In 1948, George Marshall, the President of the Screen Directors Guild (which became the Directors Guild of America, Inc. in 1960) announced to its senior members that the Guild would begin an Awards program to honor directors for their directorial achievement. Awards would be given on a quarterly basis, and would culminate in the presentation of the Annual Award for the Best Directorial Achievement to the winning director at the General Membership Meeting. Almost 60 years later, the Awards have grown to include television, documentaries, commercials, and Special Guild Service Awards including the Guild's highest honor, the Lifetime Achievement Award.
(1975)
Kaspar Hauser is a young man who mysteriously appears in the town square of Nuremberg, early in the 19th century. He cannot speak or stand upright and is found to have been kept in a dungeon for the first 18 years of his life. He becomes an attraction in society ... more
(1975) R
Touching, hilarious, dramatic, and completely effective adaptation of Ken Kesey's novel. Nicholson is two-bit crook Randle Patrick McMurphy, who, facing a jail sentence, feigns insanity to be sentenced to a cushy mental hospital. The hospital is anything but cushy, with tyrannical head nurse Ratched (Fletcher) out to squash any vestige ... more
(1975) PG
A grand, old-fashioned adventure based on the classic story by Rudyard Kipling about two mercenary soldiers who travel from India to Kafiristan in order to conquer it and set themselves up as kings. Splendid characterizations by Connery and Caine, and Huston's royal directorial treatment provides it with adventure, majestic sweep, ... more
(1975) Unrated
Sembene is at the height of his powers in this bitter and brilliantly witty tale of a self-satisfied, "Europeanized" black businessman (he washes his Mercedes with Evian) who is suddenly struck down by the dreaded 'xala' curse, which causes impotence. As he searches desperately---and in all the wrong places---for a ... more
(1975) R
Altman's stunning, brilliant film tapestry that follows the lives of 24 people during a political campaign/music festival in Nashville. Seemingly extemporaneous vignettes, actors playing themselves (Elliott Gould and Julie Christie), funny, touching, poignant character studies concerning affairs of the heart and despairs of the mind. Repeatedly blurs reality and fantasy.