

Review by Brian Tallerico
With his Spanish-language features, The Devil's Backbone and Pan's Labyrinth, Guillermo Del Toro proved that he has the skills to make dreams (or, more accurately, nightmares) come to life. He's not just fascinated by the things that go bump in the night, he wants to make puppets out of them. And with those films (and, to a lesser extent, Cronos), he displayed a masterful talent for storytelling, weaving reality and fantasy into something magical. And yet, apparently, he can't do the same in his second language.
Having had the glorious pleasure of getting to spend some time with the man, I can tell you that Guillermo Del Toro is literally overflowing with ideas. He carries a journal around in which he constantly scribbles concepts, characters, and drawings that inspire him. It's nearly impossible to walk out of an interaction with the man and not have a smile on your face. That's why I find it so shocking and disappointing that I rarely smiled during Hellboy II:The Golden Army, a film that actually serves as an interesting counterpoint to Pan's Labyrinth. Where that masterpiece highlighted all of Del Toro's strengths, Hellboy II: The Golden Army shines a brutal spotlight on what are still some significant weaknesses.
Only vaguely picking up after the first film - one of the most frustrating elements of Golden Army is that it feels more like an "episode" than a true sequel - Hellboy II: The Golden Army is based on a fairy tale that the big red guy's father (John Hurt) told him when he was a horned child.
...Read MoreWelcome to Part Two of MovieRetriever's Picks for the 15 Upcoming Contenders for the 2008 Best Picture Oscar!
To read Part One, click HERE:
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