A near actionless knock-off of 'Die Hard' in which intelligence analyst (Russell) and commando (Seagal) must sneak on board a high-jacked airliner to prevent the terrorists from detonating a bomb over Washington D.C. Meanwhile, the President is wondering whether or not he should avoid the risk altogether by having the plain shot down, civilians and all. It sounds exiting but it's really very uneventful.
A near actionless knock-off of 'Die Hard' in which intelligence analyst (Russell) and commando (Seagal) must sneak on board a high-jacked airliner to prevent the terrorists from detonating a bomb over Washington D.C. Meanwhile, the President is wondering whether or not he avoid the risk by having the plain shot down, civilians and all. It sounds exiting but it's really very uneventful.
This Movie Sucks
Reviewed by lakers for Robots at 2011-01-02 01:58:16
I hate this film. This is one of the worst I have seen. I saw it 6 years ago when it came out. It was bad then because of the technology/early cgi. If you work in a retail store and someone wants to buy "Robots," give it to them for free - they shouldn't have to pay for it! This is a big fat WOOF!!
That Costume...
Reviewed by Sharkbait for Catwoman at 2009-03-07 14:05:06
...would be the only reason this thing doesn't get the WOOF! Berry, of course, looks fantastic. The rest is a crappy story, lame CGI, and a groan a minute.
Style Over Substance
Reviewed by Sharkbait for Robots at 2009-03-06 20:44:40
It's obvious they started this movie with the visual ideas (as they state they did in the DVD extras). They came up with this world--which is absolutely, mind-bogglingly, beautifully rendered in the film--and then hung a paper-thin plot on it. The voice cast is pretty good (minus Halle Berry, who is just bland), but the visuals definitely stick with you longer than any of the story elements.
I'm still pondering why the film always held me at arms' length from its deeply emotional content. The characters tended to spell out their experience too much as they talked about it. The dialogue was a little too calculated for me. Explained emotion rather than raw, living emotion. The one scene that got at it for me was when Del Toro is coming down off a heroin fix and Lopez asks him several times what he needs, what she can do to help him. He tells her he wants "Chocolate" - and the next time she asks: "ice cream." These short exchanges communicate the longing, guilt, desperation and raw physical experience that draws a more striking response from the viewer.
The Snake Pit meets The Cell
Reviewed by KHL for Gothika at 2008-08-06 11:16:07
Not a really original idea, and the visuals are very reminiscent of The Cell, which was pretty groundbreaking visually and preceded this movie by 3 years. Although Berry is the "star" she pales in comparison to Cruz and Downey, Jr., who give great performances despite the lackluster script. OK to watch once, but pretty predictable Hollywood stuff.