something to do with the close-up, shaky hand-held footage. The embarrassingly tacked-on sequence of a snowmobile chase looks terrible, like it is being streamed on low-bandwidth internet connection, which may have something to do with how cold it was when they were filming. The story is nothing original, but it is possible to engage an audience even with a predictable story depending on how you tell it, and how this story was told may have something to do with the production going over budget, something to do with the studio cutting its costs, and something to do with how long it can take to make some stories work.