
I really, really wanted to like She's Out of My League. Star Jay Baruchel has been stealing scenes for years in films like Tropic Thunder and Nick & Norah's Infinite Playlist and the concept of the film sounded like the perfect vehicle for this talented young man to drive to stardom. So, it pains me to say that the wheels come of this comedy pretty quickly and Baruchel is left with nowhere to go.
Baruchel plays the sweet-but-awkward Kirk, a TSA employee at an airport in Pittsburgh. He's very slowly getting over a break-up with the horrendous Marnie (Lindsay Sloane), who is still close enough friends with Kirk's awful family that she's at the house all the time and even goes on family vacations. Kirk's surrogate family (and the one that's much better to him than his actual bloodline) is comprised of his three best friends at work – the sweet Devon (Nate Torrence), studly Jack (Mike Vogel), and over-the-top Stainer (T.J. Miller). Into this circle of testosterone falls the beautiful Molly McCall (Alice Eve), the kind of girl who mostly exists primarily in male fantasies. To be brief, she loves hockey and looks great in lingerie. Despite all human understanding of "dating leagues," this "hard 10" falls for Kirk, a “5” at best. Kirk's friends can't believe it. His family thinks it's some cruel joke. Even Molly's bitter friend Patty (Krysten Ritter) can't understand it. All of the discussion about the oddity of this beauty dating this beast leads Kirk to second guess his future with Molly and make some really bad social decisions. Comedy ensues.
Clearly modeled after the "hot chick, funny guy" formula of Judd Apatow comedies like Knocked Up, She's Out of My League is far from a complete disaster. Most notably, Baruchel makes it out completely unscathed. In fact, the piece would have been far worse without him. Torrence has a sweet comic sensibility that works and Ritter actually steals her scenes with an abrasive energy unlike anything else in the piece. As for the rest, Eve is still just a pretty face to this viewer, Miller overplays every single punchline, and Kirk's family is nothing but a series of clichés. There are a few moments that work and I liked the overall sweetness of the piece in that it's about valuing your self-worth over external appearances or what other people tell you to think but good intentions only get you so far in a comedy that’s not producing actual laughs.